Ick’s Radio Daze: Puttin’ on the Hitz – 101.5 JamZ
Every week I pick a radio station and listen in for an hour, documenting the experience – for better or worse – just for you.
It’s Ick’s Radio Daze. Click here to see all of the Radio Daze posts together.
Station: 101.5 (KZON)
Format: Top Hits
Type: Terrestrial (Phoenix, AZ)
Slogan: 101.5 JamZ
Date / Time: Jan. 25th, 2010 / 9-10pm MST
Commercials: 7 mins
Hot Chick on Home Page of Web Site? Yes. Beyonce. Britney. Mariah.
DJ: Sugabear
Favorite Song: I don’t even really care for the song, but “Empire State of Mind” beat out the hour of trash I just put myself through.
Least Favorite Song: “Whatcha Say” – Jason Derulo
Song List:
Young Money feat. Lloyd – “Bedrock”
Lady Gaga – “Bad Romance”
Jason Derulo – Whatcha Say
Orianthi – “According to You”
Lil Wayne – “Lollipop”
Britney Spears – “3”
Lady Gaga feat. Beyonce – “Telephone”
Jay-Z feat. Alicia Keys – “Empire State of Mind”
Ke$ha – “Tik Tok”
New Boys feat. Ray J. – “Tie Me Down”
Drake – “Best I Ever Had”
David Guetta feat. Akon – “Sexy Chick”
Jay Sean feat. Lil Jon & Sean Paul – “Do You Remember”
T.I. – “Whatever You Like”Comments:
I’m getting old.
Good Lord thank God that’s over. To think this station used to mean something to me. I mentioned a few weeks back that KZON used to be AAA, and it helped introduce me to Steve Earle and Bruce Cockburn, among many others. Well that format went kaput in the mid to late 90’s, and I’m not even sure how many format changes it’s gone through since. But in 2010, it’s a station owned by CBS Radio, locked (down) and loaded to bombard you with the hitz of day. Its demographic is the tween & teen market, something I haven’t been a part of for 20 years now.
When the very first lyrics I heard were: “You can call me Mr. Flintstone, I can make your bedrock”, I knew I was in for a long hour. Thanks Young Money.
One lasting impression from this hour: A-u-t-o-t-u-n-e. Holy modulation batman, does anyone in pop music not use autotune?? It was everywhere! For complete and utter Autotune Hell, listen to “Whatcha Say” by Jason Derulo. Really sad that autotune has turned into the rule instead of the exception. Blechh.
This was a very long hour for me, folks. Yeah, I’m showing my age. I’ll turn 40 this year. I’m the “old guy” now to the kids who listen to this station. But I cannot imagine coming of age listening to this stuff – formulaic to the extreme, lacking emotion, and any semblance of soul. The subject matter is unimaginative, simplistic, and completely vapid – and this is the music that kids will look back to 20 years from now with the same nostalgia I have looking back to Prince, Run-DMC, hell, even Samantha Fox and the like?
Granted, it could be a generational thing, but I honestly feel like something really bad – something irreversible – is happening in popular music. Painful. Just painful. I weep for pop music today.
Sunday’s Grammys should be a hoot. Yeahhh, I’ll be watching. *shakes head*
Hope for Haiti Now
Like many of you, I sat down and took in the two hours of xHope for Haiti Now last night – a music-based benefit organized by overall good guy George Clooney. It was broadcast on most TV and cable networks. This will shock you, but Fox News did not – I repeat, DID NOT – broadcast the show last night. That is completely surprising to – well – nobody.
Well, those Fox News watching fu–tards missed out on some pretty cool moments last night. If you could make it through the awkward celebrity phone conversations with the general public, you saw the likes of Bono, Rihanna, Jay-Z, Bono, Mary J. Blige, Coldplay, Jennifer Hudson, Dave Matthews and Neil Young, Sting, Shakira, and of course the Boss (and many others).
All of the performances can be purchased on iTunes or Amazon.
Here’s a look at my favorite moments from the evening:
5. Bruce Springsteen – “We Shall Overcome”
This classic spiritual was covered by Bruce on his 2006 Seeger Sessions record. Last night, Bruce brought out his backup singers, along with Charles Giordano on accordion and Curt Ramm on trumpet.
4. Justin Timberlake and Matt Morris – “Hallelujah”
I was pleasantly surprised by this. As covers of this Leonard Cohen song go, Jeff Buckley’s stands firmly above the rest. But Justin and Matt last night were spot on with their harmonies, and brought out the true beauty in the song – which is more of a lover’s lament than a song about hope, strength, and inspiration (the general theme of the night). I was most impressed by Matt Morris’s vocals.
3. Shakira – “I’ll Stand By You”
This song is one of my favorite Pretenders tunes, and Shakira nailed it, in my opinion. Of course, my opinion may have been different if she looked like Tiny Tim, but visually and aurally, it was fantastic – especially with the Roots backing her up.
2. Sting w/ the Roots – “Driven to Tears”
What a great version this was. The full, lush arrangement – Sting on acoustic surrounded by the Roots. Questlove, drummer for the Roots, mentioned on Twitter that he was really looking forward to this performance because he’s practiced drums to the Police since he was a kid.
1. Wyclef Jean – “Rivers of Babylon” > Haitian traditional
I’m a big fan of “Rivers of Babylon”, a song written by the Melodians in 1972, and covered by many, including Steve Earle. But when Wyclef shifted gears and launched into the percussive blast of his native Haiti, it was like a load being lifted from our shoulders. He sang in English and his native creole, sang about strength in the face of adversity, sang even about Anderson Cooper and CNN. It was a perfect ending to the night.
The Friday Five: January 22, 2010
Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editor’s Note: The nightmare of recovering my hard drive continues, so I’m still relying on my iPod to provide the shuffle. Hopefully I’ll be back up and running by next week’s Friday Five. – Michael
The Five:
1. “Buddy Holly” by Weezer (from Weezer, 1994)
My 11-year old son absolutely loves Weezer, so much so that he’s taken to belting out “Say it Ain’t So,” spontaneously.
2. “Each Year” by Ra Ra Riot (from The Rhumb Line, 2008)
I never get tired of hearing this record. With any luck, we’ll get something new from the band in the next year.
3. “WWXII” by The Damnwells (from One Great Century, 2009)
A somber view of the secondhand victims of war, the refrain of this song stings like nails; “We don’t feel no shame / And we don’t take the blame / Men on TV tell me there’s no other way / We’ve got to take mama’s baby away.”
4. “I Love U in Me” by Prince (from The Hits/The B-Sides, 1993)
One of the most beautifully dirty tunes in the Prince’s catalog.
5. “Black” by Pearl Jam (from Ten, 1992)
I finally purchased 2008’s “Legacy Edition” of Ten just before the holidays, and found myself wrapped back up in the impact of this set of songs had on my life and “Black” is definitely a high point of that.
What’s on your shuffle today?
Sade’s new video for Soldier of Love
Still fierce after all these years…
Ick’s Radio Daze: Boulder’s KBCO
Welcome to the third installment of Ick’s Radio Daze. This time, we have a report from our first remote correspondent, Kathy B., who lives in the great state of Colorado. Kathy will be checking out a few of the local stations in the greater Denver area. If there’s anyone else out there who feels like geeking out on their local radio market and writing about it for this series, feel free to to shoot me an email. The more the merrier. It’d be especially cool to go international, and be able to explore radio throughout the world. So wherever you are, feel free.
This time around, Kathy zones in on Boulder’s KBCO – one of my favorites when I lived in Colorado…
Station: 97.3 FM KBCO
Format: AAA
Type: Terrestrial (Boulder, CO)
Slogan: “World Class Rock”
Date / Time: Jan. 16th, 2010 / 12:05-1:10pm MST
Commercials: 11 minutes or so (I stopped paying attention)
Hot Dude on Home Page of Web Site? There are some rotating pictures that include a couple of guys who may possibly be hot but it’s hard to tell from the photography. However, one of the rotating pictures has (I believe) Jack Johnson playing Studio C, and he definitely looks hot in that photo.
Hot Chick? Yes—Norah Jones.
DJ: Ginger (No last name; as far as I know, only one DJ on KBCO has a last name that’s used on the radio.) I’ve been listening to her for 20-something years, even following her to another radio station for several years (until they folded and she went back to KBCO).
Favorite Song: Marc Cohn – “Walking in Memphis”Least Favorite Song: Tie: Train – “Hey Soul Sister” (because it’s so annoying) and Robert Plant— “In the Mood” (which has always rubbed me the wrong way because it has something like a three-note range and requires no actual singing ability to sing. Not that I’m suggesting Robert Plant has no singing ability, just that he doesn’t need it to sing this song.)
Song List:
Van Morrison – “Tupelo Honey”
Natalie Merchant – “Jealousy”
Coldplay – “Life in Technicolor II”
Lenny Kravitz – “Fly Away”
Edie Brickell & New Bohemians – “Circle”
Foo Fighters – “Wheels”
Marc Cohn – “Walking in Memphis”
Neil Young – “Cinnamon Girl”
Snow Patrol – “Take Back the City”
Robert Plant – “In the Mood”
Modest Mouse – “Float On”
Counting Crows – “When I Dream of Michelangelo”
Moby – “Southside”
Creedence Clearwater Revival – “Down on the Corner”
Train – “Hey Soul Sister”Comments: The first thing I can think of is how “safe” this playlist seems compared to the KBCO of the late ‘80s to early ‘90s. No deep album cuts, no unknown local bands (although they did play The Fray in the hour following, and they’ve been playing them since that band actually was unknown). But since they were bought by Clear Channel, they haven’t been quite the same. A lot more repetition, for one thing. I have been hearing that stupid Train song every morning. I’ve also been hearing The Avett Brothers’ “I and Love and You” a lot, but that doesn’t bother me at all. In fact, I was hoping it would come up during this hour so I could brag about the cool music this station still occasionally plays. (It came up about 15 minutes afterwards.)
KBCO fits into a niche in this market — I could listen to KTCL for some more obscure artists, but their music is a lot harder than I really like. Or I could listen to the lite rock and Top 40 stations for some softer music that gets played to death. Even with its faults, KBCO is still my favorite station in this market.
One of the things I like about them is the artists who play live in Studio C, who then get recorded for posterity, and if their record company says yes, put on a CD at the end of the year that thousands of people stand in line for hours in the bitter cold to buy. (I am one of those silly people.) I remember when the first Studio C CD came out, there were copies of it at the record store two weeks afterwards, and even when the 6th one came out, I was able to pretty easily pick up a copy later that week. But now the station promotes the CDs to death just before they come out, and they sell out within four hours and are put up on eBay immediately. Unfortunately, no Studio C tracks were played this hour.
Very male-centric playlist this afternoon, which surprises me from a station that introduced me to so many of my favorite female artists (Shawn Colvin, Rosanne Cash, Indigo Girls, Brandi Carlile, to name a few). Only two and a half women artists, if you count Gwen Stefani duetting with Moby. Although Edie Brickell’s New Bohemians were all men… And very little DJ chatter, which might also have increased the estrogen factor.
The Friday Five: January 15, 2010
Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editor’s Note: Due to a recent hard drive crash, my library is a bit compromised at the moment. Today’s five comes courtesy of my iPod which, not surprisingly, has some holiday music that was skipped along the way.
The Five:
1. “She’s Got a Way” by Billy Joel (from Greatest Hits, Volume I & Volume II, 1985)
2. “Twice as Hard” by The Black Crowes (from Shake Your Money Maker, 1990)
3. “Cousin Mary (alternate take)” by John Coltrane (from Giant Steps, 1960)
4. “Sara Smile” by Hall & Oates (from Greatest Hits: Rock ‘n Soul, Part 1, 1983)
5. “Burning Down the House” by Dave Matthews Band (from 2008-08-09: DMB Live Trax, Volume 15: Alpine Valley Music Theatre, East Troy, WI, USA, 2009)
What’s on your shuffle today?
Courtney Jaye + Ben Bridwell
Where the voice of Ben Bridwell goeth, I shall follow.
And the boy has brains, apparently, because hubba bubba pow wow (sorry – that’s my reaction to the pic above). Ben (Band of Horses frontman) shows up on singer/songwriter Courtney Jaye‘s brand new record, The Exotic Sounds of Courtney Jaye (out Jan 12). From the samples in iTunes, Courtney’s record sounds really promising – melodic, sunny, rootsy. And this duet with Ben leads the charge…
Courtney Jaye (w/ Ben Bridwell) – Sometimes Always (mp3)
Buy: The Exotic Sounds of Courtney Jaye
Visit: Courtney Jaye’s MySpace
Ryan Bingham on Letterman: “The Weary Kind”
If you caught the end of Letterman on Monday night, you caught Ryan Bingham‘s “The Weary Kind” – a Golden Globe nominated tune from Crazy Heart (a movie which by all accounts is fantastic). The song was written by Ryan and T-Bone Burnett.
I’m still waiting for the opportunity to catch Ryan live. Until that day, performances like this hit the spot. Make sure to watch the funny exchange between Dave and Ryan afterward.
Ick’s Radio Daze: Country Time – 102.5 KNIX
Welcome to week two of Ick’s Radio Daze. This week, I tackle Country radio. Not the Hank / Willie / Waylon / George / Johnny classic sort of country. We’re talking New Country – the unpleasant kind. Come on along as I spend an hour with a radio powerhouse here in Phoenix: KNIX…
Station: 102.5 KNIX
Format: Country
Type: Terrestrial (Phoenix)
Slogan: “Everything Country”
Date / Time: Jan. 11th, 2010 / 9:15-10:15pm MST
Commercials: 7 mins (nice!)
Streaming Online? Yes
Hot Chick on Home Page of Web Site? Does Taylor Swift count? Then yes. Two photos.
DJ: Unknown – honestly, the young guy talking between songs did not mention his name even once. And the web site doesn’t mention it.
Favorite Song: Lady Antebellum – “American Honey” [YouTube]
Least Favorite Song: Jack Ingram – “Wherever You Are” [YouTube]Song List:
Easton Corbin – “A Little More Than Country Than That”
Randy Houser – “Boots On”
Toby Keith – “Cryin’ for Me (Wayman’s Song)
Miranda Lambert – “White Liar”
Eric Church – “Hell On The Heart”
Keith Urban – “Who Wouldn’t Wanna Be Me”
Jason Michael Carroll – “Hurry Home”
Brad Paisley – “I Wish You’d Stay”
Luke Bryan – “Rain Is A Good Thing”
Billy Currington – “People Are Crazy”
Carrie Underwood – “Temporary Home”
Jack Ingram – “Wherever You Are”
Dierks Bentley – “I Wanna Make You Close Your Eyes”
Mark Willis – “19 Somethin'”
Lady Antebellum – “American Honey”Comments: I don’t listen to country radio. I did for a brief period in the early 90’s, when I lived in Colorado Springs. But “new” country, manufactured country, Nashville Country, whatever you want to call the calculated everyman stuff they churn out these days… just haven’t been a fan. But after a couple glasses of wine, I’m feeling open minded and receptive to whatever ol’ KNIX wants to throw my way tonight.
I’m a few songs in, and I’ve already heard a couple of “everyman” / good ol’ boy cliches. Figure I’ll grab a few zingers for you…
— “my cousin saw you on the street with a red head named Bernice”
— “well she’s heaven on the eyes but boy she’s hell on the heart”
— “i left a map on your front seat just in case you lose your way / But don’t worry, once you reach Sallasaw, it’s all interstate”
— “rain makes corn, corn makes whiskey, whiskey makes my baby feel a little frisky” [my favorite]
– “start warshin’ all our worries down the drain”Carrie Underwood’s “Temporary Home” wins for downer of the hour. Orphans, dyin’ grampaws.. shit Carrie, ease up a little!
Surprise of the hour: Lady Antebellum. I had heard the name, but assumed she was some Gaga wannabe. Turns out Lady Antebellum is a country singer. And I’m pretty sure she doesn’t favor dressing like an evil beekeeper.
Unrestrained pop culture references of the hour: “19 Somethin'” by Mark Willis. This song contains shout outs to the Rubik’s Cube, Pac Man, Elvis, parachute pants, MTV, Stretch Armstrong, Daisy Duke, and Farrah Fawcett. Phee-yew. Seriously, check this out…
Honestly, it wasn’t so unpleasant. The subject matter is just so damn entertaining for the most part. The format definitely has a good chunk of America by the balls (and ladyparts). Speaking of ladies, the songs favored the fellas in this hour. Only 3 of the 15 songs were women: Miranda Lambert, Carrie Underwood, and Lady Antebellum. The rest of the hour belonged to the good ol’ boys. Giddy up, and I’ll see you next week.
Gonzo’s Top 10 of the Decade
Hello Ickies! I know I’ve been absent from posting for far too long. I shall try harder in 2010 (though I think I said the same thing last year).
The first decade of the new millennium produced some great music, from established artists and from new folks. Keeping with the format set forth by Mark and Pete, I offer my top 10 of the decade. Narrowing it to ten was a near impossible task. I adopted Pete’s “one album per artist rule,” which helped. Also know that these are in no order whatsoever. I simply can’t rank them. We’ll go chronologically. That seems fair.
First, I’ll briefly plug my two-disc Aughts (oughts?) mix that Pete mentioned. Check it out and enjoy!
Outkast – Stankonia (2000)
Still my favorite Outkast record. I am certainly not one to knock Speakerboxxx/The Love Below. But for me, Stankonia has held up better as the new decade dawns. That might just be a product of having played the hell out of Speakerboxxx/The Love Below. But personally, I feel like when Outkast hit, they made us realize that hey, you can actually have really good hip hop in the top 40.Daft Punk – Discovery (2001)
Speaking of albums that I overplayed in the earlier part of the decade, Daft Punk’s sophomore effort is certainly another example. There were so many big songs off this – whether their bigness was represented in college airplay or appropriation by television commercials. “One More Time,” “Harder, Better, Faster, Stronger,” “Digital Love,” “Something About Us,” “Face to Face” … Lord. This was essential weekend grooving for a good 2 years of my college life.
Sigur Ros – ( ) (2002)
This album blew me away. At the time, a friend described Sigur Ros as music to watch glaciers move by (or something along those lines). I was impressed first with the laboriously slow tempo of the tracks. More than that though, was the emotional depth in an album of songs who had no true lyrics to speak of. You may recall that the songs are sung in “Hopelandic,” wherein the idea was to go for the phonetic sounds that seemed most effective rather than a language proper (though structurally Hopelandic is based on the band’s native tongue of Icelandic).
The Flaming Lips – Yoshimi Battles the Pink Robots (2002)
This album cemented the Flaming Lips in music history. They’d had some success with “She Don’t Use Jelly” and more recently, The Soft Bulletin. But Yoshimi took them to the next level. Although their follow up (2006’s At War with the Mystics) was great and their current release (Embryonic) is also quite good, it all goes back to Yoshimi. It’s their masterpiece.
Jay-Z – The Black Album (2003)
“S’ya boy!” Speaking of canonic, career-defining albums, there is little doubt in my mind that Jay-Z’s Black Album is his magnum opus. It almost makes me think that maybe he was serious about retiring, and put everything into what was to be his swan song. Of course that isn’t the way things panned out. Nonetheless, the album is a hip hop classic, track after track.
White Stripes-Get Behind Me Satan (2005)
I love the White Stripes. No, really. And I’ve gone on record as naming Jack White the artist of the decade. The Stripes have yet to disappoint me. Sure, 2007’s Icky Thump didn’t live up to its predecessors, but even their worst album is still pretty damn good. I didn’t think they could top Elephant, but 2005’s Get Behind Me Satan did just that. I love that they aren’t afraid to experiment – they relish the chance to step outside of their blues-rock/garage comfort zone. Satan was all over the place stylistically, and each fore was a success. The summer that this came out, I seriously listened to it at least twice a day for a month.
MIA-Arular (2005)
Pete might be onto something in saying that MIA is a love her or hate her type of artist. I love her, though I’ve played her for others that remain unimpressed. I was floored upon hearing Arular – it was unlike anything I’d ever heard before. It sounds cliche to say, but MIA is truly a hybrid artist, meshing so many genres and cultural flavors into one. 2007’s Kala is also amazing, but not quite the sonic dance floor assault that Arular is. She’s allegedly at work on the third album, so here’s hoping.
Chromeo – Fancy Footwork (2007)
Quite possibly my pick for best party album of the decade. They’re cheeky, funky and they’ve mastered the Minneapolis sound. Fancy Footwork just makes me want to dance, from start to finish. There is not a bad track on the album. They’re also a good time live, and they’ve slated a new disc for a summer 2010 release. I can’t wait.
Cut Copy – In Ghost Colours (2008)
More dancing. Aussie electropop outfit Cut Copy harken back to the 1980s synth dance of groups like New Order, but manage to do so in a way that takes them beyond being a mere retro or ripoff act. In essence, Cut Copy effectively takes emotive 1980s dance music and updates it for the new millennium. (Can I still refer to this as the new millennium ten years on?)
Santogold – Santogold (2008)
A year ago, I claimed Santogold’s self-titled debut as my favorite disc from 2008, and my feelings have not changed. The Brooklynite alternately incorporates hip hop, new wave and ska influences among others, all adding up to one of the most refreshing albums of the decade. And she keeps good company – Diplo, Switch, Spank Rock, Amanda Blank…I very much look forward to what Santogold/Santigold offers up in the new decade.