• Friday Five

    The Friday Five: August 26, 2011

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    It’s been a long time since the “Home Edition!” banner has flown. As you read this I’ll either be signing checks with too many zeroes, or hauling my families life into a new domicile. Either way, I knew I wouldn’t have a chance to hit shuffle and drop a five for you all this week, so I’m turning the spotlight to Jeff Giles, Editor in Chief of Popdose, Dadnabbit, bourbon drinker, and all around swell guy. I’m sure you’ll be in good hands. – Michael Parr

    1. “It,” by Prince (from Sign o’ the Times, 1987)
    This is one of probably 75,000 songs in my library that I’ve never listened to. Well, not until now, anyway. I have the Prince library because I know I’m supposed to, but I avoided the little purple wonder when he was at his commercial peak, and I think even his most ardent fans have to admit that the post-symbol years have been pretty bumpy. Anyway, I like this. And given Michael’s intense Princelove (or is that Princelovesexy?), it makes for a fitting leadoff.

    2. “Have I Told You Lately,” by Van Morrison (from The Best of Van Morrison, 1990)
    Fuck you, MediaMonkey. I mean, yeah, I know it isn’t Van’s fault that Rod Stewart put his greasy fingerprints all over this song a few years later. But still. Fuck you.

    3. “Yeah Yeah Yeah Yeah Yeah,” by The Pogues (from Rest of the Best, 1994)
    It’s as dumb as a bag of rocks with Paris Hilton’s face painted on it — and it’s also one of my favorite Pogues songs. Every night, a cover band should be playing this in a sweaty, over-crowded bar somewhere. It makes life feel like a montage from The Commitments.

    4. “You’re the Only One,” by J. Geils Band (from Monkey Island, 1977)
    An understated gem from one of the band’s less-remembered records, “You’re the Only One” blends Magic Dick’s trademark harmonica with a sad, soulful Peter Wolf vocal and some lovely Mellow Gold harmonies. If this had been a hit instead of “Centerfold,” who knows what might have happened?

    5. “Naked Girl,” by Jeremy Fisher (from Flood, 2010)
    The first time Michael heard this track, he did the IM equivalent of grabbing me by the lapels and screaming in my face, “WHY ISN’T THIS A HIT?!?” I didn’t have any idea then, and I don’t now. Just a perfect pop song, from the impeccably crafted arrangement to the sun-kissed vocals. And really, who hasn’t done something stupid to see a naked girl? That’s universal truth right there.

    What’s on your shuffle today?

  • Irish,  Live,  Local

    My Night With The Pogues (@ the Marquee Theater)

    Check another one off of my bucket list – I have now seen the Pogues.

    Last night’s show at the Marquee Theater in Tempe was their first stop in Arizona. Ever. And it was my first chance to catch a band I’ve long admired – a legendary British band masterfully playing Irish folk music since 1982. A band fronted for most of their years by the notoriously erratic and often [always?] inebriated Shane MacGowan.

    This was the 7th show of a relatively short swing across the West and central U.S., and reports in from their Los Angeles show a few nights ago had me reconsidering the steep $60 ticket price. Shane wasn’t in great shape at the Nokia Theater – stumbling and fumbling around, falling down multiple times; at one point finishing a song lying on his back.

    But Shane is like that box of chocolates – you never know what you’re gonna get. He has his good days and his bad days, and I wasn’t about to miss the chance to see these legends.

    After a couple pints of Guinness at my old haunt, Casey Moore’s Oyster House (I lived around the corner for five years back in my single days) – it was off to the Marquee Theater across the Mill Avenue bridge.

    It was a little after 10pm when the band sauntered on  stage to the sounds of the Clash’s “Straight to Hell” on the PA. 10-15 seconds after his bandmates came out (just enough time for the crowd to think “Uh oh” to themselves), Shane MacGowan – drink and cigarette in hand – shuffled out to center stage in a seasoned drunkard’s stagger.

    Then the opening notes of “Sally Maclennane” kicked in, and there was no looking back. My friend Todd and I spent the show front and center, just on the outer edge of the drunken mosh pit that would vary in intensity throughout the evening (but was never still). Even during songs like “Dirty Old Town” and “Rainy Night In Soho”, there were at least a few testosterone-laced brutes jostling around.

    As the show progressed, a pattern began to take shape: a couple songs with Shane, and one without – while Shane took a breather side stage (I assume). But like clockwork, Shane would make his way back to center stage, grab the mic in his signature style, and sing the great songs of the Pogues. Unlike his earlier shows in San Diego and L.A., he stood the entire time. It seems funny to be thankful that an artist you paid $60 to see was able to simply stand for a whole show. But this is Shane MacGowan we’re talking about. I’d be interested to know if Shane has ever been sober for a performance.

    Clearly it was one of Shane’s “good” nights. Maybe it was the Arizona sunshine at the Biltmore luxury resort, where the Pogues stayed; or maybe it was the U2 concert in Glendale the night before, where Shane was in attendance, and prompted a shout out from Bono himself (and a segue into “Dirty Old Town”). Maybe the U2 show inspired Shane to pull it together for his fans.

    Whatever forces of nature were in place, it resulted in over 90 minutes of unbridled Irish-inspired joy and revelry. The crowd – old and young alike – swayed, danced, and most notably, smiled. This was one of those live music experiences where time stood still. Before I knew it, the final song,”Fiesta”, was playing, Spider Stacy was smashing a pizza pan against his forehead, and Shane was leading the crowd in a singalong:

    “Come all you rambling boys of pleasure / And ladies of easy leisure / We must say Adios! until we see Almeria once again”.

    And then it was over.

    I may never see the Pogues again. God willing, Shane MacGowan will continue to defy all odds behind his self destructive behavior, and he will continue to front this amazing band. But I thank the Music Gods I had an opportunity to experience the spirited majesty of a Pogues show.

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    On Twitter: well, people do read the Twitter ramblings of @ickmusic! Check out this Phoenix New Times article.

    On Youtube: 1123Mozart captured this great quality video of “Rainy Night in Soho”..

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    Set ListMarquee Theatre – Tempe, Arizona – 10/21/2009

    Sally Maclennane
    Streams of Whiskey
    If I Should Fall From Grace With God
    The Broad Majestic Shannon
    Young Ned Of The Hill
    White City
    A Pair of Brown Eyes
    Tuesday Morning
    Transmetropolitan
    Kitty
    Sunnyside of the Street
    Repeal of the Licensing Laws
    Body of an American
    Old Main Drag
    Thousands are Sailing
    Dirty Old Town
    Bottle of Smoke
    The Sick Bed of Cuchulain

    Star of the County Down
    Rainy Night in Soho
    Irish Rover

    Paddy on the Railway
    Fiesta

  • Friday Five

    Ickmusic’s Friday Five: December 26, 2008

    Welcome to the final week of our “Holiday Edition” of the Friday Five!

    As we wind down to the New Year the last four editions of the Friday Five will be shuffled from my vast collection of Holiday music. I encourage everyone to play along and spin up some holiday cheer. With the holiday season being short and the duress of the current economic climate being ever present we could all use a little lift in spirits.

    For those who have not joined in the Five, here’s how it works: … I hit the shuffle button on my iTunes and share my five with a bit of insight for each track.

    Then it’s your turn! Just share the first five random track of your shuffle in the comments and see what your fellow readers are listening to as well.

    Here are this week’s tracks:

    1. The Pogues – Fairytale of New York (feat. Kirsty MacColl) (from The Best Christmas Album in the World… Ever!)

    As I mentioned in last weeks post, this stands as my favorite modern era non-traditional Chirstmas song period. The gritty tale of two junkies sleeping it off in the drunk tank on Christmas Eve somehow manages to be uplifting and is in all regards timeless.

    2. Hall & OatesJingle Bell Rock (mp3) (from Classic Soft Rock Christmas)

    This kitschy reading of the Bobby Helms classic is on the verge of crossing over into Mellowmas territory but manages to stay the course just enough to be a true holiday classic.

    3. Leon Redbone & Zooey DeschannelBaby It’s Cold Outside (mp3) (from Elf)

    From the best Christmas movie since Miracle on 34th Street, this was (for me) the first time I heard the lovely voice of Zooey Deschannel. Paired here with the enigmatic Leon Redbone, the pair put a jazz-ed up spin on the Frank Loesser classic. It’s not a holiday season until I sit and watch this movie with my family.

    4. Jimmy Eat World – Last Christmas (from Last Christmas)

    A bright and breezy take on the 80’s classic.

    5. Dean Martin – Winter Wonderland (from Christmas With Dino)

    And to play us out of the holiday season in the last Friday Five of the year it’s out favorite Rat Pack member here to croon us out into 2009.

    Thanks to all the Fivers out there for playing along this year. For the last time this year, what’s coming up on your shuffle?