• Roots Rock

    Galen & Paul (that’s Simonon) – Lonely Town

    I’m always curious to find out how former Clash members are spending their time. In the aughts, Mick Jones collaborated with Tony James on the delightfully quirky Carbon/Silicon (moreC/S please!). Paul Simonon released a couple of albums with the Damon Albarn led The Good The Bad & The Queen . And they both contributed to the Gorillaz ‘Plastic Seat Beach’ record. But overall, the twenty-teens and twenties have been relatively quiet.

    Galen Ayers and Paul Simonon
    Photo by @tommyophoto

    So, a neat surprise a few weeks back when I was scrolling through Instagram and came across this sweet little tune, “Lonely Town.” The short version of the story is that Paul Simonon (bassman for the Clash, and the bass-smashing cover boy of London Calling) was staying on and off in Mallorca during lockdown – resting, painting, writing some tunes – when a mutual friend pointed Paul toward Gale Ayers back in the UK (daughter of Soft Machine’s Kevin Ayers). They knew each other from years past, and hit it off creatively.

    Galen moved in with Paul for writing and recording (separate rooms!), and before you know it, they have a major label debut as Galen & Paul with Can We Do Tomorrow Another Day?

    The album releases on May 19th, but a couple of singles are already out: “Room at the Top” and the aforementioned “Lonely Town.” It’s a catchy, laid back, simple little number that I’m enjoying. Check it out!

    Galen & Paul’s Official Site

  • Punk

    Midnight to Stevens – The Clash Pay Tribute to an Original

    I’m about a quarter of the way through Marcus Gray’s Route 19 Revisited: The Clash and London Calling. It’s a meticulously detailed account of absolutely everything having to do with the landmark 1979 album. Gray also wrote one of the best full biographies of the band, The Clash: Return of the Last Gang in Town.

    Needless to say, I’ve been buried pretty deep in Clash music over the last few weeks, listening to the albums, live shows, outtakes, B-sides and the like. This includes listening to my old Clash on Broadway CD collection, and encountering a great song I don’t recall hearing before. Apparently, when I bought the box set back in the 90’s, I didn’t give it the listen it deserved. Shame!.

    Guy Stevens and Mick Jones

    “Midnight to Stevens” is an outtake from the Combat Rock demo sessions, cut in September of 1981. The subject is music industry/producer Guy Stevens, who produced Procol Harum and Mott the Hoople in the late 60’s and early 70’s – and who, along with the Clash, produced London Calling. From what I’ve read, Guy was wild, unpredictable, and a raging alcoholic. Underneath it all though, he was loved by the musicians he worked with – in spite of the his behavior (he’d pace the studio during takes, throw chairs and ladders, and get in the face of the musicians). Clash guitarist Mick Jones, for one, was a huge Mott the Hoople fan, so would have been excited to have Guy on board for London Calling. Guy was absent for a good portion of the LC sessions, but his eccentric spirit likely helped fuel the creative and unpredictable spirit of the album – inspiring the band to produce a multi-genre masterpiece.

    Sadly, on August 28, 1981, Guy Stevens died of an overdose of prescription medication, which he was taking to try and combat the alcoholism. He was only 38 years old. Just three weeks later (Sept 17), at the People’s Hall in London, with the Rolling Stones mobile studio parked outside, the Clash recorded this tribute to Guy.

    The song itself is a more subdued, pop-oriented tune than one is used to hearing from the Clash. It’s a sad, beautiful tune if you ask me – and I know you are. It was a nice surprise to discover this after all these years.

    So here’s a short clip of the London Calling sessions at Wessex Studios in London, where you can see Guy exhibiting his Guy-ness:

    And here is the song (available on the Clash mega set Sound System).




  • Ickmix

    IckMix 6: Move

    I put this together for my brother a few months ago as a running/exercise companion. Since then, I’ve listened to it quite a few times on my runs, and quite simply, it pretty much kicks ass.

    So download, throw it on your iPod/iPhone/SmartPhone of choice, and move! (Or, sit back in a La-Z-Boy with a strong cocktail. You do what you want, I’m not your daddy).

    IckMix 6: Move (mp3)

    1. “Month of May” – Arcade Fire (3:51) | The Suburbs
    2. “Bushwick Blues” – Delta Spirit (3:44) | History from Below
    3. “Seaside Bar Song” – Bruce Springsteen (3:35) | Tracks
    4. “Run Runaway” – Slade (5:01) | The Amazing Kamikaze Syndrome
    5. “Now It’s On+ – Grandaddy (4:08)  | Sumday
    6. “When My Time Comes” – Dawes (5:08) | North Hills
    7. “A More Perfect Union” – Titus Andronicus (7:10) | The Monitor
    8. “The Leader” – The Clash (1:42) | Sandinista!
    9. “Boom Boom (Out Go The Lights)” – Pat Travers Band (5:06) | Pat Travers Band…Live! Go For What You Know
    10. “Let’s Go Crazy (Special Dance Mix)” – Prince (7:37) | Ultimate
    11. “Freedom Park” – Marah (4:35) | 20,000 Streets Under The Sky
    12. “I Do (LP Version)” – J. Geils Band (3:08) | Monkey Island

  • Rock

    Titus Andronicus!

    Once in a while, a song comes along, lifts me up by the collar and slams me up against the wall. I had one of those moments with “A More Perfect Union”, the opener on the The Monitor, the latest record by New Jersey’s Titus Andronicus. The album/song start with a spoken word excerpt from an 1838 speech given by Abraham Lincoln – and when the guitars & drums crash in powerfully after the words “If destruction be our lot, we ourselves be its author and finisher. As a nation of freemen, we will live forever, or die by suicide”, it’s off to the races.

    The band clearly comes from the same school of raw, raucous power as the Clash, Bruce Springsteen, the Pogues, and the like. And singer Patrick Stickles has an irreverent, raging vocal delivery that reminds me of Conor Oberst – and I like Conor a lot when he’s pissed off.

    The official video of “A More Perfect Union” skips the opening Lincoln intro, which is a shame, because it’s an integral piece of kicking the song into overdrive – from zero to sixty in a second. But you’ll get the vibe.

    The Monitor comes highly recommended. Buy it for $5 on Amazon. I did. If you’re with me here in Arizona, I’ll see you April 18th for their show at the Rhythm Room.

  • Nudges

    A Nudge in the Right Direction

    Here are some recent unearthings I feel the need to pass along…

    • Heard a good live Clash recording lately? For shame.  Go to Licorice Pizza to download a great quality show from December 27, 1979. Thirty one years ago. Whaaa? It’s the Clash, playing a bunch of London Calling tracks the year before the album came out. I wouldn’t wanna sit on those songs either. Check it out here.
    • Our good man Gonzo has posted a sweet 00’s mix of his favorites from the decade. Go to this post on Gonzo’s Music-o-rama for the two-disc set, featuring artists like the Dresden Dolls, Phoenix, Spank Rock, Death Cab for Cutie, Ra Ra Riot and many more.
    • Boston.com has an amazing photo collection of New Year’s Eve celebrations from around the world.
    • Our friends at Popdose recently posted their fourth podcast. If you’re in the mood to be entertained, go hang out with the Jeff, Jason, and Dave for an hour.
  • Punk

    Remembering Joe Strummer / Live Clash from Jamaica

    Today marks the seventh anniversary of Joe Strummer‘s untimely death at the age of 50 (due to a heart defect). To mark the occasion, and to celebrate the legend – born John Graham Mellor in Ankara, Turkey – here’s a nice boot from the Clash at the height of their popularity.

    Touring behind their hit album Combat Rock, the tour took them through Montego Bay, Jamaica for the Jamaican World Music Festival. The Grateful Dead had headlined the night before, and this night, it was the Clash’s turn.

    According to the Clash resource Black Market Clash, the “Bob Marley Centre” was nothing more than an immense gravel parking lot with a stage at one end. Earlier acts of the evening included Rick James, Jimmy Buffett, the English Beat, and Bob Weir’s band, Bobby and the Midnites. By the time the Clash came on, it was closing in on dawn.

    Rest in Peace Joe…

    The Clash at the Jamaican World Music Festival (ZIP)
    Bob Marley Centre – Montego Bay, JA
    November 27, 1982

    Introduction
    London Calling
    Police on My Back
    The Guns of Brixton
    Magnificent 7
    Armagideon Time
    The Magnificent 7
    Junco Partner
    Spanish Bombs
    One More Time
    Train In Vain
    Bankrobber
    This is Radio Clash
    Clampdown
    Should I Stay or Should I Go
    Rock the Casbah
    Straight to Hell
    I Fought the Law

  • Ickmix

    Ickmix 3

    ickmix 3

    ‘Tis time for another Ickmix. This is my best one yet, if I may toot my own horn. Toot.

    Take a little trip with me, yah? Oh and check my fancy intro.

    Download Ickmix 3 (57MB, 41:38)

    Playlist after zee jump…

  • Ickmix

    Happy New Year! An Ickmix just for You…

    So how was 2007 for you guys and gals? I can’t complain here. I’m blessed with a beautiful wife and two precious girls, I have a steady job (knock wood), and my family and loved ones are healthy.

    I thought I’d punt the blog into 2008 with my premiere podcast on Ickmusic. I used Garageband for the first time, and it made podcast makin’ a breeze. I’ll have to figure out some of the bells and whistles so I can include sound effects and some DJ action next time. For now though, we stick strictly to music – some tunes that will get you kick started for a great New Year’s Eve, even if it only involves sitting at home. That’s what I’ll be doing! Woo hoo!

    Enjoy, and I’ll see you on the other side.

    Download: Ickmusic’s New Year’s Eve Ickmix (mp3 – about 42MB)

    Playlist (30:35):

    Reverend Horton Heat – “Cruisin’ for a Bruisin'” – from Liquor in the Front
    The Ramones – “Surfin’ Bird” – from Rocket to Russia
    The Clash – “Lose this Skin” – from Sandinista! (Tymon Dogg on vocals, in case you’re wondering)
    Trouble Funk – “Trouble Funk Express” – E Flat Boogie
    Shaggy – “O Carolina” – from Oh Carolina
    Buckwheat Zydeco – “Ma ‘Tit Fille” – from The Big Easy: Original Motion Picture Soundtrack
    Old 97’s – “W. Texas Teardrops” – from Too Far to Care

  • Live,  Punk

    The Clash rage at the US Festival

    Joe at the US Festival

    Joe Strummer was not happy when he hit the stage at the US Festival in 1983. There’s different stories about what was pissing him off so much. But the gist of it was that the Clash were upset when they heard that Van Halen took a million dollars to headline the third and final night of the festival. The Clash, by contrast, refused to go on stage until US Festival organizer Steve Wozniak (of Apple Computer) agreed to donate a large sum of money to charity. There was even a backstage shouting match between Joe Strummer and David Lee Roth, if you can believe that. Oh to be a fly on the wall on that day.

    Well, what resulted was a very spirited set, with Joe Strummer taking some time between songs to rant and rave against consumerism and the American way. This is also guitarist Mick Jones’ last performance with the Clash.

    RIP Joe Strummer: 1952-2002

    The Clash / “Clash Calling”
    Saturday, May 28th, 1983
    Glen Helen Regional Park
    San Bernardino, CA
    US Festival ’83

    DOWNLOAD (ZIP)

    * The only imperfection of this show is that “London Calling” cuts out about half way through and jumps about halfway into “This is Radio Clash”. Don’t worry, you’ll get over it quickly.

    London Calling / This Is Radio Clash
    Somebody Got Murdered
    Rock the Casbah
    The Guns Of Brixton
    Know Your Rights
    Koka Kola
    Hate and War
    Armagideon Time
    Sound of the Sinners
    Safe European Home
    Police on My Back
    Brand New Cadillac
    I Fought the Law
    I’m So Bored with the USA
    Train In Vain
    The Magnificent Seven
    Straight to Hell
    Should I Stay or Should I Go?
    Clampdown

  • Country,  Punk

    London to Lubbock: Joe Ely meets the Clash

    joe ely and joe strummer

    Here’s a cool tidbit of Clash trivia. You know that part in “Should I Stay or Should I Go” where you hear Mick Jones yell “Split!”? It was actually an impromptu moment when Joe Strummer and Joe Ely snuck up behind Jones during the recording session, and basically scared the piss out of him. The moment made it on to the final recording.

    Their relationship began in 1978, when Joe Ely was playing the Venue Club in London. The Clash were admirers of Ely’s most recent release, 1978’s ‘Honky Tonk Masquerade.’ Ely – a native of Lubbock, Texas – and the Clash met backstage and ended up spending the rest of the three night stand hanging around eachother, crawling the pubs, and gaining quite a mutual respect and admiration for eachother.

    joe ely

    Ely opened for the Clash on the 1979 Texas leg of their Pearl Harbor tour. He also headed over to London in 1980 to open for the Clash on their UK London Calling tour, and opened a couple of nights during the Clash’s residency at Bond’s in NYC in 1981.

    Well, fast forward to 1983. It’s a week before the US Festival in San Bernardino, CA, and the Clash are in San Antonio to play a warm-up gig before the 150,000 person event. Joe Ely is in the house that night, and joins the band for a version of “Fingernails” (from ‘Honky Tonk Masquerade”). Here’s the last three from that San Antonio night. The US Festival gig a week later would be Mick Jones’ final performance as a member of the Clash. The festival also included a backstage shouting match between Strummer and Van Halen’s David Lee Roth. Strummer was pissed about Van Halen demanding (and receiving) a cool million for the gig. Oh how I would have loved to be a fly on the wall that day.

    The Clash, Live at the Majestic Theater, San Antonio, TX
    May 22, 1983

    Fingernails (with Joe Ely) [mp3]
    Should I Stay or Should I Go [mp3]
    I Fought the Law [mp3]

    Here’s a cool collaboration that never was to be:

    For years, Ely, a hard-charging alt-country Texan who emerged during Jimmy Carter’s reign, and Strummer, founder and lead singer of the politically astute Clash, the greatest punk band that Margaret Thatcher’s Britain ever produced, had promised each other that some day they’d head to Mexico and record an album just for the hell of it…But Ely, who turns 59 today, never got to Mexico with Strummer.

    “I went to the funeral and got together with the guys and stayed up all night playing guitar,” he said. “I never believed someone with the vital energy he had would die. That’s a lesson that if you say you’re going to do something, you just do it.”

    How cool would that have been? A Strummer/Ely Tex-Mex-World-Punk record? Like an idiot, I just missed Joe Ely at the very intimate Rhythm Room in Phoenix. Next time I’ll go, buy him a beer, and talk about Joe Strummer.

    Here’s a couple from Joe Ely’s great live LP, ‘Live at Antone’s‘….

    The Road Goes on Forever [mp3]
    All Just to Get to You [mp3]