In Dreams

Deep within me, in my register of perfectly constructed love songs, Roy Orbison’s “In Dreams” ranks right near the top. In my four decades on earth, very few songs have managed to so profoundly move me, to elicit such emotion, as “In Dreams”.

The song is such a rich, unique tapestry of sounds – shifting from one distinct section to the next – that there’s something new to appreciate with each listen. It’s no accident. Most Western pop songs follow a relatively similar structure: verse, chorus, verse, chorus, bridge, verse, chorus. When Orbison was inspired to write “In Dreams”, he bucked the trend, writing five completely unique elements. Where most songs followed, ABABCAB, “In Dreams” was ABCDE.

“A candy-colored clown…”
“I close my eyes…”
“In dreams I walk with you…”
“But just before the dawn…”
“It’s too bad that all these things…”

All are different, and each builds exponentially in intensity. Orbison starts the song in a calm, reflective, low voice. By the grand finale – “Only in dreams, in beautiful dreams” – it’s a plaintive and desperate wail, in that gorgeous signature falsetto.

Purists will probably scoff at this, but I discovered the song not by hearing the 1963 original, but by hearing the T-Bone Burnett and David Lynch produced version that was recorded in 1987, and released on In Dreams – The Greatest Hits. The song had sort of a rebirth in 1986, when it was prominently featured in Lynch’s Blue Velvet, with Dean Stockwell’s creepy sing-along. The remake is the version I fell in love with, and the version I still listen to. The are some nuances that make it different from the original, and though I love both versions, I always come back to the newer version I originally fell in love with. I’ll take the criticism.

This is a song made for the broken hearted, the lovesick, the downtrodden. This is a song that almost makes you wish your heart were broken again, just to truly relate to the song again! But it remains powerful, even for the happily wed like me. Maybe because a lot of music is about reminiscing, and it brings me back to those times I could step into Orbison’s shoes…

Roy OrbisonIn Dreams (mp3)


And the original comes from:


  • Pete

    Thanks Thierry… yeah you’re right, Malo’s version is pretty spot on indeed. And you know, if anyone was EVER meant to cover that song, it’s Raul. So many similarities between Orbison and Malo. Two angelic singing voices…

    ..side by side in that “Bridge” version. Wow… cool story too. And a Prince connection to boot.

  • Scott Malchus

    I, too, discovered this song in ’86 thanks to the Lynch movie. The thing that’s amazing about that entire album of rerecorded Orbison hits is that they all sound so fresh. Some “oldies” sound dated, not matter how much polish and new production value you add to them. But the Orbison songs, they still sound contemporary, no matter the setting.

    Plus, the man could still hit those notes! It was stunning.

  • Pete

    Truth be told, I initially thought the songs I was hearing on this album were the remastered originals. I can’t think of any other artists who have re-recorded their hit songs so effectively.

Leave a Reply

Your email address will not be published.