Titus Andronicus and the Snarl of Lonely Boy
Titus Andronicus has a brand new album, a 90 minute rock opera called The Most Lamentable Tragedy. While I haven’t had time yet to wrap my head around the entire album – its five acts and twenty-nine songs serving as a metaphor for manic depression – there are moments that jump out, make the ears perk up and the hairs on my arms stand at attention. The first such moment for me came in the form of “Lonely Boy.”
I love seventies classic rock, glam rock, and punk – and in “Lonely Boy”, all three elements seem to meld together. The intro comes right out of the 70’s classic rock playbook (I can’t help but hear Foreigner’s “Feels Like the First Time”); but then the drums and guitars pick up, and the snarl of singer Patrick Stickles is front and center. The T.Rex bump-and-churn of the song, with Stickles’ irreverent punk delivery just seals it for me.
T.A. is kicking off a tour in a few weeks, including a stop here in Phoenix. In September. God bless ’em. I can attest from their tour following the release of The Monitor (excellent album) that T.A. is one hell of a fiery live act, so go see them.
Recap: Titus Andronicus at the Rhythm Room
It was a modest but passionate crowd that showed up at the Rhythm Room Monday night for New Jersey’s Titus Andronicus. The passion manifested itself early, as the group launched into “No Future Part Three: Escape From No Future”. When the drums kicked in, the crowd near the front of the stage erupted in a mosh frenzy, knocking around and into us, and making it clear this was gonna be a high energy show.
Frontman Patrick Stickles commented often on the positive punk vibe, and he and his band did not let up for the next – I don’t know – 90 minutes? This was one of those shows where i was completely swallowed up in the spirit and energy, and didn’t check the clock – not even once. The music was explosive, angry, beautiful, and intense from start to finish. I was blown away.
The songs came primarily from their two studio releases – songs like “Four Score and Seven”, “Fear and Loathing in Mahwah, NJ”, “To Old Friends and New”, “The Battle of Hampton Roads” (a favorite), and of course “A More Perfect Union”. But they threw in a couple of punk covers: most notably “Racism Sucks”, a 7 Seconds song that was clearly directed at my state’s government – and rightly so. The second cover was UK punk band Sham 69’s “If the Kids Are United”, which they played for the encore .
Mucho props to guitarist/violinist Amy Klein, who is one of the rockin-est (for lack of a better term) female guitarists I’ve ever seen live. She adds a great dynamic to the band, and rocks out fiercely with her male bandmates. She made it a point to tell the crowd it was her favorite show of the tour so far. She had one hell of a cheering section in front of her… a lot of fun to see the give and take.
Titus Andronicus is live force right now. Yeah, they only have two studio albums to their name, and their band lineup is even more recent, together for just over a year. But as new as they are, they have something very cohesive and powerful. And that Patrick Stickles – the bearded, spirited front man with his primal growl… He’s laying it all out there – he’s hungry for it, and you can tell.
In the summer of 2000, I saw Philly band Marah play a small, sweat soaked club in Tempe. They were also touring behind their second album, and I came away completely transformed – just jaw-droppingly floored by their energy and their ability to take control of a room.
I had the same feeling last night when I walked out of the Rhythm Room. I made a beeline to the back door to shake Patrick’s hand and thank him for the show. Nights like this are few and far between…
See. This. Band. http://titusandronicus.net/tourdates
My Night with BeauSoleil at the Rhythm Room
I’ll put it this way: when I grow up, I want to be like Michael Doucet. And I want to be like the overwhelming number of older folks I spent time with last night. For the first time in thirteen years, traditional Cajun & zydeco virtuosos BeauSoleil came to Phoenix for a packed show at the Rhythm Room. Packed, that is, with smiling, dancing men and women in their 50’s, 60’s, and beyond. On a Wednesday evening.
Led by the charming Michael Doucet, his ever-present violin in tow (and favoring a broken right leg), the boys from BeauSoleil did not disappoint one bit. Michael has a calm, sage and zen-like presence, and good Lord can that man play the violin and sing like an angel. The band is in their 35th year together, and their high level of musicianship was on display as they tore through two sets of old favorites like “Zydeco Gris Gris” and “Jole Blon” (the Cajun national anthem”), and a bunch from their latest album Alligator Purse
– including “I Spent All My Money Loving You,” dedicated to the late Bobby Charles (who just passed away in January).
It was the first time I’d seen BeauSoleil up close. The only other time was from a distance a couple of years ago in a sweat-soaked tent at Austin City Limits Music Festival. The Rhythm Room is a small, intimate, box shaped blues club – and the perfect venue to enjoy BeauSoleil (and my favorite venue in Phoenix).
Being so close, you get the opportunity to study the characters in the band: accordion player Jimmy Breaux was a personal favorite. Short in stature, but playing those large & joyous accordion riffs, his legs locked in rhythm. Fiddle and bass player Mitch Reed was also in the zone, accompanying Michael on some fantastic joint fiddle/violin moments – and when on his standup electric bass, I’d watch him concentrate on Michael – completely in synch with every nook and cranny of Michael’s violin playing.
And who doesn’t love a little washboard? Billy Ware held it down on the ol’ washboard, and worked in some triangle as well. Tommy Alesi on drums, and Michael’s brother David Doucet on guitar rounded out the band.
It’s hard to convey how nice it felt to be among some of the older set last night. Just to look around and see 50, 60, even 70 & 80 year olds smiling and fully enjoying live music. An older gentleman – clearly in his 80’s – spent at least half of the show out on the floor, dancing with his partner. It warmed my heart.
It reaffirmed my faith in humanity a bit, and made me realize where my musical tastes are based. I have an extremely eclectic taste in music – but I realize there’s a theme that runs throughout the songs and artists I love: it’s vitality. Life. The joy and celebration of being alive.
BeauSoleil exudes that quality – that Joy. As short and sweet as life is, the important thing is to celebrate. And my older friends and I at the Rhythm Room last night did just that – with just a little help from BeauSoleil avec Michael Doucet. And it’s clear to me – at forty years old this year – that I’ll be celebrating with music for the rest of my days, as my older friends showed me last night.
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Visit BeauSoleil’s Site.
Buy BeauSoleil’s music.
Stream BeauSoleil on Lala.
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Music nerd Pete needed a photo avec Michael Doucet.
