Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
“Like a Virgin” by Madonna (from Celebration, 2009)
Goddamn it, Madge. I want to run that Seth Myers skit where he rattles off a rapid-fire salvo of insults followed by the quizzical “really?” So, tell me, Madonna: why do you find it necessary to include your name in your lyrics, is it because you are worried someone might mistake it for an Avril Lavigne or Gwen Stefani tune? Oh, and M.I.A. and Nicki Minaj? Really? REALLY?
“Picture in an Exhibition” by Death Cab for Cutie (from Something About Airplanes, 1998)
Is anyone else looking forward to the next Death Cab for Cutie record?
“Deep” by Pearl Jam (from Vault #1: 1992-01-17: Moore Theater, Seattle, WA, USA, 2011)
This is an amazing show. Well worth seeking out.
“1901 (Alan Wilkis remix)” by Phoenix (from 1901, 2009)
It’s been awhile since we’ve visited with Alan Wilkis! If you haven’t been keeping up, he is in the midst of a new project called PRINTS, where he shares his funk with the likes of Bay-area rapper, Lyrics Born. Hit the link and dig in!
“A Letter to Elise” by The Cure (from Wish, 1992)
“And every time I try / to pick it up like falling sand / as fast as I pick it up / it runs away through my clutching hands” No one, but no one, does resigned desperation like Robert Smith. i can’t quite say why, but I’ve always held this song as the example of why I love The Cure as much as I do. Along with the equally forlorn “Pictures of You,” it ranks among my favorite songs, period.
What’s on your shuffle today?