Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
1. “6 Underground (Filla Brazillia remix #1)” by Sneaker Pimps (from Abstract Vibes 2 More Vibes, 1997)
Is it possible that the ’90s produced more one-hit wonders than any previous decade? Sometimes, it certainly seems like it. Case in point; British trip-hop group Sneaker Pimps, whose 1996 track “6 Underground” was inescapable. Adopted by mainstream pop and alternative radio, not to mention being featured in a slew of movies and television shows, the track was and still is the most homogenized distillation of the genre. File this one under my “guilty pleasures.”
2. “Mean Mr. Mustard” by The Beatles (from Anthology 3, 1996)
One of the great things that the Anthology series provided was a peek behind the curtain, showing — warts and all — the recording process behind some of the Fab Four’s greatest songs.
3. “The Little Things Give You Away” by Linkin Park (from Minutes to Midnight, 2007)
Despite their entire discography lurking in the corners of my library, I rarely listen to anything from Linkin Park. I’d say this track is pretty indicative of the reason why.
4. “Work for the Working Man” by Bon Jovi (from The Circle, 2009)
This is just plain awful. It’s not bad enough that the band has recycled the bass line from “Living on a Prayer,” but to add insult to injury, they’ve done so behind an shamefully disingenuous attempt to play on the struggles of the “working man.”
5. “Fifty Years After the Fair” by Aimee Mann (from Whatever, 1995)
Add Roger McGuinn’s signature 12-string chime to Aimee Mann’s beautiful voice and you’ve got the recipe for magic. I have not listened to this record in probably six or seven years, time to rectify that.
What’s on your shuffle today?