The Irish Troubadour of the New Millennium has been largely defined by the likes of Damien Rice and Glen Hansard. My wife refers to it as “sad bastard” music, a title that I find difficult to argue. It’s not all doom and gloom on The Emerald Isle though, one of its best-kept secrets is the folk-pop duo The Guggenheim Grotto. One of my favorite “new to me” bands of last year, I have been looking forward to the opportunity to see the group bring their quirky tales to the stage. Thankfully, I’ll get that chance on March 18th, when the band stops at The Rockwood Music Hall. I cannot recommend enough that those of you local to the venue join me. Enough of my yapping, check out the video for “Her Beautiful Ideas,” and if you dig that pick up the band’s latest record Happy the Man.
Apparently when you are Dave Matthews Band, the answer is, well, you. Returning to the last venue the band played at the close of their 2008 tour, the band kick started their 2009 tour with a set that could really only be described as epic. There was a definite underlying theme to the night celebrating both the release of their upcoming album Big Whiskey and the Groogrux King, and the life and spirit of LeRoi Moore, whose presence was definitely felt throughout the evening.
Before I get too far into the main event, I’ve got to give some love to Philadelphia’s Legendary Roots Crew. Folks that follow Questlove on twitter know that Tuesday was a busy day for the band running from their ‘day job’ at Late Night with Jimmy Fallon to The Garden and then to their weekly gig at Highline. My wife Christine and I met up with some friends and fellow DMB fans before the show for drinks and dinner, and it was Questlove’s tweet that let us know it was time to head over. Still dressed in their late night gear the band absolutely killed it, wasting not a single second to silence or typical between song banter. From Led Zeppelin to R&B to Hip-Hop the group did not miss a beat blending it all into a tasty gumbo. Highlights for me came at guitarists Captain Kirk Douglas’ take on Cody ChestnuTT‘s “The Seed (2.0)” hook, Black Thought’s absolute mastery on the mic and percussionist Frankie Knuckles leading the band through dance routines Jerome Benton-style.
Photo: John Waters
Seated behind the stage we could clearly view the activity taking place as the road crew set up the curtains and prepped the stage. Dave sauntered out and pumped his fists jumping up and down for those of us who could see him and the band warmed up the intro to “Don’t Drink the Water” from their 1998 classic Before These Crowded Streets. For as many times as I’ve heard “Don’t Drink the Water” (and this marks the third consecutive time I’ve heard it as a show opener) it never wears. The “This Land is Your Land” tag elicited a roar from the crowd as he used Woody Guthrie‘s words to supplement his own toasting the “New York Island”. Following closely was the tour staple “Corn Bread”, a salacious little bit of country fried funk that inspired Dave to choreograph his own brand of dance to a fury that I’ve not seen since James Brown sat in with the band a few years back. The band launched into the first of three new tracks from Big Whiskey and the Groogrux King, “Funny the Way It Is” (which had been released for free earlier in the day) to an audience already singing back to them.
The first sign that this was not to be just another tour kick-off was the appearance of “Raven” from Busted Stuff which has not been performed by the band since 2006. Building on the momentum the band tore through an amped up version of “You Might Die Trying” from 2005’s Stand Up. Guitarist Tim Reynolds delivered his exclusive brand of fret board gymnastics and made it look easy. The second debut came with the mid-tempo “Spaceman” which juxtaposed Dave’s scat like vocals against a gently rolling groove. This one definitely has potential…
I’m not all there, I’m a faithful sinner I might get lost, but I’ll be home for dinner If God don’t like me, he can hand me to hell
Not coming home till the good day’s gone Working as hard, as the day is long Working men watch me, when I get home
“Dancing Nancies” from the bands label debut Under the Table and Dreaming segued nicely into “Pig” both of which prominently featured violinist Boyd Tinsley‘s soulful violin. I’m not certain if Boyd’s new violin is a more traditional build than his original custom model, but its tone was sweeter and harmonic and his turns driving the ship were all the better for it. As the crew brought an additional microphone onto the stage Dave welcomed Gregg Allman (who just “happened to be in town”) up to run through the classic “Melissa” with Gregg and Dave trading verses.
On any other night this would be a showstopper, but the night was young and far from being over. After running through old school fan favorites “Recently”, and the sadly ironic “So Damn Lucky” the band switched gears for the dark “#27”. Dave introduced the final new track of the evening with a tribute to the bands fallen member LeRoi Moore with the emotional and decidedly heavy “Why I Am”.
Still here dancing with the Groogrux king Will be drinking big whiskey, while we dance and sing When my story ends, it’s gonna end with him Heaven or hell, I’m going there with the Groogrux king
From there the band turned up the tempo with a killer version of the anathematic “Ants Marching”. At moments I could not tell you who was louder, the band or the crowd the 20,000 strong sang along every single word. Almost certain that the set was ending the band surprised me by launching into a powerful “#41” featuring saxophonist Jeff Coffin‘s first step into the spotlight of the night. His solo was delivered with such ferocity that it was almost as if he were blowing The Garden down himself. The “Sojourn of Arjuna” interpolation with Coffin and Rashawn Ross on trumpet adds a new twist to the classic and Reynolds again lends soaring leads to the mix of the 17-plus minutes of jamming.
At the close I said to myself that if they ended the show here I’d be happy, but as notes faded the familiar strum of “Two Step” brought the crowd to an absolute frenzy. The entire band traded measures with each and every member showcasing their immense talent. Starting with a restrained but powerful lead by bassist Stefan Lessard and wrapping with 4 plus minutes of percussive bliss courtesy of Carter Beauford, the band kept it going for nearly another 20 minutes before leaving the stage for a quick breather. Dave returned with Tim, Carter and Rashawn for the touching “Sister”, and the rest of the band came back to close the set with the joyful “Tripping Billies”.
As Christine and I made our way back to Grand Central in the pouring rain, we commented to each other on just how extraordinary a show we just witnessed, and quickly rattled back and forth our highlights. It was an emotional experience seeing the band without LeRoi, but it was clear that this night was a celebration of his life, his songs, and his spirit that the band is clearly carrying forward with them.
Dave Matthews Band at Madison Square Garden
New York, New York
April 14, 2009
Don’t Drink the Water
Funny the Way It Is
You Might Die Trying
Melissa (w/Gregg Allman)
So Damn Lucky
Why I Am
*It’s not great, but it’s something…
Dave Matthews Band – Funny the Way It Is (live) (YouTube)
Pre-Order Big Whiskey and the Groogrux King:Amazon
My Brightest Diamond, “From the Top of the World” (Video)
Shara Worden‘s voice is nothing short of truly amazing, add to it a string quartet and you’ve got a recipe for something astounding. Recorded back in December you can view the full concert at Baeblmusic.
Mayer leaves the paparazzi behind and delivers a heartfelt set to his hometown crowd.
“Here are the delays and cancellations of your problems…” promised an earnest John Mayer Saturday night, and for the two hours he occupied the stage, he delivered just that. He quietly walked onstage and kicked straight into his Continuum heavy set with a humble determination that shined though every note. And while his crowd may have proved quite lame (seriously, who sits for an entire show and texts for three quarters of it?) he delivered a solid and energetic show that will stick with me for quite some time.
Mayer kicked off the set with the mid-tempo burner “Belief” into the soulful “Vultures”. A quick guitar change later (seriously, the guy rolls with an obscene amount of gear) brought the first cover of the evening in the form of Robert Johnson/Cream‘s classic “Crossroads” which had a decidedly funky twist to it. This was also the first opportunity that he took to let his guitar playing take the center stage. And say what you want about his pop-leanings and celebrity persona, Mayer knows how to throw down and can hang with the best of them.
“I can’t tell you how happy I am tonight. There’s nothing like coming back home to play a show” was his first spoken words to the crowd (at about 20 minutes into the show, no less) and it was clear that he was feeling the love and enjoying playing for family, friends and fans alike. The pairing of “I Don’t Trust Myself (With Loving You)” and “Dreaming With a Broken Heart” lead my wife to the observation that he really does put the “Bad Boyfriend Material” warning out there.
The acoustic portion of the set featured a heartfelt dedication to his parents (who were in attendance) and the second and third covers of the evening in the form of Tom Petty‘s “Free Falling” followed by an absolutely sick 12-bar blues based take on Duffy‘s “Mercy”. Why it is that despite having a fairly decent amount of his own material he chooses to play covers is beyond me, but the crowd certainly ate it up.
From here Mayer sailed through a pair of early hits lamenting “you can only really play one place where you’re singing “I wanna run through the halls of my high school” and you guys know where that high school is”, leading up to the set closer “Gravity”. This was actually the second time that I got to hear this performed (the first being with the John Mayer Trio) and it still carries the power that it did then (and you can hear for yourself at the end of this post). The encore (which was chosen by the fans via his website) wrapped with his current single “Say” at which point my wife and I decided to trek back to the car.
If you’ve not experienced John Mayer live I can heartily recommend checking him out when he swings through town.
John Mayer New England Dodge Center, Hartford, CT August 23, 2008
I Don’t Trust Myself (With Loving You)
Dreaming With a Broken Heart
Stop This Train
No Such Thing
Find Another You
Bigger Than My Body
Waiting on the World to Change
Bonus Download! John Mayer – Gravity (MP3)