He Stands The Test of Time…Like Beatles and Stones

(Beady Eye, Live in the Main Room, First Avenue, 5 December 2011)

Liam Gallagher is doing just fine without Oasis. Well, actually, he took most of Oasis with him and formed a new band called Beady Eye so he’s not really suffering. Last night, this new outfit descended on First Avenue and put on a corker of a show. Part of it had to do with the venue, of course, as I hadn’t seen Liam in such a small setting for quite some time (1994, at the now departed Uptown Bar on Oasis’ first ever US tour before the “Supersonic” single had even come out).

Here was their set list.

Four Letter Word
Beatles and Stones
Millionaire
Two of a Kind
For Anyone
Three Ring Circus
The Roller
In the Bubble With a Bullet
Bring the Light
Standing on the Edge of the Noise
Kill for a Dream
The Beat Goes On
Man of Misery
The Morning Son
Wigwam

Encore:
World Outside My Room
Sons of the Stage

As you can see, no Oasis songs were played but that was just fine with me. Beady Eye’s first album, Different Gear, Still Speeding, brings a fresh mix of styles as well as familiar, Beatles-esque yarns. Highlights for me last night were “The Roller” (another channeling of Liam’s inner Lennon), “Bring the Light” (the first single from the album which I didn’t really like right away but has since grown on me with its Jerry Lee Lewis piano…ballin’!) and “Kill For A Dream” (I think I got a contact high from this number and the pot was from 1967).

The show also saw Liam being his usual self (posing god like, picking fights with the crowd, general misbehavior fueled by titanic hubris) which made me crack up several times. The rest of the band showed the crowd their musical talents as well. Gem Archer and Andy Bell were both fantastic on the guitar. Chris Sharrock drummed his fucking heart out. Matt Jones added several layers of texture with his keyboard work.

I’ll be looking forward to the second record which Liam has promised will drop late next year. Mega!

Check out the band’s remaining tour schedule for the US.

Here is my photo album from the show.

How’d You Like That, How’d You Like That, How’d You Like That…I Liked It!!! [The Kooks at First Ave]

“How many bands can you name that have only three albums out and, after a 21 song set, you still want more?

Not many. But that’s the beauty of Brighton’s The Kooks. The recently released Junk of the Heart is yet another example of how Luke and the East Sussex lads are extremely gifted when it comes the composing pure pop songs. Like their first two releases (Inside In/Inside Out, Konk), every track on their third offering is fantastic.

Last Sunday night, the Main Room at First Avenue saw the Kooks bring their uncanny knack for the 3 minute, insta-catchy tune to town. Their set list included tracks from all three of the records.

THE SETLIST
Is It Me?
Always Where I Need To Be
Sofa Song
Matchbox
Rosie
She Moves In Her Own Way
Sway
Runaway
Eskimo Kiss
Killing Me
Seaside (Acoustic)
Tick of Time
See The Sun
How’d You Like That
Mr Nice Guy
Ooh La
Shine On
Do You Wanna
Encore:
The Saboteur
Junk Of The Heart (Happy)
Naïve

Highlights for me were some of the new songs (“Rosie,” “Runaway,” “Junk of the Heart”) as well as the ever sturdy “Sofa Song,” “She Moves In Her Own Way” and “Sway.” “Eskimo Kiss,” a track from the new record, was really a treat and managed to capture a Simon and Garfunkel sentiment both thematically and stylistically. Luke ran around the stage doing his best to capture all our attention with his Jim Morrison-esque affectations.

After asking the question posed above at the end of the 75 minute set, my favorite show companion and I started listing the songs we wished they had done as well.

“Eddie’s Gun?”
“Yep.”
“Love It All?”
“Oh, that would have been mega!”
“Jackie Big Tits?”
“No doubt!”

We kept going until we had named all their songs on all their albums and singles.

The Kooks are heading out west which includes a stop on December 9th at the Wild Horse Pass Hotel and Casino in Chandler, AZ for our esteemed host. Catch them if you can!

Here’s the video I took of the last song of the night, “Naive.” I apologize for the bumpiness…I was dancing around and being pleasantly jostled.

Recap: John Prine at the Orpheum Theater in Phoenix

Pardon me while I enjoy this warm afterglow I’m feeling – the afterglow that comes from seeing living legend John Prine perform live.

It was a Saturday night, and the setting was perfect – the ornate 82-year old Orpheum Theater in downtown Phoenix. Loudon Wainwright III‘s hour-long opening set was filled with his brand of humor and songs “about death and decay.” Songs like “The Shit Song,” “Heaven,” and a request from promoter Danny Zelisko, “Dead Skunk,” were nothing short of hilarious; but he also offered up some introspective tunes with a melancholy edge, like “Thanksgiving”, a quiet ballad about dysfunction around the Turkey Day table. Having never truly explored Loudon’s music, the set made me want to dip back into his catalog and see what I’ve been missing all these years.

But the night, after all, belonged to John Prine. At 9pm, John and his trio took the stage and didn’t stop for two solid hours. The songs covered his 40 year recording career from his first 1971 self-titled album to his last studio offering, 2005′s Fair & Square.
In fact, he played eight out of the thirteen songs from his first album.

The anti-war “Your Flag Decal Won’t Get You Into Heaven Anymore” was introduced by telling the audience the song was so old, he couldn’t remember which war it was about.

“Angel From Montgomery” featured a beautiful mandolin opening by guitar/harmonica man Jason Wilber, who ended the tune with some great electric slide.

“Sam Stone”, about a heroin-addicted war veteran, started off with John solo acoustic. Then bass player Dave Jacques walked out and joined in with a bow on his standup bass – and finally Wilber walked out and joined in on some quiet electric.

The contributions of Wilber and Jacques can’t be understated. Their years of experience backing up Prine have made the three a single organism. They know when to add the slightest nuance and embellishment to a tune, adding sweet, quiet notes to John’s acoustic classics like “Far From Me” and “Hello In There” – yet they can crank it up to power trio volume on folk rockers like “Bear Creek Blues,” “Picture Show, ” and the fun ditties like “Fish and Whistle.”

Prine and the band have re-worked some tunes into some fantastic new arrangements too. “Ain’t Hurtin’ Nobody”, the opener from 1995′s Lost Dogs & Mixed Blessings, was transformed into something dark & funky, with Wilber playing these low slide riffs that added an edge to it. “Lake Marie” also was reworked, but not losing its entertaining but slightly sinister vibe.

Wilber and Jacques left the stage for a few tunes, leaving John and his guitar to strum out “Crazy As A Loon,” “Dear Abby,” and one of my all-time Prine favorites: “Blue Umbrella.”

Earlier in the set, Prine dedicated “Souvenirs” not only to his late friend and songwriting partner Steve Goodman, but to the doctor who cleared him of cancer a decade earlier, who was in the audience.

Since discovering his music in my late teens, John Prine’s music has helped me navigate the challenging, sometimes absurd path of life. His songs are honest, funny, wry, and comforting. Some folks you just trust, and look to in life to help show you the way. John Prine is one of those people for me (and for countless others, many in the audience last night). Throughout the night, I found myself closing my eyes, savoring the experience of spending time with one of my heroes.

God bless John Prine.

Set List

Spanish Pipedream
Picture Show
Humidity Built the Snowman
Your Flag Decal Won’t Get You Into Heaven Anymore
Six O’clock News
Souvenirs
Grandpa Was a Carpenter
Far from Me
Christmas in Prison
Fish and Whistle
Long Monday
Glory of True Love
Angel From Montgomery
Crazy As A Loon *
Dear Abby *
Blue Umbrella *
Sam Stone [solo & band]
Bear Creek Blues
Ain’t Hurtin’ Nobody
Hello In There
Lake Marie

Encore:
Paradise (with Loudon Wainwright)

*John solo

Recap: Deer Tick at the Crescent Ballroom in Phoenix

The great thing about Deer Tick live is the no frills, no bullshit, “it’s only rock n’ roll” attitude. Lead singer/guitarist John McCauley is the embodiment of it all. He’s clearly in it for the music, and doesn’t much care about self-image or putting on those rock band front man airs. But that’s not to say he doesn’t have a good time and doesn’t embrace some of the – um – rock star lifestyle.

Shuffling on stage last night with three bottles of Coors and the red plastic cup that was never too far from his grasp, John and the band rocked the face off the Crescent Ballroom last night – growling, spitting, and, yes, snot-rocketing his way through a 90 minute, 19-song set full of new tunes from their brand new album Divine Providence, along with some older tunes spanning their first three albums (most from their debut, War Elephant) and a couple of well-placed covers.

They opened with the great Divine Providence album opener, “The Bump,” which serves as a great introduction to the band: “We’re full grown men! / But we act like kids! / We’ll face the music / Next time we roll in“; and the ultimate intro to John: “I got a name / They Call Me The Bump / One night with me / Is gonna mess you up … I’m a drunken devil! / I’m not the king of cool!

And off they went. The set featured 9 songs from the new album, including two sung by guitarist Ian O’Neil (the hard charging “Walking Out The Door” and the southern rock ballad-feel of “Now It’s Your Turn”) and one by drummer Dennis Ryan, “Clowning Around” (Dennis wrote the song about John Wayne Gacy). The first released single from the record, “Miss K”, is good-time rock at its finest, and really pumped the crowd.

John and the band are loose and relaxed between songs, noodling around like they’re in rehearsal. It’s fun to see. Between songs, we were treated to the theme from Law & Order, AC/DC’s “You Shook Me All Night Long”, and my favorite, drummer Dennis Ryan singing a verse of Santana & Rob Thomas’ “Smooth” – but sung as Tom Waits. Classic.

Deer Tick played five tunes off of War Elephant, including another highlight of the night, a slowed down “Ashamed” with a killer sax solo from Rob Crowell. Just as cool was the song they chose next, a raucous cover of the Replacements’ “Bastards of Young.”

Speaking of covers, the band also showed off their alter ego Deervana, with a spot on version of Nirvana’s “On a Plain.”

The night wrapped just after midnight, with the party anthem off the new album, “Let’s All Go To The Bar.” They were on for a full 90 minutes, but it still seemed short, and there wasn’t even enough time for an encore (I’m guessing the Crescent Ballroom curfew is 12 midnight). Everyone was ready for more, but it wasn’t to be. Instead, I made my way out back and chatted with the band for a few minutes (along with my smuggled can o’ Four Peaks Hop Knot IPA – shh).

me & john mccauley

To me, there’s nothing as invigorating as a solid, genuine, live rock n’ roll show. Deer Tick are as real as they come – an unaffected group of guys who clearly love playing music together and insist on having a great time doing it. It’s all for the love of the music – and luckily, those of us in the crowd get to come along for the ride.

Deer Tick Set List
October 28, 2011
Crescent Ballroom, Phoenix

The Bump
Easy
Baltimore Blues No. 1
Main Street
Chevy Express
Walkin’ out the Door
Ashamed
Bastards of Young (Replacements cover)
Clownin Around
Funny Word
Choir of Angels
These Old Shoes
Now It’s Your Turn
Miss K.
On a Plain (Nirvana cover)
Not So Dense
Mange
Let’s All Go To The Bar

Recap: Dawes and Blitzen Trapper at the Crescent Ballroom

Hallelujah, there’s a killer new live music venue in my home town!! The Crescent Ballroom, open for just a week now, is a mid-sized room (able to accommodate 400-500 people) in a cool 1917 brick building located at 2nd Ave. and Van Buren in downtown Phoenix.  Great atmosphere, friendly staff, really good food in their patio lounge/restaurant, Cocina 10 (I recommend the bean & cheese burrito paired with a Moscow Mule – tasty).

Dawes

Last night, the Blitzen Trapper / Dawes traveling roadshow hit the Ballroom for a few solid hours of rock n’ folk. The tour is just getting started, having kicked off just a few days ago in Petaluma, CA.

After a very mellow but pleasing opening set by British guitar/vocal duo Smoke Fairies (Katherine Blamire and Jessica Davies), Dawes hit the stage, and, as expected, immediately won over the Phoenix crowd. Hard to tell, but it seemed like most of the crowd were new to the L.A. band, and it wasn’t long before the passion and earnestness of the four – especially frontman Taylor Goldsmith, won them over. Taylor is as genuine as they come, and a brilliant, evocative songwriter. In every song he sings, he makes sure the listener hears every word, pouring every ounce of his heart and soul into it. His brother Griffin (on drums) shares that passion and enthusiasm – his facial expressions alone are something to behold: his mouth in varied contortions of agony and ecstasy with every beat and fill. Bassist Wylie Gelber and keyboard/organ man Tay Strathairn round out the quartet, and it’s clear why they’ve been selected over the last year to back up the likes of Robbie Robertson, Jackson Browne and M. Ward. Such a cohesive, organic, and talented band.

The 10-song set drew from both of their studio albums – North Hills and Nothing Is Wrong. There were some great moments – the build up and crescendos of “Fire Away”, Taylor’s fiery guitar solo on “Peace in the Valley” – but the emotional peak came with the 1-2 punch of “A Little Bit of Everything” and “When My Time Comes.” I appreciate and enjoy “A Little Bit of Everything” more and more with each listen, and Taylor’s detailed, story-telling delivery gave me goosebumps throughout the tune. Then, of course, the anthemic “When My Time Comes” whipped the crowd up, and they were primed to belt out the chorus when Taylor turned the microphone around toward the end.

Taylor and Wylie of Dawes

Since discovering Dawes in mid 2010, I’ve had the chance to see them four times now, and they just keep getting better and better. Last night’s set was another thrill as a fan.

→ Dawes Set List

Since finding out about the co-headlining tour with Blitzen Trapper, I’ve dug into the Portland indie-folk band’s catalog, and the music has definitely been growing on me. Now, after watching them live, I can call myself a fan. I love the dynamic of these guys. It’s a hard-to-peg grab bag of influences… I hear Grateful Dead, Zeppelin, 70′s folk, 70′s rock, Dylan… but all unique and original in their own right. Lead singer/guitarist/keyboardist Eric Early has an unassuming, shy demeanor between songs, but man, can that guy sing and shred.

Eric Early of Blitzen Trapper

Blitzen Trapper

Speaking of shredding, I got off on watching lead guitarist Erik Menteer tear it up on his Les Paul. The rest of the band chipped in on some great harmonies, but Erik was off to the side just killing on guitar (and occasionally keys).

Erik Menteer of Blitzen Trapper

Blitzen Trapper

Marty Marquis, off to stage left on guitar & keys, is the laid back jokester of the band, offering up most of the between song banter (thankful for the nice weather, unlike their last visit to Phoenix, when they “melted”).

I’ve been listening a lot to their new record American Goldwing, and they drew heavily from it, with tunes like “Fletcher,” “Astronaut,” “Your Crying Eyes,” and one of my faves, “Love the Way You Walk Away.” And then there was the sheer Zeppelinesque force of “Street Fighting Sun,” also from the new album. Loud, thrashing, arena rock size rock n roll absolutely filling the small Crescent Ballroom.

The encore was a triple treat too: Eric Early solo acoustic on “The Man Who Would Speak True” followed by an unrecorded song called “Jericho” (full band), and then, to add an exclamation mark to the evening, the finale – Zeppelin’s “Good Times Bad Times.”

Blitzen Trapper. Count me in.

→ Blitzen Trapper Set List

As I mentioned, the tour is just getting started. Some of my buddies back east are checking out the show soon. Even if you’re not familiar with either band, one live experience will convert you – guaranteed.

No One’s Going To Take Me Alive

Muse at Target Center, Minneapolis 10-5-2010

Muse killed me last week. Just fucking slayed me. I still haven’t recovered.

I’ve heard how legendary their live shows are and was finally a witness to the unbelievably amazing spectacle. Sparing no expense in the Dazzling Light and Special Visual Effects Department, Muse’s 1 hour and 45 minute show was wonderful. On tour in America to promote their latest release, The Resistance, their set list covered their entire career with the main focus being on this latest release. Several tracks were played from my favorite album, 2006′s Black Holes and Revelations, including “Knights of Cydonia (who doesn’t like a song that opens with the sound of galloping horses and laser beams?), “Super Massive Black Hole” (hey, Prince, what up?) and the shiveringly beautiful “Starlight.”

I wasn’t as keen on the new record as I thought it sounded overly Queenish but played live the tracks sound great. In particular, the title track and “Undisclosed Desires” were fantastic! “Stockholm Syndrome” from Absolution closed out the set proper and the pit (where I was) went insane. They came back for two encore songs (“Plug in Baby” and “Take A Bow”) complete with giant, bouncy eyeballs filled with confetti…one of which burst right next to me and doused me with several hundred multi colored particles of merriment.

They are in the US the rest of the month. Don’t miss this show and check out my photos from the night in this link.

A Night with Pixies – Doolittle Tour at Mesa Ampitheatre

I respect artists who understand and appreciate their own legacies. Artists who identify that their music means so much to so many people. One of the coolest phenomenons of recent years is the full album live show. Springsteen’s last tour ended up with several shows where he and the band played straight through classic albums like Born to Run, Darkness on the Edge of Town, and The River. Similarly, Boston’s Pixies realized that they can give the people what they want with a classic album of their own – 1989′s Doolittle.

I’m one of the many people the album connected with back in the day, so I damn sure wasn’t going to miss this year’s Pixies tour, which features the full album front to back, from “Debaser” to “Gouge Away”. Friday night at the Mesa Ampitheatre, I got Doolittle’d.

So Mesa has some strange early curfew ordinance where shows have to end by 10pm, so by the time we rolled in at 7:30, opening band Fuck Buttons were almost wrapping up their set. We stepped into the general admission, multi-leveled grass amphitheater, aka “the smoking section” – an immense cloud of cigarette smoke hovered stagnant in the air – and in we went.

At 8:15, a video montage began, and the Pixies took the stage, opening with some tunes from their Complete B-Sides album: “Dance the Manta Ray”, “Weird at My School”, “Bailey’s Walk”, and “Manta Ray”. Then, without any further fanfare, it was Kim Deal’s opening bass riff of “Debaser”, and the Doolittling began.

The crowd seemed pretty evenly split between those in my age group, who grew up with Doolittle, and the younger twenty-something set – the smart ones who’ve developed an appreciation for a great band.

The large video background featured odd movie clips, interesting visuals, and funny/endearing shots of the band members. The crowd energy was pretty amazing at times, with raucous applause and cheers for the band, which genuinely seemed to touch each one of them. I’m sure they get a similar reception at every stop on the tour, but it’s something special to be in “that moment” when an audience and band are connecting with such intensity. What a rush that must be for a band.

And what a rush to have the Pixies playing the entire Doolittle album straight through for us. The “album” experience is such a wonderfully subjective thing – each person connects in a multitude of different ways to a great album. Experiencing Doolittle with a like-minded crowd, looking around and knowing that – for a lot of people – the album taps into those same nostalgic places in the mind & heart – that was truly a special feeling.

The band kept the live versions very close to the framework of the studio versions. We all have our Doolittle favorites – and for me, the highlights were “Wave of Mutilation”, “No. 13 Baby”, and “Monkey Gone to Heaven”. ‘Twas great fun on “Monkey” to sing the “Man is Five”/”Devil is Six”/”God is Seven” part with the Pixies and a live crowd.

“Then GOD is Seven!! Then GOD is Seven!! Then GOD is Seven!!” Great fun indeed.

Frank Black, Kim Deal, David Lovering, and Joey Santiago were all in great spirits throughout the night – Kim being the most talkative of the bunch (probably normal for the band). They wrapped the night with a slowed down version of “Wave” called “Wave of Mutilation (UK Surf)”, a smoky and intense “Into the White” (see below), “Velouria”, and the night finale, “Where Is My Mind”.

My group of friends and I sauntered off into the night, completely satisfied, and decided to enjoy a drink or two at a bar across the street. Not soon after we sat down, in walked Joey Santiago and David Lovering. Pretty cool twist of fate… my buddies Jason and Cecily, who drove all the way from Albuquerque to catch the show, got some face time and a couple of pictures. A nice bookend – along with some tasty Guinness – to a great night.

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Buy Doolittle

Photos: a nice photo slideshow from AZ Central

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Vids (If you’re broadband, flip over to the 720p HD setting on these. My iPhone came throughhh.)

Here’s “Wave of Mutilation”…

A smoky “Into the White”…

And a slowed down “Wave of Mutilation (UK Surf)”…

Four Seasons in One Band: Crowded House at the Minnesota Zoo

Sit back for a moment from your computer screen and think about what each of the four seasons mean to you. What goes through your mind when you think about Fall, Winter, Spring, and Summer?

Collectively, they remind me of the past. Fall brings back memories of the beginning of school…the nascence of learning and the hope of what might transpire throughout the year. Winter…especially winter in Minnesota…has always had a harsh certainty to it as well as a warm comfort imagining a roaring fire and a companion with whom to share it. Spring is a rebirth…a coming out party coupled with a return to nature. Summer is lazy days spent on the tennis court and at the pool with the smell of suntan lotion and the Dr. No vision of a woman in a bikini.

Combine this feeling with music that you heard in each of these different seasons and it’s quite intoxicating. The songs and the seasons past become all mixed up in a haze. Hearing a song reminds you of that season and being in that season reminds of that song and a season long ago. Or a band.

This would be why I have loved Crowded House for the last 24 years. Like U2, they are a my generation band who helped to define my lifespan development.

I had the absolute pleasure of seeing them last Saturday night in the final installment of the Minnesota Zoo Concert Series. The zoo is really a great place to see a show. Los Lobos plays there practically every year. It’s intimate, the sound is great, and the Roman ampitheater style seating creates a great ambiance.

I missed the lads when they came around on the their last tour in support of their comeback album Time on Earth. I liked that record but not nearly as much as their new effort, Intriguer. So, even though I was bummed that I missed them three years ago, I knew I had to make this one. It had been 17 years since I had seen them last – not including the various Neil Finn shows I have seen since that time.

They took the stage at around 8:30pm and played for over two hours. Their 21 song set was comprised of songs from all six of their records. Neil looked quite dapper in his suit and, as usual, charmed the heck out of the crowd. One thing to always remember about Crowded House shows…or Neil Finn shows for that matter…they are hilarious! The in between song banter is reminiscent of Monty Python and  makes for howls of laughter at various points in the set. Neil and Nick were wondering, at one point, if the fake, lighted geese (being that we were at a zoo) at the foot of the stage were going to explode in a pyrotechnic display. They kept coming back to the geese and making cracks throughout the night which was very, very funny.

They played four songs from their first album (“Mean To Me”, “World Where You Live”, “Something So Strong”, “Don’t Dream It’s Over”). That album came out in the spring of 1986 – my freshmen year at college. I remember listening to it (with the brother of our host here at Ickmusic) the week it came out. We were both Split Enz fans and couldn’t believe how great it was. We played it constantly at all the end of  year parties. The girls went crazy for it, swooning over Neil and Nick – it was fantastic. That first record was the soundtrack to our summer that year and, 24 years later, the songs sound just as amazing. My mind was leaping back to all those great memories.

They only played two songs from Temple of Low Men (“When You Come” and “Better Be Home Soon”, which was the show closer). Even though this album came out in the summer, I didn’t really get into it until the winter. It happens that way sometimes. The album had a darker tone and it fit perfectly with a terribly harsh winter in 1988-89. “When You Come” is such a reflective song and Neil really nailed it.

From Woodface, we had “Fall at Your Feet” (shivers – always shivers…so perfect in so many ways), “Chocolate Cake” (perfect in an election year), “It’s Only Natural” (the set proper closer) and “Weather With You”, which was played during the encore with much hilarity, dancing and debauchery…as it always is. But the real gem (and my favorite song of the night) was “Four Seasons in One Day”. Neil prompted us to sing the last chorus over and over again as he got quieter and quieter and the sound of our collective chanting…

Blood dries up…like rain…like rain…fills my cup…like Four Seasons in One Day

was hypnotic…primal…perfect for all the animals at the zoo….chilling and crush my heart beautiful.

The evening saw many offerings from Together Alone. “Private Universe” opened up the night. “In My Command” rocked. “Locked Out” rocked even harder. This was one of my perfect fall albums. Not as much of a solid autumnal hall of famer (that would be U2′s Unforgettable Fire) but certainly in the top 5. All the songs have a mystical quality to them that is undeniably transporting. I mentally drifted at several points when they did these songs. It was fantastic.

From Time On Earth, we heard “Don’t Stop Now” and “Heaven That I’m Making”. A spring feeling to be sure and Neil’s piano playing was a treat. I realized as I listened to “Heaven That I’m Making” that I need to give this record some more spins.

The Intriguer songs (“Saturday Sun”, “Either Side of the World”, “Archer’s Arrows”, “Isolation”) were amazing. During “Isolation”, Neil’s wife Sharon offered a haunting vocal that reminded me of all the seasons and many memories from each which solidified the idea that the massive goodness of Crowded House is that they truly are four seasons in one band. Truly, the entire evening was magic…as it always is with this wonderful band of my lifespan.

What does each season mean to you? Throw on a Crowded House disc and perhaps they can help to color your answer.

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Buy Intriguer

Visit Crowded House’s Official Site.

Tom Petty Sings The Blues

It’s just not summer unless Tom Petty and the Heartbreakers release a new album, and their new effort, Mojo, is truly one of their best. This 15 track disc is absolutely stunning from start to finish and is, without a doubt, the album of the summer. Actually, at this point it’s my album of 2010.

Many of the tracks are very swampy and blues oriented. The opening track, “Jefferson Jericho Blues”, is certainly of that vibe as are “Running Man’s Bible” (hey, Stevie Ray), “Candy”, “U.S. 41″ (Robert Johnson dreamy), and “Takin’ My Time”. All are wonderfully uplifting in that special way that only the blues can be.

The three tracks that are really incredible, though, are “First Flash of Freedom”, “The Trip to Pirate’s Cove”, and my favorite track on the album, “Let Yourself Go”. “First Flash of Freedom” is a spacey, trippy nod to the days when truly great jams were had by many. “Pirate’s Cove” is quite reminiscent of The Doors complete with Ray Manzarek-esque keyboards by Ben Tench. “Let Yourself Go” is the real gem of the record. The first time I heard these lyrics

I’ve got a blond headed woman that likes to come around
Cute little hippie girl lives in town
Brings a bag of records and we play them until dawn
Gives me a little lovin’ then she got to go home.

I grinned from ear to ear. What a beautiful and wonderful image. My mind and heart raced back to the early 80s when the same thing happened to me with a blond headed, hippie girl named Jennifer.

No doubt, a new Tom Petty album in the summer is magnificent. Seeing him live in support of his new effort is out of the stratosphere. I snapped up tickets quickly when they went on sale and was giddy the entire day of the show (6-22-2010). I was very happy to see that he was playing at the Xcel Energy Center which has great sound as opposed to the Target Center which has terrible sound.

As usual, the Xcel did not disappoint. There were times when I honestly thought I was listening to a CD as the band made it’s way through many classics old and new. I could clearly hear every word Tom sang as well as the back up vocals. When Full Moon Fever came out over 20 years ago, I wasn’t a huge fan. For some reason, though, I love to hear those songs now. And they are even better live. “I Won’t Back Down”, “Running Down a Dream”, and “Free Fallin’” were fantastic. Petty’s choice of covers is always cool and Fleetwood Mac’s “Oh Well” featured some amazing guitar work by the incomparable Mike Campbell. And Them’s “Mystic Eyes” was extremely well done.

The only down part of the show for me was when he only played four songs from his new album. And he played them all together. I would’ve liked to have heard “Cove” and “Let Yourself Go”. Worse was the streaming lines of fans that left as he played the four song set of new songs. Why do people only want to hear songs they’ve heard a million times? The tenacity for sameness in this country is nauseating.

They missed a devastating version of “First Flash of Freedom” which sent those who remained and listened on a magical journey back to the 60′s. And yet it was a song from 2010…another of many reasons why I love music as much as I do. On the album, the track runs just under seven minutes but they extended it with several jammy solos by the band to over 10 minutes. Surprisingly, Tom himself took several solo ax grinders on this song and throughout the night. I couldn’t believe it. He was absolutely killer.

It was my eighth time seeing Tom Petty and the Heartbreakers live going way back to 1985. I think his live shows and new album can be best summed up by this line from the song “First Flash of Freedom”.

We felt so much more than our hearts could explain.

Indeed. Go Buy Mojo and catch the band live as they play for the rest of the summer.

More live pictures after the jump…

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Recap: Edward Sharpe & the Magnetic Zeros / Dawes at the Clubhouse in Tempe

Edward Sharpe and the Magnetic Zeros

Music discovery. I feel sorry for those that don’t keep their ears open to new sounds. As the calendar flipped over to 2010, I knew nothing (or next to nothing) about Dawes or Edward Sharpe & the Magnetic Zeros. Last night at the sweltering Clubhouse Music Venue in Tempe, I enjoyed the hell out of these two great bands.

It started with the Coachella webcast back in April, when I watched E.S. & TMZ ‘s set. Freaky, folky, hippie vibes – something refreshing and different. So when I saw their Arizona date (and no boycott – woo hoo!), I was all in. So then, just last week, I got curious about the opening band, Dawes, and checked out their web site. I watched a couple videos (“Love Is All I Am”, “When My Time Comes”), really enjoyed the sound and the harmonies, and promptly snatched up their full length debut, North Hills. And what an impressive debut it is – I’ve been enjoying the hell out of it since.

So it was with this frame of reference and mind that I went to the Clubhouse last night – getting there nice and early to catch both full sets.

Dawes are a four piece folk-influenced rock band from the Laurel Canyon area of Los Angeles. Led by brothers Taylor (lead vox, guitar) and Griffin Goldsmith (drums), they have something special going with their brand of catchy melodies and three-part harmonies. Man, the harmonies! They filled up the room from the onset, with the great opener “How Far We’ve Come” – where Griffin took the first line of the verses, Griffin and keyboardist Alex Casnoff on the second line, and Taylor joining in on the third. Great stuff. Harmonies abounded on tunes like “Love Is All I Am” and the crowd favorite “When My Time Comes”. They also showed a harder edge with a nice new one, “Fire Away” and “My Girl To Me”. Their set had us drawing comparisons to The Band at times, and they obviously grew up listening to a lot of Byrds and CSN.

Dawes

Great all around musicianship and singing with Dawes, but a special tip o’ the hat to the singing voice of Taylor Goldsmith. The guy can flat out sing. And when he gets way up there, there’s a soulful growl that wouldn’t sound out of place on an old Stax record. Great, great live band and great album. You’d do yourself good to pick it up.

On to Eddie and his Zeros, also formed out of the fair city of Los Angeles (the Silverlake section). By the time the band came out, the place was a stuffy, unventilated sweatbox. I got some reprieve by being directly under a fan behind the soundboard, but man, this venue clearly does not care about the comfort of its patrons.

After watching a live set online, I had a good idea of what was in store. And though the Polo Fields of Indio, Calif. have absolutely nothing in common with the Clubhouse Music Venue, the group’s vibe and spirit were intact. Some early microphone issues almost jeopardized that good overall vibe, turning frontman/leader/messiah Alex Ebert a tad grumpy – but all was sorted out.

And so the band played on – mostly tunes from their solid 2009 album, Up From Below. They kicked things off with “40 Day Dream”, “Up From Below” and “Carries On” – a trio of catchy sing-along songs that hooked in the crowd. Edward’s muse, Jade Castrino, was the sole female Zero of the show. Usually, Nora Kirkpatrick is along for the ride (*cough-hotblonde-cough*), but sadly she missed this gig in the desert. If you’ve watched Jade on stage, you’ve probably noticed she’s a little unorthodox as far as live performers go. She won’t face the audience – she sways and faces to the side, shyly smiling, with her eyes locked in on Alex 90% of the time. If you’re questioning the messianic quality of Alex Ebert, you’ll be convinced after watching Jade for a while. But anyways, she seems like a sweetheart, and she got some lead vocal duties with a song called “The River Won’t Flow”.

“Janglin” and “Home” were the feel-good highlights of the evening. It’s hard to not like these songs, paraphrasing my buddy Trevor. The gang of characters there on stage – keyboards, percussion, a trumpet, guitars, bass, and lots of smiles – the band clearly enjoys playing these tunes for the people, even in a 110 degree steam room. The band then wrapped up the evening in mellow fashion, singing “Brothers” while seated on the floor amongst the crowd.

It was short but sweet set, although a hot one. I got the feeling the band was good n’ ready to jump in the bus and make haste for L.A. Can’t blame ‘em.

The experience was worth the heat though – two new, fantastic bands with tons of promise. Lucky for me, they’re both playing the ACL Festival this year, so I’ll be seeing them again in October.

Here’s a nice series of moments from the evening, courtesy of Rand LeSeur Photography

Set List
Clubhouse Music Venue, Tempe, AZ
June 22, 2010

40 Day Dream
Up from Below
Carries On
Black Water
Come In Please
The River Won’t Flow (sung by Jade)
Janglin
Desert Song
Home
Om Nashi Me

-Encore-
Brother