Acoustic
Thrasher
Oct 27th

A couple weeks back, I finally got a couple of good CD display cabinets, mounted them on the wall, and released my CD’s from years of exile in plastic storage bins. It’s nice to have them in my face again, and it’s making me revisit a lot of favorites from my past that haven’t yet made it to the iTunes rip machine.
One such CD is Neil Young & Crazy Horse’s Rust Never Sleeps, which I initially bought because of my love for the song “Powderfinger”. But upon listening to it recently, it was the beautiful lyrics, intense imagery and the simple & sweet melody of “Thrasher” that hit me.
The amazing lyrics have undoubtedly been absorbed and closely studied by longtime fans of Neil, but I’m still trying to wrap my head around them – even just the last few lines:
Where the vulture glides descending
On an asphalt highway bending
Thru libraries and museums, galaxies and stars
Down the windy halls of friendship
To the rose clipped by the bullwhip
The motel of lost companions
Waits with heated pool and bar.But me I’m not stopping there,
Got my own row left to hoe
Just another line in the field of time
When the thrashers comes, I’ll be stuck in the sun
Like the dinosaurs in shrines
But I’ll know the time has come
To give what’s mine.
There’s magic in those words. And the sort of melancholy, matter of fact style in which Neil sings it… Wow… Such a good tune…
Neil Young & Crazy Horse – Thrasher (mp3)
Back Porch Hand Me Down Tunes
Sep 7th

This Labor Day weekend, the temperature here in the Arizona desert finally dropped below 100 degrees for two straight days. Some rain, lots of clouds, and best of all, a chance to venture out to the back patio for one of my favorite pastimes: listening to my oodles of music on Shuffle. It seems I discover something new each time. If you’re constantly gathering music from all sources – ripped CD’s, ripped vinyl, eMusic, iTunes, the Amazon MP3 Store, etc – there’s little chance you listen to everything in your music collection. Especially more than once or twice.
Therefore, it’s important to me to spend a lot of time with the iTunes on Shuffle, and let it flow. Yesterday morning, as I wrapped up the yard work, and relaxed on the patio chair with a bottle of water, the tunes did flow: “Black Man’s Cry” (Fela Kuti & Ginger Baker), “Gypsy Woman” (Bruce’s version), “Don’t Go Away Mad” (Little Village)…
Then a soft acoustic tune came on – a rocking chair on a rural country porch kind of tune. I didn’t recognize it. And those are exactly the moments I look for: hearing something great in my collection, and having no idea who it is or where it came from. Turns out it was the Avett Brothers, and the song was the final track on their last full length album Emotionalism – “Hand-Me-Down Tune”.
Take a listen…
The Avett Brothers – “Hand-Me-Down Tune” (mp3) – from Emotionalism
September is a big month for the North Carolina-based Avett Brothers. Their latest full length, I and Love and You will come out on September 29th. During the month, starting Tuesday, they’ll release 13 video pieces on their web site – combining live footage, fan and band interviews – each of them dedicated to a a song on the new album.
Pre-order I and Love and You by clicking on the cover…
The Backroom
Aug 2nd

I finally bought a capo for my guitar, so I pulled out this enormous stack of songs w/ the chords transcribed. I went on a frenzy about 10 years ago and printed a bunch out. I had completely forgotten about this Bap Kennedy tune. In fact, I had completely forgotten about Bap Kennedy.
This song comes from his 1998 solo debut, Domestic Blues, which he recorded after several albums with the band Energy Orchard. This is one of those songs that carried me through a breakup back in the day. I found it therapeutic to play sad and lonesome tunes on the guitar in my 700 square foot apartment on the railroad tracks.
Now I see the tune a bit differently. He’s just infatuated with a stripper. We’ve all been there at one time or another.
“Dude, I think she digs me!”
Lovely tune still…
Listen: Bap Kennedy – The Backroom (mp3)
Check out Domestic Blues (click the cover):
I’m On Fire
Jun 6th
Thanks to a post on Slowcoustic, I happened upon a cool A.A. Bondy version of “I’m On Fire” today (who’ll be at Modified in Phoenix later this month). I had to share.
Hear: A.A. Bondy - I’m On Fire (mp3)
Which made me seek out the Gaslight Anthem’s Brian Fallon singing the same tune at a performance in Germany. Both great interpretations of a classic Boss tune…
Sites: A.A. Bondy | Gaslight Anthem
To Know Your Love
Apr 29th

Where did this come from? I’m not sure how I got this album, maybe out of an eMusic recommendation? But it’s getting repeat plays over the last week. Check out “On the Other Side”, and this one right here..
Brian Lee & His Orchestra - To Know Your Love (mp3)
Then Download the whole album for free on their web site.
Up the Hill: Bruce Cockburn @ the Orpheum Theater in Flagstaff
Apr 5th

There are two Bruces in the music world I am very fond of. One is Springsteen, the other is Cockburn. This weekend, the perfect storm of shows came to pass: the Weekend of Bruce. Friday night was the Boss. And on Saturday, the wife and I took off for Flagstaff on an anxiously awaited 24 hour getaway to see Bruce Cockburn.
I discovered Cockburn in 1994, when his great album Dart to the Heart was being played on local radio. It was an amazing discovery for me – his albums date back to 1970 (the year I was born), and I snatched most of them up. Masterful guitar playing, a clear and soothing singing voice, and a very diverse range of subject matter when it comes to the lyrics: from affairs of the heart to land mines, the metaphysical and spiritual to the eradication of Native American culture. He’s a very intelligent and thought provoking man.
It had been about 10 years since I last saw him live, so I made sure I scored tickets early when I heard about it. And that paid off, because we found ourselves in the front row last night (man, what a weekend for great location!). The setting was the Orpheum Theater in Flagstaff, a great little theater on Aspen Street. It’s a nice long room with a large stage in front, and a bar area in the back which runs a good way along the side of the theater. We were bummed to discover that it closes at the end of April – permanently. Another great venue bites the dust (like they always seem to).
Bruce had three acoustic guitars set up, along with a dobro and a tiny 12-string guitar called a tarango (which originated in the Andes of South America). Out he came in army/cargo pants and a tan jacket, with his gray hair pulled up into a pony tail on the top of his head, and his signature specs. Speaking of gray hair, there was quite a bit of it in the crowd. There were a few scattered “younger” folks like me and my wife, but I would say most of the crowd was 50+ (Bruce undoubtedly has many more younger followers up in Canada, where he’s very revered and well known, as he should be).
On to the music. With a catalog that spans back to 1970, Bruce had plenty to choose from. He reached as far back as 1979 for “Wondering Where the Lions Are”, from one of my favorite albums of his – Dancing in the Dragon’s Jaw. The crowd stayed pretty silent throughout (at the venue’s request, being a quiet solo acoustic show), but Bruce implored the crowd to sing along to the chorus on this one. Nice moment. He also reached back to “How I Spent My Fall Vacation” – a highlight from 1980’s Humans, for the opening song of his encore.
But most of the two sets focused on his tunes from the last couple decades. It was great to hear a handful from Nothing But a Burning Light, Dart to the Heart, and Charity of Night, which were three of the albums that cemented my love for his music in the mid 90’s. “Night Train” and “Pacing the Cage” came from Charity (you may know “Pacing the Cage” from Jimmy Buffett’s version). “Kit Carson” and the show closer, “Child of the Wind” came from Burning Light – the latter song has a simple powerful lyric that I had in my head when I woke up this morning: “I love my sweet woman down to the core.” And from Dart to the Heart, Bruce pulled out the tarango for “Bone In My Ear” – one of the many songs that had me mystified at how this one man can make so many sounds come out of an instrument.
It’s hard to describe Bruce’s finger picking style, but I’ll try. His right hand is fixed in sort of the Hawaiian “hang ten” look – with his thumb providing the bass lines on the top strings, and his pinkie finger resting on the guitar under the strings. The jaw-dropping part is that his middle three fingers look like they’re completely still when you’re facing him. But holy jeebs, the sounds – the amazing picking that generate from the tips of those fingers underneath! I’m always in awe seeing him play live, and even more so last night sitting 15 feet from him. See it for yourself right here.
Other highlights for me: “Last Night of the World”, “Beautiful Creatures” (featuring a hauntingly beautiful falsetto in the chorus), “Elegy” (a slow and sublime instrumental), and of course it’s always great to hear ‘If I Had A Rocket Launcher”.
It’s almost midnight on Sunday night, the end of an amazing weekend of music. It was a once in a lifetime “perfect storm” of Bruce Music, and how satisfying to the soul to sit back and reflect on these past two nights – experiencing two great musicians up close, soaking up all their years of musicianship – such experts at their craft.
Thanks Bruces.
Set List
Set I
World of Wonders
Last Night of the World
See You Tomorrow
Night Train
Pacing the Cage
Lovers In A Dangerous Time
Bone In My Ear (on tarango)
Elegy (on dobro)
Wait No More (on dobro)
Set II
Jerusalem Poker
Beautiful Creatures
Call Me Rose
Kit Carson
Put It In Your Heart
If a Tree Falls
Wondering Where the Lions Are
Celestial Horses
Encore
How I Spent My Fall Vacation
If I Had A Rocket Launcher
Child of the Wind
Northern Exposure: The Great Outdoors, “Winter”
Mar 2nd
Canadian folk-rock collective The Great Outdoors have completed their ambitious project to write, record and release an EP for each season. The three preceding EP’s managed to perfectly capture the tone of each respective season and Winter introduces elements of blues and roots music to the mix to a stunning effect. “The Winter’s Touch” plaintive tenor closes the door and invites you in from the cold as Melisa Devost’s beautiful voice warms your heart. “The Garbage Man Song” rambles along and features some distinctly Tom Waits influenced moments provided courtesy of guest vocalist Nickle City Slim. “No Bells” swings with a bluesy swagger that pays off with an in your face guitar accompaniment that would otherwise seem out of place. “Edison’s Genius” picks up where the previous track leaves off with its blues-tinged delivery but in place of place of guitars is a horn arrangement that recalls Monk’s “Abide With Me”. The set wraps with “Snowdrop” a slow burn ballad. Check out “The Garbage Man Song” here and you can catch the rest of the release on the bands MySpace page.
The Great Outdoors – “The Garbage Man Song” (mp3)
A Truly Beautiful Mess
Dec 13th
Jason Mraz – A Beautiful Mess (feat. Norwegian Radio Orchestra) (YouTube)
From the Nobel Peace Prize Concert in Oslo, Norway. This is quite possibly one of my favorite songs of 2008 let alone Jason Mraz’s catalog. The power of the vocal performance combined with the orchestra provided for the perfect combination.
Buy We Sing, We Dance. We Steal Things Expanded Edition (2 CD/DVD): Amazon | iTunes
Links: Official Site | on Last.fm | on MySpace
All the Ways I Want You (A YouTube Debut)
Nov 22nd
While the wife and kids were away at a Saturday afternoon birthday party, dad got some peace & quiet. And when there’s tranquility in the house, I often pull out the guitar. Except this time, I pressed the record button. Lucky you!
I’m an amateur on the guitar, but I do enjoy playing. And one of the earliest songs I learned is an all- time favorite of mine: Bruce Cockburn’s “All the Ways I Want You”. Like I said on the YouTube page, I’m now one of “those guys”.
So what the hell, here it is…
Review: Jason Mraz at Radio City Music Hall
Oct 14th

Despite listening to him since his days at Java Joes, Friday night was my first experience seeing Jason Mraz live. I was not alone in my first experience as it was Mr. A-Z’s first show at the legendary Radio City Music Hall, a that fact did not seem lost on him as he pulled out all the stops for what was one of the most entertaining and memorable shows I’ve attended in the last few years.
The evening started with Irish chanteuse Lisa Hannigan. I was really only familiar with her in the context of her work with Damien Rice and really enjoyed her solo set. With a 4 piece band of multi-instrumentalists to back her up, she performed a selection from her debut Sea Sew. “An Ocean and a Rock” was simply beautiful and captivating. “Lille” was delicate and lovely, which seems to be the essence of Miss Hannigan. I will definitely be picking up the record based on this performance.
After a brief intermission it was time for Mraz. The night started with the full 7 piece band taking the stage for “Make it Mine” the lead track from his latest release We Sing. We Dance. We Steal Things. Wasting no time, the band segued directly into a fresh (and lively) take on Mraz’s first hit “The Remedy”. This was the first of many times that the crowd would fill the hallowed hall with their voices in unison with Jason and he wasted no time in using it to his musical devices and creating a live mash up with the ladies singing the chorus and the boys (what few were in attendance) layering Oasis’s hit “Wonderwall” over top to great effect.
Jason Mraz – The Remedy (Video)
The band slowly began to recede during “If It Kills Me” and a quiet “You & I Both” and whittled down to the core trio of Ian Sheridan, Toca Rivera and Mraz for the stark and utterly heartbreaking “A Beautiful Mess”. Sheridan even broke out the stand up bass for the occasion bringing to mind the small club feel and making this one of the moments that Jason managed to make Radio City seem like an intimate club for five minutes. This feel continued with the simple and lovely “Life Is Wonderful”.
The rest of the band returned as well as four additional microphones as the back drop took on a decidedly religious slant. It was clear that it was time to go to church! “Live High” came to a grand crescendo with the Broadway Inspirational Voices choir joining in to bring the house down. The choir stayed on for an uplifting rendition of “Oh! Happy Day”. I should mention here that over the band, the crowd, and the choir Jason maintained a presence and a quality of voice that was astounding.
“Dynamo of Volition” brought the crowd to it’s feet for some well choreographed dance moves. It’s interesting to see 5,000 happy fools raising the roof in unison at Radio City. The crowd stayed on its feet for the remainder of the show as Jason kicked into “I’m Yours” to a crowd ready to make a joyful sound. I’ll let the video do the talking on this one.
Jason Mraz – I’m Yours / Three Little Birds (feat. Broadway Inspirational Voices) (Video)
After and incredibly short encore break Mraz brought Lisa Hannigan back out to play Colbie Caillat’s part in the duet “Lucky” and from there it was non-stop from the rave up of ”Build Me Up, Buttercup” to the beautiful finale of ”Song for a Friend” the significance of how grand a night it was long on nobody in the room. This was a perfect cap to the concert season and for my wife and I a beautiful way to celebrate our first year of marriage.
Pre-Order A Thousand Things: MusicToday
See the full setlist and the rest of the tour dates after the jump.




Recent Comments