• Friday Five

    The Friday Five: April 9, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “One More Try” by George Michael (from Faith, 1987)

    Oh, the overwrought teenaged melodrama that accompanies this tune in my memory bank. I could fill pages, upon pages, of the tales of the end of the world, listening to Chicago, Richard Marx, and so much more wuss-rock. It’s a wonder I didn’t get my ass kicked every day. (It was every-other day.)

    “Runaway” by Bon Jovi (from 7800º Fahrenheit, 1985)

    I never really gave a shit about Jon-Bon until Slippery When Wet, but I was fully aware of the band during the pre-slippery era thanks to the VCR tapes my aunt would send with 8 hours of MTV content.

    “Feels Good” by Tony! Toni! Toné! (from The Revival, 1990)

    This song was inescapable during the summer of 1990. In retrospect, I don’t think that I liked it then quite as much as I do now. To be fair, in 1990 I was likely still heavily under the influence of the crew of metal-heads that I associated with. I was forced – peer pressure is a bitch – to keep my guilty pleasures under wraps, stashing my Prince and MJ records in lieu of the latest Megadeth and Metallica.

    “Bad Romance” by Lady Gaga (from The Fame Monster, 2009)

    While on some level I agree with M.I.A.’s recent assertion that Gaga is “the industry’s last stab at making itself important,” I can’t help but secretly enjoy the hell out of her over-the-top shtick.

    “The Dragon” by The Guggenheim Grotto (from Happy the Man, 2009)

    I’ve had the pleasure of seeing Ireland’s Guggenheim Grotto twice in the last month. With any luck, I’ll be seeing them again this weekend. If it seems a bit obsessive: I’ll fully admit it is, and with good reason. The duo’s songs are poetic and intimate, and tug at the heartstrings like few others can. If you are in the NYC area, I highly recommend making it to at least one of their upcoming shows. They are setting up residency at The Bowery Electric each Wednesday in June, and there is a good chance that you’ll run into me – and maybe Jason Hare – at any one of these shows.

    What’s on your shuffle today?

    Side Note: What do you guys think of the lala.com embedded tracks?

  • Friday Five

    The Friday Five: April 2, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    This week, I’m letting the music do the talking!

    “You Really Got Me” by Van Halen (from The Best of Both Worlds, 2004)

    “When I Come Around” by Green Day (from Dookie, 1994)

    Apparently Prince doesn’t want anyone to hear this next tune. Probably a good thing, I’m just sayin’…

    “Home” by Bria Valente (from Elixer, 2009)

    “No Ordinary Love” by Sade (from The Best of Sade, 2001)

    “Heard It on the Radio” by The Bird and the Bee (from Interpreting The Masters Volume 1: A Tribute To Daryl Hall And John Oates, 2010)

    What’s on your shuffle today?

  • Friday Five

    The Friday Five: March 26, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    Editor’s Note: I want to take just a moment to thank Rob Smith for filling in for me last week. I strongly recommend checking out his series Death by Power Ballad, over at Popdose. He is a huge influence on my writing style, and truth be told, I was honored to have him cover for me. Now, onto this week’s five! – Michael

    The Five:

    “Spoon” by Dave Matthews Band (from Before These Crowded Streets, 1998)

    Before These Crowded Streets remains my favorite record by Dave Matthews Band. It has a dynamic that I think that the band has been chasing ever since its release, and has only come close to with their most recent release Big Whiskey and the Groo Grux King. “Spoon” is the record’s final cut, and features Alanis Morissette on vocals, Bela Fleck on Banjo. The lyrics find Dave contemplating God himself in a cup of coffee. Alanis delivers the knockout, third verse:

    From time to time
    Minutes and hours
    Some move ahead while
    Some lag behind
    It’s like the balloon that
    Rise and then vanish
    This drop of hope
    That falls from his eyes

    “The Idea of You” by Dave Matthews Band (from 2008-08-26: DMB Live Trax, Volume 14, 2009)

    More DMB? I’ll take it! This recording is from the final show saxophonist LeRoi Moore performed with the band before the ATV accident that lead to his death. The tune is an unreleased gem that the band has played multiple incarnations of in the last few years. Matthews’ has mentioned on numerous occasions that the track is about his unrequited crush on a childhood babysitter. I’ve maintained since the first time I heard it in 2006, that if they released this as a single it would be just a big of a “hit” as “Crash (Into Me).” The band shelved this song for the 2009 tour, and it’s uncertain if it will resurface, but here’s hoping it does.

    “A Hard Day’s Night” by The Beatles (from A Hard Day’s Night, 1964)

    Now that the second – or was it the third – wave of Beatlemania has settled down a bit, I’ve been spending some quality time with each of the remastered records individually. A Hard Day’s Night is the record that I seem to come back to most often, likely driven by my love of the title track and only furthered by its association with the film of the same name. I’ve watch the movie at least three or four times in the last six months, as it seems to pop up on VH1 Classic or Palladia at least once a month.

    “Momma’s Boy” by Chromeo (from Fancy Footwork, 2008)

    I love Chromeo. That’s it.

    “Perfection” by Run D.M.C. (from Raising Hell, 1986)

    Back in the day, my friend Ducky and I – yes, we called him Ducky – would learn and recite the rhymes from this record. This one I always rocked a little extra hard, if only for the following:

    I got a funky fresh (car) with the funky fresh (bar)
    I’m a funky fresh (star) and I’m up to (par)

    Now that I’ve embarrassed myself, I think I’ll go ahead and ask the question:

    What’s on your shuffle today?

  • Friday Five

    The Friday Five: March 19, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    Editor’s Note: It doesn’t happen often, but I’m actually going to be away from all forms of internet today so I’ve asked my Popdose cohort, Rob Smith, to watch the shop for me today. I’m sure you will all make him feel right at home, and I’ll be back next week! – Michael

    The Five:

    Huh?  Wha?  You want me to do what?  Lead off this week?  Sure, dude.  Absolutely.  Anytime.

    Here goes:

    Gowan, “Moonlight Desires.”  Cool live version, solo piano.  I like this a lot better than the original studio version, with Jon Anderson on guest vocals.  Gowan, of course, has been the new Dennis DeYoung in Styx for the last 11 or so years.  I know a few Styx fans who can’t stand Gowan, but it’s not like he won a Rock Star: Styx competition to get the gig or anything. He had a solid, though unspectacular career prior to joining the band.  I recommend this live record (called Solo Live: No Kilt Tonight) for Gowan’s voice and chops, certainly, but also his humor (he performs a 30-second snippet of Monty Python’s “Lumberjack Song”) and this most excellent ballad.

    Escape Club, “Wild Wild West.” Jesus freakin’ Christ, I have Escape Club on my iTunes?  Damn that Like, Omigod box set.  On the rare occasions I hear this song, I think about doing radio in college, freshman and sophomore years.  We had a Top 40 show I’d DJ on occasion, and this one was in the stacks and played pretty much constantly [I also think of Information Society’s “What’s on Your Mind (Pure Energy)” when I hear this, cuz both tracks were more or less ubiquitous].  We could play Escape Club once an hour with no complaints from management, but when I tried to squeeze in Thomas Dolby’s “Airhead,” I got in trouble.  I did win once, though — I was the first to play Fine Young Cannibals’ “She Drives Me Crazy,” got yelled at, but was eventually vindicated when it became, oh I don’t know, the Number One song in the country. I had fucking EARS back then, man!  But I hate Escape Club.  Shit.  Next?

    Van Halen, “Unchained.” That’s more like it.  My fave Van Halen song, whether performed by Roth, Hagar (on the ’04 tour — fucking awesome), or Cherone.  I just think the riff is tops — one of the simplest and best Eddie VH ever conjured. Big fail, though — having Wolfie do the “C’mon Dave, give me a break” line on the most recent tour. Roth could eat that kid alive, and on occasion did. You’d think Ed would want to protect his only child from wiseacres like Roth. Perhaps ye olde parental instinct got burned out during one or another evening with the Schlitz Malt Liquor tallboys.

    Jonatha Brooke, “Because I Told You.” The gods smile upon me. I love Brooke’s music, particularly the stuff from the Story through maybe ’95 or ’96.  This is from her first live record, and it’s a gem. A track from Ten-Cent Wings, arguably her best solo record, the melody gives me chills every time I hear it (only other song to do so consistently: Springsteen’s “Bobbie Jean.” Man, when that sax solo kicks in at the end …).  The sorta/kinda middle-eight is particularly beautiful: “You take the wheel for now / I’m too tired to drive this one home anyhow, for now.” Find this if you’ve never heard it — studio version or live.  You’re welcome.

    John Denver, “Rocky Mountain High.” Fuck you if you think this is wimpy. Just … I don’t want to hear it. It takes a man — a real man, one not afraid to mow his lawn in the nude — to come up with a chorus like this one. “I’ve seen it raining fire in the sky?” Are you kidding me?  Fucking great image.  I also like the AM radio vibe on this; it doesn’t matter what I hear this song on — computer, earbuds, boombox, or multi-component stereo system — it still sounds like I’m listening to it in my dad’s old Chrysler.  The one with the manual transmission, shift on the column.  But I don’t want to hear that it’s crap, or wussified pap, or unfit for man or Muppet. Great song. “Friends around the campfire and everybody’s high?”  I could go for being around that campfire right about now.

    So anyway, now that I’ve defended John Denver by telling you all to fuck yourselves, I suppose that I should ask forgiveness.  But really, all I want to know is this: What’s on YOUR shuffle?

  • Friday Five

    The Friday Five: March 12, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “Comin’ Home” by City and Colour (from Sometimes, 2005)

    A few weeks ago, I mentioned the songs that find you at the just the right moment in your life; this is another one of those songs. In the mid-aught’s my job had me shuttling back and forth to Toronto, Ontario on a monthly basis. On one hand, I got to know my host city in intimate detail, finding favorite restaurants, pubs — P.J. O’Brien, just in case you are curious — and hidden corners of Canada’s largest city. I was lucky enough to have my wife join me on more than one trip, but more often than not, I was alone and far from home. Around the same time, I discovered singer/songwriter Dallas Green’s City and Colour. I vividly recall listening to the album on one of many flights home and this song coming on, sealing it forever in that time and place.

    Well I’ve been down to Georgia
    I’ve seen the streets in the West
    I’ve driven down the 90, hell I’ve seen America’s best
    I’ve been through the Rockies, well I’ve seen Saskatoon
    I’ve driven down the highway 1 just hopin’ that I’d see you soon

    Cause I’m comin’ home, I’m comin’ home

    “We Can Work It Out” by The Beatles (from Mono Masters, 2009)

    If you had asked 13-year old me what my favorite Beatles tune was I surely would have responded with “We Can Work It Out.” These days I find myself gravitating to other, deep catalog tracks to find my favorite, but always come back to this as a great example of the Lennon/McCartney songwriting style. Listening to it now does reaffirm it as one of my Top 10 Beatles songs.

    “Misunderstanding” by Genesis (from Turn It On Again: The Hits, 1999)

    Somehow I had never put this together, but if you listen to “Misunderstanding” and follow it up with Led Zeppelin’s “Fool in the Rain” — which you call may recall is my favorite Zeppelin tune — you’ll notice certain similarities. Not just in its rhythmic swing feel, but lyrically it covers the same ground. Originally written by Phil Collins for his solo debut, Face Value, the track was a real departure from the rest of Duke. It is also one of my favorite Genesis tunes, which is probably somehow related to the whole “Fool in the Rain” thing, odd how that happens.

    “Fragile Tension” by Depeche Mode (from Sounds of the Universe, 2009)

    Why this is still on my iPod, I am not sure. As much as I dig Depeche Mode, this album was just awful.

    “Misery Business” by Paramore (from RIOT!, 2007)

    The little subtle things in this song are what make it so damned awesome. Sure, it is an arena-ready rock anthem, on par with some of the greats. The little things, like the half-time drums that build the tension in the second half of the chorus show attention to detail that is rare in a band so young.

    What’s on your shuffle today?

  • Friday Five

    The Friday Five: March 5, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    Editor’s Note: This week’s Friday Five comes courtesy of the iPod and was listened to in-between taking conference calls. The awesome side-effect was I went into each meeting with a smile as there wasn’t a stinker in the bunch.

    “Take Me Home Tonight” by Eddie Money (from Can’t Hold Back, 1986)
    “Take Me With U” (feat. Apollonia) by Prince & The Revolution (from Purple Rain, 1984)
    “Easy Lover” by Philip Bailey & Phil Collins (from Chinese Wall, 1984)
    “Suedehead” by Morrissey (from Viva Hate, 1988)
    “The Authority Song” by Jimmy Eat World (from Bleed American, 2001)

    What’s on your shuffle today?

    Editor’s Note, Part Deux: Thanks to Jason Hare for the on the fly proofreading. When you are done with the five, make sure you get your a** over to Popdose for this month’s episode of The Popdose Podcast which is all about a**holes!

  • Friday Five

    The Friday Five: February 26, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “Loom” by Ani DiFranco (from Little Plastic Castles, 1998)

    There are songs that define you; coming into your life at the exact right moment in your life, taking up residence next to the memory of that time. This song is one that finds place in a very distinct period in my life. Lyrically it spoke to a relationship that had consumed me in a decidedly unhealthy way. I will admit, I listened to this a second time before moving onto the next song.

    “Endless Summer Nights” by Richard Marx (from Richard Marx, 1987)

    Nearly a decade earlier, here is nostalgia in a jar. You see, before I grew into the wise old music geek that I am today, I was a young music geek — with an emphasis on the geek. Even at the tender age of 13, I was smitten with the schlock-pop of Marx. Fast-forward some twenty-odd years and I still get that tinge of youthful yearning that hearing this tune brings to mind.

    While we’re on the subject,  has anyone else heard the Adam Lambert single, “Whataya Want from Me,” and asked themselves, “Hey, does Richard Marx have a new song out?”

    “The (Shipped) Gold Standard” by Fall Out Boy (from Folie à Deux, 2008)

    I know I have stated it here before, but I dig Fall Out Boy. If you can manage to ignore the gossip-columnist drama of the band, and get past the image, the band has actually cranked out some quality pop music. It certainly does not hurt that Patrick Stump’s voice is golden.

    “Bad Habits” by Maxwell (from BLACKsummers’night, 2009)

    The lead off track from Maxwell’s triumphant comeback record, BLACKsummers’night; this song starts at a smolder and builds to its soulful climax before breaking it back down to a simmer. It might have taken him eight years to create this record, but it was well worth the wait.

    “Don’t Stop ’till You Get Enough” by Michael Jackson (from Off the Wall, 1979)

    In all, not a bad way to end this week’s installment of The Five and kick off the weekend. Can’t wait to see what you guys come up with this week!

    What’s on your shuffle today?

  • Folk,  Local

    The Guggenheim Grotto, Live!

    The Guggenheim Grotto

    The Irish Troubadour of the New Millennium has been largely defined by the likes of Damien Rice and Glen Hansard. My wife refers to it as “sad bastard” music, a title that I find difficult to argue. It’s not all doom and gloom on The Emerald Isle though, one of its best-kept secrets is the folk-pop duo The Guggenheim Grotto. One of my favorite “new to me” bands of last year, I have been looking forward to the opportunity to see the group bring their quirky tales to the stage. Thankfully, I’ll get that chance on March 18th, when the band stops at The Rockwood Music Hall. I cannot recommend enough that those of you local to the venue join me. Enough of my yapping, check out the video for “Her Beautiful Ideas,” and if you dig that pick up the band’s latest record Happy the Man.

  • Friday Five

    The Friday Five: February 19, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “Another Day” by Dream Theater (from Images and Words, 1992)

    Oh Dream Theater, how your melodrama seems to haunt the Friday Five. You may recall that this tune reared its ugly head back in October, where I speculated on David Fosters’ involvement in the high gloss production of the power ballad. Upon further research, it turns out that it was producer Jay Beckenstein — of the Smooth Jazz/Fusion group Spyro Gyra — that supplied the soprano saxophone solo. This doesn’t change the fact that this tune is a sappy lump of crap on an otherwise quality record.

    “The Best of My Love” by The Eagles (from On the Border, 1974)

    I unapologetically will proclaim my love for this song, though. Penned by Henley, Frey and J.D. Souther, this holds some magical nostalgia for me as I can recall listening to this, followed by England Dan & John Ford Coley’s “I’d Really Love to See You Tonight” and “She’s Gone” by Hall & Oates in the back seat of my mothers Pontiac.

    “Stuck With You” by Huey Lewis & The News (from Fore!, 1986)

    Come on, how can you resist?

    By the by, Huey and the boys recently spent some time in Ardent Studios in Memphis cutting a new record paying tribute to the Stax catalog.

    “Sabbath Bloody Sabbath” by Black Sabbath (from Sabbath Bloody Sabbath, 1973)

    I had nearly given up on this week’s shuffle providing some bite; enter my favorite Sabbath tune. I will admit that my introduction to the song came by way of Anthrax’s faithful cover on their I’m the Man EP. I had heard the tune before, both on Ozzy’s Speak of the Devil and a mix-tape a friend had made me with the original Sabbath version, but it was Anthrax’s take that sold me on the song originally. To this day, I’ll reach for this one when I want to bring the RAWK.

    “Saturday Night’s Alright for Fighting” by Elton John (from The Greatest Hits 1970-2002, 2002)

    The Saturday nights of my youth were often spent glued to the radio, listening to the “All-request Saturday Night with Dr. John Barron.” This track would make its weekly appearance and signal the start of the more rock-oriented portion of the evening.

    What’s on your shuffle today?

  • Friday Five

    The Friday Five: February 12, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    Editor’s Note: Is anyone else feeling like maybe February is going by too quickly? This week’s Friday Five comes courtesy of the iPod, see you back here next week!

    “Sebrina, Paste and Plato” by Jellyfish (from Spilt Milk, 1993)

    “Time Bomb” by Rancid (from …and Out Comes the Wolves, 1995)

    “America’s Suitehearts” by Fall Out Boy (from Folie à Deux, 2009)

    “Le Freak” by Chic (from C’est Chic, 1978)

    “Girl” by The Beatles (from Rubber Soul, 1965)

    What’s on your shuffle today?