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Tag: Kings of Leon

Pete’s Top 10 in Music – 2013

One of my new year’s resolutions for 2014 will be to spend more time banging out some thoughts on this blog (which will turn 10 in December). It mystifies me how fast time flies between my posts here (and time in general).  I want to come here more often and blurt out my reactions to all the good tunes swirling around out there. So what holds me back? It’s things like growing older, deepening responsibilities, two children growing up, work, stress, obligations, laziness, Netflix, bourbon…

Still, it’s important for me to continue to have this outlet. Although attention spans on the internet are fleeting and fragmented, and not many eyes gaze upon this site anymore, I still like having my own little virtual nook. So continue on I shall, and hopefully more frequently.

So what of my musical interests in 2013? As usual, not so much time was spent jumping voraciously into newly released material (although there are a few that rattled my core). I still love jumping back in time (often with the help of Rdio and Spotify) to discover and re-discover the myriad tunes I’ve missed and/or neglected all these years.  It’s overwhelming, but it sure is exciting to know that so much music exists with the potential to have that profound impact that makes it so special.

So here’s my top 10 in music this year. These are the albums, songs, shows and moments that moved me in 2013…

10. [Album] Billie Joe + Norah – ‘Foreverly

norah-billie

This album came out in November and absolutely floored me. I had no expectations, and frankly wasn’t even aware of it until the week it came out. I took a listen, and I was hooked a minute into the album opener, “Roving Gambler.” The voices of Billie Joe Armstrong (of Green Day fame) and Norah Jones mesh perfectly in this sublime song for song cover of the Everly Brothers’ 1958 album Songs Our Daddy Taught Us. The whole album soothes my laid back, old folkie soul.

9. [Song] Kings of Leon – “Temple

Saturday Night Live still has some great moments. Besides the regular appearances of my favorite cast members Cecily Strong, Kate McKinnon, and Taran Killam, the music guests can deliver and surprise. I enjoyed Haim this year, and I really enjoyed the Kings of Leon appearance, particularly “Temple,” the best straight ahead rock tune I’ve heard all year.
Here is KoL’s performance of the song from Live on Letterman:

8. [Song] Alice Smith – “Loyalty

Deep. Stunning. What a flawless voice. This slow burning, soulful track from Alice’s album, She, was an early year highlight. I saw her open for Citizen Cope several years back, and here’s hoping she makes it back to AZ soon, ’cause Alice, I Want You Just For Me.

7. [Song] Guy Clark – “My Favorite Picture Of You

Photo credit: Nashvilleportraits.com
Photo credit: Nashvilleportraits.com

Want your heart ripped right out of your chest, tossed around like a hot potato, and shoved back in? In a good way? Then this tune is for you. This is Guy’s tribute to his late wife, Susanna, who passed away in 2012. Here’s an intimate intro and performance from Guy’s home:

6. [Show] Steve Earle & the Dukes – Scottsdale Center of the Performing Arts – October 14th

steveearle2013

It had been 10 plus years since I last saw Steve perform with his band the Dukes. This year’s incarnation included long time members Kelly Looney on bass and Will Rigby on drums, and husband and wife-duo the Mastersons (Chris Masterson and Eleanor Whitmore) on guitars, violin and background vocals. Seeing them in the hoity-toity confines of Scottsdale among the older set (okay, blue hairs) was entertaining in and of itself, but the main event was clear as could be: the bad-ass Steve Earle front and center, ripping through songs new and old, including his great new record The Low Highway. Highlights for me came from my favorite Steve album, I Feel Alright, with rip-roaring performances of “Hard Core Troubadour” and “Billy & Bonnie.”

5. [Album] John Grant – ‘Pale Green Ghosts

john_grant

Thanks to Later with Jools Holland, a British music show which started airing stateside this year on the Palladia HD channel, I was introduced to the talented John Grant. ‘Pale Green Ghosts’ is electronic, melodic, grandiose, and beautiful. One of its best songs, “GMF,” will have you singing along loud & proud: “I am the greatest motherfuckerrr that you’re ever gonna meet / from the top of my head down to the tips of the toes on my feeet.” I’m telling you.

4. [Show] Prince & 3rd Eye Girl – Marquee Theater, Tempe, AZ – May 1st
prince-late2013

It was a really long drought for me between Prince shows. I hadn’t seen him since his One Night Alone tour in 2002, when he was touring behind The Rainbow Children album. This time, it was Prince (full on ‘fro in effect) and his new all-female backing trio 3rd Eye Girl, in the intimate setting of the 1000-capacity Marquee Theater in Tempe. I wasn’t further than 50 feet from him, and as you could guess, the experience was unforgettable. There were the impressive new cuts like “Screwdriver” and “Fixurlifeup,” but the true magic for me came with tunes like “Forever In My Life” (with P on bass), “Joy In Repetition” (with Larry Graham on bass), and “Purple Rain” performed at the piano. Ain’t no party like a purple party.

3. [Album] Phosphorescent – ‘Muchacho

phosphorescent-muchacho

Matthew Houck released a hell of an album this year with ‘Muchacho.’ Its lead single, “Song for Zula” was a gorgeous introduction, an honest look at love and the frailty of the human condition. The album is rich with poignant, beautiful moments. Take for instance one of my favorites, “Down to Go”:

You say, Oh, you’ll spin your heartache into gold
And I suppose but it rips my heart out don’t you know
But if I’m waking each morning babe
All aching and ornery babe
All vacant and thorny, hey I’m down to go

Seeing Matthew and his band sing these songs live back in October at their Crescent Ballroom show – magnified the beauty and brilliance of this album, and showed how great music lives and breathes.

2. [Show] The Who – Jobing.com Arena, Glendale, AZ – February 6th

petetownshend1

This may go down as the best last minute decision I’ve ever made. I had just wrapped up Pete Townshend’s great autobiography Who I Am early in the year, and was fully immersed in The Who and Pete’s solo work. It turned out that The Who were stopping through Phoenix in February, performing Quadrophenia in its entirety, followed by a greatest hits set. They are definitely  a Bucket List-caliber band to me, so I recruited a friend and got a couple of tickets. I’m so glad I made that decision. Watching Pete Townshend and Roger Daltrey live (yes, even in 2013) is a must for any fan of rock & roll. Seeing them blast through hits like “Baba O’Riley,” “Who Are You,” “Won’t Get Fooled Again,” and the full epic performance of Pete’s rock opera, Quadrophenia, was a once in a lifetime thrill. I soaked it all in, and walked out with a Who-induced buzz that lasted weeks. Fantastic show.

1. [Artist] Neil Young

neil young2501

I’ll finish with Neil.

Once again, a book was the catalyst in inspiring me to jump into a catalog of work. I found Neil’s bio, Waging Heavy Peace,  a very entertaining read. It jumps from past to present and back, and you just never know what topic he’ll cover from chapter to chapter – whether it’s his Buffalo Springfield days in the 60’s, his adventures in Topanga Canyon in the 70’s, his passions in this century of developing a superior quality audio file or his alternate-fueled LincVolt car project… he’s all over the place (sort of how my brain behaves most of the time), and that appealed to me in the book.  So to accompany the book, I jumped head first into Neil’s catalog later this year – his vast collection of solo albums (wow, still a long way to go), the Springfield stuff, his Crazy Horse records, etc. Now, I’ve always loved Neil’s stuff – the stuff I’ve been familiar with over the years, that is. Albums like Harvest, Harvest Moon, and Rust Never Sleeps.  But for some reason, I hadn’t tracked down other gems – the biggest miss being his second album, 1969’s Everybody Knows This Is Nowhere. Yes, I know “Cinnamon Girl” and “Down By The River,” but damned if I didn’t discover that I had never – not once – listened to this 44 year old record in my entire 43 years on this planet! Over the past couple months, as I’ve listened repeatedly to masterpieces like “The Losing End (When You’re On)” and “Cowgirl in the Sand” – and I realize that this record would have been right up there with some of my landmark “life” albums (like ‘Sticky Fingers,’ ‘Hard Promises,’ and ‘Purple Rain’)… well, I feel like a dope.

But such is life. Better late than never. And speaking of Bucket Lists – Neil Young, you are right up there near the top. Cheers to a legend.

I wish you all a very Happy New Year.

http://www.youtube.com/watch?v=62XcMCzIIas

The Friday Five: May 6, 2011

Friday Five

Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

The Five:

“Cantara” by Dead Can Dance (from Toward the Within, 1994)

I was listening to Dead Can Dance’s 1993 release Into the Labyrinth the other day while co-working from home with my wife. During the day, when we’re both listening, I tend to lean towards singer/songwriter fare, and save everything else for when I’ve got the headphones on; so you can imagine the quizzical looks that were coming across the desk during some of the more ethnic tracks. “What is this,” she asked. I think it only confused her more when I explained it was an Australian couple recording in an ancient church in England.

“Chubby’s Goodnight” by Poppa Chubby (from Booty and the Beast, 1995)

It took me longer to type the name of this tune than the tune lasted. Next!

“No Money” by Kings of Leon (from Come Around Sundown, 2010)

Sure, Come Around Sundown would have been better titled Only by the Night: Part Two, but I feel like that isn’t giving it a fair shake. For all its formulaic arena rock, it’s actually a solid record. There really was no pleasing anyone—be it the old fans, or the new—and the Followill clan did the best they could to shoot straight down middle and make a decent rock and roll record.

“Black” by Pearl Jam (from Black and White, 1992)

This is the MTV Unplugged performance, also known as the moment that I declared my undying love for the band. Eddie’s impassioned plea of “we, we belong together,” driving home the utter desperation of the tune.

“Convocation / The Purple Lagoon” by Frank Zappa (from Hammersmith Odeon, 2010)

“Welcome to show number four, de la London, England. Now, I’m going to warn you right now, we’re recording this. And for your own good, you had better make a lot of noise tonight, because this thing is going on the radio in the United States, and I don’t want those people in my country to find out how lame you suckers are.”

I miss Frank, dearly.

What’s on your shuffle today?

Austin City Limits 2009 Lineup Announced

http://ickmusic.com/pics/ACL2009Lineup1.png

If you’ve been hiding under a rock for fear of contracting the Swine Flu, you might have missed the lineup announcement for this year’s installment of the Austin City Limits festival (Official Link) – and it looks to be a hell of a lineup. They are clearly going for a certain demographic (which I am fairly certain that I belong to), and at $185 for a 3-day Pass it comes in less per-day than seeing any of the headliners solo. The festival takes place October 2-4, 2009 at Zilker Park in Austin, TX.

http://ickmusic.com/pics/ACL2009Lineup2.png

Nighttime Missives with Kings of Leon

Kings Of Leon Saves Your Soul.

Rarely, if ever, does Saturday Night Live inform my music choices but this weeks episode did manage to serve as a reminder that a.) Kings of Leon just released a new record that I hadn’t picked up yet and b.) Kings of Leon kick about a metric ton of ass. Their latest release, Only by the Night, finds the band trying on arena size anthems and singer Caleb Followill finding his voice. The slow burn of opening track “Closer” sets the tone for the majority of record. The lead off single “Sex on Fire” brings the rock in the most grandiose way and is sure to have the crowds singing along.  “Use Somebody” is nothing short of brilliant.  While it has only been spinning on my iTunes for less than 24 hours, I’m calling this a contender for my record of the year.

You can listen to the entire record for free at Last.fm [here]

Buy Only by the Night: Amazon

Links: Official Site | on Last.fm | on MySpace