Ickmusic @ ACL: Day Three Recap
Here’s the last of the Austin City Limits Festival recaps: Day Three comin’ at ya!
Sunday, September 16, 2007
Yo La Tengo – This was the perfect way to kick off the day. We had a late Denny’s breakfast, with a couple cups of coffee. It turned out that no caffeine was needed, though. The Yo La Tengo wall of sound tore through us like a jet engine. We showed up in time to hear their take on the Beach Boys’ “Little Honda”, one of my faves from their ’97 album, I Can Hear the Heart Beating As One.
The jet engine experience came during the last song of their set , as the trio tore into “The Story of Yo La Tango” [yes “Tango”]. It was fun to watch Ira Kaplan enter “the zone” during these feedback and distortion frenzies. Georgia Hubley, Kaplan’s wife, kept the rhythm, and burly bassist James McNew laid down those steady bass lines that made my first live – albeit brief – Yo La Tengo experience a memorable one.
The Story of Yo La Tango(mp3)Here they are doing “Pass the Hatchet, I Think I’m Goodkind” at ACL..
[youtube=http://www.youtube.com/watch?v=VG6aYSUJDFM 336 278]
The National – We caught the first few songs from Brooklyn’s The National. The only exposure I really have to them is through their latest album, The Boxer. I picked it up on eMusic a few months ago. Matt Berninger’s vocals remind me of that Peter Murphy type vibe. I got to hear my favorite, “Slow Show”.
Here they are singing “Mr. November” @ ACL…
[youtube=http://www.youtube.com/watch?v=-Oo5h8UyjRQ 336 278]
Sound Tribe Sector Nine – I wish I could have seen the full set by electronic jam band STS9. I may be wrong, but I think they’re all instrumental, right? We only dropped by for a couple – late in the set – and we already felt like we were late to the party, so off we went….
Ben Kweller – ..We saw the first three or four tunes of Ben’s set. Ben’s got some chops on guitar, and he had the power trio thing going too. He’s 26, but looks like he’s under 20 (form a distance). He has some great rock star moves, thrashing and flailing about like a red-maned 21st century Leif Garrett. There was an overabundance of upper teen-aged girls there for his set, too – which I had no problem with at all, mind you. But alas, my bro and I were soon off to our next musical adventure…
Here’s Ben slowing it down with “Old Hat”…
[youtube=http://www.youtube.com/watch?v=14gioX9PI6E 336 278]
Grace Potter & the Nocturnals – We only caught a couple of tunes this time around, but my wife and I enjoyed a Grace & the Nocturnals set back in April at the McDowell Mountain Music Festival here in Arizona. So we had enough time to catch her on the Hammond B3, and rockin’ the Flying V front and center. Talented singer and a talented band. But… I don’t know. I just don’t get a”WOW” out of the experience like a lot of others do.
Common – One of the two full sets of the day that we caught was Common. I’ve seen a few hip hop shows in my day – well, pre-90’s hip-hop that is. The last hip-show I probably saw the “Jam ’88 Tour”- which was LL Cool J , Public Enemy, Whodini, and Run D.M.C (among some others that I can’t remember).
But it was worth the wait, because Common is one of the few hip-hop artists today that I can enjoy. Kanye’s a huge talent, but just too much of an ass. Others I hear are just too cliche – money, violence, misogyny.. it’s been played out for a while now. I’m sure there’s a ton out there I would like if given the chance though.
Common was a late announcement to ACL. Mexican guitar duo Rodrigo y Gabriela were slated to perform, but cancelled the week before. A number of people, then, were probably expecting R&G on the stage, when out popped Common. There were other gospel, R&B, and soul acts performing at ACL, but it was great of the organizers to bring in the intelligent hip-hop sound.
Common brought along a DJ, a drummer, and a keyboard player. The “band” hip-hop feel, a la the Roots, probably won over a lot of the crowd from the start. But it was Common’s smooth, slick lyrical flow that endeared the crowd to him. Performing songs like “Black Maybe”, “Drivin’ Me Wild” (with Lily Allen samples in the background), and “Go”, Common was in charge, commanding respect from the overflowing crowd at the Dell stage. Even my bro, who has little history with the rap/hip-hop genre, was converted.
Here he is rockin’ da (mostly) white folks with “The Light”…
[youtube=http://www.youtube.com/watch?v=yyhyajm_WTQ 336 278]
Lucinda Williams – My intention going in to the festival was to enjoy Lucinda way up close, but as we found out quickly, ACL has a way of scheduling your time for you, rather than the other way around. So, while we caught a good part of Lucinda’s set, it was from far back in the grass, closer to the nearest beer tent than to the stage. We heard some good ones. Among them, “Joy”, “Essence” and a cover of the Doors’ “Riders on the Storm”.
Amos Lee – Favorite set of the day went to Philly soul-folkster Amos Lee. My whole family has loved “Arms of a Woman” ever since I snuck it on to a Wiggles CD (along with Metallica’s “Whiskey in the Jar”- get’ em started young) a couple years ago. It’s the perfectly crafted, perfectly sung, soulful love song. Like Amos Lee himself, the song is criminally under appreciated.
I hate to be an advocate for the placement of a song in a commercial, movie, or TV show, but if any song can appeal to a wide demographic of people, this one is it. This one’s a HIT folks!
From the moment Amos came out on stage with his Fender and went into “Dreamin”, the crowd was his. There is no other reaction than to be awed when you get to experience a voice like this live. The mainstream/ MTV / popular radio world seems so distant, otherworldly, and laughable when you hear a person like Amos sing. Effortless, smooth, and heavenly, quite frankly. For me, he’s on the same level as a Raul Malo: a voice from the gods, yet somehow managing to exist just below the radar.
It really hit home toward the end of the set, when Amos sang a steamy Isley Brothers ballad. The ACL setlist page lists it as “I Wanna Know”, but I think it may have been ” I Wanna Be With You”. Regardless, it transfixed the crowd. After the show, my bro remarked how he didn’t want that song to end.
Amos closed the set with a killer version of “Arms of a Woman”. Here’s a funny “It’s a Small Youtube world” moment: the first Youtube video I found of “Arms of a Woman” was shot directly behind me. I was shooting my own video (it ended up being too large for Youtube). My large melon is the centerpiece of this clip (and a sobering reminder that I’m losing my hair!):
[youtube=http://www.youtube.com/watch?v=2GdhYdGPBFs 336 278]
My Morning Jacket – I have to admit my expectations were probably a bit high for this set. I was front and center a couple of years ago at the Henry Fonda Theater in L.A., where MMJ came out and blew the roof off the place. The acoustics were perfect, my positioning was ideal, and I guess I was spoiled. For the ACL set, we were behind the soundboard to the right, and it covered about half of the stage (the sound quality could have been better too).
MMJ is definitely an entertaining bunch. This set featured a beach backdrop, the band decked out in tropical beachwear (including a long blonde wig on lead singer / guitarist Jim James), a metal detector guy roaming the stage for the whole set, and a half dozen hula girls holding pineapples. Sure, it was funny and different, but unnecessary, I thought. Maybe it was just me, but I found that it distracted from the music. But that’s not to say it wasn’t enjoyable. Andrew Bird joined in for a great version of “Golden”, a beautiful acoustic MMJ tune. They played some off their most recent studio release, Z. And the highlight for me: the majestic rocker “One Big Holiday”.
Here, MMJ sings “Lay Low” at ACL….
[youtube=http://www.youtube.com/watch?v=1vIihrgLYaI 336 278]
Wilco – I had only one gripe about ACL: My Morning Jacket and Wilco came on at the same time. Our decision was to start with MMJ and catch the last portion of Wilco’s set.
As we walked up to Wilco’s set, and heard them wrapping up “I’m the Man Who Loves You”, I immediately regretted not devoting all of my time to them. Live and learn I guess.
We saw the last few songs, which reached back to A.M. and Being There: “Red Eyed & Blue”, “I Got You”, “Casino Queen”, and “Outtasite (Outta Mind)”. I can’t get enough of Tweedy, Cline and the boys, and look forward to their return to the Arizona desert.
Here’s a cool sidestage view of Wilco doing “Handshake Drugs”…
[youtube=http://www.youtube.com/watch?v=BLkGDu2M_us 336 278]
Bob Dylan – As the festival headliner, Bob was the last one to go on. We made an attempt to get somewhat close to the stage, but found very quickly that it was futile to try. Tens of thousands of people were jockeying for a decent position to check out the legend. So we settled for a couple football fields back, and hoped to at least check out the large stage video screens. Well, guess what Bob didn’t allow for his set? Close-ups.
So as “Rainy Day Women..” kicked in from a distance, and I mean a distance, and all we could see on the giant screens was a distant shot of the stage. We gave it a few verses and called it a festival.
Wrapup: More than a week has passed since the festival wrapped up, and I still have that “post-good time” depression that we experience from time to time.
ACL was the one of the most well organized, seamless festivals I’ve ever attended.
- Every act started and ended exactly as scheduled.
- No cars / parking allowed anywhere near Zilker Park.
- An army of shuttle buses zipped the tens of thousands of us between the park and downtown Austin with little delay.
- Volunteers were available throughout the park to help anyone with any question.
- The abundance of BAR tents made getting a beer a BREEZE. $4 for a 16 ouncer. $7 for a larger souvenir cup.
- Plenty of port-o-potties, even without the few that got torched on day one. I still feel for the ladies though, as some of these toilets were looking quite nasty by the end of the days.
- Note to self: hit the merchandise tent on Day 1 next year. I waited till the last day and couldn’t find any shirts for myself or my kids (the wife got one, don’t worry).
- The Waterloo Records Tent gave fans the opportunity to get autographs and pictures with some of their favorites. I got the chance to meet Steve Earle. Can’t beat that!
- The Eats area was awesome. Plenty of variety along the long line of food tents.
- The giant mist-spraying fans were a godsend in the 95 degree heat.
I already miss the experience. If you love music, add this to your list of things to do before you move on to the great festival in the sky. Or if you’re like me, join me every year for the foreseeable future!
Thanks again ACL and Austin, Texas. See ya next year.
My Previous ACL Posts: Thanks Austin | Day 1 Recap | Day 2 Recap
Official ACL Festival Site: http://www.aclfestival.com
Alice Smith Re-Released!
Epic Records has signed Ickmusic Favorite Alice Smith and will re-release her debut record “For Lovers, Dreamers & Me” on October 30th, 2007. I can’t say enough that this is essential listening for all fans of music. Once details are available you can be sure we’ll share them, in the meantime here’s a stream of “New Religion” for your listening pleasure…
Alice Smith – New Religion (Windows Media) (Quicktime)
Link: Official Site | MySpace
Ladies and Gentlemen, Spoon
[youtube=http://www.youtube.com/watch?v=CvR3zVB_O20 336 278]
Prince In London Video
Since Prince is deputizin’ Web Sheriff to take back the internet from the Youtube’s and those troublesome fans of his music, I won’t try to embed the sweet video he has up on his site, or post an image of his purpleness. But that looks like a pretty sweet Prince tennis racquet.
The video is Prince during one of his recent London shows, plowing with great force through “Joy in Repetition”, “Anotherloverholenyohead”, and “Peach”. But ya can’t view it here. That would be unacceptable.
Here’s the Link to the video on Prince’s site, 3121.com; All Praise to Paisley Park Enterprises; May U Live to See the Dawn and not a Cease & Desist Letter from the purple lawyers: http://www.3121.com/joy/
Ickmusic @ ACL: Day Two Recap
With the cancellation of the White Stripes, Saturday’s headliner, many called this the weakest day of the festival lineup-wise. But for me, it turned out to be my favorite. Here’s why:
Raul Malo – What can be said about Raul Malo, other than he has the voice from the heavens and could sing the phone book and it would sound great. The former singer for the Mavericks kicked off the early afternoon with a fantastic set at the Dell stage, peppering in Mavericks classics like the barnburner “All You Ever Do Is Bring Me Down” and “Dance the Night Away”, with the steamy Latin love song “Besame Mucho”, a cover of Dwight Yoakam’s “It Only Hurts Me When I Cry”, and the mambo classic “Sway”.
One of the great things about seeing Raul Malo live is his sunny disposition. The guy seems to always be in a great mood on stage, and it’s rare not to see that beaming smile throughout his set. He has a way of putting the audience in a good place, and that good nature comes through in his music. Dammit I feel all warm and fuzzy just talking about it.
Here’s some sweet vid I shot of Raul and band doing “All You Ever Do Is Bring Me Down”:
[youtube=http://www.youtube.com/watch?v=mrKoS2_BtvE 336 278]
Watch an interview of Raul at the ACL festival.
Steve Earle – Having been tuned into Steve Earle’s new album with Dust Brother producer John King, I wasn’t surprised to see a couple of mic stands and a DJ rig set up for Steve’s ACL set. But it was a sight that probably made a few people go “hmmm.” The first few songs were just Steve and his gee-tars. He walked out and told his Townes Van Zandt / Amigo the Horse / Crested Butte story that prefaced Townes’ “Rex’s Blues” into “Fort Worth Blues”. Then he reached back to “Tom Ames Prayer”, “Rich Man’s War”, and “Copperhead Road”.
THEN, up crept DJ Neil, who laid down a funky lil’ beat which led into “Tennessee Blues”. I was front and center, and I heard some laughter and sounds of surprise from a lot of the crowd as they tried to comprehend what they were seeing: not Steve Earle & the Dukes, or Steve Earle solo, or Steve and the Del McCoury Band, but Steve Earle and a DJ. Two turntables and an acoustic guitar? Damn straight!
The Steve-DJ Neil portion of the set was dedicated solely to Steve’s new material from Washington Square Serenade
(out September 25th). He played 8 of the 12 songs from the album. His wife Alison Moorer came out for a few songs (“Down Here Below”, “City of Immigrants”, and “Days Aren’t Long Enough”), looking radiant in green…
When the set ended, and we were shuffling off to the next stage, I overheard a young lady say “That was weird.” I don’t think she meant it in a good way. For me, it’s the weirdness and unpredictability that attracts me to artists like Steve Earle, and I know a lot of people agreed with me on that day. It’s the courage to try something new, instead of sticking with the same formula. The same courage that inspired Bruce to release Tunnel of Love after Born in the U.S.A. (or head off on tour with the Seeger Sessions Band), or Prince to follow Purple Rain with Around the World in a Day. It may shake off some fans, but those of us who are interested in following artists along on their journey – wherever they may go – are in for a thrill.
Steve Earle carries himself like he’s sporting a perpetual middle finger to “what’s expected” of someone. Watching him strum along with the manufactured beats and samples of the DJ certainly was different than my past Steve Earle experiences, but was a lot of fun to watch. I caught a couple of moments where Steve and DJ Neil were interacting, and you could sense genuine happiness on Steve’s face – the joy of kicking down the walls and trying something completely new. Keep on going, Steve – I’ll be following along.
Set List
1. Story About Townes Van Zandt
2. Rex’s Blues
3. Ft.Worth Blues
4. Tom Ames’Prayer
5. Rich Man’s War
6. Transcendental Blues
7. Copperhead Road
8. Intro
9. Tennessee Blues#
10. Satellite Radio#
11. Oxycontin Blues#
12. Down Here Below#*
13. City Of Immigrants#*
14. Days Aren’t Long Enough*
15. Steve’s Hammer#
16. Way Down In The Hole## w/ Neil McDonald a.k.a “DJ Duke”
* w/ Alison MoorerYoutube snippet from ACL | Another one
Beausoleil – I regret not being better positioned for the Beausoleil set. We were off to the side, just far enough to miss out on the full Beausoleil experience. But we treated to some great traditional Cajun sounds, with leader Michael Doucet’s great voice and fiddle playing. I need to see them when they pass through Phoenix, but like a lot of the bands and artists I admire, Phoenix isn’t part of the tour itinerary. I think I need to be a promoter and pull in some of these acts. No Wilco? No Arcade Fire? No Beausoleil? And I could go on and on. I guess it has to do with the local radio market too, which is saturated with your run of the mill country, classic rock, “lite” jazz, and talk stations. And people are satisfied with this? Blechh… sometimes I feel like I live in a town with no fucking soul. I guess I feel especially sensitive to this right now because I just returned from Austin. But it’s always there. Of course, I’ve chosen to live out in suburbia in the land of cookie cutter houses, SUV’s, everybody and their uncle on their damn cell phones all the time (talking to their little bluetooth headsets), no sense of community. Did I say blechh? Let me say it again: blechh.
Arctic Monkeys – These Brits are a favorite of the music critics out there, and there are a lot of devoted fans – probably a lot of you – but they didn’t click with me. I can appreciate and admire the energy and creativity with their Brit-pop-rock-punk stylings, but I need a melody. I wasn’t hearing one. Not that they’re pitted against each other, but gimme Kaiser Chiefs!
Arcade Fire – Many people have asked about who I enjoyed most at ACL. “Arcade Fire” is my answer. It’s often followed by “Arcade who?” or “What kind of music do they play?”. I never know how to answer the “what kind of music” question. That’s why I struggle with reviewing records. It seems in order to write an accurate review, you have to pigeonhole artists into categories. I’m guilty of it by lumping every post of mine into genre categories. But I hate to define music. It’s so subjective. And people like me who appreciate every kind of music under the sun have a hard time putting it to words. “What kind of music do you listen to, Pete?” – Um, everything?
So how to answer the Arcade Fire question? I try with words like gypsy rock, high energy, Montreal, indie, Epic (with a capital E)…. does that do it justice? No. For one person, I pulled out my iPod and had her listen to “Intervention”. That’s Arcade Fire.
Ever since I first heard “Old Flame” about three years ago, I’ve chomped at the bit to see Arcade Fire live. Win Butler’s amazing vocals and the unique instrumentation promised for a great live experience. And great it was. We weren’t too far from the stage at all – a little to the front and left of the soundboard. We were in a sea of people with not too much room to move (my bro wasn’t too fond of the sixty-something, writhing hippie with an affinity for pouring water on his head to cool off). But when the music started, it turned into an intimate, communal experience.
They’re a seven piece ensemble. And they’re not the reserved bunch. Richard Parry flails around like a wild banshee, banging drums, crashing cymbals, and I think I saw him hitting a motorcycle helmet with wild abandon. Régine Chassagne, Win’s wife, played some wild looking instrument with a crank, played keyboards, played drums, and acted out lyrics at different times. Holding them all together is Win Butler. There’s something about the guy. I don’t know, some sort of wise and spiritual aura. Whatever it is, I can’t get enough of his voice.
My highlight was “Intervention”, which has to be my favorite song of the year. Goosebumps.
And the communal craziness of their encore, “Wake Up”, is evident here:
[youtube=http://www.youtube.com/watch?v=sf0KCsbChOA 336 278]
But enough of my yakkin’, you can download the show here.
Thanks to the boys at Hidden Track for hipping me to the ACL Downloads Page at Largehearted Boy .
Magical Warm-Up
Rolling Stone is reporting that Bruce Springsteen and the E Street Band will play two benefit rehearsal shows at Asbury Park’s Convention Hall next Monday and Tuesday. Tickets for the event are $100, and will support an as-of-yet unannounced beneficiary. For those of you not familiar, the Convention Hall is across the street from the legendary Stone Pony (heads up for some amazing aftershows!)
The site is showing the shows as “Sold Out” but I’m sure that there will be some tickets out in the wild for astronomical prices. Good luck!
And a note from Pete: E Street Radio makes its return to Sirius Satellite on September 27th on Channel 10! Click the pic…
A Nudge in the Right Direction
- My LastFM buddy Brian has a new music blog, and I think you should check it out. Small Things Stupid Packages debuted just over a week ago, and is off to a great start. Brian takes a look back at the opening day of the US Festival, 25 years later; delves into the music of Son House; and gives a sweet Spoon show from 2005.
- Ear Fuzz posts a couple tracks from the late great jazz pioneer, Joe Zawinul.
- Gonzo’s Music-o-rama enters the realm of Ethiopian Jazz with a look at Ethiopiques, vol. 4.
- Ben at Deeper Shade of Soul gives us a killer Flaming Lips show from ’99.
- Hidden Track passes along a link to a shiteous new song from shiteous comedian Dane Cook and Ann Wilson’s latest Zeppelin cover.
- Finally, get lost in one of Radio Free Wohlman‘s podcasts – you’re cheating yourself if you don’t. Here’s a recent one featuring the Kinks, XTC, John Mayall, Jimi Hendrix, and a lot more.
Ickmusic @ ACL: Day One Recap
Here’s a brief recap of my first day at ACL: Friday, September 14th….
Jesse Malin – my bro and I walked in part way into Jesse’s set. Jesse gets instant cred in my book because he pulled the Boss in to his new album to sing “Broken Radio” with him. He’s got the east coast pure rock n’ roll vibe going, and he delivered with his set. One of those acts that I need to see in a small club. I’ll be catching him next time he hits Phoenix.
Joseph Arthur & the Lonely Astronauts – far be it from me to be a superficial, “typical male”, but the bass player for Joseph Arthur & the Lonely Astronauts enhanced the show for me. Her name is Sybil Buck, turns out she’s a model for Yves St. Laurent, and she shakes and shimmies like she stepped out of a Robert Palmer video. The Astronauts set was a favorite of both my brother and I. Buck and the other female in the group, killer lead guitarist Jen Turner, laid down some sweet harmonies – making some of the tunes sound very ethereal and even Pixies-like at times. A great set, and it made me re-listen to their latest release, Let’s Just Be
, with a new appreciation. Hail hail Joseph & the Astronauts…
Will Hoge – the mid-afternoon, post fire set by Will Hoge at the Austin Venures stage was a nice well kept secret among the throngs at the festival. A relatively small crowd got treated to some down home rock n roll, often reminiscent of the Black Crowes (at least to these ears). Hoge even busted out some trademark Chris Robinson moves at times, complete with some handclaps and mic-stand staggers. Good set.
Blonde Redhead -We only caught a couple songs before getting positioned for Crowded House, but what I did hear sounded interesting. I’ll have to dig into some of their stuff.
Crowded House – my bro’s highlight of the weekend was seeing Crowded House, who he hadn’t seen since the early 90’s in Minneapolis. It was my first time seeing Neil Finn, Nick Seymour and the band. It was a solid, tight set that was the last of their six week North American tour. Hearing familiar tunes like “Weather With You” and “Don’t Dream It’s Over” was mighty nice.
M.I.A. – We were stuck behind the soundboard for Maya’s packed set, so we cut it a bit short after a few songs. But I watched some video screen action of M.I.A. and her dance partner jump around to the likes of “Bucky Done Gun”, “Sunshowers”, “Boyz”, and “World Town”. I should’ve pre-positioned myself for this one, if you know what I mean (huh?)…
(photo courtesy of Mark C. Austin on Flickr)
Youtube snippet from ACL (“Bucky Done Gone”)
Spoon – okay we were about 2 football fields back and I laid down and closed my eyes for a while, then we were off to see the Kaiser Chiefs. But I did hear some cool tunes off the new album, Ga Ga Ga Ga Ga
, like “The Underdog”, “Don’t You Evah” and “The Ghost of You Lingers”.
Kaiser Chiefs – These guys tore it up. All I really needed was “I Predict a Riot”, in which lead singer Ricky Wilson scaled the scaffolding, came down, jumped around, and then proceeded to twist his ankle. That didn’t dampen his spirits though. He hopped around on one leg for the remainder of the show; a set list filled with high energy British rock from start to finish.
Reverend Horton Heat – I’ve seen the Rev a multitude of times over the years, so it wasn’t a priority to catch the whole set. But we did manage to catch the last several tunes, which gave us “Psychobilly Freakout”, “Bales of Cocaine”, “It’s Martini Time”, Black Sabbath’s “Paranoid”, “Greensleeves”, and “Folsom Prison Blues”. It’s always good to see the Rev and his Gretsch, Jimbo and his stand up bass, and their latest drummer.
But I missed “400 Bucks“!
The Killers (from a diiistaaance) – We gave it a shot, but couldn’t get anywhere near the stage. So I can’t say I truly got to take in any of the Killers. We decided to head out.
Recaps of Days Two and Three coming soon.
“Obscurity Knocks” Files No. 101: Boogiemonsters
Authors Note: This is the kickoff of what I hope to be a bi-weekly feature. I have a few lined up but if you have any suggestions or recommendations leave a comment or drop a line to michael at ickmusic.com.
Album: Riders of the Storm: The Underwater Album
Genre: Psychedelic Hip-Hop
Status: Disbanded1994 Stands as one of those monumental years in Hip-Hop. The Notorious B.I.G. unleashed Ready to Die on the world, Nas dropped his classic Illmatic and we were all learning just how deep The Wu Tang Clan rolled with solo efforts from Method Man and The GZA. This year also stands out for all the underground acts that were bubbling up to the surface on smaller imprint labels. Groups like Souls Of Mischief, Black Moon and the subject of this file, The Boogiemonsters, released much slept on classic records during this time.
The Boogiemonsters’ four MC’s formed in and around ’92 when Brooklyn natives Vex and Mondo met the Jamaican born brothers Yodared and Myntric at Virginia State University. They ascended through the underground and college scene and were picked up by Pendulum Records in 1993. On August 9th, 1994 they released their debut album Riders of the Storm: The Underwater Album.
I clearly remember the first time I listened to the record. Swishy, heavily effected beats with touches of soul layered over it drew me in and made me nod my head while the lyrics gave way to a higher level of conscious, much in the same vein of A Tribe Called Quest or De La Soul. There was a message and a feeling to this record that separated from the rest. A passion that was on the positive with a flow so sweet it dripped like honey. Each of the four MC’s complementing the preceding style perfectly without sounding like a clone.
The single “Recognized Thresholds of Negative Stress” is a pure mission statement put to rhythm and verse.
“The cytoplasma, is gettin phatter as it grows
and expansions of the soul so throw the trash below dig within
Your mental will extend upon arrival of the truth the spiritual”My mind was blown. And it continued on throughout the rest of the record and to this day I can turn on this record and get lost in it. In writing this article I listened to it at least three times and found it just as fresh and new as it did in ’94.
According to sources on the interweb the group lost two members for “spiritual” reasons and their 1997 sophomore album God Sound cast them into hip-hop obscurity.
Boogiemonsters –
Recognized Thresholds Of Negative Stress(MP3)Boogiemonsters –
Muzic Appreciation (Sweet Music)(MP3)Bonus Video Files:
Boogiemonsters – Recognized Thresholds Of Negative Stress (Video)
[youtube=http://www.youtube.com/watch?v=ARc_mdE_r6A 336 278]
Boogiemonsters – Honeydips in Gotham (Video)
[youtube=http://www.youtube.com/watch?v=JtwkFj1IZ4g 336 278]
Buy Riders of the Storm: The Underwater Album: Amazon*
Links: MySpace (Vex Davortex)
*(The record is out of print, but it appears that you can pick it up from Amazon used.)
Thanks Austin
Well I’m back in the desert after a nice long, hot, exhausting, and thoroughly exhilarating weekend at the Austin City Limits Music Festival. Crikey, do those folks at ACL know how to put on a festival… seven stages scattered throughout Zilker Park – an immense city park that accommodated 65,000 (!) of us each of the three days. The army of shuttle buses from downtown Austin to the park was a godsend – when we figured it out on the third day. For those who are curious, it takes an hour and 10 minutes to walk from Zilker Park, across Town Lake, and down Cesar Chavez Blvd. to downtown. I know from experience. Thanks to the Lavaca Street Bar for serving as a veritable oasis to me and my brother – two very sweaty & weary customers who emerged from the hot and humid Austin night. Your pitchers of Dos Equis are to be commended. Well played.
With 130 acts playing over the span of three days, it was impossible to see every act I wanted to see. Unfortunately, I missed Damien Rice, Stephen Marley, and Joss Stone – to name a few. But here’s who we did get to see over the three days.
Friday:
Jesse Malin
Joseph Arthur & the Lonely Astronauts
Will Hoge
Blonde Redhead
Crowded House
M.I.A.
Spoon
Kaiser Chiefs
Reverend Horton Heat
The Killers (from a diiistaaance)Saturday:
Raul Malo
Steve Earle
Beausoleil
Arctic Monkeys
Arcade FireSunday:
Yo La Tengo
The National
Sound Tribe Sector Nine
Ben Kweller
Grace Potter & the Nocturnals
Common
Lucinda Williams
Amos Lee
My Morning Jacket
Wilco
Ziggy Marley
Bob DylanI’ll spend some time focusing on each day over the next few posts, but here are some highlights…
BEST IN SHOW: The Arcade Fire – Win Butler and his band of crazed gypsies killed on Saturday night. Since discovering them a couple years ago, they are the one band I’ve been dying to see live. And they lived up to my high expectations. The moment for me was the emotional anti-war “Intervention“, which he dedicated to “Governor Bush”. The studio version gives me the chills every time as it is. But live, it’s taken to another level. The encore, “Wake Up”, was an amazing crowd experience, as everyone sang along to the epic “OOOOOWOOOOOO”s. It was a high energy assault on the senses, and for me, one of the best live music experiences of my life.
MIGHTY NICE TO MEET YA, v. 1: After Steve Earle’s hour long set (with his quite fetching wife Alison Moorer joining in for a couple), he headed over to the Waterloo Records tent to sign some CD’s. My brother, camera in hand, came through with what will be a prized possession of mine: me and Mr. Earle!
Steve has shaved off his long, grizzly beard that he wore for his role on The Wire, and he’s looking like one bad-ass mofo these days. I remember not too long ago that he would have been the one with the double chin. Oh how the tables have turned! (dammit Pete, no more ice cream for you!… but that Ben & Jerry’s Willie Nelson Peach Cobbler is so Good! …NO!!).
MIGHTY NICE TO MEET YA, v. 2: I had a chance to meet up with the mighty Ace Cowboy over at Hidden Track. We caught some Beausoleil, Arctic Monkeys, and Arcade Fire together (or Arcade Monkeys as we came to call them). Ace has some detailed ACL posts up. He was dedicated enough to post from the road. My lazy ass left the laptop at home. Nice to meet a fellow blogga.
MY RUNNERS UP FOR BEST SET: Steve Earle, Raul Malo, Amos Lee, Joseph Arthur & the Lonely Astronauts, and Common.
More details will emerge this week. For now, I rest!