Raul Malo’s Beautiful Playlist + Declan O’Rourke
I’ve been following Mavericks front man and Golden Voice Extraordinaire Raul Malo on Spotify for some time now. He has some hidden treasures there in his many playlists – for me, two playlists in particular have me coming back for more and more: Groovy Sounds and Beautiful. I encourage you to click those links and check them out. Scores of great music, familiar and (so many) unfamiliar – spanning the genres, from latin to classical to country to pop and onward…
Listen to this one from the “Beautiful” playlist. I hadn’t heard this tune from Irish singer/songwriter Declan O’Rourke before. On April 9, 2022, it reached my ears (thanks Last.fm). Instant connection – a soaring, gorgeous vocal performance from Mr. O’Rourke.
Take a listen.
Update: On November 18th, the Mavs came through Scottsdale, and I got a chance to meet the man himself, and to tell him how much I dig not only his music, but his Spotify playlists! I don’t care how old I get, I’ll never stop being a music nerd.
New from Bruce Cockburn: ‘O Sun O Moon’
In 53 years of writing and recording, there’s been an undercurrent of spirituality in the music of Canadian Bruce Cockburn. He’s always had a knack for painting a picture of his Christian faith in a way that doesn’t hit you over the head, using the beauty and mystery of the natural world to illustrate the wonder of it all (just listen to my all-time favorite album of his, Dancing in the Dragon’s Jaws, and you’ll know what I mean).
His innate kindness and empathy for his fellow humans has always drawn me to him. Bruce Cockburn is one of the good ones (and criminally underappreciated in these United States, but I’ll digress).

With O Sun O Moon, due out May 12th on True North records, Bruce’s spiritual side steps out of the shadows and, well, “Into the Now.”
Bruce Cockburn will turn 78 this month, and after a tough collective few years for all of us, Bruce brings out themes of faith, mortality, love, conflict and climate in this beautiful collection of songs.
Recorded at on/off band member, album producer & pal Colin Linden’s backyard studio in Nashville, the album features some quality guests – from Buddy Miller and Sarah Jarosz to Shawn Colvin and Allison Russell (have you heard Nightflyer?).
From the get go, Bruce faces that ticking clock and his faith head on with “I’m On A Roll”:
Pressure building left and right / Timer ticking, just out of sight / I’m taking shelter in the light
Time takes its toll / But in my soul / I’m on a roll
The powerful “Orders” addresses the oft overlooked yet plain and simple mantra of “Love thy neighbor”:
The sweet, the vile, the small, the tall The one who rises to the call / The list is long — as I recall / Our orders said to love them all
Not an easy concept to adhere to, is it? But nonetheless, as Bruce illustrates so well throughout the record, it’s the foundation of his faith.
With the backing of Shawn Colvin’s beautiful voice, the sweet, laid back front-porch feel of “Push Comes to Shove” continues the message: “push comes to shove / It’s all about love.”
In July 2021, Bruce vacationed in Maui with Dr. Jeff Garner, the lead pastor of the San Francisco Lighthouse church, which Bruce attends. In addition to helping lead a Sunday service, Bruce spent some quality time writing tunes. The first song he wrote is my personal favorite, “Into the Now,” which has been a staple of his solo acoustic show ever since (I was lucky enough to see him play it in Scottsdale last year). It’s a Cockburn special: timely, poignant lyrics, a chorus that varies each of the first three times before tying all together exquisitely at the end; strung together words like: “Light as the feet of birds hunting on sod / Love trickles down like honey from God”; Sarah Jarosz on harmonies and mandolin. I mean, come on (!), it gets no better.

Photos by Daniel Keebler. Another Maui-written song, “Colin Went Down To The Water” was released to streaming services a few weeks back. Featuring background vocals by Allison Russell (seriously, have you heard Nightflyer?), Buddy Miller and Colin Linden, the spiritual call and response of the song instantly connected with me (listen below).
The third Maui song is “King of the Bolero,” where Bruce channels a raspy, bluesy vocal to tell the story of a nightclub guitarist who’s “Got a double chin all the way round his neck / And a pot belly in the back.” Not a flattering image, and it makes me wonder who inspired this (internet sleuthing tells me the nightclub in the the Maui Grand Wailea Hotel is the Botero lounge. The Colombian artist Botero is mentioned in the song. Did Bruce write this while taking in some entertainment at the Botero? Hmm…).
Bruce’s resonator guitar, Gary Craig’s glockenspiel, Viktor Strauss’s bowed bass and Jenny Scheinman’s gorgeous violin usher in the sublime “Us All” (also available on the streaming services). It’s a hypnotic, mournful plea to “let kindness reign for Us All.”
The welcome sound of Bruce’s dulcimer rings in “To Keep the World We Know,” a sobering take on climate change, sung with indigenous Canadian artist Susan Aglukark (who sings in a native Inuit language called Inuktitut). An important message; and rhythmically reminiscent of Bruce’s great 1977 tune “Arrows of Light.“
The closing songs of O Sun O Moon bring it all back to the theme of faith & mortality in their own unique ways. The penultimate tune is the prayerful “O Sun By Day O Moon By Night,” featuring spoken word verses building to a joyous chorus prayer with gospel-soaked background vocals:
O sun by day o moon by night / Light my way so I get this right / And if that sun and moon don’t shine/ Heaven guide these feet of mine / To Glory
The album finale, “When You Arrive,” culminates in a singalong chorus featuring the full cast of previously mentioned characters. With a sauntering, New Orleans style rhythm, the repeated chorus brings to my mind an image of Bruce and the gang second-lining lazily down a French Quarter street, shuffling contently off into the distance – firm in their faith – and ready for whatever may be waiting around corner.
- Pre-Order O Sun O Moon.
- My “Top Shelf Bruce Cockburn” playlist on Spotify.
- Bruce’s memoir Rumours of Glory on Amazon.
Zach Bryan’s God Speed

The sky was crystal blue north of Flagstaff a couple months back, and three feet of fresh snow covered the San Francisco Peaks like a white blanket. I had spent 90 minutes in traffic driving the 15 miles from Flagstaff to Snowbowl ski resort. I strapped on the skis and and spent the late morning and early afternoon on some fun, looong cruiser runs. Until last year, I hadn’t put on a pair of skis since Bill Clinton was prez. So no need for moguls or black diamonds for me, not anymore. I’m happy gliding down that smooth hill with long slalom turns, wind against my smiling face…
It was a good day. At mid afternoon I was wrapping it up, clopping along in my ski boots, equipment gathered up, making my way to the rental shop to return everything. A song was drifting through the air, from the Hart Prairie Lodge sound system. It was a song that I hadn’t heard before, but I paused and listened.
Well, I wanna send a post card
From the edge of a place I’ve never beenIt stopped me in my big heavy boots. The singer’s voice was raw, matter of fact, with a hint of desperation. Someone who was done with the bullshit. Plaintive but determined.
Well, I wanna see the road melt
Into the mountains away as I drive
And make it out of this damn town alive
And not let the dreams I shoulder dieYeah, it’s 2023, so I grabbed my phone and tapped the Shazam app. I needed to know.
I’m movin’ at God speed
Only God and my mama know what I need
And I feel the hardwood floors on my knees
As I beg you just to take it easy on meZach Bryan. “God Speed.”
I’d listened to his latest critically acclaimed album American Heartbreak not too far back, but I wasn’t familiar with this beauty of a song. “God Speed,” from his 2019 self-release debut album, DeAnn. Zach just turned 27 years old for crying out loud! I can’t wait to see what he’s got in store for us.
“God Speed” blows me away with each listen. And as long as I’m around listening to it, I’ll think of that mountain snow, that blue northern Arizona sky, and a shuffle along the wood floors of the lodge as it hit my ears for the first time.
Zach Bryan’s Official Site
Recap: Leif Vollebekk comes to Phoenix
Since discovering Leif Vollebekk’s music a few years back, I’ve looked forward to the day I’d see him live. Last night, St. Patrick’s Day 2022, was the night. Leif is back on a big tour, and thankfully he was booked into a cool small Phoenix club called Valley Bar – a speakeasy style venue that’s accessible from a downtown back alley off Central Avenue, down a flight of stairs. Really cool vibe.
Leif hails from Montreal, Canada, and his whole essence as a musician is infectious. He pours his heart & soul into his performances. You see him lost in the music, closing his eyes, waving his head – the same kind of soul-shaking moments at the piano and keys you’d see from Ray Charles. And that voice man.. soulful, smooth with that ever so slight raspy-ness. Just gorgeous to watch and hear live.
The night was spontaneous, straying from the set list for moments like Prince’s early 80’s B-side “How Come U Don’t Call Me Anymore” (maybe in response to a fan in the front row who was wearing a Prince shirt, as Leif pointed out).
As the pandemic decides to subside a bit for now, it’s intimate live moments like this I’m so glad to have back – a chance to stand 20 feet from a great musician, watching it happen in the moment.
Leif’s song “Transatlantic Flight” is one that resonates most with me. I captured it all here.. enjoy.
Bruce Cockburn’s cover of Ribbon of Darkness
This song has been percolating happily in my headspace for a good month or two now. From a 2003 tribute to Gordon Lightfoot, here’s the great Bruce Cockburn with a sublime take on Gord’s “Ribbon of Darkness.”
11 Past the Hour

Another spellbinding few minutes of music, this time courtesy of Irish singer Imelda May. Silky smooth, effortless and beautiful, the tune has a dreamlike, gliding quality that hits me in just the right place.
Imelda hit my radar about 10 years back when I saw her on Later with Jools Holland (singing “Johnny Got a Boom Boom”). At that time she was married to British rockabilly guitarist Darrell Higham, who played a bit with Jeff Beck. She definitely had that retro, throwback vibe at the time. Which leads me also to this question – have you heard Jeff Beck’s version of “Lilac Wine,” featuring Imelda? Oof.. take the time to listen to it as well.
But I digress. Click Play, close your eyes, and enjoy the beautiful voice of Imelda May (with the sweeping, impressive production of “Budapest” producer Cam Blackwood).
when black midi comes to town
Always a treat to come across multi-talented new bands. black midi are young UK guys in their late teens / early 20’s who sound years ahead of their time. I bought this record after hearing “John L.” once and simply looking at this awesome album cover. Lots to discover here. Lots going on.
“John L” is the first song on this cool KEXP At Home performance.
Jaime Wyatt’s Misery & Gin
If you haven’t checked out Amoeba Records’ long running “What’s in my Bag?” series on YouTube, I recommend it. It’s easy to go down the rabbit hole watching different musicians point out their favorite records and films. The Shooter Jennings episode hipped me to Jamie Wyatt’s debut album ‘Felony Blues,’ which Shooter produced. I love it, especially her version of Merle Haggard’s “Misery & Gin” (written by Snuff Garrett and John Durrill) that closes the album. Jaime’s vocal performance, especially in those first two verses, just floors me.
It’s perfection.
Midnight to Stevens – The Clash Pay Tribute to an Original
I’m about a quarter of the way through Marcus Gray’s Route 19 Revisited: The Clash and London Calling. It’s a meticulously detailed account of absolutely everything having to do with the landmark 1979 album. Gray also wrote one of the best full biographies of the band, The Clash: Return of the Last Gang in Town.
Needless to say, I’ve been buried pretty deep in Clash music over the last few weeks, listening to the albums, live shows, outtakes, B-sides and the like. This includes listening to my old Clash on Broadway CD collection, and encountering a great song I don’t recall hearing before. Apparently, when I bought the box set back in the 90’s, I didn’t give it the listen it deserved. Shame!.
Guy Stevens and Mick Jones “Midnight to Stevens” is an outtake from the Combat Rock demo sessions, cut in September of 1981. The subject is music industry/producer Guy Stevens, who produced Procol Harum and Mott the Hoople in the late 60’s and early 70’s – and who, along with the Clash, produced London Calling. From what I’ve read, Guy was wild, unpredictable, and a raging alcoholic. Underneath it all though, he was loved by the musicians he worked with – in spite of the his behavior (he’d pace the studio during takes, throw chairs and ladders, and get in the face of the musicians). Clash guitarist Mick Jones, for one, was a huge Mott the Hoople fan, so would have been excited to have Guy on board for London Calling. Guy was absent for a good portion of the LC sessions, but his eccentric spirit likely helped fuel the creative and unpredictable spirit of the album – inspiring the band to produce a multi-genre masterpiece.
Sadly, on August 28, 1981, Guy Stevens died of an overdose of prescription medication, which he was taking to try and combat the alcoholism. He was only 38 years old. Just three weeks later (Sept 17), at the People’s Hall in London, with the Rolling Stones mobile studio parked outside, the Clash recorded this tribute to Guy.
The song itself is a more subdued, pop-oriented tune than one is used to hearing from the Clash. It’s a sad, beautiful tune if you ask me – and I know you are. It was a nice surprise to discover this after all these years.
So here’s a short clip of the London Calling sessions at Wessex Studios in London, where you can see Guy exhibiting his Guy-ness:
And here is the song (available on the Clash mega set Sound System).
Hold Me – Oz Soul from The Teskey Brothers
If you close your eyes and throw on The Teskey Brothers latest record, Run Home Slow, you may think you’re hearing some recently unearthed Memphis Stax soul. What you’re actually hearing is the soulful voice of Melbourne, Australia’s Josh Teskey and the throwback sounds of the Teskey Brothers. Josh definitely channels the spirit of Otis Redding.
“Hold Me” strays just a little from the Stax formula and mixes in some folk/roots with infectious foot stomps, hand claps and harmonies. The video adds to its allure, with its atmospheric, earthy, outdoorsy setting (directed and produced by local filmmakers We Are The Moon House, and filmed at sunrise in the Teskeys hometown of Warrandyte).
This one hit my radar recently on a Tidal video mix. I’m thankful for the recommendation engines churning behind the scenes on Tidal, Spotify, Apple Music and such. This one’s a keeper.