• Friday Five

    The Friday Five: August 26, 2011

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    It’s been a long time since the “Home Edition!” banner has flown. As you read this I’ll either be signing checks with too many zeroes, or hauling my families life into a new domicile. Either way, I knew I wouldn’t have a chance to hit shuffle and drop a five for you all this week, so I’m turning the spotlight to Jeff Giles, Editor in Chief of Popdose, Dadnabbit, bourbon drinker, and all around swell guy. I’m sure you’ll be in good hands. – Michael Parr

    1. “It,” by Prince (from Sign o’ the Times, 1987)
    This is one of probably 75,000 songs in my library that I’ve never listened to. Well, not until now, anyway. I have the Prince library because I know I’m supposed to, but I avoided the little purple wonder when he was at his commercial peak, and I think even his most ardent fans have to admit that the post-symbol years have been pretty bumpy. Anyway, I like this. And given Michael’s intense Princelove (or is that Princelovesexy?), it makes for a fitting leadoff.

    2. “Have I Told You Lately,” by Van Morrison (from The Best of Van Morrison, 1990)
    Fuck you, MediaMonkey. I mean, yeah, I know it isn’t Van’s fault that Rod Stewart put his greasy fingerprints all over this song a few years later. But still. Fuck you.

    3. “Yeah Yeah Yeah Yeah Yeah,” by The Pogues (from Rest of the Best, 1994)
    It’s as dumb as a bag of rocks with Paris Hilton’s face painted on it — and it’s also one of my favorite Pogues songs. Every night, a cover band should be playing this in a sweaty, over-crowded bar somewhere. It makes life feel like a montage from The Commitments.

    4. “You’re the Only One,” by J. Geils Band (from Monkey Island, 1977)
    An understated gem from one of the band’s less-remembered records, “You’re the Only One” blends Magic Dick’s trademark harmonica with a sad, soulful Peter Wolf vocal and some lovely Mellow Gold harmonies. If this had been a hit instead of “Centerfold,” who knows what might have happened?

    5. “Naked Girl,” by Jeremy Fisher (from Flood, 2010)
    The first time Michael heard this track, he did the IM equivalent of grabbing me by the lapels and screaming in my face, “WHY ISN’T THIS A HIT?!?” I didn’t have any idea then, and I don’t now. Just a perfect pop song, from the impeccably crafted arrangement to the sun-kissed vocals. And really, who hasn’t done something stupid to see a naked girl? That’s universal truth right there.

    What’s on your shuffle today?