The Friday Five: February 3, 2012
Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Like a Virgin” by Madonna (from Celebration, 2009)
Goddamn it, Madge. I want to run that Seth Myers skit where he rattles off a rapid-fire salvo of insults followed by the quizzical “really?” So, tell me, Madonna: why do you find it necessary to include your name in your lyrics, is it because you are worried someone might mistake it for an Avril Lavigne or Gwen Stefani tune? Oh, and M.I.A. and Nicki Minaj? Really? REALLY?
“Picture in an Exhibition” by Death Cab for Cutie (from Something About Airplanes, 1998)
Is anyone else looking forward to the next Death Cab for Cutie record?
“Deep” by Pearl Jam (from Vault #1: 1992-01-17: Moore Theater, Seattle, WA, USA, 2011)
This is an amazing show. Well worth seeking out.
“1901 (Alan Wilkis remix)” by Phoenix (from 1901, 2009)
It’s been awhile since we’ve visited with Alan Wilkis! If you haven’t been keeping up, he is in the midst of a new project called PRINTS, where he shares his funk with the likes of Bay-area rapper, Lyrics Born. Hit the link and dig in!
“A Letter to Elise” by The Cure (from Wish, 1992)
“And every time I try / to pick it up like falling sand / as fast as I pick it up / it runs away through my clutching hands” No one, but no one, does resigned desperation like Robert Smith. i can’t quite say why, but I’ve always held this song as the example of why I love The Cure as much as I do. Along with the equally forlorn “Pictures of You,” it ranks among my favorite songs, period.
What’s on your shuffle today?
White Hinterland, “No Logic” (Alan Wilkis remix)
Remixing the ambient dream-pop of White Hinterland is not a task for the weak. Thankfully, electrofunketeer Alan Wilkis is no slouch in the remix chair. Taking the otherwise demure original “No Logic,” from the band’s new release Kairos, and spinning it on its end with a musical drumbeat and his signature sense of funk; Wilkis manages to breathe a gust of life into an otherwise lifeless track. Check it out:
White Hinterland – “No Logic” (Alan Wilkis remix)
The Friday Five: June 19, 2009
Friday Five : ˈfrī-(ˌ)dā,-dē ˈfīv : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editor’s Note: I’m happy to turn the reins over to Alan Wilkis for this week’s Friday Five. You can find my review of his stellar latest release Pink and Purple here. See you all back here next week… – Michael
The Five:
Did the iPhone shuffle today for a little Friday 5, and was quite pleased with the selection! It could have been scary, folks… like Norwegian Death Metal, followed by Japanese Noise, followed by Yanni (hey, you never know)… So, thank you SHUFFLE-GODS! – Alan
“In the Stone” (mp3) – Earth, Wind, and Fire
I LOVE EWF, and I especially love this song. The musicianship, production, songwriting, performances are all superb, as is the norm for them. I love how you can hear that the percussion + clavés were recorded in a big room, differently from the rest of the band – it creates such a cool sense of space in such a subtle way… I also love how on the verses, the bass and kick drum lock in so tightly and play something slightly differently every two bars – really keeps things interesting, but in a subtle way…“Journey to Reedham (7AM Mix)” – Squarepusher
I have a distinct memory of the first time I heard this song in college, and it was one of those rare instances of complete and utter musical jaw-dropping. It’s just total ear-candy, so fun to listen to LOUD and/or on headphones especially, drum-programming bliss and a great intro to the insane genius of Squarepusher… The melody and bassline are so simple and so repetitive, but beautiful, and somehow mesh perfectly with the frenetic, totally unpredictable, and awesome drum-programming – I really was floored the first time, and was once again, today.“Apeman” – The Kinks
The Kinks are just the best… I only discovered this song recently but it puts a gigantic smile on my face – instantly memorable, lyrics are hilarious & dripping w/Ray Davies’ characteristic wit… Has that “fed up with the world, I’m getting outta here” vibe – the perfect soundtrack to giving the finger to everyone as you quit your shitty job, Half-Baked style…“La Polka Du Roi” (mp3) – André Popp
André Popp is unreal… If you haven’t dug into him, get familiar! This man was a total crazy genius French composer, classically-trained but w/a real taste for modern tape experiments / studio tricks… He would invent really avant-garde/extremely forward-thinking methods, but he wouldn’t use them in cheesy pretentious ways – no “technique for the sake of technique” a la many others… Rather his music would still come out very listenable and accessible, and fun as all hell.On this song, he had the vocalist sing and record her part – he then played the recording of her voice in reverse and transcribed what the syllables sounded like in reverse. Then he had his singer learn the reverse-melody and reverse-lyrics, and record her singing that… And then played the new reverse recording in reverse, AGAIN! The lyrics wind up being a very peculiar-sounding, but still totally intelligible (if you speak French!)… He did this with a lot of his instruments as well… So weird and so ahead of his time… AND MIND YOU THIS IS LIKE DECADES BEFORE COMPUTERS… I’m talking razor-blade slicing two-inch tape for every little edit… And actually hearing the idea in his head and figuring out how to do it, rather than clicking a button on a laptop…
Also, coincidentally, David Lynch borrowed this technique for all the dream sequences in Twin Peaks… Wonder if he was a fan?
“High Class Slim Came Floatin’ In“ – Tortoise
Tortoise is hands down among my favorite bands in current existence, and are definitely SOMEWHERE on the all-time short-list for me, too… I like to describe Tortoise as the soundtrack to my imagination… I honestly feel like I’m dreaming when I listen to them – so many styles/sounds/genres/decades of music all mushed together seamlessly…This is the first track on their upcoming new record, and I’ve been waiting for this damn thing for YEARS!!!!! So there was quite a lot of anticipation for me, as you could imagine… And lo and behold, I hit play, and THEY DELIVERED… AS USUAL… All the trappings of what I love about Tortoise all boiled down into one awesome tune… Awesome SOUNDS, repetitive but very grooving feel, puts you in a trance and then keeps taking you up and up…
So, yeah, I love Tortoise…
What’s up next on your shuffle?
Review: Alan Wilkis, “Pink and Purple”
Brooklyn-based electrofunk wizard Alan Wilkis recently gave me an early peek at his latest release Pink and Purple. For those of you not familiar with Alan, let me bring you up to speed the self-described “musician, multi-instrumentalist, producer, and general musical mover-and-shaker” first came to my attention last year with his self-released debut Babies Dream Big (Review). Earlier this year he dropped a brilliant remix of Pheonix‘s hit “1901” which only served to build the anticipation for his new material which has been in constant rotation since it landed in my inbox.
The six tunes that make up the Pink and Purple are clearly derived from the synth-laden funk rock of the early 80’s but it’s never derivative. There is something immediate and familiar about the tunes and where where his previous release Babies Dream Big may have lacked focus, Pink and Purple is concentrated and intense. The auto-tuned double entendre’s flow with the lead track “Snuggle Up to Nail Down” and erupt with 4 bars of pure shred bliss. The juxtaposition of the electronic and analog meshes perfectly. “N.I.C.E.” could bring a tear to George Clinton‘s eye it’s so funky and “Gotta Get You Back” makes me long for the days of my youth and is an rollerskating rink classic and is an early contender for the track that I will wear a spot on the hard drive with. The closer “Time Machine” builds to an completely unexpected epic guitar driven finale that absolutely begs for a continuation.
With all the great (and not-so-great) music coming out of Brooklyn these days it’s hard to know what’s worth the precious listening time, but if you still own a Swatch, love Hyper-Color, Rubik’s Cube and Brat Pack movies look no further because it’s Mr. Wilkis’ world and he’s here to make you dance.
Alan Wilkis – “Gotta Get You Back” (from Pink and Purple)
Buy Pink and Purple: Official Site | iTunes
Links: Official Site | on Last.fm | on MySpace | on Twitter
Phoenix vs. Alan Wilkis
Friend of Ickmusic Alan Wilkis shot this remix over to me earlier this week and I simply cannot stop listening to it. With Phoenix coming off their stellar SNL performance (seriously, who did they pay to get the sound right because this season has been the worst for musical acts on SNL) this is ready-made to get you moving. I’ll even go as far as to say that I like the original, but I love this remix. Check it out for yourself…
Phoenix – “1901 (Alan Wilkis remix)”
Alan also let it slip that he’s working on an EP to be released in late May. You can be sure that we’ll have all the details when the record drops.
Buy Wolfgang Amadeus Phoenix: Amazon | iTunes
Phoenix Links: Official Site | on Last.fm | on MySpace
The Friday Five: January 02, 2009
Happy New Year!
Welcome to the first Friday Five of 2009. We’re kicking the New Year off with a look back as I hit shuffle on my Top 100 of 2008. As you can guess I have a bevy of playlists that I maintain to keep a good balance of new/unheard music and my personal favorites. This particular playlist was created to help me write up the Year in (Ick)Music 2008 column and I liked it so much that I put it on countdown style (counting down from 100 to number 1) on New Years Eve.
For those who have not joined in the Friday Five here is all you need to know; each Friday I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me.
The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments. The more the merrier!
But hey, enough of my yakkin’… Whaddaya say, let’s boogie!
The Five:
“Staying In Love” – Raphael Saadiq (from The Way I See It)
A rave up to kick off the first shuffle of the year, this song is a great start to any playlist!
“Say You Will” – Kanye West (from 808s & Heartbreak)
As far as track one, side one cuts go this one definitely is up there. Setting the mood of Kanye’s heartbreak perfectly this track is an introduction to the state of his (apparently) fragile psyche.
“Details in the Fabric (feat. James Morrison)” – Jason Mraz (from We Sing. We Dance. We Steal Things.)
This one has made a previous appearance on The Five. From September 26, 2008… This tune opens to an answering machine message from Mraz cohort Bushwalla clearly dealing with a bad day. The song itself has a lilting yet uplifting message “Everything will be fine, everything in no time at all, Hearts will hold”. The song closes with a second message where he strikes the single oddest metaphor I’ve ever heard “I feel like you’re an island of reality in an ocean of diarrhea. And I love you buddy. Ok. Bye.”
“Another Day” – Jamie Lidell (from Jim)
True blue-eyed soul from the UK. This one made my Top 10 and I have a feeling it will continue to spin up whenever I need a little lift. Jamie stopped by KEXP (Seattle) back in May ’08 and turned in this brilliant stripped down performance…
“I Wanna Know” – Alan Wilkis (from Babies Dream Big)
You know that scene in Pretty In Pink where Jon Crier does his best Otis Redding impersonation? That’s what I always think of when I hear this track, Alan is a rather unassuming white guy who is able to capture so damned much soul that it should be illegal. If you still have not picked this record up, you are missing out.
Okay, I’ve shown you mine, now show me yours!