The Friday Five: February 24, 2012
Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Always and Forever” by Heatwave (from Can You Dig It? The ’70s Soul Experience, 2001)
During the nomination process for the recent Popdose 100: The Greatest Love Songs of All Time there were only a handful of tunes that I could’ve smacked myself for forgetting to include, this is one of them. I don’t know about you lot, but when I was growing up this tune was a staple of the high school dance.
“Tell Me (Go Go mix)” by Groove Theory (from Tell Me – The Remixes, 1995)
Here is one of the things that I love about doing the Friday Five: after doing a quick background check on Groove Theory I discovered that principal players Amel Larrieux and Bryce Wilson have reunited. There isn’t much in the way of details, but damn if that isn’t exciting news.
“Why Don’t We Do It in the Road?” by The Beatles (from The Beatles, 1968)
This one is a little less ‘Beatles’ and more ‘McCartney’, much in the same way “Julia” is more ‘Lennon.’
“Under the Cherry Moon” by Prince & The Revolution (from 1986-08-02: Madison Square Garden, New York, Ny, USA, 2012)
Okay, two things to discuss here:
This soundboard recording was recently unearthed and is nothing short of excellent. The band did two shows at the Garden to prep for the European tour, and these performances are fiery and loose. This one is well worth seeking out.
I’d be remiss if I didn’t bring up the benefit gig that The Revolution —that’s right: Wendy, Lisa, Bobby, Mark, Dr. Fink and Dez!— performed at the legendary First Avenue in Minneapolis last weekend. The skinny motherfucker with the high voice didn’t show his face, but after listening to the tapes from the show he should be listening, and thinking about taking this band out on tour. Hell, they don’t even need him! Viva la Revolution!
“I Have Loved You Wrong” by The Swell Season (from Strict Joy, 2009)
Did you know that Glen Hansard & Markéta Irglová made a second movie chronicling the recording of Strict Joy? I didn’t know this until earlier this week, and now it’s all I can do to try and find a way to see this film. If you haven’t watched the film Once, I cannot recommend it more. All that said, I hold hope that the duo will reconvene for another record in the near future.
What’s on your shuffle today?
Recommended Interviews: Prince and Wendy & Lisa
May I recommend a couple of cool interviews? I may? Awesome.
Check out Tavis Smiley‘s rather excellent interview of Prince on his PBS show earlier in the week. It’s the most in-depth TV interview I’ve seen with Prince in – well – ever, I think.
A few notes:
- Tavis is not shy with the compliments – over the top at times. But I can’t blame him. I’d do the same thing if I got a one-on-one with Prince.
- Prince opens up about his father for really the first time. Interesting how many qualities his movie dad shared with his read dad in ‘Purple Rain’.
- Funny part where he talks about the misinterpretation of his lyrics – how a friend of his thought the beginning of “When Doves Cry” went: “Dig if u will the picture, of me, Marvin Gaye and the kids.”
- Prince talks about his respect for Dick Gregory, brings up the chemtrails conspiracy, and how there were “eight presidents before George Washington”. I’ve got some Googlin’ to do.
Tavis Smiley Interviews Prince: Part One | Part Two
After I watched the Tavis interview last night, I stumbled on this interview of Wendy & Lisa by Out magazine. They speak very candidly about their relationship (lovers since 1980), and about Prince – which is rare for anyone who leaves his circle.
A short excerpt:
How conscious was Prince of assembling for the Revolution that racial and sexuality rainbow you described?
Wendy: He was incredibly conscious of it. Look at the way he looked during Dirty Mind and Controversy and 1999. He was so androgynous. He didn’t care if you were [paraphrasing Prince’s “Uptown” lyric] “black, white, straight, gay, Puerto Rican, just a freakin’.” That guy wanted fans. So anyway he could get them — and a more interesting way he could do it — appealed to him. The Sly and the Family Stone mentality, that whole black/white/freaky thing on stage appealed to him.
Lisa: I’ll give you an example. We had a photo shoot for the Purple Rain poster. We were all in our different positions and he at one point walked over to me and Wendy and lifted my arm up and put my hand around Wendy’s waist and said, “There.” And that is the poster. That’s how precise he was about how he wanted the image of the band to be. He wanted it to be way more obvious. We weren’t just the two girls in the band.
Wendy: We were the couple.
Lisa: We were the gay girls in the band. It was very calculated. – Read On –
I had the poster they’re talking about hanging in my room from 1984 to 1988 (when I left for college). Man, some of those Prince, Apollonia and Vanity posters in my room. My folks really must have wondered who was sitting at the dinner table with them sometimes…
Read: Out interview of Wendy & Lisa
Listen: Wendy & Lisa – Niagra Falls (mp3)
Check out:
New Wendy & Lisa: Balloon
Prince may have dropped Wendy & Lisa from the band back in the 80’s, but the ladies certainly never hung it up and called it a day. They’ve released a number of well received albums over the years, and contributed to film and television scores (e.g. Heroes).
Late this week, Wendy & Lisa announced a new album, White Flags of Winter Chimneys. Along with the news comes the lead track available for download on their website and their MySpace. The song is called “Balloon”, an atmospheric, gently haunting tune. Check out the stream here, then go over to W&L’s place to download.
Wendy & Lisa – “Balloon”
Wendy & Lisa Links: Official Site | MySpace
