• Soul

    The Soul Train Documentary on VH-1

    For those of you who haven’t seen it yet, be sure to set your DVR for the next airing of VH-1’s Soul Train: The Hippest Trip In America. Yes, buried amongst VH-1’s vapid, putrid pile of reality shows is actually a quality 90 minute documentary about the late great Soul Train – a show that lasted 36 years (the longest running syndicated show in TV history). It was interesting to learn the full story behind the show, and the groundbreaking genius of Don Cornelius – who owned and produced the show from its inception in 1970 – when it was broadcast locally in Chicago – all the way to its finale in 2006.

    It goes without saying how influential and groundbreaking the show was – providing an outlet for Black American performers, dancers, and their viewers at home. Even the first TV commercials ever targeted to an African American audience appeared on Soul Train. It only took a couple of years for the show to become a smash, even spawning a Dick Clark-produced “Soul Unlimited”, which Cornelius quickly snuffed out. Its crossover appeal touched me personally too. In the early-mid 80’s when Prince’s music took me by storm, and I immersed myself in popular black music, I spent hours watching Soul Train – and forming adolescent fantasies around some of those dancers. Yow!

    My only complaint about the special was its short running time (90 minutes – 60 if you’re DVR’ing thru the commercials). It didn’t leave a lot of time to focus on the legendary performances (James Brown, Aretha, Marvin Gaye, Stevie Wonder, and on and on …). The clips were abbreviated, and left you wanting more. My favorite clip of the doc was this Al Green performance of “Here I Am (Come and Take Me)”. The first thing I did afterward was march to the Mac and find the full performance…

    Next broadcasts of the documentary are:

    • Saturday, Feb. 13th – 12:30am ET/PT
    • Friday, March 5th – 12am ET/PT
  • Radio Daze

    Ick’s Radio Daze: SiriusXM’s The Loft

    Station: The Loft (Sirius Ch. 29)
    Format: Contemporary Eclectic
    Type: Satellite (SiriusXM)
    Slogan: Singers, Songwriters, and Beyond
    Date / Time: Feb. 9th, 2010 / 8:30-9:30pm MST
    Commercials: 0
    Hot Chick on Home Page of Web Site? Nope. ‘Tis all about the music. When the closest thing to a hot chick is Rosanne Cash, you know it’s all about the music.
    DJ: Franny Thomas
    Favorite Song: “You Took My Breath Away” – Traveling Wilburys

    Least Favorite Song: Ain’t pickin’ one – warn’t a bad song in the bunch.

    Song List:

    The Swell Season – “Two Tongues”
    Radiohead – “Fake Plastic Trees” (acoustic)
    King Crimson – “Cadence and Cascade”
    Tom Waits – “Way Down In The Hole” (live)
    The Duhks – “It’s Alright Ma, I’m Only Bleeding”
    Jay Farrar & Ben Gibbard – “California Zephyr”
    Led Zeppelin – “Going to California” (live)
    David Vandervelde – “California Breezes”
    Traveling Wilburys – “You Took My Breath Away”
    John Hiatt – “Feels Like Rain”
    Lyle Lovett – “Natural Forces”
    Allison Moorer – “The Broken Girl”
    Ryan Adams & the Cardinals – “Fix It”
    The Devlins – “Don’t Let It Break Your Heart”
    The Waterboys – “I Will Not Follow”

    Comments: We’re a few weeks into this column, and it’s high time I treated myself. So this week, I chose my very favorite radio station at the moment: Sirius-XM’s The Loft. It’s channel 29 on my Sirius dial, and it constantly and consistently delivers amazing music to these ears.

    It’s one place I can rely on hearing some of my favorite artists and tunes, while introducing me to fresh, new music. And “new” can mean a tune that’s been out for years and years.

    Case in point this hour: King Crimson’s “Cadence and Cascade”, a great song that’s as old as I am (1970), from King Crimson’s second album, In The Wake Of Poseidon – and a song that I don’t recall ever hearing. I’ll quote “roflcopter100ify”, the most recent commenter on the YouTube page: “It’s beautiful. I have no idea what it means.” It may sound like an early Spinal Tap outtake (along with “Listen to the Flower People”), but hey, it relaxes me. The flute reminds me of 70’s Bruce Cockburn too, another thing I find relaxing.

    The hour had a handful of other tunes I’d never heard: most notably “Two Tongues” by the Swell Season, and “California Breezes” by David Vandervelde. I’ll be tracking these down.

    And what a playlist this hour… The Wilburys’ “You Took My Breath Away”, one of my favorite Tom Petty-sung tunes ever; Hiatt’s version of “Feels Like Rain” (bliss); killer live versions of “Going to California” and “Way Down In The Hole”; an acoustic “Fake Plastic Trees”; brand new ones from Allison Moorer and Lyle Lovett, Jay Farrar & Ben Gibbard. And to wrap up the hour? The friggin’ Waterboys!!

    There wasn’t a single moment in the hour that I ever felt let down or even slightly disappointed in the music selection. Clearly they’ve tapped into their demographic with me. I mean, this is a radio station that makes me excited about music, past & present. Is there a single terrestrial radio station in the land that can geek me out as much as The Loft? Nope.

    Adding to the appeal is the benefit of satellite radio: no commercials on their music stations. Hearing an hour of music interrupted only a couple of times by a pleasant DJ (Franny Thomas) who’s as relaxed and into the music as I am – dang it, it’s just a treat.

    I feel good. Refreshed. Thanks Loft.

    — See all Radio Daze posts here. —

  • Ick's Pick

    New Citizen Cope – The Rainwater LP

    Citizen Cope The Rainwater LP cover

    The Rainwater LP, the new album from Citizen Cope is out digitally today ($3.99!). I’ve had a couple of spins through so far, and like what I’m hearing. This time around, Cope (Clarence Greenwood) focuses more on social justice, poverty, and world ills rather than matters of the heart – which is admirable in itself. But I do miss having a killer love song like “Sideways” or “More Than It Seems”, or the aching “D’Artagnan’s Theme”.

    Some standouts for me so far: the reggae-soul infused “Off the Ground”, the funky bass line and accompanying synth-groove of “A Father’s Son”; and songs like “Keep Askin'”, “Lifeline” and “Healing Hands”, which showcase Cope’s forte – the laid back, no nonsense urban storyteller.

    There’s definitely this type of formula building in Citizen Cope’s albums – but it’s a formula that works for him, and is unmistakably unique. Clarence Greenwood has a lot to say in his lyrics. There’s a lot about the world that bugs him, and he has a way of channeling his frustrations in a peaceful, subdued fusion of soul, R&B, and rock/pop sounds. But even with his laid back demeanor, you can still feel the passion, the power, and often the anger in his music.  Citizen Cope has carved out his own niche in pop music, and The Rainwater LP is another solid collection of tunes to add to an already impressive discography.

    Be sure to catch Citizen Cope live. As anyone who has seen him will attest, once you do, you’re hooked in.

  • Rock

    Super Bowl Sunday 2010 – Geaux Saints, Who Are You, hey it’s the theme song from CSI!

    Happy Super Bowl Sunday everyone! I’ve donned my Cafe du Monde t-shirt and am ready to cheer on the New Orleans Saints later this afternoon. I’ll be thrilled if they win, but something tells me Peyton and the his Colts are going to come out on top. I hope I’m wrong.

    Of course, I’ll be paying close attention to the halftime entertainment, which this year comes in the form of The Who. Original members Pete Townshend and Roger Daltrey are joined by drummer (and Ringo’s son) Zak Starkey and bass player Pino Palladino. The spectacle and scale of Super Bowl Halftime is always interesting – and having some of my musical heroes involved the past few years – Bruce, Prince, Petty – has made it even more surreal. This year, a generation of younger people will collectively say: “Dude! These guys are doing the song from CSI!!”

    You won’t be hearing “Eminence Front” today, but I have to say – it’s my favorite Who song. Enjoy yourselves today, don’t drink too much, yada yada yada…

    Go Saints!

  • Radio Daze

    Ick’s Radio Daze: 99.5 – Denver’s The Mountain

    Kathy B. is back for her second Radio Daze installment. Here’s her hour (plus) with The Mountain-ain-ain-ain!  You can check out all of the Radio Daze pieces here.- Pete

    Station: 99.5 FM KQMT
    Format: Classic Rock
    Type: Terrestrial (Denver, CO)
    Slogan: “Ninety-nine five The Mountain, A Mountain of Classics”
    Date / Time: Jan. 29th, 2010 / 12:16-1:10pm MST
    Commercials: 8.5 minutes
    Streaming Online? Yes (www.995themountain.com)
    Hot Dude on Home Page of Web Site? Some rotating images in the upper left include Bono and the Police. I’d place all four of them in the 75th percentile of “attractive people.” But no traditional hot-looking guy.
    Hot Chick? The closest thing is a Haitian relief video with Michelle Obama. Somehow I don’t think she’s on their home page as a token “hot chick.” (But yes, she is. And I’m straight.)
    DJ: Mike Casey, then Robbie Knight
    Favorite Song: Talking Heads — “Life During Wartime”
    Least Favorite Song: I refuse to answer this on the grounds that I may incriminate myself. 🙂

    Song List:
    The Rolling Stones — “You Can’t Always Get What You Want”
    The Eagles — “Those Shoes”
    The Tubes — “She’s a Beauty”
    The Ramones — “Rock & Roll High School”
    Talking Heads — “Life During Wartime”
    Heart — “Even It Up”
    Elvis Costello — “Pump It Up”
    Led Zeppelin — “The Ocean”
    Queen — “Somebody to Love”
    Pink Floyd — “Time”
    U2 & B.B. King — “When Love Comes to Town”

    Comments: I first started listening at 10:45 am, in the middle of their “Commercial-free from 9 to noon” block. As I was compiling the playlist, I realized that not only was it commercial-free, it was DJ-free as well, which made me wonder if it’s a nationally pre-programmed block that goes out to a bunch of different radio stations across the country. Granted, all of the songs were ones that most people older than 15 don’t need to have identified for them (and the more you’re over that age, the less you need them identified)*. But it made me wonder if I could pick a radio station at random from say, Duluth, look at their program list, and find the exact same block of songs in the same sequence.

    So I decided to pick a different hour of programming, in the interest of fairness. At 12:16, after a five-minute block of commercials, they started their daily “Barrel of Monkeys” feature, in which listeners call in and request songs — the catch being that each song title needs to start with the last letter of the previous song title. Apparently they had ended with U2’s “New Year’s Day” the day before. The Ramones and Led Zeppelin songs were “Wild Cards” that they threw in because I guess they didn’t want too many songs beginning with the same letters so close together. Five more minutes of commercials and the “normal programming” started with Queen.

    The previous hour had been cookie-cutter classic rock, so it was kind of nice to hear a few curves thrown during the request hour (it’s been a while since I heard the Tubes or a deep Eagles track). But it still kind of left me with a “meh” feeling. There wasn’t anything that I found extremely offensive, but neither was there something that made me smile just hearing it come on. It’s all kind of in that middle ground of “I don’t really like any of this all that much, but I don’t really hate it either.” On a scale of 1 to 5, everything comes in between 2.75 and 3.25.

    *In case anybody’s interested, this is what was played in the hour and a half leading up to the “Barrel of Monkeys”:

    Santana — “She’s Not There”
    Foreigner — “Hot Blooded”
    Steely Dan — “Rikki Don’t Lose That Number”
    The Pretenders — “I’ll Stand by You”
    Genesis — “That’s All”
    Jimi Hendrix — “Fire”
    John Mellencamp — “Cherry Bomb”
    The Police — “Spirits in the Material World”
    Styx — “Fooling Yourself”
    Eric Clapton — “Tears in Heaven”
    Supertramp — “Bloody Well Right”
    The Clash — “Should I Stay or Should I Go”
    The Rolling Stones — “Beast of Burden”
    The Allman Brothers — “Blue Sky”
    Stevie Nicks — “Edge of Seventeen”
    Talking Heads — “And She Was”
    Billy Joel — “My Life”
    Aerosmith — “Dream On”
    Tom Petty & the Heartbreakers — “Don’t Come Around Here No More”
    The Cars — “Moving in Stereo”

  • Roots Rock

    Leave The Window Open

    Chuck Prophet

    Add Chuck Prophet to the “I Should Have Listened To By Now” List. I know very little about this man. I just know that I’ve heard his name over the years, and heard his music here and there. Given that the words “singer/songwriter” and “roots” are often associated with his name, you’d think I’d have explored his music by now.

    But I haven’t.

    Luckily, Sirius-XM’s The Loft – my most frequently listened to station of late (after Howard) – has been pushing some great new music my way. Today, after devouring the #4 Chile Relleno / cheese enchilada combo at Los Favoritos, I was on my way back to work when I heard this cool little nugget of coolness from Prophet.

    It’s the closing song of his latest album, Let Freedom Ring!, and it resonated with me in a Tom Petty / Greg Brown sort of way. Cool tune.


  • Steve Ealre and Del McCoury Band The Mountain
    Bluegrass

    In Appreciation of: Steve Earle and Del McCoury Band’s “Pilgrim”

    I still have a bad taste in my mouth from this week’s Radio Daze piece, so I’ve been doing my best to reverse the damage with – ya know – real music. And it gets no more genuine than Steve Earle. I finally dug out this CD a couple of months ago after a few years of accidental hibernation. In 1998, Steve joined forces with bluegrass icons The Del McCoury Band to release The Mountain, a fantastic collection of bluegrass tunes that range from down & dirty songs about life in the mines, the Civil War and train ridin’,  to the downright sublime.

    The album wraps up with “Pilgrim”, which falls into the latter category: 5 minutes and 28 seconds of beauty, affirmation, and faith. The surrounding cast of characters in this tune ain’t too shabby either. Joining Steve on harmonies in this song: Emmylou Harris, Sam Bush, Kathy Chiavola, Tim O’Brien, Gillian Welch, and Dave Rawlings (who I just featured a couple weeks ago). On mandolin? Sam Bush.  Dobro? Jerry Douglas.

    Busy studio in Nashville that day. Anyhow, this is just a work of beauty. Not to mention the whole album is tremendous. So here…

    Steve Earle & the Del McCoury Band – Pilgrim

    Pick up The Mountain on Amazon.

    Visit: Steve Earle on the web / Del McCoury Band on the web

    Cover Art: Tony Fitzpatrick

  • Radio Daze

    Ick’s Radio Daze: Puttin’ on the Hitz – 101.5 JamZ

    Every week I pick a radio station and listen in for an hour, documenting the experience – for better or worse – just for you.
    It’s Ick’s Radio Daze. Click here to see all of the Radio Daze posts together.

    Station: 101.5 (KZON)
    Format: Top Hits
    Type: Terrestrial (Phoenix, AZ)
    Slogan: 101.5 JamZ
    Date / Time: Jan. 25th, 2010 / 9-10pm MST
    Commercials: 7 mins
    Hot Chick on Home Page of Web Site? Yes. Beyonce. Britney. Mariah.
    DJ: Sugabear
    Favorite Song: I don’t even really care for the song, but “Empire State of Mind” beat out the hour of trash I just put myself through.
    Least Favorite Song: “Whatcha Say” – Jason Derulo

    Song List:

    Young Money feat. Lloyd – “Bedrock”
    Lady Gaga – “Bad Romance”
    Jason Derulo – Whatcha Say
    Orianthi – “According to You”
    Lil Wayne – “Lollipop”
    Britney Spears – “3”
    Lady Gaga feat. Beyonce – “Telephone”
    Jay-Z feat. Alicia Keys – “Empire State of Mind”
    Ke$ha – “Tik Tok”
    New Boys feat. Ray J. – “Tie Me Down”
    Drake – “Best I Ever Had”
    David Guetta feat. Akon – “Sexy Chick”
    Jay Sean feat. Lil Jon & Sean Paul – “Do You Remember”
    T.I. – “Whatever You Like”

    Comments:

    I’m getting old.

    Good Lord thank God that’s over. To think this station used to mean something to me. I mentioned a few weeks back that KZON used to be AAA, and it helped introduce me to Steve Earle and Bruce Cockburn, among many others. Well that format went kaput in the mid to late 90’s, and I’m not even sure how many format changes it’s gone through since. But in 2010, it’s a station owned by CBS Radio, locked (down) and loaded to bombard you with the hitz of day. Its demographic is the tween & teen market, something I haven’t been a part of for 20 years now.

    When the very first lyrics I heard were: “You can call me Mr. Flintstone, I can make your bedrock”, I knew I was in for a long hour. Thanks Young Money.

    One lasting impression from this hour: A-u-t-o-t-u-n-e. Holy modulation batman, does anyone in pop music not use autotune?? It was everywhere! For complete and utter Autotune Hell, listen to “Whatcha Say” by Jason Derulo. Really sad that autotune has turned into the rule instead of the exception. Blechh.

    This was a very long hour for me, folks. Yeah, I’m showing my age. I’ll turn 40 this year. I’m the “old guy” now to the kids who listen to this station. But I cannot imagine coming of age listening to this stuff – formulaic to the extreme, lacking emotion, and any semblance of soul. The subject matter is unimaginative, simplistic, and completely vapid – and this is the music that kids will look back to 20 years from now with the same nostalgia I have looking back to Prince, Run-DMC, hell, even Samantha Fox and the like?

    Granted, it could be a generational thing, but I honestly feel like something really bad – something irreversible – is happening in popular music. Painful. Just painful. I weep for pop music today.

    Sunday’s Grammys should be a hoot. Yeahhh, I’ll be watching. *shakes head*

  • Video

    Hope for Haiti Now

    Like many of you, I sat down and took in the two hours of xHope for Haiti Now last night – a music-based benefit organized by overall good guy George Clooney. It was broadcast on most TV and cable networks. This will shock you, but Fox News did not – I repeat, DID NOT – broadcast the show last night. That is completely surprising to – well – nobody.

    Well, those Fox News watching fu–tards missed out on some pretty cool moments last night. If you could make it through the awkward celebrity phone conversations with the general public, you saw the likes of Bono, Rihanna, Jay-Z, Bono, Mary J. Blige, Coldplay, Jennifer Hudson, Dave Matthews and Neil Young, Sting, Shakira, and of course the Boss (and many others).

    All of the performances can be purchased on iTunes or Amazon. 

    Here’s a look at my favorite moments from the evening:

    5. Bruce Springsteen – “We Shall Overcome”

    This classic spiritual was covered by Bruce on his 2006 Seeger Sessions record. Last night, Bruce brought out his backup singers, along with Charles Giordano on accordion and Curt Ramm on trumpet.

    4. Justin Timberlake and Matt Morris – “Hallelujah”

    I was pleasantly surprised by this. As covers of this Leonard Cohen song go, Jeff Buckley’s stands firmly above the rest. But Justin and Matt last night were spot on with their harmonies, and brought out the true beauty in the song – which is more of a lover’s lament than a song about hope, strength, and inspiration (the general theme of the night). I was most impressed by Matt Morris’s vocals.

    3. Shakira – “I’ll Stand By You”

    This song is one of my favorite Pretenders tunes, and Shakira nailed it, in my opinion. Of course, my opinion may have been different if she looked like Tiny Tim, but visually and aurally, it was fantastic – especially with the Roots backing her up.

    2. Sting w/ the Roots – “Driven to Tears”

    What a great version this was. The full, lush arrangement – Sting on acoustic surrounded by the Roots. Questlove, drummer for the Roots, mentioned on Twitter that he was really looking forward to this performance because he’s practiced drums to the Police since he was a kid.

    1. Wyclef Jean – “Rivers of Babylon” > Haitian traditional

    I’m a big fan of “Rivers of Babylon”, a song written by the Melodians in 1972, and covered by many, including Steve Earle. But when Wyclef shifted gears and launched into the percussive blast of his native Haiti, it was like a load being lifted from our shoulders. He sang in English and his native creole, sang about strength in the face of adversity, sang even about Anderson Cooper and CNN. It was a perfect ending to the night.