Ryan Bingham on Letterman: “The Weary Kind”
If you caught the end of Letterman on Monday night, you caught Ryan Bingham‘s “The Weary Kind” – a Golden Globe nominated tune from Crazy Heart (a movie which by all accounts is fantastic). The song was written by Ryan and T-Bone Burnett.
I’m still waiting for the opportunity to catch Ryan live. Until that day, performances like this hit the spot. Make sure to watch the funny exchange between Dave and Ryan afterward.
Ick’s Radio Daze: Country Time – 102.5 KNIX
Welcome to week two of Ick’s Radio Daze. This week, I tackle Country radio. Not the Hank / Willie / Waylon / George / Johnny classic sort of country. We’re talking New Country – the unpleasant kind. Come on along as I spend an hour with a radio powerhouse here in Phoenix: KNIX…
Station: 102.5 KNIX
Format: Country
Type: Terrestrial (Phoenix)
Slogan: “Everything Country”
Date / Time: Jan. 11th, 2010 / 9:15-10:15pm MST
Commercials: 7 mins (nice!)
Streaming Online? Yes
Hot Chick on Home Page of Web Site? Does Taylor Swift count? Then yes. Two photos.
DJ: Unknown – honestly, the young guy talking between songs did not mention his name even once. And the web site doesn’t mention it.
Favorite Song: Lady Antebellum – “American Honey” [YouTube]
Least Favorite Song: Jack Ingram – “Wherever You Are” [YouTube]Song List:
Easton Corbin – “A Little More Than Country Than That”
Randy Houser – “Boots On”
Toby Keith – “Cryin’ for Me (Wayman’s Song)
Miranda Lambert – “White Liar”
Eric Church – “Hell On The Heart”
Keith Urban – “Who Wouldn’t Wanna Be Me”
Jason Michael Carroll – “Hurry Home”
Brad Paisley – “I Wish You’d Stay”
Luke Bryan – “Rain Is A Good Thing”
Billy Currington – “People Are Crazy”
Carrie Underwood – “Temporary Home”
Jack Ingram – “Wherever You Are”
Dierks Bentley – “I Wanna Make You Close Your Eyes”
Mark Willis – “19 Somethin'”
Lady Antebellum – “American Honey”Comments: I don’t listen to country radio. I did for a brief period in the early 90’s, when I lived in Colorado Springs. But “new” country, manufactured country, Nashville Country, whatever you want to call the calculated everyman stuff they churn out these days… just haven’t been a fan. But after a couple glasses of wine, I’m feeling open minded and receptive to whatever ol’ KNIX wants to throw my way tonight.
I’m a few songs in, and I’ve already heard a couple of “everyman” / good ol’ boy cliches. Figure I’ll grab a few zingers for you…
— “my cousin saw you on the street with a red head named Bernice”
— “well she’s heaven on the eyes but boy she’s hell on the heart”
— “i left a map on your front seat just in case you lose your way / But don’t worry, once you reach Sallasaw, it’s all interstate”
— “rain makes corn, corn makes whiskey, whiskey makes my baby feel a little frisky” [my favorite]
– “start warshin’ all our worries down the drain”Carrie Underwood’s “Temporary Home” wins for downer of the hour. Orphans, dyin’ grampaws.. shit Carrie, ease up a little!
Surprise of the hour: Lady Antebellum. I had heard the name, but assumed she was some Gaga wannabe. Turns out Lady Antebellum is a country singer. And I’m pretty sure she doesn’t favor dressing like an evil beekeeper.
Unrestrained pop culture references of the hour: “19 Somethin'” by Mark Willis. This song contains shout outs to the Rubik’s Cube, Pac Man, Elvis, parachute pants, MTV, Stretch Armstrong, Daisy Duke, and Farrah Fawcett. Phee-yew. Seriously, check this out…
Honestly, it wasn’t so unpleasant. The subject matter is just so damn entertaining for the most part. The format definitely has a good chunk of America by the balls (and ladyparts). Speaking of ladies, the songs favored the fellas in this hour. Only 3 of the 15 songs were women: Miranda Lambert, Carrie Underwood, and Lady Antebellum. The rest of the hour belonged to the good ol’ boys. Giddy up, and I’ll see you next week.
dave rawlings machine – “ruby”
I heard this on Sirius-XM’s The Loft today. There was something familiar about it. Something earthy and 70’s, Eagles and country-tinged Stones (it would make a great Keef tune), maybe some Gram Parsons… the harmonies seemed familiar too.
It was the Dave Rawlings Machine. The song was “Ruby”. And by the end I was singing along to the great harmonies. Looking DRM up tonight, I found that Dave Rawlins has worked extensively with Gillian Welch and Old Crow Medicine Show. In fact, that’s why the harmonies sounded familiar – it’s OCMS providing them.
Check it out.
Dave Rawlings Machine: Ruby
Visit DRM’s Site.
Jesse Winchester’s Sham-a-Ling-Dong-Ding
The beautiful thing about music – and I’ve said it many times before – is there’s always something new to discover. The act of hearing a song for the first time, and having it make that instant connection right to the soul – that is why I am obsessed with music, and always on the search for that next gem – regardless of era or genre.
This song came to my attention from a Twitter update from Popdose’s Jason Hare – okay okay, his tweet! He had just watched Elvis Costello’s Spectacle show on Sundance, and one of the special guests was Jesse Winchester. Jesse is a Canadian folk artist (an American expatriate actually) who started out in the business over 40 years ago.
“Sham-A-Ling-Dong-Ding” is the song. It’s a newer one from Jesse actually, from his latest album – last year’s Love Filling Station. The song is a sentimental and nostalgic love song from the 65 year old , looking back through the years to the beginning of a love affair, and to the music that accompanied and nurtured them – and still does to this day.
Oh to have the talent to write a song like this (watch Neko Case tear up next to him).
Photo: Jesse Winchester.com
The boys were singing shing-a-ling
The summer night we met
You were tan and seventeen
O how could I forget
When every star from near and far
Was watching from above
Watching two teenagers fall in loveThe way we danced was not a dance
But more a long embrace
We held on to each other and
We floated there in space
And I was shy to kiss you while
The whole wide world could see
So shing-a-ling said everything for meAnd O the poor old old folks
They thought we’d lost our minds
They could not make heads or tails
Of the young folks’ funny rhymes
But you and I knew all the words
And we always sang along to
O sham-a-ling-dong-ding
Sham-a-ling-dang-dongSo after years and after tears
And after summers past
The old folks tried to warn us
How our love would never last
And all we’d get was soaking wet
From walking in the rain
And singing sham-a-shing-a-ling againAnd O the poor old old folks
They smile and walk away
But I bet they did some
Sham-a-lama-ding-dong in their day
I bet that they still close their eyes
And I bet they sing along to
O sham-a-ling-dong-ding
Sham-a-ling-dang-dongO those sweet old love songs
Every word rings true
Sham-a-ling-dong-ding means sweetheart
Sham-a-ling-dang-dong does too
And it means that right here in my arms
That’s where you belong
And it means sham-a-ling-dong-ding
Sham-a-ling-dang-dongIck’s Radio Daze: 93.3 KDKB
It’s the New Year, so why not try out a new feature that’s been kicking around my head for while? The subject is radio – a medium whose definition has changed drastically in the last 10-15 years where music is concerned. What was once solely AM and FM has expanded to include satellite radio, and of course the internet.
I’ve lived in Phoenix since 1993, and for these 17 years, radio has remained pretty stagnant here. The only station that wowed me was KZON (101.5), during a few short years during the mid-90’s. The format was adult album alternative (AAA), and I owe it a debt of gratitude for introducing me to Steve Earle and Bruce Cockburn.
Other than that, the only stations I’ve spent any decent amount of time with are 93.3 KDKN and 100.7 KSLX – both play your standard classic rock, with KDKB going a little harder at times.
Unfortunately, Phoenix has no market (it seems) for the eclectic radio I thirst for. There’s no KBCO, WXRT or KFOG – only an oversaturation of watered down lite rock, new country, and hispanic stations. Sad, really.
So thankfully, when it comes to searching out decent music on the radio, I now have satellite and internet radio to dive into as well.
The Radio Daze Series: Here’s what I’m gonna do. Each week, I’ll spend one hour with a radio station, whether it’s a local “terrestrial” station here in Phoenix, a Sirius-XM satellite station, or an internet-only station. I’ll track the playlist, and share my thoughts. I’ll try to hit all the formats, as painful as it may be (I’m looking at you, “Camel Country”).
I’m enough of a music nerd to think this may be enjoyable, so hopefully we can have some fun with this.
I’ll start with one of the stations familiar to me: 93.3 KDKB…
Station: 93.3 KDKB FM
Format: Classic & Hard Rock
Type: Terrestrial (Phoenix)
Slogan: “93.3 KDKB Rocks Arizona”
Date / Time: Jan. 4th, 2010 8-9pm MST
Commercials: 14 min
Streaming Online? Yes
Hot Chick on Home Page of Web Site? Yes
DJ: “Hammer”
Favorite Song: Tom Petty’s “You Got Lucky” (YouTube)
Least Favorite Song: Shinedown’s “If You Only Knew” (YouTube)Song List
Styx – “Too Much Time On My Hands”
Eric Clapton – “Cocaine”
Ozzy Osbourne – “Crazy Train”
AC/DC – “Have a Drink On Me”
Alice Cooper – “No More Mr. Nice Guy”
Shinedown – “If You Only Knew”
Poison – “Nothin’ But a Good Time”
Tom Petty – “You Got Lucky”
Quiet Riot – “(Bang Your Head) Metal Health”
Nirvana – “In Bloom”
The Eagles – “Hotel California”
Van Halen – “Panama”Comments: Standard fare for KDKB. Populist rock ‘n roll. We got our AC/DC, we got our Ozzy, Van Halen and Styx. They also throw in some bad modern rock every so often. This hour, it came in the form of Shinedown’s “If You Only Knew”.
The only attempt at new music came with a segment called “Hit It or Quit It”, in which Hammer (the DJ) played a sample of a new song, and then took a few calls from listeners for their “Hit it” or their “Quit it”. Okay idea, but the problem? Only about eight seconds of the song was played! They played the same 8 seconds twice, in fact (the song was “Fall Down” by Tantric). Is corporate rock radio so squeezed by the balls that they can’t play an entire new song? Rhetorical question.
I can’t fault KDKB, they’re doing the same thing they’ve been doing since I started listening 17 years ago. At least they’re consistent. Funny thing is, KDKB was one of the trailblazers of free form rock radio back in the 70’s. I’ve heard from a few old timers that it used to be a great progressive station.
A Nudge in the Right Direction
Here are some recent unearthings I feel the need to pass along…
- Heard a good live Clash recording lately? For shame. Go to Licorice Pizza to download a great quality show from December 27, 1979. Thirty one years ago. Whaaa? It’s the Clash, playing a bunch of London Calling tracks the year before the album came out. I wouldn’t wanna sit on those songs either. Check it out here.
- Our good man Gonzo has posted a sweet 00’s mix of his favorites from the decade. Go to this post on Gonzo’s Music-o-rama for the two-disc set, featuring artists like the Dresden Dolls, Phoenix, Spank Rock, Death Cab for Cutie, Ra Ra Riot and many more.
- Boston.com has an amazing photo collection of New Year’s Eve celebrations from around the world.
- Our friends at Popdose recently posted their fourth podcast. If you’re in the mood to be entertained, go hang out with the Jeff, Jason, and Dave for an hour.
Growin’ Up
A fellow Boss fan sent me a link to this video earlier today. It’s a 23 year old Bruce Springsteen performing “Growin’ Up” at Max’s Kansas City in New York City. The year was 1972 – Bruce’s first album wasn’t released until the following year.
Somehow, this seems appropriate as the first post of this new year.. Going back to basics, thinking back to a simpler time. With a new year, we have the chance to start anew – to make a few tweaks and adjustments here and there. A chance to press the ol’ reset button.
This growin’ up thing – it can be a bit complicated, even frightening at times. Sometime it helps to just try and keep things simple…
Happy New Year, and thanks Lonny for the link..
Pete’s Favorite Albums of the 00’s
Quick Note: I didn’t want to bombard my Top 10 with Springsteen and Prince albums, so I chose my favorites of theirs from the 00’s. Did I spend more time with M.I.A.’s Arular than with Bruce’s Magic or Prince’s Musicology? No way. Just so you know, I limited my picks to one album per artist.
And now, on to the completely subjective look at 10 of my favorite albums of the decade!
10. Prince – The Rainbow Children (2001)
Jazzy, funky, and dipping deeply into P’s then new-found life as a Jehovah’s Witness, this album connected with me more than any Prince album of the 00’s (and nope, no JW am I). As much as the 54 second “Wedding Feast” makes me cringe, the album makes up for it with great tracks like “Digital Garden”, “The Work, Pt. 1”, and “The Sensual Everafter”.
Favorite tune: “1+1+1 is 3” (mp3) – to me, easily the funkiest Prince song of the 00’s.
9. M.I.A. – Arular (2005)
I couldn’t leave the girls out! M.I.A. came out of nowhere halfway through the decade with her brand of world-influenced electronic hip-hop. I love her attitude, her style, her accent, and she ain’t so bad lookin’ either. I think this is one of those love it or hate it albums. My wife can’t stand it. But for me, songs like “Pull Up The People”, “Fire Fire”, and “Amazon” just, er, do it for me, okay?
Favorite tune: “Bucky Done Gun” – super sexy militant rappin’ time:
8. Steve Earle – Jerusalem (2002)
Steve had a lot to say about the state of our country after 9/11 and the ensuing conflicts overseas. Of course he was his controversial self with “John Walker’s Blues”. He was fierce as hell on “Ashes to Ashes” and “Amerika V. 6.0 (The Best We Can Do)”. And he looked for a world of peace in the gentle album closer, “Jerusalem”. A great album top to bottom.
Favorite tune: “What’s a Simple Man To Do?” (mp3) – an organ-driven barnburner of a tune about a Mexican drug smuggler’s letter to his madre.
7. Wilco – Yankee Hotel Foxtrot (2002)
Sure, some people think this is the obligatory best of the decade album – even if they think it doesn’t merit it. But guess what, it’s completely subjective, and certain albums connect with certain people. YHF was on constant rotation early in the decade. Wilco’s creativity and originality were through the roof in the late 90’s to early 00’s. The changes in direction between Being There, Summerteeth, Yankee Hotel Foxtrot, and A Ghost is Born are startling.
Favorite tune: The “War on War” and “Jesus, Etc.” combo special.
6. Grandaddy – The Sophtware Slump (2000)
The brainchild of Jason Lytle, this futuristic, tech-themed album – with its gorgeous, sweeping electronic-based melodies – blew me away. Who would’ve guess I’d have such strong feelings about songs like “”Broken Household Appliance National Forest” and “Miner at the Dial-a-View”?
Favorite tune: “The Crystal Lake” and the beautiful “So You’ll Aim Toward the Sky” (YouTube).
5. Arcade Fire – Funeral (2004)
Win Butler and his merry troupe of noisemakers got my attention with “Old Flame” from their self-titled EP. And when I heard this album, I was hooked.
Favorite tune: “Wake Up” (YouTube) – especially after seeing them live at the Austin City Limits Music Festival. A sea of people singing “Whoooa-ooooa Whoooa-oooo-oooo-ooo”.
4. Bruce Springsteen – We Shall Overcome: The Seeger Sessions (2006)
When Bruce takes a break from the E Street Band, you never know what you’re gonna get. And with the Sessions record, it was a return to the roots of American folk music, and he brought along about 15-20 of his friends for the ride. This album provided countless hours of joy around our house. And the tour stop through Phoenix was an absolute thrill for me and my wife. Hey Bruce, bring back the Sessions Band!!
Favorite tune: “Pay Me My Money Down”. A family favorite. The kids still sing it.
3. Band of Horses – Cease to Begin (2008)
2. Band of Horses – Everything All the Time (2006)
Thank God these guys came along. Led by the gentle voice of Ben Bridwell, the first two Band of Horses albums are folk/indie masterpieces. There isn’t a bit of filler in either of these, and I look forward to following these guys for the rest of my lifetime.
Favorite tune: “Monsters” [mp3] (from EATT) and “Windows Blues” [mp3] (from CTB) – surprise, the slower tunes.
1. Marah – Kids in Philly (2000)
In 2000, when I was going through some “woe is me” / “whaddya mean I can’t get this girl back”-type stuff, this album picked me up, punched me in the nuts, and knocked me back over. I was living down by the new Tempe Town Lake, and I’d run around it a few nights a week – I’d start running as the opening banjo riff of “Faraway You” ignited the album, and I wouldn’t stop ’til the closing street harmonies of “This Town”. The album was super cathartic, and every time I listen to it, I think of that summer of 2000. August 2000 also included one of the best rock ‘n roll shows I’ve ever seen: Marah at Tempe’s now defunct Long Wong’s – a small, sweat-soaked bar. I’ll never forget the energy of Dave, Serge and the boys that night. The album and band encapsulate what stripped down rock ‘n roll is all about.
Favorite Tune: “Round Eye Blues” – capturing the spirit of Motown and Phil Spector’s Wall of Sound, this is a vivid and beautiful song, sung in the perspective of a young man in Vietnam:
Fables tell of men who fell
With swords dangling from their chest
The old guys down at the taproom swear
The Japs could kill you best
But late at night I could still hear the cries
Of three black guys I seen take it in the face
I think about them sweet Motown girls they left behind
And the assholes that took their placeGoosebumps every time.
When all is said and done, this is the album that affected me most personally, and therefore must be crowned: Pete’s Album of the 00’s!
Markadelphia’s Best of the Noughties
The last decade of music was fucking amazing. One would think that being the Brit Rock maniac that I am I would be all about the 90s. While I did enjoy that decade, the music that came out in the last ten years made me wish it was a woman that I could kiss deeply and shower her with love and affection.
So what were the best ones? Here is my Top Ten with comments followed by my other 40 to round out the Top 50 CDs of the Noughties!
10. The Coral – Roots and Echoes (2007). Haunting, beautiful and brilliant. The best album of their career. Also contains my son’s favorite song of all time–“Cobwebs.” A psychedelic kiss…
9. Friendly Fires – Friendly Fires (2008).
Like Ennis Del Mar, I can’t quit this album. They musically illustrate what it’s like to “Jump in the Pool” on the track of the same name. Wow! Every track is a dime. And they are a great live band. See them.
8. Mercury Rev – The Secret Migration (2005). From the first sound of this disc, the listener begins a sacred feminine journey that is a kiss to be cherished forever.
7. Coldplay – Parachutes (2000). Their first album is still my favorite. “High Speed” is the very definition of dream pop. Memories of those I love wash over me when I hear it…
6. The Kooks – Inside In/Inside Out (2006).
A stunner of a debut. Pop bliss wrapped in an amorous red bow.
5. The Fratellis – Costello Music (2006). Sometimes you hear a record for the first time and yet you have known it your whole life. This is one of those records. “Her’s is the tonic and mine is the gin”–mega…
4. Arctic Monkeys – Whatever People Say I Am, That’s What I Am Not (2006).
The heirs to the Beatles and Oasis. This disc is filled with love soaked Brit tales that are guaranteed to warm the heart and make us all Holy Knights of the British Empire.
3. Sterephonics – Just Enough Education To Perform (2001). Their finest album. NME will never forgive Kelly for “Mr Writer” and I think that is fucking wonderful.
2. The Subways – All Or Nothing (2008). The album that has defined my life. I think Billy and I are kindred spirits. Listening to this record is an answer to the question “Just what is Mark’s romance with women and music all about?”
1. Brian Wilson – Smile (2004).
An album 38 years in the making. Even in 2004 (just as in 1966), the concept of this album is light years ahead of its time. Brian Wilson is a genius. He is the American John Lennon. I was fortunate enough to see this album performed live in its entirety. It left me with no doubt that there is a higher power because, in addition to being the best show I have ever seen, Smile is one of the purest forms of beauty I have ever heard.
The rest of the best…
11. The Verve-Forth, 12. Keane-Hopes and Fears, 13. Doves-The Last Broadcast, 14. Snow Patrol-A Hundred Million Suns, 15. The Subways-Young For Eternity, 16. Delays-Faded Seaside Glamour, 17. Joe Jackson-Volume 4, 18. Ryan Adams-Love Is Hell, 19. The Kooks-Konk, 20. Coldplay-X and Y, 21. Snow Patrol-The Final Straw, 22. Stereophonics-You Gotta Go There To Come Back, 23. Doves-The Last Broadcast, 24. Saint Etienne-Finnesterre, 25. Travis-The Invisible Band, 26. U2-All That You Can’t Leave Behind, 27. Todd Rundgren-Liars, 28. Planet P Project-Go Out Dancing Pt.1, 29. The Last Shadow Puppets-The Age of the Understatement, 30. Kings of Leon-Holy Roller Novocaine EP, 31. Tom Petty-The Last DJ, 32. Doves-Some Cities, 33. Stereophonics-Language, Sex, Violence, Other, 34. Phoenix-United, 35. The Libertines-Up The Bracket, 36. Muse-Black Holes and Revelations, 37. Green Day-American Idiot, 38. Neil Young-Silver and Gold, 39. Beck-Guero, 40. Starsailor-Love Is Here, 41. Captain-This is Hazelville, 42. Kaiser Chiefs-Employment, 43. The Strokes-Is This It? 44. The Vines-Highly Evolved, 45. Paul McCartney-Chaos and Creation in the Backyard, 46. Stereophonics-Keep Calm and Carry On, 47. Yeah Yeah Yeahs-EP, 48. Neil Finn-One Nil/One All, 49. John Starkey-Live at Jitters, 50. Oasis-Dig Out Your Soul
Jeff Tweedy at the Orpheum Theater in Phoenix
Seeing my favorite artists live in a full band setting is obviously one of life’s great thrills – Bruce Springsteen & the E Street Band, Steve Earle & the Dukes, Los Lobos, Wilco… But just as thrilling for me is witnessing more intimate showcases: the solo acoustic show. To be able to sit down and study the architect of the songs you love, as they play for you in a small theater – just the artist, a guitar and a microphone – you’re able to get a deeper understanding of the artist and his work.
I’ve had the privilege to sit and watch my favorites in these intimate-type settings: Springsteen on the Tom Joad and Devils and Dust tours, Steve Earle on several occasions, David Hidalgo & Louis Perez at a small theater in Tucson – and last night, Wilco frontman Jeff Tweedy.
I’ve followed Jeff and his band since Mermaid Avenue bowled me over in 1998. From that point, I’ve devoured everything they’ve released. For me, it all comes back around to that one unique characteristic: the golden, sweet & raspy vocal chords of Jeff Tweedy.
Last night, in the ornate and acoustically divine Orpheum Theater in downtown Phoenix, the voice was in prime form, filling the small venue – from low whispers to tuneful wails. I don’t mean to get all dramatic and schmaltzy on you all, but it was such a special experience for me and the several hundred that filled the theater. Outside of a few entertaining exchanges between songs, the crowd was perfectly quiet – letting each song live and breathe – with only the sounds of Tweedy’s voice and acoustic guitar wafting perfectly in the air.
Tweedy’s set list dipped into the Wilco songbook (e.g. “Passenger Side”, “A Shot in the Arm”, “Sunken Treasure”, “How To Fight Loneliness”, “Hummingbird”, “Impossible Germany”, “You & I”), his own solo material (“Bob Dylan’s 49th Beard”), Uncle Tupelo (“”Acuff-Rose”), as well as his side project/”supergroup” Golden Smog (“Please Tell My Brother” was one of the most poignant moments).
One great spontaneous moment came when he veered from the set list for a cover of the Handsome Family’s “So Much Wine”, a dark Christmas tale of a broken relationship. I had never heard the original, and clearly I was missing out on some wonderful lyrics: “Where the state highway starts I stopped my car / I got out and stared up at the stars / As meteors died and shot ‘cross the sky / I thought about your sad, shining eyes.” Picture Tweedy singing this in a mournful country shuffle… it was magic.
Another special moment came with “Jesus, etc.”, as Jeff shared vocal duties with the crowd. It wasn’t the messy sing-a-long you’ve heard at some shows. Rather, it was a very clear and succinct, spot-on rendition, and it made the small venue feel even smaller and more intimate.
After wrapping up “I’m the Man Who Loves You” (dedicated to his wife Susie, who was in attendance with his family), Jeff stepped away from the mic for the last couple of songs, standing at the edge of the stage with no PA. “This is what it’ll be like when we lose power”, he joked, referring to a post-apocalyptic world.
This moment summed up the entire evening… here was one of the most gifted singer-songwriters of our generation, in a one-off performance – and it wasn’t about the glitz and glamor of a rock ‘n roll band. It wasn’t about effects. And hell, it wasn’t even about amplification.. It was a man and his guitar singing his songs, playing from the heart and soul, and connecting with each and every one of us lucky enough to be in attendance.
Photos: Photographer Holly Carlyle snapped some incredible photographs from the evening. Check them out here.
Set List (thanks to azcentral):
Sunken Treasure
Remember The Mountain Bed
Please Tell My Brother
Hummingbird
Country Disappeared
The Ruling Class
I Am Trying To Break Your Heart
Bob Dylan’s 49th Beard
You and I
Muzzle of Bees
How To Fight Loneliness
Impossible Germany
In A Future Age
Passenger Side
So Much Wine
Spiders (Kidsmoke)
A Shot in the ArmEncore:
Heavy Metal Drummer
Jesus, Etc.
I’m the Man Who Loves You
Someone Else’s Song
Acuff-Rose
