I have one of these sweet little Apple Airport Express gizmos that allows me to play my iTunes on any stereo inside or outside my house. So when it was time to string up the Christmas lights this past weekend, my 4 year old girl and I fired up the iTunes, set it to shuffle, and took to the front yard with wild holiday abandon.
What I didn’t realize was that earlier in the day I had filtered my iTunes to show me only “parliament”. So what ensued was 90 minutes of the P-Funk discography on shuffle. Okay, no one - not my 4-year old or my passing neighbors - realized the intensity of this Spontaneous P-Funk Christmas Light Hanging Ceremony, but I sure funked out in delight for an hour and a half.
It made me rediscover some of the gems of their catalog, including some tunes that jumped out at me for their uncharacteristic qualities. Like this song. This isn’t the P-Funk your ears expect. You hear it, and you’re wondering what it is you’re listening to. A mellow, otherworldly, fantasy-like rhythm; Peter Chase’s melodic, bird-like whistling solos. What a cool little P-Funk nugget.
Parliament - I Just Got Back (from the Fantasy, Ahead of Our Time in the Four Lands of Ellet) [mp3]
100 Days, 100 Nights by Sharon Jones & The Dap-Kings could very well have been recorded and released in 1965. This record absolutely drips in the southern fried soul of the ‘good ol’ days’, though this record will undoubtedly (albeit criminally) be compared to more recent outings from Amy Winehouse. The fact that these ladies share a backing band is where that comparison should end. Where Amy is a profitable facsimile of soul, Sharon is soul, pure and simple. Hell, even their record label is kickin’ it old-school and releasing 7” singles and refers to their roster as a “stable”.
The lead off track “100 Days, 100 Nights” finds Sharon in full-on vamp mode bemoaning the whereabouts of her man. And when she slows it down to a bluesy half time bridge you feel it. Elsewhere on the record you can find Sharon echoing Aretha (“Nobody’s Baby”), Otis (“Humble Me”, “Tell Me”) and Carla Thomas (“When The Other Foot Drops, Uncle”). And it needs to be said that The Dap-Kings stand as a modern day equivalent to Booker T. & the M.G.’s or The JB’s. The full record does not drop until the end of the month, but here’s one to tide ya’ll over.
Sharon Jones & The Dap-Kings – 100 Days, 100 Nights (MP3)
There’s just something about Alice Smith. I’ll admit it, I dug this one out of the pile of CD’s marked “Must Listen To Again” and I’m kicking myself for having slept on it for so long. With comparisons ranging from Patty LaBelle to Fiona Apple to Billie Holiday the one common factor is the presence of soul. There is something so honest in her phrasing and delivery, no smoke, no mirrors. It’s almost as if you are sitting in the corner of the vocal booth, just soaking in every corner of her four-octave voice. I’ve packed this post with two of my favorite tracks. Here’s just a little lyrical taste of “Dream”…
When I wake up in the morning time
I like to see you sleeping by my side
I think about the nights we had before
Wanna give you this and more
Let you know I truly adore you
I’ll tell ya, she had me at “Let you know I truly adore you”. I’m a fan, give a listen and you will be too.
21 Nights of Prince and the question stands… will he play the same set every night? Will we get 21 identical sets? Add 21 after shows with 21 versions of “Footprints”, “Stratus” and “Crazy”?
What do you guys and gals want (or not want) to hear?
It looks like the whole UK shebang was kicked off with “Purple Rain” and after hearing the 7/7/07 show I have to say that it’s beginning to really sound like he wants to ‘get it out of the way’ as opposed to the celebration that it was as recent as the Musicology tour and the spectacular (albeit abbreviated) Super Bowl performance.
Booking a 21 night stand is a pretty risky proposal for just about any artist. But Prince has the catalog, hits and all, to back it up - provided he does not do the unimaginable and leave his song book at home. It’s time to show and prove Prince, don’t you wanna come…
It’d be easy to pass Amerie Mi Marie Rogers by as just another Beyoncé clone to be filed neatly before Ciara and Rihanna in the record industry’s attempt to strike gold more than once (as displayed perfectly by the latter’s more than 2 month stint atop the UK charts with her infectious “Umbrella”). It’s not that easy though, and Amerie is far from another clone.
With everything from the acid-jazz breaks of “Hate2LoveU” to the classic 80’s new-wave funk of “Some Like It” and “Crazy Wonderful”, Amerie delivers 13 tracks of pure funk. It may be a heady comparison but the overall record hearkens back to Sign O’ The Times era Prince. Covering ground from multiple styles while creating a cohesive album that really just makes you want to shake your behind and fall in love all at the same time.
While this record is not out in the states until August 21st, the UK crowd has had this record since May where it reached number 17 on the UK Album charts. Here’s a taste of what we’re in store for… check out “Crazy Wonderful” and pick up Because I Love It when it hits stores, or pick up the UK import which includes her 2005 breakthrough tune “1Thing”.
I’ve been reading up on the latest happenings of Jazzie B. and Soul II Soul. It’s good to see that Jazzie is still going strong as a DJ around London. I really enjoyed the club / R&B groove of their first two U.S. releases, Keep on Movin’ and Vol. II: 1990 - A New Decade. Here’s the biggest hit from Vol. II…
James Mtume actually started out as percussionist for Miles Davis in the early 70’s. By the early 80’s he had formed his own group, Mtume. He hit #1 on the R&B charts in 1983 with “Juicy Fruit”. His follow up a year later was You, Me and He. The title track went all the way to #2. It’s a slow, burning jam about the cheatin’ side of love. Tawatha Agee and Mtume trade off on the vocals. Sizzling! Simmering! An 80’s R&B classic! Now, where’s my Freddie Jackson tape….
You usually won’t find me too in touch with the Top 40 hits of the day (or the Hot 100 on Billboard), but Rihanna pulled me right in to this video. I could do without Jay-Z’s bantering at the beginning, but that’s what you get these days. Wherever you look on the charts, you get the obligatory Artist Name featuring currently hot hip-hop star. A quick scan of the Hot 100 shows:
T-Pain Feat. Yung Joc
T-Pain feat. Akon
Bone Thugs-N-Harmony feat. Akon
Gwen Stefani feat. Akon
Fergie feat. Ludacris
Fabolous feat. Ne-Yo
D.J. Khaled feat. T.I., Akon, Rick Ross, Fat Joe, Lil Wayne, and Baby
and a lot more
Maybe I’m old and grumpy, but that pisses me off (for no particular reason). And that Akon, what a class act he is.
But back to Rihanna. I genuinely like this song. What’s not to like about a hot 19 year old from Barbados. *slap* Snap out of it Pete.
I’ve always loved the Stones version of “Harlem Shuffle” (and the video above, particularly the fine female dancing with Mick - rarrrr - feel like I’m 16 again). Silly thing is, I don’t think I had heard another version of it until recently (courtesy again of Sirius). It turned out to be the original version too, performed by Bob & Earl. The twosome, Bob Relf and Earl Nelson, wrote and recorded the song in 1963. It was later performed by the Righteous Brothers, Johnny & Edgar Winter, Booker T. & the M.G.’s, and of course the Stones on 1986’s Dirty Work.
So check out the original version. It’s interesting to note the similarities between the original and the Stones versions. You’ll notice Mick Jagger borrowed a lot of the same tones, groans, and moans from the Bob & Earl version.
Bob & Earl: Harlem Shuffle (mp3) - I got mine on iTunes from this compilation called Sweet Soul Music.
Listen Here:
I’ve still a looong way to go with my Booker T. & the M.G.’s education. As one of the tightest rhythm sections you could shake stick at, they were the Stax label’s house band for many years back in the 60’s. This 2003 release took a look at some of their unreleased sessions between 1965 and 1968. One of them is their own take on “Harlem Shuffle”.
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and 
. Here’s the biggest hit from Vol. II…
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