• album cover for robert plant's big log single
    Pop,  Rock

    In Appreciation of Robert Plant’s “Big Log”

    Let’s jump back 42 years to one of my all-time favorites, Robert Plant’s “Big Log.” In 1983, Plant convened a group of musicians in the serene and remote setting of Rockfield Studios in Wales. His solo debut ‘Pictures at Eleven‘ had been released the prior year. This time around, much of his focus was to step further away from the Zeppelin brand, seeking a “big sound without sounding heavy and tough,” as he put it in his 2019 Digging Deep podcast. John Bonham had sadly passed away in September of 1980, and Plant had found his footing and fresh inspiration in the ensuing months by singing 50’s/60’s style rock & roll with the Honeydrippers (whose members included guitarist Robbie Blunt, who looms large in this song).

    ‘Coda,’ Led Zeppelin’s final studio album – consisting of extras and live tracks from the band’s 12-year career – was released in late November 1982. So, by early ’83 it’s fair to say that Plant was ready to strip away the heavy baggage and expectations of a dozen years fronting one of the landmark rock outfits. The studio vibe at Rockfield in south Wales was more structured and relaxed than his Zeppelin studio experience. The result from these sessions was ‘The Principle of Moments,’ released in July 1983. Of the eight songs on the album, Phil Collins played the drums on five of them (that’s Phil on “In the Mood”). “Big Log” was not one of them. In fact, as you’ve probably figured out if you’re familiar with the song, “Big Log” featured no human drummer at all, but a drum machine. This was the Roland RM-808, a staple of 80’s pop and hip-hop.

    The origin story of “Big Log” includes Gerald “Jezz” Woodroffe, Plant’s keyboard player, who programmed the drum and handclap sound into the 808. Guitarist Robbie Blunt quickly picked up on it and formed the beautifully melodic, perfectly toned guitar parts on the spot. Add in the lyrics – the haunting imagery of a road-weary and love-sick traveler; a desert highway and a far too distant love….

    An excerpt:

    My love is exceedingly vivid
    Red-eyed and fevered with the hum of the miles
    Distance and longing, my thoughts do provide
    Should I rest for a while at the side?

    …And what you have is an 80’s pop/rock masterpiece. For me, the electronic 808 drum pattern only enhances the tune, juxtaposed with Blunt’s gorgeous, Spanish-influenced guitar tones and Plant’s inimitable vocal stylings (“Your loooove is cradled in knowiing…”). Completely unique! And to this day, a song that stops me in my tracks, bringing a smile and a satisfied sigh. It’s reminiscent of “The ’80’s” while still managing to sound fresh all these years later.

    I’m sharing the Storm Thorgerson-directed video, which was filmed in desert locations around Death Valley, California and Nevada. Storm also designed the ‘Principle of Moments’ album cover and the “Big Log” single cover above. It’s worth taking a look at Storm’s staggering list of album cover and video work – credits that include a little album called ‘Dark Side of the Moon.’ Yeah, slightly iconic.

    “Big Log” was Robert Plant’s highest charting single, reaching #20 on the Billboard Hot 100 over that summer of ’83 (when “Every Breath You Take” ruled the #1 spot).

    Now, back to trying to learn the Robbie Blunt signature guitar parts!

  • Pop

    11 Past the Hour

    cover of Imelda May 11 past the hour album

    Another spellbinding few minutes of music, this time courtesy of Irish singer Imelda May. Silky smooth, effortless and beautiful, the tune has a dreamlike, gliding quality that hits me in just the right place.

    Imelda hit my radar about 10 years back when I saw her on Later with Jools Holland (singing “Johnny Got a Boom Boom”). At that time she was married to British rockabilly guitarist Darrell Higham, who played a bit with Jeff Beck. She definitely had that retro, throwback vibe at the time. Which leads me also to this question – have you heard Jeff Beck’s version of “Lilac Wine,” featuring Imelda? Oof.. take the time to listen to it as well.

    But I digress. Click Play, close your eyes, and enjoy the beautiful voice of Imelda May (with the sweeping, impressive production of “Budapest” producer Cam Blackwood).

  • Pop

    old

    Nestled into Dexys Midnight Runners hit 1981 album Too-Rye-Ay, which included their smash single “Come on Eileen,” was this gem – an ode to the elderly, an acknowledgment of their wisdom and experience. With its slowed down tempo and beautiful melody, it really made my ears perk up when I listened to the album a while back. What a great message, similar to John Prine’s “Hello in There” in its very human message: respect, appreciate and learn from your elders!

    Old have memories to keep the cold away. What is that you say? No sense to dwell. Old, are you ridiculed and turned away, No attention paid? I thought as much. Yes and the dumb patriots have their say, Only see their way. Nothing to sell. And then from us, so obvious, Preposterous, when you think Of the time that each has spent. Words heaven sent and truly meant to show Old, may I sit down here and learn today? I’ll hear all you say. I won’t go away.

    And by the way, it was my brother who introduced me to Dexys very excellent, soulful 1980 debut album Searching for the Young Soul Rebels. Go check it out.

  • Pop

    Song of the Summer

    With this being the 4th of July week, we are officially at the height of summer so it’s time for THE SONG OF THE SUMMER!! Even though it came out at the very end of last year here in America (and even earlier in Australia), I contend that San Cisco’s “Golden Revolver” has all the right elements of a classic summer song. A story of bitter love with jangly guitars that you can’t help but skip along with, this track is completely awesome!

    Even better is the fact that this band from down under seems to have made one of my fave local music spots its semi-residence. Their upcoming July 31st performance will be their third this year. Their full length, self titled album is set to drop domestically in two weeks so check it out!

  • Butch Walker and Daryl Hall
    Pop

    On Discovering Butch Walker

    Regardless of how tuned in you think you are to the popular music scene, there’s always something good slipping under the radar. One of the most recent examples for me is Butch Walker. The Georgia-born musician and producer has been making waves since his early hair metal days with Southgang. He moved on to the Marvelous 3 in the late 90’s, and, and over the last decade, he’s found success as a pop/rock solo artist and producer (Pink, Weezer, Fall Out Boy).

    I had heard of Butch, but didn’t get a good quality introduction until I watched his appearance on the always great Live from Daryl’s House series. Musically, it was the performance of “Sweethearts” that reeled me in. But it’s also impossible not to appreciate the funny, genuine person he is (Daryl’s House seems to bring that out in its guests).

    That brought me to The Spade album, his 2011 release by Butch Walker and the Black Widows – a wonderful collection of catchy hooks, fantastic harmonies and simply fun songs. The mid-album trio of “Sweethearts”, “Day Drunk”, and “Synthesizers” is my highlight.

    Little did I also know that a great video for “Synthesizers” was released a year ago, featuring Matthew McConaughey reprising his role as his Dazed & Confused character Wooderson, a role that my colleague Mark has proclaimed his appreciation for.

    The “Synthesizers” chorus has some advice that ties in well to the new year.

    For once, once in your life
    Won’t you do what feels right
    Instead of waiting for the next big compromise
    Stop running your mouth
    Get out of the house
    Get yourself downtown
    And shake it all out tonight.

    Add this song to your exercise playlist and tell me you don’t get a charge out of it.

    Here’s the video, followed by the first segment from the Live From Daryl’s House episode with Butch, which I highly recommend taking the time to watch.

    Watch the whole episode.

    Photo credit: Mark Maglio

  • Julian Casablancas
    Pop

    Julian Casablancas – who knew?

    Wow, did this one come out of nowhere. I’d never come across Julian Casablancas‘s post-Strokes solo stuff until just last week, when I heard it on a local indie AM station. I seeked out the record, and was amazed. Great pop hooks, a retro electronic vibe, while still managing to be fresh and unique. Just a really original and enjoyable album.

    “Out of the Blue” opens the album, and is one of those crank it up sorts of tunes – crank in the car, crank on some headphones… just Crank it somewhere.

    BuyOut of the Blue” for $0.99, or the whole album, Phrazes For The Young, for only $4.99.

  • Indie,  Pop

    The Silver Seas in Chateau Revenge!

    Occasionally, a record will simply jump out of the speakers and demand that you just stop and listen. I had one of those moments late last year when my musical soul-brother Jason Hare introduced me to The Silver Seas. Since that time, the group’s release High Society has been on a nearly constant loop — so much so, I’m pretty sure I could recite the entire record a scant 3 months later. So you can imagine how much I’m anticipating the band’s new release Chateau Revenge!, due in April. The band delivered this little taste, featuring the track “Candy,” to introduce the concept of the record. Stay tuned to Ickmusic for a full review of the record in the coming weeks.

    The Silver Seas promo from The Silver Seas on Vimeo.

    I highly recommend picking up the band’s 2006 release High Society.

  • Electronic,  Indie,  Pop

    Review: Desktop, “Desktop EP”

    https://ickmusic.com/pics/desktop.jpg

    If you hadn’t guessed already I’ve got a soft spot in my heart for the blips and bleeps of the current generation of electronic indie pop. Detroit duo Desktop bring blips, bleeps, swooshing synths, atmospheric guitars and enough pop sensibility to make this all too brief EP an easy sell. Think of it as dance music at a time when we could all could use a reason to ignore our concerns and just dance. “Liberty” leads off the set with its quirky ‘80s techno leanings. “Fired Up” is the funkiest of the bunch with a driving beat a la Prince with shades of Cutting Crew. “Too Much” brings it all home with some over the top, make your ass wiggle goodness. What makes this an even easier sell is the fact that the group is offering it up for free.

    Download Desktop EP Here

    Links: Official Site | on Last.fm | on MySpace

  • Giveaway,  Indie,  Pop

    ScarJo and Yorn’s new song “Relator” – and a vinyl giveaway

    Scarleeeett

    Even though Scarlett’s cover album of Tom Waits tunes didn’t fare too well commercially or critically, you have to hand it to her for following her musical whims and desires. Her latest project has her teaming up with Pete Yorn for Break Up, a new album due September 15th.

    The first single is “Relator”, which was released a couple weeks back. Last week, the video was released – which is a huge deal for me, because, well, this is Scarlett Johansson we’re talking about here, folks.

    7″Vinyl Single Giveaway: The good people at Rhino sent me the vinyl 7″ single, which includes the B-side “I Don’t Know What To Do”. If you feel like adding this to your collection, leave a comment below. I’ll pick a random winner a few days down the road. The cover art is different (and better) than the one above. I look at the one above and four words come to mind: “Outta the way, Yorn!!

    Listen: Pete Yorn & Scarlett Johansson – “Relator

    Visit: The Break Up Album dot com

    W-w-watch

  • Electronic,  Indie,  Pop

    Discovering Discovery

    https://ickmusic.com/pics/discov-lp.jpg

    As side-projects go, the pairing of Rostam Batmanglij (keyboardist for Vampire Weekend) and Wes Miles (vocalist for Ra Ra Riot) makes perfect sense. The results however, are as far as you can imagine from the twee indie pop of the pair’s respective bands. Trading in guitars, violins and afro-beat for synths and 808 drum machines, Discovery is an unabashed love letter to the days of electro-pop past.

    The record opens with the one / two punch of the jubilant summertime “Orange Shirt” followed by the equally brilliant (and insanely catchy) “Osaka Loop Line”. “Can You Discover?” is a chopped and screwed re-imagining of Ra Ra Riot‘s “Can You Tell”.  Angel Deradoorian of Dirty Projectors lends her vocal shine to the hook of “I Wanna Be Your Boyfriend”. The dynamic “So Insane” is easily my favorite track of the bunch and is shaping up to be a contender for my summertime jam. The record covers the hipster spectrum from reggae-tinged (“Swing Tree”) to R&B through twee-tinted glasses (“Carby” (featuring Batmanglij‘s bandmate Ezra Koenig)) to a timely (albeit, ironic) cover of The Jackson 5 hit “I Want You Back”. The record wraps just shy of 30 minutes and almost begs an immediate second (and third) listen straight away.

    It’s not ground-breaking but Discovery‘s LP could very well be the indie-pop record of the summer.

    You can stream the entirety of LP at Discovery‘s  Official Site.

    Discovery – “Osaka Loop Line” (mp3)

    Buy LP: Amazon (available for only $3.99!)

    Links: Official Site | on Last.fm | on MySpace