• Rock

    Reunion Fever: Led Zeppelin

    Mothership

    You know, most folks are geeked out over the Van Halen reunion (and being a guitarist who grew up in the 80’s I should be one of them) but I’m more excited to hear what Led Zeppelin sounds like with 20 years between them. What will the set list look like? Will they stick to the versions we all know and love or will they favor some new arrangements? And most importantly, will they play “Stairway To Heaven”? All burning questions…

    To coincide with the reunion, Rhino Records will be releasing a 2-disc ‘definitive’ collection with the tracks being personally selected by Jimmy Page, Robert Plant, and John Paul Jones.

    Preorder Led Zeppelin “Mothership”: Amazon

    Links: Official Site | Mothership Site

  • Video

    Siouxsie Solo

    Siouxsie

    For established artists, putting out new music is always a risky venture. Of course, it’s equally risky for the fan. More often than not, the result is disappointment. Recent disappointments for me include The Stooges’ Wierdness and Debbie Harry’s Necessary Evil. However, occasionally the artist in question pulls it off. The most recent example that comes to mind is last year’s New York Dolls disc, Someday it Will Please Us to Remember Even This. So it was with hesitation that I spun Siouxsie Sioux’s new album, Mantaray.

    I should preface this by saying that I only discovered Siouxsie and the Banshees a little over a year ago. I can’t claim to be a seasoned fan. In addition, I haven’t heard much of her previous project, The Creatures. Furthermore, this is the first solo disc Siouxsie’s ever recorded.

    I’m pleased to report that the album is surprisingly good. Of course, you have to accept that it isn’t going to blow your mind in the way the Banshees’ early work might. Nevertheless, Siouxsie’s voice is incredibly intact, the songs are both competent and enjoyable, and the album as a whole is well produced. Fans of the Banshees’ work should be pleased with Mantaray. I’m not sure that it will produce any new fans, but rarely do such establish artists accomplish that feat with new work. It’s a strong solo effort, and definitely worth picking up.

    Here is the video for the single, “Into a Swan.”

    [youtube=http://www.youtube.com/watch?v=T3CC0t66gd4 336 278]

    Mantaray streets 10/2 in the US (already available in the UK).

    Siouxise’s Official site

  • Bluegrass,  Jam,  Roots Rock

    The Gourds go Gyroscopic – it’s Austin time

    I ask you, what’s not to like about a band with a member named Shinyribs Russell? It’s the Gourds out of Austin, Texas. You may have heard a funny bluegrass version of Snoop Dogg’s “Gin and Juice” several years back (in the free Napster-era when we were all pinching ourselves – “holy shit, I can find any song I want!”). Many folks wrongly tagged the song as coming from Phish, but nope, it was the Gourds.

    They released their latest, Noble Creatures, back in July. I just picked it up on eMusic after hearing “The Gyroscopic” on Sirius. Nice earthy feel. I recommend.

    The GourdsThe Gyroscopic (mp3)

    Buy Noble Creatures: Amazon | The Gourds - Noble Creatures

    Linkage: Official Site | MySpace

    Deep in the Heaaart of Texaaas…. And so listening to an Austin band segues quite conveniently into my much anticipated maiden voyage to Austin for the Austin City Limits Music Festival. For those that can’t make it, you can check out a live webcast all weekend at the AT&T Blue Room. See y’all on the other side!!

  • Jazz,  Prince

    Sometimes It Snows In September

    Fuzzy

    Outside of the guitarist community there are probably not too many folks who know Israeli born guitarist Oz Noy. A long time fixture of the NYC music scene he seamlessly blends jazz, soul, funk with a dash of pop for good measure into his own very distinctive groove. His resume includes backing everyone from Harry Belafonte to Toni Braxton to Nile Rodgers but it’s his solo outings where he truly shines and his new release Fuzzy is no exception. And how pleasantly surprised was I to find a very familiar title in the track list. “Sometimes It Snows In April” is (for me) one of Prince’s masterpieces and I think that Oz pays beautiful homage.

    Buy Fuzzy: Oz Noy - Fuzzy | Amazon

    Link: Official Site | MySpace

  • Rock

    Ickmusic Inbox: Listen to Ryan Scott

    If life was fair and I could get paid for doing this, I’d be able to devote my time to discovering more music. My inbox is filled with what I’m sure are lots of quality tunes, but – as the song goes – “time won’t let me”. Well, here’s one from the inbox – Ryan Scott.

    Ryan Scott, 24, has been tooling around NYC for the last six years or so – inspired by the sounds of the 70’s. I always get a kick out of reading the “Sounds Like” section on MySpace music pages. Ryan opts for these: “Joni Mitchell, Paul Simon, Marvin Gaye, Donny Hathaway, Bill Frisell, Chris Whitley, Stevie Wonder, Randy Newman, Curtis Mayfield, Daniel Lanois, Steely Dan, Prince Rogers Nelson, , Jon Brion, Jimi Hendrix.”

    There’s some good tunes on his MySpace. I encourage y’all to go check out some of them. Here’s one:

    Ryan Scott5 O’ Clock News (mp3)

    Link: Ryan’s MySpace page.

    Ryan’s debut album, Smoke & Licorice will be released next week. I’ll get a link up to buy a copy as soon as I find one. His label’s web site (Velour) doesn’t have one available at the moment.

  • Americana

    Plant, Kraus and Prine Kill the Blues

    I was driving home from work last week, listening to Sirius Disorder while Howard was on commercial (sorry, I’m addicted), and was thrilled to hear a great song that I’d only previously heard coming from the raspy voice of John Prine. But this time it was emanating softly and sweetly from the mouths of Robert Plant and Alison Krauss.

    It turns out that Plant and Nashville bluegrass cutie Krauss holed up with producer T-Bone Burnett for an album of covers. They take on a broad sampling of some of their favorite tunes, ranging from the Everly Brothers to Tom Waits. The album, Raising Sand, will be out October 23rd. This should be good. Check out the track list (with songwriter in parenths):

    “Rich Woman” (Dorothy LaBostrie/McKinley Millet)
    “Killing the Blues” (Rowland Salley)
    “Sister Rosetta Goes Before Us” (Sam Phillips)
    “Polly Come Home” (Gene Clark)
    “Gone, Gone, Gone (Done Moved On)” (Phil and Don Everly)
    “Through the Morning, Through the Night” (Gene Clark)
    “Please Read The Letter” (Robert Plant/Michael Lee/Jimmy Page/Charlie Jones)
    “Trampled Rose” (Tom Waits/Kathleen Brennan)
    “Fortune Teller” (Naomi Neville)
    “Stick With Me Baby” (Mel Tillis)
    “Nothin'” (Townes Van Zandt)
    “Let Your Loss Be Your Lesson” (Milt Campbell)
    “Your Long Journey” (A.D. Watson and Rosa Lee Watson)

    The song I heard in the car was “Killing the Blues”. Silly me, not knowing that “Killing the Blues” isn’t a Prine-penned song at all, but rather a 1977 composition by Rowland Salley, who went on to play bass in Chris Isaak’s band. A great song, cool lyrics

    PRE-ORDER Robert Plant & Alison Krauss – Raising Sand on the Rounder Records Site or Amazon.

  • Funk

    Funkcronomicon

    The list of people involved in producer Bill Laswell’s 1995 Axiom Funk project is almost laugh-out-loud ridiculous, it’s so good: George Clinton, Bernie Worrell, Bootsy Collins, Herbie Hancock, Sly & Robbie, Sly Stone, Buckethead, Eddie Hazel, Maceo Parker, and a host of others. Reworked previously released tracks mix it up with new creations from Laswell and co.’s brilliantly imaginative minds.

    The album is out of print, but can be found if you poke around online (including Amazon) – or if you know cool people like The Swiss Funkmaster – thanks b. 😉

    You want a funky rhythm? Look no further…

    Axiom FunkAnimal Behavior (mp3)

    Bootsy Collins: Lead Vocal / Space Bass
    Buckethead: Guitar
    Bernie Worrell: Hammond B-3 Organ
    Bill Laswell: Samples
    Af Next Man Flip: Turntables
    Brain: Drums

    Axiom FunkUnder the Influence (Jes Grew) [mp3]

    George Clinton: Vocals
    Gary “Mudbone” Cooper: Vocals
    Bootsy Collins: Vocals / Guitar
    Herbie Hancock: Piano
    Robbie Shakespeare: Bass
    Sly Dunbar: Drum Programming
    Anton Fier: Drums
    Daniel Ponce: Congas
    Aiyb Dieng: Cowbells / Percussion
    Michael “Clip” Payne: Vocals
    Debra Barsha: Vocals
    Zhana Saunders: Vocals
    Edwin Rodriguez: Tuba
    Joe Daly: Baritone Horn
    Ted Daniel: Trumpet / Flugelhorn
    Janet Grice: Bassoon
    J.D. Parron: Tenor Saxophon / Flute
    Horns arranged and conducted by Henry Threadgill

    Buy Funkcronomicon on Amazon.

    All Music’s review of Funkcronomicon.

    Check out a video from the album. Watch Bootsy & Buckethead cover Jimi’s “If 6 Was 9″…

    [youtube=http://www.youtube.com/watch?v=ntyOO9Z-p4Y 336 278]

    Playing on “If 6..”

    Bootsy Collins: Lead Vocals / Space Bass
    Blackbyrd McKnight: Guitar
    Nicky Skopelitis: Guitar
    Robert Musso: Backward Guitar
    Buckethead: Intro Guitar
    Lili Haydn: Violin

  • Opera

    RIP Luciano Pavarotti: 1935-2007

    A Master has passed… RIP Luciano Pavarotti….

    I really encourage everyone who sees this to watch this video. Regardless of what your perceptions of Pavarotti (or opera) are, the goosebumps will come, trust me.

    Puccini’s “Nessun Dorma”…

    Love for the Maestro around the blog world (this will grow throughout the days)…

    The Official Web Site of Luciano Pavarotti.

    Charlie Rose interviews Pavarotti in October 2003:

  • Funk

    Remembering Rick James

    When Rick James died unexpectedly on August 6th, 2004, he was writing an autobiography, and working on a new album. Luckily, he had enough completed tracks to put together the posthumous and final studio album, Deeper Still, which was released earlier this year. The album includes some classic Rick James funk, some introspective tunes, and a cover – Crosby, Stills, and Nash’s “Guinnevere”. While it may look strange at first glance, there’s a connection there. What do CS&N and Rick James have in common? Many of you know the answer already. It’s Neil Young.

    In the mid 60’s, When his musical ambitions outweighed his desire to fulfill his duty in the U.S. Naval Reserves, Rick left his hometown of Buffalo, NY, and went AWOL. He was off to Toronto with the stage name Ricky Matthews to pursue a career in music. It was there he formed a band called the Mynah Birds, which would soon enough add Neil Young as a member. The Mynah Birds ended up recording one album with Motown. The whole thing blew up when their manager pocketed the label’s advance money. The manager was fired, and in turn notified the authorities of Rick’s AWOL status. The album was shelved, and Rick spent a year in the Brooklyn Brig.

    He moved to L.A. in 1969. During his eight years there, one of the bands he was involved in was Great White Cane. You can hear the song “Mother Earth”, with Rick on vocals, below.

    It was 1978, with his debut Motown album Come Get It!, when the Rick James we all know emerged. The breakout single was the eight minute “You and I”. The album also included his ode to the green: “Mary Jane”. From there, it was smooth sailing for the next 10 years or so, as Rick busted out the hits on Motown. His peak came of course with “Superfreak”, from 1981’s Street Songs.

    His dark years with cocaine abuse and legal problems are well documented. And of course, the Chappelle Show turned him into a cult hero for a new generation with the “I’m Rick James, bitch!” sketches. But it all comes back to the music. Rick James’ run on Motown in the late 70’s and throughout the 80’s was full of some classic funk jams and tender R&B ballads. We can forget his involvement in producing Eddie Murphy’s “Party All the Time” though, can’t we??

    Great White CaneMother Earth (mp3) – from their 1972 out of print album

    Rick JamesCold Blooded (mp3) – from Cold Blooded and The Definitive Collection

    Rick JamesGuinnevere (mp3) – from Deeper Still