The Friday Five: January 6, 2012

Friday Five

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

The Five:

Dreams” by Van Halen (from 5150, 1986)

This tune brings to mind two thoughts. First, how fucking thrilled is everyone to hear the new Van Halen tune? By the time you are all reading this, I’m certain that the internet will be flush with eye-witness reports from Thursday night’s gig at Cafe Wha?, which will only serve to fan the excitement. Second, how excited I was to listen to the new Chickenfoot record after reading the feature about it in this month’s Guitar Player. Satch and Michael Anthony talk a good game, but that record still bored me to (AOR)tears.

Sara Smile” by The Bird and the Bee (from Interpreting the Masters Volume 1: A Tribute to Daryl Hall and John Oates, 2010)

Oh, Inara George, how I love your unaffected gaze. How I long to curl up in your voice and sleep for awhile. Singing the songs that I grew up loving, with only the slightest trace of irony; just let me … oh, sorry everyone. I digress.

With or Without You” by U2 (from The Joshua Tree, 1987)

This takes me squarely back to my early, angst ridden, teenaged years. Was there ever a song more wrought with the type of heartbroken melisma that Bono delivers at the close of the song; ripe for use as the theme song for the adolescent heart?

Wasted Years” by Iron Maiden (from Somewhere Back in Time – The Best of: 1980 – 1989, 2008)

I’d submit that this was the exact moment that Maiden lost millions of hardcore metalhead fans, and gained that many, and many more, hard rock fans. Listen to that chorus! That is straight out of the AOR handbook. Someone must have slipped Steve Harris a copy before he sat down to write ’86s Somewhere in Time.

Top of the World” by Van Halen (from The Best of Both Worlds, 2004)

Bookend Van Halen tunes? I’d venture that my trusty iPod is trying to send a message. Okay, show of hands: how many of you know where the riff that kicks “Top of the World” quotes? Okay, now those of you that didn’t Google it just now, keep your hands up. Do you have your hands down? Good, use them to start up Van Halen’s “Jump.” Listen to the majesty of those keyboards! Revel in the jubilant chorus! When you get to the end, pay specific attention to the guitar and you’ll find your answer.

Oh, the rest of you can put your hands down now.

What’s on your shuffle today?

The Friday Five: October 15, 2010

Friday Five

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

The Five:

“What’s the Drawback” by The Silver Seas (from Château Revenge!, 2010)

Managing to cop the mellow sound of ELO without sounding dated, or worse yet like a pastiche is not an easy task. On the band’s third album, Château Revenge!, Daniel Tashian and his Silver Seas manage to avoid all both potholes with apparent ease. While the song existed before the band’s breakthrough release, High Society, it is really the centerpiece of Château; setting the loosely-woven “story” in motion.

“The Politics of Dancing” by Re-Flex (from Just Can’t Get Enough: New Wave Hits of the ’80s, Volume 12, 1995)

The danger in owning so many ’80s compilations is I often encounter songs that I have absolutely no recollection of. This is one of those.

“Love is a Battlefield” by Pat Benetar (from Greatest Hits, 2005)

Talk about your indelible images; can anyone — who was older than an infant in the ’80s — hear this song and not immediately recall the image of Pat Benetar doing that awkward choreography?

“Flashing Lights (feat. Dwele)” by Kanye West (from Graduation, 2007)

In retrospect, “Flashing Lights” was a bit of a peek at what ‘Ye had in store for us with 808 & Heartbreak. The cold cinematic breaks and sing-song flow were just a precursor to the auto-tuned masterpiece.

“You Make My Dreams” by Hall & Oates (from (500) Days of Summer, 2009)

Would you believe that this song exists no less than 6 times in my library? I just noticed that this is two weeks in a row that Darryl and John have graced my shuffle. Then again, I guess if I’ve got 6 instances of “You Make My Dreams,” its not that big of a stretch.

What’s on your shuffle today?

The Friday Five: October 1, 2010

Friday Five

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

The Five:

“Monsters” by Band of Horses (from Everything All the Time, 2006)

Some songs just beg you to stop, close your eyes and vacate your conscious for a moment. Band of Horses’ debut record is rife with exactly these type of songs. Atmospheric to a fault; the music serves to paint the scenery against which Ben Bridwell acts. “Monsters” is perfect example of this.

“She’s Gone” by Hall & Oates (from Do What You Want, Be What You Are:The Music of Daryl Hall & John Oates, 2009)

Despite having this box set in my collection since last year, I haven’t had a chance to listen to it straight through. Tunes from the box pop up here and there, usually when shuffling through my library. The version on the set is the longer album cut, which was never as good as the single edit.

“Playground (Young Jack club 12″ mix)” by Another Bad Creation (from MTV Party to Go 2, 1992)

At least once or twice a month my wife and I institute the “’80s/’90s Dance Party” night, usually after an especially hard day at work. Most of the time, I play the DJ and mix up a set of new jack favorites and classic hip-hop. Other times, I just load up the “MTV Party to Go” series and let it rip. It’s rare that one or more truly embarrassing moments of acknowledgment doesn’t occur — usually on my part — when one of us starts bopping to some unfortunate track. Another Bad Creation is on my wife’s list, and that is all I have to say about that.

“I’ll Be There for You/You’re All I Need to Get By (feat. Mary J. Blige)” by Method Man (from Def Jam 25th Anniversary Box Set, 2009)

You couldn’t escape this song during the summer of ’95 right through ’97. I actually wore a copy of this record out. No shit.

“Can’t Stop Lovin’ You” by Van Halen (from Balance, 1995)

In retrospect, this wasn’t a bad record. Had we known at the time that it was the last time we’d hear a Sammy Haggar fronted Van Halen — save for the brilliant “Humans Being” — maybe it wouldn’t have been panned. It’s a dark record, and a lot to deal with, but it comes from an honest place.

What’s on your shuffle today?

RIP T-Bone Wolk

Ugh. Huge loss.

Tom “T-Bone” Wolk, bass player extraordinaire – and best known for his almost 30 year association with Hall & Oates – unexpectedly passed away this past Saturday at the age of 59, apparently from a heart attack.  I had just watched the latest episode of Live from Daryl’s House last week. Daryl, T-Bone and the guys were on the island of Jamaica, jamming with Toots & the Maytalls. There’s a laugh out loud moment when they’re visiting Noel Coward’s estate, and T-Bone sits on an old chair and promptly breaks it.

What occurred to me while watching these episodes of Live from Daryl’s House lately, is that wherever you’d see Daryl Hall throughout his storied career, you didn’t have to look far to see T-Bone right along side him. In a statement earlier today, Daryl likened the loss of T-Bone to “losing my right hand. It’s not if I will go on, but how.” The loss is severe to T-Bone’s family, friends, and many collaborators – but Daryl Hall has truly lost a blood brother. My heart goes out to him.

T-Bone’s list of musical credits is a mile long. You can check out the 3 page list here on AllMusic. The list goes on and on: Carly Simon, Roy Orbison, Elvis Costello, B.B. King, Paul Carrack, and even Kurtis Blow. Did you know T-Bone played bass on Kurtis’ breakout 1980 hit, “The Breaks“?

T-Bone was always a friendly, familiar face to me. Coming of age in the 80′s, I remember him from those classic Hall & Oates videos, and I remember seeing him every Saturday night, playing bass next to guitarist G.E. Smith in the Saturday Night Live band.

I strongly urge you to watch the latest Jamaica episode of Live from Daryl’s House : http://www.livefromdarylshouse.com/index.php?page=ep28. You’ll see a man who lived and breathed music, and you’ll sense his vitality and terrific sense of humor. And you’ll witness the bond between T-Bone and Daryl Hall. A bond that we all took for granted, and will never see the likes of again.

Rest in Peace, T-Bone.

Hall & Oates – “Maneater”

The Friday Five: January 15, 2010

Friday Five

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

Editor’s Note: Due to a recent hard drive crash, my library is a bit compromised at the moment. Today’s five comes courtesy of my iPod which, not surprisingly, has some holiday music that was skipped along the way.

The Five:

1. “She’s Got a Way” by Billy Joel (from Greatest Hits, Volume I & Volume II, 1985)

2. “Twice as Hard” by The Black Crowes (from Shake Your Money Maker, 1990)

3. “Cousin Mary (alternate take)” by John Coltrane (from Giant Steps, 1960)

4. “Sara Smile” by Hall & Oates (from Greatest Hits: Rock ‘n Soul, Part 1, 1983)

5. “Burning Down the House” by Dave Matthews Band (from 2008-08-09: DMB Live Trax, Volume 15: Alpine Valley Music Theatre, East Troy, WI, USA, 2009)

What’s on your shuffle today?

The Friday Five: September 25, 2009

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Friday Five : \ˈfrī-(ˌ)dā,-dē ˈfīv\ : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

The Five:

The Juliana Hatfield Three – “Spin the Bottle” (from Become What You Are, 1993)

In the early ‘90s Juliana Hatfield was kind of like everyone’s slightly older, slightly dirty sister – whereas Liz Phair was your slutty college-aged sibling, but I digress. After obtaining a moderate bit of notoriety with her first band, Blake Babies, she struck out on her own releasing her debut solo record, Hey Babe, in 1992. It wasn’t until 1993’s Become What You Are and the inclusion of this particular tune in the generation defining film Reality Bites that secured her place as an alternative rock superstar. With its simple sing song melody and lyrics that seem ripped from every teenage girl’s diary she connected with Gen X’ers soft side.

Hall & Oates – “Kiss on My List” (from Greatest Hits: Rock ‘n Soul, Part 1, 1983)

Little known fact: In an interview with Mix magazine, Daryl Hall said: “Eddie Van Halen told me that he copied the synth part from ‘Kiss on My List’ and used it in “Jump.” I don’t have a problem with that at all.”

Channel Live – “Homicide Ride” (mp3) (from Station Identification, 1995)

Taking cues from the grimy sparse beats of Wu-Tang Clan and the vivid street imagery of the Notorious B.I.G. the hardcore rap duo behind Channel Live should have been huge. Add to it the tight production and guidance of “the Teacher” KRS-One and it just further boggles the mind how this crew could only drop one single record and disappear.

Dweezil Zappa – “Anytime at All” (mp3) (from Confessions, 1991)

In the rampant resurgence of Beatlemania in pop culture in recent weeks I had nearly forgotten about this gem of a cover. Confessions was produced by Extreme guitarist Nuno Bettencourt and his influence can be heard all over the record, but no more than on this the cover of an album cut from A Hard Day’s Night. The layers upon layers of vocal tracks (provided by Nuno, Dweezil and Ahmet Zappa) take the song to a new level and the addition of a backwards tracked guitar solo – an obvious nod to George Harrison’s use of the technique – make for a truly stellar tribute.

Camera Obscura – “Lloyd, I’m Ready to Be Heartbroken” (from Let’s Get Out of This Country, 2006)

Scotland’s Camera Obscura is easily one of my favorite groups of the last few years. The perfect blend of lush orchestral indie-pop married with beautifully twee vocals and just a hint of a throwback to a simpler time the band here is issuing a – albeit 22-years-late – response to Lloyd Cole‘s classic “Are You Ready to Be Heartbroken?”

Okay, I’ve shown you mine, you know what to do…

100 Words on “Live from Daryl’s House”

http://tunes.ickmusic.com/pics/LFDH.jpg

“It was just one of those light bulb moments…” is how Daryl Hall describes the thought behind his web series Live from Daryl’s House. Inviting everyone from electrofunk duo Chromeo to guitar virtuoso Monte Montgomery up to his house in Connecticut to hang out, talk shop and sit in with “T-Bone” Wolk and the band all the while filming it for the most intimate and fun web series I’ve seen. John Oates even makes a couple of appearances in the monthly program. More than lip service, the series shows the soul shared in putting musicians in room to “just play.”

Highlights:


Daryl Hall w/Chromeo – “I Can’t Go for That (No Can Do)”


Daryl Hall w/Travis McCoy of Gym Class Heroes – “The Queen and I/You Make My Dreams”

Links: Official Site | on MySpace | on iTunes

The Friday Five: February 6, 2009

I do wish we could chat longer, but I'm having an old shuffle for dinner.

52 Weeks, 261 Songs and a full year later ‘The Friday Five’ is officially a year old. It has been consistently one of our most popular features and for that I want to thank the folks that take the time every week to play along. The coming weeks will bring a slight facelift to the five as well as a few guest spots. This week we’ve got a short but sweet list…

For those who have not joined in the Friday Five here is all you need to know; each Friday I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me.

The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments. The more the merrier!

The Five:

Rich Girl” (mp3) – Hall & Oates (from Greatest Hits: Rock ‘n Soul, Part 1)

Hall & Oates never fails to bring a smile to my face.

“1999″ – Prince (from Purple Storm in the Coachella Valley)

Live from Prince‘s headline set at last years Coachella festival.

The Brainsong” (mp3) – Fury in the Slaughterhouse (from Mono)

I never really understood why Fury in the Slaughterhouse wasn’t huge in the states. Has anyone else ever heard of this band, or am I the only one?

“Footprints” – A Tribe Called Quest (from People’s Instinctive Travels and the Paths of Rhythm)

Kicking off with a sample of the Stevie Wonder‘s “Sir Duke” this is real hip-hop. Q-Tip is in perfect form spitting a wicked rhyme as only he can over the bouncy funk track.

“Losing a Whole Year” – Third Eye Blind (from Third Eye Blind)

I’ve found out that there is a new genre definition for all the alternative bands of the mid-90′s that we all love (or love to hate), it’s called Post-Grunge

Tag! You’re it!

Ickmusic’s Friday Five: December 26, 2008

Welcome to the final week of our “Holiday Edition” of the Friday Five!

As we wind down to the New Year the last four editions of the Friday Five will be shuffled from my vast collection of Holiday music. I encourage everyone to play along and spin up some holiday cheer. With the holiday season being short and the duress of the current economic climate being ever present we could all use a little lift in spirits.

For those who have not joined in the Five, here’s how it works: … I hit the shuffle button on my iTunes and share my five with a bit of insight for each track.

Then it’s your turn! Just share the first five random track of your shuffle in the comments and see what your fellow readers are listening to as well.

Here are this week’s tracks:

1. The Pogues – Fairytale of New York (feat. Kirsty MacColl) (from The Best Christmas Album in the World… Ever!)

As I mentioned in last weeks post, this stands as my favorite modern era non-traditional Chirstmas song period. The gritty tale of two junkies sleeping it off in the drunk tank on Christmas Eve somehow manages to be uplifting and is in all regards timeless.

2. Hall & OatesJingle Bell Rock (mp3) (from Classic Soft Rock Christmas)

This kitschy reading of the Bobby Helms classic is on the verge of crossing over into Mellowmas territory but manages to stay the course just enough to be a true holiday classic.

3. Leon Redbone & Zooey DeschannelBaby It’s Cold Outside (mp3) (from Elf)

From the best Christmas movie since Miracle on 34th Street, this was (for me) the first time I heard the lovely voice of Zooey Deschannel. Paired here with the enigmatic Leon Redbone, the pair put a jazz-ed up spin on the Frank Loesser classic. It’s not a holiday season until I sit and watch this movie with my family.

4. Jimmy Eat World – Last Christmas (from Last Christmas)

A bright and breezy take on the 80′s classic.

5. Dean Martin – Winter Wonderland (from Christmas With Dino)

And to play us out of the holiday season in the last Friday Five of the year it’s out favorite Rat Pack member here to croon us out into 2009.

Thanks to all the Fivers out there for playing along this year. For the last time this year, what’s coming up on your shuffle?