Posts tagged Friday Five
The Friday Five: March 12, 2010
Mar 12th
Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Comin’ Home” by City and Colour (from Sometimes, 2005)
A few weeks ago, I mentioned the songs that find you at the just the right moment in your life; this is another one of those songs. In the mid-aught’s my job had me shuttling back and forth to Toronto, Ontario on a monthly basis. On one hand, I got to know my host city in intimate detail, finding favorite restaurants, pubs — P.J. O’Brien, just in case you are curious — and hidden corners of Canada’s largest city. I was lucky enough to have my wife join me on more than one trip, but more often than not, I was alone and far from home. Around the same time, I discovered singer/songwriter Dallas Green’s City and Colour. I vividly recall listening to the album on one of many flights home and this song coming on, sealing it forever in that time and place.
Well I’ve been down to Georgia
I’ve seen the streets in the West
I’ve driven down the 90, hell I’ve seen America’s best
I’ve been through the Rockies, well I’ve seen Saskatoon
I’ve driven down the highway 1 just hopin’ that I’d see you soon
Cause I’m comin’ home, I’m comin’ home
“We Can Work It Out” by The Beatles (from Mono Masters, 2009)
If you had asked 13-year old me what my favorite Beatles tune was I surely would have responded with “We Can Work It Out.” These days I find myself gravitating to other, deep catalog tracks to find my favorite, but always come back to this as a great example of the Lennon/McCartney songwriting style. Listening to it now does reaffirm it as one of my Top 10 Beatles songs.
“Misunderstanding” by Genesis (from Turn It On Again: The Hits, 1999)
Somehow I had never put this together, but if you listen to “Misunderstanding” and follow it up with Led Zeppelin’s “Fool in the Rain” — which you call may recall is my favorite Zeppelin tune — you’ll notice certain similarities. Not just in its rhythmic swing feel, but lyrically it covers the same ground. Originally written by Phil Collins for his solo debut, Face Value, the track was a real departure from the rest of Duke. It is also one of my favorite Genesis tunes, which is probably somehow related to the whole “Fool in the Rain” thing, odd how that happens.
“Fragile Tension” by Depeche Mode (from Sounds of the Universe, 2009)
Why this is still on my iPod, I am not sure. As much as I dig Depeche Mode, this album was just awful.
“Misery Business” by Paramore (from RIOT!, 2007)
The little subtle things in this song are what make it so damned awesome. Sure, it is an arena-ready rock anthem, on par with some of the greats. The little things, like the half-time drums that build the tension in the second half of the chorus show attention to detail that is rare in a band so young.
What’s on your shuffle today?
The Friday Five: February 19, 2010
Feb 19th
Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Another Day” by Dream Theater (from Images and Words, 1992)
Oh Dream Theater, how your melodrama seems to haunt the Friday Five. You may recall that this tune reared its ugly head back in October, where I speculated on David Fosters’ involvement in the high gloss production of the power ballad. Upon further research, it turns out that it was producer Jay Beckenstein — of the Smooth Jazz/Fusion group Spyro Gyra — that supplied the soprano saxophone solo. This doesn’t change the fact that this tune is a sappy lump of crap on an otherwise quality record.
“The Best of My Love” by The Eagles (from On the Border, 1974)
I unapologetically will proclaim my love for this song, though. Penned by Henley, Frey and J.D. Souther, this holds some magical nostalgia for me as I can recall listening to this, followed by England Dan & John Ford Coley’s “I’d Really Love to See You Tonight” and “She’s Gone” by Hall & Oates in the back seat of my mothers Pontiac.
“Stuck With You” by Huey Lewis & The News (from Fore!, 1986)
Come on, how can you resist?
By the by, Huey and the boys recently spent some time in Ardent Studios in Memphis cutting a new record paying tribute to the Stax catalog.
“Sabbath Bloody Sabbath” by Black Sabbath (from Sabbath Bloody Sabbath, 1973)
I had nearly given up on this week’s shuffle providing some bite; enter my favorite Sabbath tune. I will admit that my introduction to the song came by way of Anthrax’s faithful cover on their I’m the Man EP. I had heard the tune before, both on Ozzy’s Speak of the Devil and a mix-tape a friend had made me with the original Sabbath version, but it was Anthrax’s take that sold me on the song originally. To this day, I’ll reach for this one when I want to bring the RAWK.
“Saturday Night’s Alright for Fighting” by Elton John (from The Greatest Hits 1970-2002, 2002)
The Saturday nights of my youth were often spent glued to the radio, listening to the “All-request Saturday Night with Dr. John Barron.” This track would make its weekly appearance and signal the start of the more rock-oriented portion of the evening.
What’s on your shuffle today?
The Friday Five: January 22, 2010
Jan 22nd
Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editor’s Note: The nightmare of recovering my hard drive continues, so I’m still relying on my iPod to provide the shuffle. Hopefully I’ll be back up and running by next week’s Friday Five. – Michael
The Five:
1. “Buddy Holly” by Weezer (from Weezer, 1994)
My 11-year old son absolutely loves Weezer, so much so that he’s taken to belting out “Say it Ain’t So,” spontaneously.
2. “Each Year” by Ra Ra Riot (from The Rhumb Line, 2008)
I never get tired of hearing this record. With any luck, we’ll get something new from the band in the next year.
3. “WWXII” by The Damnwells (from One Great Century, 2009)
A somber view of the secondhand victims of war, the refrain of this song stings like nails; “We don’t feel no shame / And we don’t take the blame / Men on TV tell me there’s no other way / We’ve got to take mama’s baby away.”
4. “I Love U in Me” by Prince (from The Hits/The B-Sides, 1993)
One of the most beautifully dirty tunes in the Prince’s catalog.
5. “Black” by Pearl Jam (from Ten, 1992)
I finally purchased 2008’s “Legacy Edition” of Ten just before the holidays, and found myself wrapped back up in the impact of this set of songs had on my life and “Black” is definitely a high point of that.
What’s on your shuffle today?
The Friday Five: January 15, 2010
Jan 15th
Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editor’s Note: Due to a recent hard drive crash, my library is a bit compromised at the moment. Today’s five comes courtesy of my iPod which, not surprisingly, has some holiday music that was skipped along the way.
The Five:
1. “She’s Got a Way” by Billy Joel (from Greatest Hits, Volume I & Volume II, 1985)
2. “Twice as Hard” by The Black Crowes (from Shake Your Money Maker, 1990)
3. “Cousin Mary (alternate take)” by John Coltrane (from Giant Steps, 1960)
4. “Sara Smile” by Hall & Oates (from Greatest Hits: Rock ‘n Soul, Part 1, 1983)
5. “Burning Down the House” by Dave Matthews Band (from 2008-08-09: DMB Live Trax, Volume 15: Alpine Valley Music Theatre, East Troy, WI, USA, 2009)
What’s on your shuffle today?
The Friday Five: January 8, 2010
Jan 8th
Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The File:
1. “6 Underground (Filla Brazillia remix #1)” by Sneaker Pimps (from Abstract Vibes 2 More Vibes, 1997)
Is it possible that the ’90s produced more one-hit wonders than any previous decade? Sometimes, it certainly seems like it. Case in point; British trip-hop group Sneaker Pimps, whose 1996 track “6 Underground” was inescapable. Adopted by mainstream pop and alternative radio, not to mention being featured in a slew of movies and television shows, the track was and still is the most homogenized distillation of the genre. File this one under my “guilty pleasures.”
2. “Mean Mr. Mustard” by The Beatles (from Anthology 3, 1996)
One of the great things that the Anthology series provided was a peek behind the curtain, showing — warts and all — the recording process behind some of the Fab Four’s greatest songs.
3. “The Little Things Give You Away” by Linkin Park (from Minutes to Midnight, 2007)
Despite their entire discography lurking in the corners of my library, I rarely listen to anything from Linkin Park. I’d say this track is pretty indicative of the reason why.
4. “Work for the Working Man” by Bon Jovi (from The Circle, 2009)
This is just plain awful. It’s not bad enough that the band has recycled the bass line from “Living on a Prayer,” but to add insult to injury, they’ve done so behind an shamefully disingenuous attempt to play on the struggles of the “working man.”
5. “Fifty Years After the Fair” by Aimee Mann (from Whatever, 1995)
Add Roger McGuinn’s signature 12-string chime to Aimee Mann’s beautiful voice and you’ve got the recipe for magic. I have not listened to this record in probably six or seven years, time to rectify that.
What’s on your shuffle today?
The Friday Five: January 1, 2010
Jan 1st
Friday Five : \ˈfrī-(ˌ)dā,-dē ˈfīv\ : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editors Note: For the first Friday Five of 2010, I’m taking a look back at five of my favorite records from the last decade. Placed in no particular order, these are the records that I found myself coming back to time and again. Happy New Year, to all of you. – Michael
Amy Winehouse – “Tears Dry on Their Own” (from Back to Black, 2006)
Is there an artist that better embodies “The Noughties” than Amy Winehouse? The slight, awkward girl from Southgate, England with the voice that could topple buildings; yet it was her personal battles with drugs that the media focused on. An amalgam of classic soul, vocal jazz and ska, Back to Black earned Winehouse six Grammy nominations and five awards, and was the best selling record in 2007. The track “Tears Dry on Their Own,” for me, stands out above the rest; capturing the best of Winehouse’s powerful vocals.
The Gaslight Anthem – “Great Expectations” (from The ‘59 Sound, 2008)
You can take the band out of New Jersey, but you cannot take the New Jersey out of the band. The Gaslight Anthem provided the end of the decade with a much-needed shot of straightforward rock & roll. The songs on The ‘59 Sound are rife with stories of life in small town America; quoting everyone from Bon Jovi, Counting Crows and even The Boss himself, all while sounding fresh and vital. The record kicks off with the barnburner “Great Expectations,” which contains as many literary movements as you would expect from a song titled after the Charles Dickens classic.
Chromeo – “Bonafied Lovin’ (Tough Guys)” (from Fancy Footwork, 2008)
The self-described “only successful Arab/Jewish partnership since the dawn of human culture,” Chromeo is holding the torch for ’80s inspired electrofunk. Their album, Fancy Footwork, is one of the best dance records of the last decade. They also turned in one of the most memorable appearances on Daryl Hall’s web series, Live from Daryl’s House. Selecting a single track from the record proved nearly impossible, so I put my trust in the shuffle button, which served up the new jack swing of “Bonafied Lovin’ (Tough Guys).”
Band of Horses – “The First Song” (from Everything All the Time, 2006)
There is a certain understated majesty to the opening of the aptly titled “The First Song,” the lead track on Band of Horses 2006 debut Everything All the Time. Indie rock with a decidedly southern bend, the band — led by Ben Bridwell — caught flack for allowing their anthemic, “The Funeral,” to be used in marketing campaigns for Ford as well as in slew of movies and television programs.
Prince – “Call My Name” (from Musicology, 2004)
The last decade has been an uneven one for Prince. As a performer, he toured the world twice over, commanded a Las Vegas residency, 21 nights at London’s O2 stadium, and perhaps one of the most memorable Super Bowl halftime performances; as a recording artist, he was hit or miss. However, the one exception was the incredibly funky Musicology, which rocketed Prince back into the spotlight. From funk to soul, his purple badness proved that he still had the juice to create a commercially viable, yet funky as hell record.
So tell me, what is soothing your aching head today?
The Friday Five: December 25, 2009
Dec 25th
Editor’s Note: In light of the holiday, the five will return next week. Merry Christmas to all, and to all a good night.
For Vic, Rest in Peace.
The Friday Five: December 18, 2009
Dec 18th
Friday Five : \ˈfrī-(ˌ)dā,-dē ˈfīv\ : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
Ani DiFranco – “Hell Yeah” (from Out of Range, 1994)
It’s been a while since an artist has appeared two weeks in a row. I lost touch with Ani somewhere after Revelling/Reckoning, but never lost love for her frank and beautiful songs. Out of Range was a record that came along at a turning point in my life, providing solace within its reflective songs.
Richard Hell & The Voidoids – “Love Comes In Spurts” (mp3) (from Blank Generation, 1977)
My memory of this song is tied entirely to the 1990 film “Pump Up the Volume”. I remember spending weekends at my friend’s house and watching marathons of it over and over.
Ugly Kid Joe – “Cats in the Cradle” (mp3) (from America’s Least Wanted, 1992)
I’ll admit to having this album primarily for the track “Everything About You”. When Tesla took their take on the Five Man Electrical Band track “Signs” all the way to number eight on the Billboard Hot 100 chart, it became customary for the pop metal acts of the day to include a slightly obscure folk song in lieu of a power ballad. Ugly Kid Joe topped Tesla by taking the Harry Chapin classic all the way to number six.
Radiohead – “Karma Police” (from OK Computer, 1997)
This record took nearly 10 years to connect with me. When released in 1997, I was far too preoccupied with the Third Wave Ska and Indie Rock bands of the day to be bothered with Radiohead. I came back to the record after hearing the brilliant Kid A and now consider it to be one of my favorite records of all time.
U2 – “Get on Your Boots” (from No Line on the Horizon, 2009)
Every time I hear this track I can’t help but think it’s just a sub-par version of The Escape Club track “Wild, Wild West”. This release was disappointing to me, more for its lack of the caliber of songwriting that I’ve come to expect than anything else.
I showed you mine, what is on your five?
The Friday Five: December 11, 2009
Dec 11th
Friday Five : \ˈfrī-(ˌ)dā,-dē ˈfīv\ : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
Ani DiFranco – “Hide and Seek” (from Living in Clip, 1997)
Steve Perry – “If Only for the Moment, Girl” (mp3) (from Street Talk, 1984)
The Smashing Pumpkins – “Cherub Rock” (from Siamese Dream, 1993)
Joe Jackson – “Tiger Rag” (from Tucker: The Man and His Dream, 1988)
John Mayer – “Perfectly Lonely” (mp3) (from Battle Studies, 2009)
It’s still Friday, right? What are you listening to this evening?
The Friday Five: December 4, 2009
Dec 4th
Friday Five : \ˈfrī-(ˌ)dā,-dē ˈfīv\ : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
Great Lake Swimmers – “Unison Falling Into Harmony” (from Lost Channels, 2009)
Largely overlooked in favor of the indie folk-pop of Fleet Foxes, Canada’s Great Lake Swimmers released one of the most lush, yet intimate folk-rock records of the past year.
U.S.A. for Africa – “We Are the World” (from We Are the World: U.S.A. for Africa, 1985)
I’m fairly certain I could fill an entire page writing about “We Are the World”, what hearing it again reminded me of was the time in which Michael Jackson could do no wrong and how, even at eleven, I was in awe of his considerable talent.
Miles Davis – “All Blues” (from Kind of Blue, 1959)
To say Miles is a force in my life and my musical DNA would be an understatement, I even named my son after him. Part of Davis’ magnum opus, “All Blues” is eleven and a half minutes of pure bliss.
The Notorious B.I.G. – “Sky’s the Limit” (feat. 112) (from Life After Death, 1997)
I never connected with the tunes on Life After Death nearly as much as I did Ready to Die.
Frank Zappa & The Mothers of Invention – “Happy Together” (from Fillmore East, June 1971, 1971)
It occurred to me as this track started – and it is a brilliantly crass take on The Turtles classic – that only one of the artists featured on the Five this week is still with us. Not the thought I want to leave you with on a Friday, so I highly suggest hitting play on the track above and regaling in the joy. Baa-Ba-Ba…
Okay, so who’s next!
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