It’s brand new. It’s catchy. I can dance to it. And it’s DEER TICK!
come on miss k
wrap your lovin arms around me
talk dirty
turn me on
let’s get goin
“Miss K” is the newly released first single from Deer Tick’s forthcoming album Divine Providence, due October 25th on Partisan Records.
Loooving this.
You can get a free download of the song here on deertick.viinyl.com. The boys have been having a great time in the studio – this week they’ve been visited by Steve Berlin of Los Lobos and Hardy Morris of Dead Confederate. Their album will feature plenty of other special guests I’m sure. New Deer Tick!! Wahoo!!
Listen to “Miss K”:
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Last summer, thanks to the passing of Arizona’s anti-immigration bill SB1070, many artists made the decision to boycott the state. One of my very favorite bands, Los Lobos, was one of those who decided to say no to Arizona. They were scheduled to perform June 10th, 2010 at the Talking Stick Resort & Casino (located just east of Scottsdale on the Salt River Pima – Maricopa Indian Community), but cancelled the gig about a week before, releasing the following statement:
“We support the boycott of Arizona. The new law will inevitably lead to unfair racial profiling and possible abuse of people who just happen to look Latino. As a result, in good conscience, we could not see ourselves performing in Arizona. We regret the inconvenience this may have caused the Salt River Pima Maricopa Indian Community, Casino Arizona, Talking Stick Resort and our fans, but we feel strongly that it is the right thing to do.”
Not much has changed since last summer, although the most controversial portion of the bill (requiring law enforcement to check the immigration status of anyone they stop or arrest) is currently tied up in federal courts. But lo and behold, I discovered this morning that there is a Los Lobos gig scheduled for Cinco de Mayo (um, that’s May 5th, gringos), once again at the Talking Stick Resort.
So as a rabid Los Lobos fan, I’m thrilled that they’ve decided to return to Arizona. But why the change of heart? I’m fixin’ to find out.
Could it be because the Salt River Pima – Maricopa reservation is considered Indian territory, not technically part of Arizona? Or did they realize that maybe the most effective way to show their disdain for the law is to come to Arizona and speak out directly? I’m interested to find out. But regardless, my thirst for live Lobos will soon be quenched…
So Arizona Lobos fans – May 5th – Talking Stick! See you there…
Here we are again, the final week of another year, and in true procrastinator’s fashion, I’ve put off my year end music recap until the final few days. Now, every music blogger and their uncle has a year end list – the top tens, twenties and fifties (!). Me, I’m keeping it simple for my own sanity and for the purpose of keeping a reader’s attention. Here’s a blast of my top 5′s for the year 2010…
Top 5 Songs
5. “Monster” – Kanye West | I’ve never been one of those in awe of Kanye’s music. I tend to steer clear of jackasses. But I did use my Rdio subscription (see below) to get into his new album. And when I heard “Monster”, I was hooked in pretty hard. And the main reason wasn’t Kanye himself – it was Nicki Minaj. Nicki’s multi-personality attack floored me. I was running when I first heard her spit these rhymes, and I got bona fide goosebumps. Amazing. [Amazon]
4. “No Reason To Cry” – Tom Petty | My sentimental, sappy side always wins in the end – I have a soft spot for the slow, sad songs. There are a lot of great tunes on Mojo, but none hit me as hard as Tom’s plaintive “No Reason To Cry”: “So overtake me my sweet lover / let me kiss your honey lips / could be the only thing that’s real / could be that when you get sad your memory slips / there’s no reason to cry”. Certainly one of Tom’s best love songs ever. [Amazon]
3. “I Gotta See” – Ronnie Wood | Speaking of running and goosebumps, I was also jogging when I listened to Ronnie’s new record for the first time. Track 4 came on – the bluesy, soulful, affair-of-the-heart ballad called “I Gotta See”. Ronnie and co-writer / co-vocalist Bernard Fowler absolutely nail it on the head. “I’m goin’ out / don’t wait for me / don’t bother calling my friends / they won’t know where i’ll be / I hear a voice / it’s calling me / I gotta go now / I gotta see”. It inspired this Ickmix. [Amazon]
2. “It’s Hard To Be Humble (When You’re From Alabama)” – Phosphorescent | I knew nothing of this Brooklyn band at the beginning of the year, and I wish I could pinpoint exactly how I first heard this song – but I’ve listened to it in so many settings since, that I can’t recall. Sweet, folky, soulful rock – you could almost picture this in the setting of late 60′s / early 70′s country rock – maybe something that Gram Parsons and Keith Richards would have gotten together to do. [Amazon]
1. “Harlem River Blues” – Justin Townes Earle | I’ve never sung and clapped along so joyously to a song about drowning oneself, but that’s where I found myself by the second chorus, after hearing Justin’s “Harlem River Blues” for the first time. Rootsy, gospel-flavored, and catchy. Steve’s son is doin’ his dad proud. [Amazon]
Top 5 Albums
5. Here’s To Taking It Easy – Phosphorescent | As I mentioned above, I didn’t know Phosphorescent from a hole in the wall when this year started. But when “It’s Hard To Be Humble (When You’re From Alabama)” hit my ears, I needed to hear me some more Phosphorescent. The album is a laid back blend of folk/country rock featuring the great vocals of Matthew Houck. His voice has a delicate, genuine, earthy feel to it, and it really draws me into the songs. Instantly catchy tunes like “Heaven, Sittin’ Down” and “Nothing Was Stolen (Love Me Foolishly)”. And beautifully crafted songs like “We’ll Be Here Soon” and especially the lovesick feel of “The Mermaid Parade“, another album highlight for me. [Amazon]
4. Mojo – Tom Petty | What a blast of fresh air from Petty and his Heartbreakers. For this record, Tom scrapped their formal studio sessions of years past for a more informal jam session vibe. The guys hung out in Tom’s warehouse studio and played music, at ease, letting it flow. Lucky for us, the tape was rolling. There’s no rushing on this record. If it takes seven minutes to jam it out, like the blissful stoner groove of “First Flash of Freedom”, then so be it. If Mike Campbell wanted his Jimmy Page moment, then he found it in “I Should Have Known It”, which bleeds blues rock in that Zeppelin vein, with a dash of 21st century Jack White vibe thrown in. I still have so much to discover with this album. It feels like I haven’t even cracked the surface. [Amazon]
3. I Feel Like Playing – Ronnie Wood | It was a Stonesy year. Keef’s new book, the Exile on Main Street reissue, the DVD release of Ladies and Gentlemen, the Rolling Stones. On top of all that, Mr. Wood was busy with a new radio show and a brand new record. Featuring guests like Slash, Bobby Womack and Lenny Kravitz, Ronnie keeps it loose and unpredictable with I Feel Like Playing, just like the man himself. I’ve already expressed my appreciation for “I Gotta See”, but there are so many other great moments on this album: the opener, “Why You Wanna Go And Do A Thing Like That For”, with its cool, sly groove; the R&B-infused “Catch You” with Bobby Womack; the fun reggae of “Sweetness My Weakness”; and one of the best tunes to get a good chuckle out of your young kids, if you have ‘em: “Fancy Pants”. I love this record because it doesn’t take itself too seriously. It’s a loose, carefree, fun hour of music – all qualities shared by Ronnie (and me, for that matter). [Amazon]
2. Infinite Arms – Band of Horses | I fell hard for Ben Bridwell and his merry Band of bearded Horses after they released their stellar second record, Cease To Begin. My expectations were very high for Infinite Arms, probably too much so. I was first struck by how much of a departure it was from Cease to Begin. But then my focus shifted to the wide variety of songs on the record, and those songs began to take hold. “Laredo”, “Blue Beard”, “On My Way Back Home” are just some of my favorites now. It’s one of those albums you can keep revisiting and finding something new you like about it every time. [Amazon]
1. Tin Can Trust – Los Lobos | The living legends from East L.A. roared back this year with a vengeance, releasing Tin Can Trust on August 3rd (my 40th birthday, no less). From spaced out blues (“Jupiter or the Moon”) to traditional Mexican (“Yo Canto”, “Mujer Ingrata”) to loose jam rock (their cover of the Dead’s “West L.A. Fadeaway”), the album is brimming with what Lobos do best: crossing genres and flavors as flawlessly as any band playing today. [Amazon]
Top 5 Live Shows
5. Pixies – Mesa Ampitheater (Mesa), Sept. 24 | During college spring break 20 some odd years ago, I was introduced to the Pixies through their album Doolittle. I loved the angst, rage, power, and melodic hooks of the songs. This year, the band took the album on the road, performing it straight through. Sure, it was a nostalgia trip, but that’s my favorite part about music – its transformative power. Even the dense cloud of cigarette smoke couldn’t ruin the effect of seeing songs like “Debaser”, “Monkey Gone to Heaven”, “and “Wave of Mutilation” performed in sequence.
4. Phish – Austin City Limits Music Festival, Oct. 8 | Almost a dozen years had passed since I last saw Phish. When I saw that they were rumored to play ACL, any doubts I had about attending were quickly squashed. It was a shortened festival set, but it was packed with old school favorites of mine like “2001″ (“Also Sprach Zarathustra”), “Possum”, “Cavern”, and of course, “You Enjoy Myself” – which, of the sixteen shows I’ve seen spanning back to 1990 – I’ve seen performed at least a dozen times. Set in the backdrop of a great music festival in one of my favorite places – Austin, Texas – it was a special experience for me.
3. Gov’t Mule, Marquee Theater (Tempe), Nov. 3 | I decided to go see Gov’t Mule on a whim with my brother. I’d seen them in a festival setting a few years ago, but not in a small venue with two full sets. Our jaws hit the floor. Led by guitar virtuoso Warren Haynes, the band tore through tasty blues like “Need Your Love So Bad”, acid jam/jazz (“Devil Likes It Slow”), and Mule staples like “32/20 Blues”, “Broke Down On The Brazos” and “About to Rage”. It was pure musicianship. Gov’t Mule are a group of pure talents that fly just under the radar, but blow the minds of their audiences wherever they play. Great show.
2. The Eagles – Austin City Limits Music Festival, Oct. 10 | Surprise of the year, by far. I’d always been a fan of the greatest hits. I mean, how can you not like “Desperado” and “Peaceful Easy Feeling” and “Lying Eyes”? And in the ACL festival setting, with tens of thousands around me, and a great spot close to the stage… well, I was primed for a good time. And the Eagles delivered. Hit after hit after hit. I absolutely loved it.
1. Los Lobos – Compound Grill (Scottsdale), Feb. 20th | The intimate Compound Grill hosted two shows by Los Lobos this night, an early dinner show and a late night show. My wife, some friends and I were there for both. Four hours plus of live music from one of my favorites in an intimate setting? Yes please! Highlight of the night: dancing at the foot of the stage with my lady to a cover of Shep & the Limelights’ “Daddy’s Home”, an old doo-wop ballad. It felt like a 50′s sock hop with Los Lobos as the house band.
Top 5 Music Odds & Ends
5. Prince | This year, Prince released another album for free in UK newspapers: 20Ten. While it doesn’t rank up there among his best work, it’s certainly superior to his last few efforts, as he takes a more retro approach with some old school effects like his 80′s friend, the Linn drum machine. The funk is alive & well in tunes like “Sticky Like Glue” and “Laydown” (his self-referencing “Purple Yoda” song). [Amazon]
Even more significant is his return to U.S. arenas in the last month, his first arena dates in years. In the past couple weeks, Prince has unleashed a greatest hits barrage in New York and New Jersey with his Welcome 2 America tour. Fans like me can only hope that it means more tour dates next year around the country. I have a feeling it’ll finally happen.
4. Dawes | This young band out of L.A. has a bright future. Their debut album, North Hills would have challenged for a top 5 spot if it had come out this year, but it was released in 2009. I was made aware of the band when I saw them open for Edward Sharpe & the Magnetic Zeros in June. They have a southern California 70′s folk-rock vibe, and they are amazing live. “When My Time Comes” is anthemic, sing-along folk/pop music at its finest. I’ll be watching this band closely.
3. Bruce Springsteen – The Promise: The Darkness on the Edge of Town Story | This takes top billing as the best box set I’ve owned. The remastered Darkness album (CD); The Promise (2-CD’s), a double album set of material from the Darkness sessions that somehow mostly stayed buried in the vaults all these years (“One Way Street” and “Candy’s Boy” highlights for me); The Promise: The Making of Darkness on the Edge of Town (DVD) – a documentary showcasing Springsteen’s meticulousness and perfectionism in the studio (read slave driver!); Live at the Paramount Theater, Asbury Park, 2009 (DVD) – Bruce and the band perform the album start to finish in an otherwise empty theater. Raw and intimate; Houston ’78 Bootleg (DVD) – a full, not previously released concert from the Boss’s prime; and ALL THIS packaged in a notebook / scrapbook that replicates Bruce’s notebook of lyrics and notes from the Darkness days. Alternate lyrics, song ideas, album sequences… interspersed with photographs, flyers, and newspaper clippings from the era. Truly a treasure trove for Bruce fanatics like myself. [Amazon]
2. The Rolling Stones – Exile on Main Street Reissue and Ladies and Gentlemen, the Rolling Stones | The 2-disk Exile reissue featured a full disk of outtakes and extra tunes from the famed Exile era. Also this year, the 1974 concert movie Ladies and Gentlemen, the Rolling Stones saw the light of day as a proper DVD release. It captures the band at its creative and performing peak: 1972′s U.S. tour supporting Exile. Filmed over four shows in Houston and Dallas, you get Mick in all his glam frontman glory, Keith the ragged and true rock n roll star, and you get to see Mick Taylor shine on lead and slide guitar. An amazing document – pick it up or rent it if you haven’t seen this. [Exile Deluxe | Ladies & Gentlemen The Rolling Stones]
1. Rdio | This year, the method in which I consume music changed significantly. I subscribed to a paid streaming service, Rdio (http://www.rdio.com), over the summer. For $10 a month, I can now stream on demand virtually any album or song I want to hear, both on the web and through their iPhone app. Every new release I’m curious about, all the back catalogs of artists I’ve never explored (e.g. Warren Zevon, Harry Nilsson) – anything I want to hear – it’s there on Rdio. Sure, there are similar services – Mog and Rhapsody to name a couple – but it was Rdio’s clean and uncluttered interface, and their interaction with its users in social forums like Twitter and Facebook that made me select them.
I’d say I’m about 50% Rdio and 50% iTunes these days. My concept of music ownership is shifting. I still buy a lot of music, mostly in mp3 format, but with most albums now, like, for instance, James Brown’s or Bill Withers’ back catalog, or the new Kanye West or Nicki Minaj – why buy the records if they’re available on Rdio any time or place I want to hear them? Rdio makes me feel spoiled – like I’m living in the most comprehensive record store in the world. I 100% recommend them, and suggest you check out their free trial if you’re curious. Search for me and “Follow Me” if you subscribe, I’ll return the favor.
Los Lobos dropped by Conan last night to perform “On Main Street” from this year’s Tin Can Trust record. It was nice to see them perform something other than “Burn It Down” – a great song mind you, but every promotional appearance I’ve seen since the release in August, they’ve played it.
“On Main Street” has a looser vibe, and hot damn if you just don’t want it to end.
A very short but sweet set from the boys in Los Lobos as they swing through to play NPR’s Tiny Desk Series. David caps it all off with a great quote: “Where’s the beer?” Thanks Juddster for the tip.
So this idea has been cooking for a good while, particularly since listening to Tom Petty‘s Mojo and Robert Plant‘s Band of Joy albums. Each record is a top notch affair, but what particularly intrigued the mellow softie in me was the inclusion of a beautiful ballad on each: “No Reason To Cry” on Mojo and “Falling In Love Again” on Band of Joy. I thought about putting together one of my rare Ickmixes, featuring these two gorgeous tunes. But the idea sat on the back burner. Until today.
I was running around the ‘hood, gettin’ my jog on as it were, and I was listening to Ronnie Wood‘s brand new album, I Feel Like Playing, on Rdio. Track 4 came on and managed to lift me into the air, it was so damn good. A downbeat, soulful, bluesy affair called “I Gotta See”. Goose bumps. So then it was written: this day, a new Ickmix would manifest itself in some form.
So I got to thinking about the old vets like Plant, Petty and Wood, that are not only alive and kicking, but releasing some of the best music of their careers. I thought about the year 2010, and some of the other established artists – Los Lobos, Eric Clapton, John Mellencamp – that refuse to slow down, and most importantly, continue to innovate and create quality music.
So this mix takes a a look at these six artists – all legends in their own right – and offers up a brand new song from the year 2010, as well as a tune from somewhere along their musical journey.
But it’s not a rowdy affair. Like I said, I favor the mellow. I like it slowed down. I like to bask in the beauty of a good ballad. I like to bob my head to the blues. I like to take hot air balloon rides with Argentine strumpets… kidding about that last one.
So here you are, my latest Ickmix – a tribute to these artists that have been so important to so many of us, and who still manage to give us goosebumps…
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Stop and think about your music collection – everything on your computer and iPod, and all that music stored over there in your records and tapes and CD’s… You have two minutes to think of the five single best instrumental pieces of music in your collection (jazz & classical excluded here).
What do you come up with? Can you think of your 5 favorite by just closing your eyes?
That’s what I did recently when Buckwheat Zydeco’s “Maybe I Will” came on the iTunes shuffle. I quickly jotted these down. Take a listen. And think about your own and leave them in the comments below. I’m curious…
It’s sort of a no-brainer to include the Allmans in a list of top instrumental tunes in rock n’ roll. But it’s warranted. And “Elizabeth Reed” has always struck the biggest chord with me. At seven minutes, the song has the chance to cover some serious territory – changing tempo a number of times, dipping into rhythm & blues and uptempo jam rock. Scorching dueling guitar solos, Gregg’s killer organ… just a great tune.
This short and gorgeous instrumental is buried among the other great songs of one of Los Lobos’ seminal works: Kiko (following the equally awesome “When the Circus Comes”). Anything David Hidalgo touches turns to gold, in my opinion, and “Arizona Skies” is no exception. The percussion and guitars drive this latin-flavored ballad, and as it fades at 2:45, you’re left wanting more more more.
It’s likely not many of you have heard this one. It comes from Buckwheat’s 1990 album that features Dwight Yoakam on a killer duet of Hank Williams’ “Hey Good Lookin’”. But “Maybe I Will” – the organ leading the charge, with some powerful backup from the drums and horn section – steals the show. This is one of those songs that will pop into my head at completely random moments.
I started listening to the oldies station as a kid in Wisconsin, enjoying all the old doo-wop and rock n roll. “Sleep Walk” was one of those tunes that grabbed and held on from an early age. With Santo Farina on steel guitar and his brother Johnny accompanying on electric, the song became a huge hit in 1959. After 50+ years, it still hasn’t lost its luster.
Simply put, one of the the most beautiful pieces of music I have ever heard. The amazing guitar work of Cockburn, the cool undercurrent of Booker T. Jones’ organ, and the violin of Mark O’Connor combine into something truly divine. The song is just drenched in emotion from start to finish, and is without doubt, my favorite instrumental tune in this lifetime.
August 3rd, 2010. A solid day for new music, and also the day I bid adieu to my thirties, and face my 40th birthday with as much good cheer as I can muster (I’m still mustering). Yes, it’s a strange milestone to me, one that elicits all sorts of emotions: excitement, angst, trepidation, resolve… In the end, not a lot you can do but suck it up and move forward. So let’s do this!!
It turns out that two of my favorite bands release new albums today – Arcade Fire and Los Lobos. I just bought Arcade Fire’s The Suburbs tonight, so I won’t be able to offer my opinion now. But I have been lucky enough to spend the last couple of months with an advance of Tin Can Trust, the latest album from Los Lobos. It’s their first studio album since 2006′s excellent concept album Town & The City. This time around, it’s a grab bag of goodness featuring their unique formula of rock, blues, latin, folk, and roots.
As Los Lobos album tradition tends to operate, Rojas gets in his traditional Mexican tunes – his cumbia (“Yo Canto”) and his norteño (“Mujer Ingrata”). And Hidalgo, in turn, gets down and dirty with the blues and roots, leading the charge on vocals and guitar in scorchers like the album opener “I’ll Burn It Down”, a sublime “Jupiter Or The Moon” (standout track, lose yourself in David’s beautiful guitar solo), and an amazing Grateful Dead cover – a seven minute version of “West L.A. Fadeway“.
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Also of Dead-related note, Dead lyricist Robert Hunter shares a co-writing credit with Rojas on the downtempo “All My Bridges Burning”.
Los Lobos are unsung heros, masters of their craft. A band that – other than the 80′s “La Bamba” craze – have somehow managed to remain under the radar throughout their long and storied career. Tin Can Trust shows they only continue to improve with age. For genuine American music, pick it up and treat yourself. And make sure of course to catch them live, something I don’t have the luxury of doing anymore, living in Arizona. Until immigration bill SB1070 is thrown away, Lobos ain’t a-comin’ back to AZ. Enjoy ‘em for me if you will, won’t you?
Robert Plant does Los Lobos? Don’t mind if I do. I was definitely intrigued a few weeks back when I heard that Robert Plant was covering “Angel Dance” on his forthcoming album, due September 14th. I took my first listen tonight. It’s good. It doesn’t come close to exceeding the beauty of the original, but it is cool just to hear Plant – one of my favorite singers – take on a great song by one of my favorite bands. Kudos to him.
My bloggin’ buddy Dave Lifton (Wings for Wheels, Popdose) had a rare & excellent experience a couple weeks ago at the Taste of Chicago festival. Los Lobos was rocking the crowd, when, who should appear out of nowhere but a leather-clad Robert Plant. Go on over to Dave’s site, Wings for Wheels, to check out his account of the evening. Here’s a Los Lobos-backed Plant singing “Treat Her Right” at Taste of Chicago.
Los Lobos delivered as expected last night at the Compound Grill in Scottsdale. The wife was a great sport, and powered through two full shows with me – an 8pm dinner show and a 11pm late show. Friends Jen and Brian also rocked out all night along with us.
The Compound Grill is a brand new venue, having been open only a few months now, and it was built with live music (and good food) in mind. So the atmosphere was just fantastic – a small club feel, friendly and attentive staff, and a great sound system. The early show was sold out with the max capacity of 200 people, so it felt like the coolest private party I’d ever been to. Eating dinner, putting back a pint or two, with Los Lobos as the house band.
After the first show, most of the folks cleared out, leaving those of us who were in it for the two shows. I was expecting it to fill up again, but the late crowd ended up being probably 80-100 people tops. This only elevated that private party feel. Guitarist Cesar Rojas set the celebratory atmosphere from the very beginning – toasting “Salud!” with a glass of red wine. He toasted “Salud” throughout the night, right up through the last tune of the night as the clock ticked past 1am (“Bertha”).
The highlights were many. The cover tunes included a blistering 1-2 punch of Neil Young’s “Down by the River” into Jimi’s “Are You Experienced?” in the first show (jaw dropping solos by David Hidalgo, Cesar, and Louie Perez); a great cover of Howlin’ Wolf’s “300 Pounds of Joy”; Traffic’s “Dear Mr. Fantasy”; another Jimi cover, “Red House” near the end of the late show; and of course their popular take on the Grateful Dead’s “Bertha”.
Another cool moment: slow dancing with my wife at the foot of the stage, as Lobos played a 50′s doo-wop ballad, “Daddy’s Home”. Dancing slow with the lady, and looking up to see Los Lobos playing five feet away? Priceless.
Of course, Los Lobos has a rich catalog to draw from – and the night featured old and new (full set list below) – including great versions of “Kiko”, “Evangeline”, “I Got Loaded”, and the always raucous “La Bamba”/”Good Lovin’” combo, which whipped the dance floor into a frenzy, and Hidalgo inviting a few young ladies to dance on the stage.
I always get instantly nostalgic after a great live music experience – so tonight feels a little bittersweet. The feeling I get while watching Los Lobos live is one I’d like to carry around with me every day of my life. If you’re one of the many who haven’t seen Los Lobos live, please put it on your bucket list and find out what this feeling is all about…
—-
Cesar threw a few CD’s into the crowd last night. My wife grabbed a hold of one – their latest CD, Los Lobos Goes Disney. We listened today, and the album is a blast. It also contains a slow, beautiful tune called “Not in Nottingham” (from Robin Hood). Check it out…
Check out the whole album:
— SET LIST
LosLobos
February 20th, 2010
The Compound Grill, Scottsdale, AZ
8pm Show
La Pistola y El Corazon
Saint Behind the Glass
I Wan’na Be Like You (The Monkey Song)
One Time One Night
Happy Birthday – electric
Chuco’s Cumbia
Dream in Blue
Down By The River (Neil Young) >
Are You Experienced? (Jimi Hendrix) >
Kiko and the Lavender Moon
Let’s Say Goodnight
Ay Te Dejo en San Antonio
Soy Mexico Americano
Volver, Volver
Road to Gila Bend
Don’t Worry Baby
Encore:
Mas y Mas
11pm Show
La La La La La (Blendells)
Evangeline
Luz De Mi Vida
Whiskey Trail
Why Do You Do?
Emily
Wicked Rain
The Neighborhood >
300 Pounds of Joy (Howlin’ Wolf)
Dear Mr. Fantasy (Traffic)
That Train Don’t Stop Here
Daddy’s Home (Shep & the Limelites)
Maricela
Red House (Jimi Hendrix)
I Got Loaded
La Bamba > Good Lovin’ > La Bamba (Ritchie Valens)