• Best of Lists,  Ick's Pick

    Pete’s Top 10 in Music – 2013

    One of my new year’s resolutions for 2014 will be to spend more time banging out some thoughts on this blog (which will turn 10 in December). It mystifies me how fast time flies between my posts here (and time in general).  I want to come here more often and blurt out my reactions to all the good tunes swirling around out there. So what holds me back? It’s things like growing older, deepening responsibilities, two children growing up, work, stress, obligations, laziness, Netflix, bourbon…

    Still, it’s important for me to continue to have this outlet. Although attention spans on the internet are fleeting and fragmented, and not many eyes gaze upon this site anymore, I still like having my own little virtual nook. So continue on I shall, and hopefully more frequently.

    So what of my musical interests in 2013? As usual, not so much time was spent jumping voraciously into newly released material (although there are a few that rattled my core). I still love jumping back in time (often with the help of Rdio and Spotify) to discover and re-discover the myriad tunes I’ve missed and/or neglected all these years.  It’s overwhelming, but it sure is exciting to know that so much music exists with the potential to have that profound impact that makes it so special.

    So here’s my top 10 in music this year. These are the albums, songs, shows and moments that moved me in 2013…

    10. [Album] Billie Joe + Norah – ‘Foreverly

    This album came out in November and absolutely floored me. I had no expectations, and frankly wasn’t even aware of it until the week it came out. I took a listen, and I was hooked a minute into the album opener, “Roving Gambler.” The voices of Billie Joe Armstrong (of Green Day fame) and Norah Jones mesh perfectly in this sublime song for song cover of the Everly Brothers’ 1958 album Songs Our Daddy Taught Us. The whole album soothes my laid back, old folkie soul.

    9. [Song] Kings of Leon – “Temple

    Saturday Night Live still has some great moments. Besides the regular appearances of my favorite cast members Cecily Strong, Kate McKinnon, and Taran Killam, the music guests can deliver and surprise. I enjoyed Haim this year, and I really enjoyed the Kings of Leon appearance, particularly “Temple,” the best straight ahead rock tune I’ve heard all year.
    Here is KoL’s performance of the song from Live on Letterman:

    8. [Song] Alice Smith – “Loyalty

    Deep. Stunning. What a flawless voice. This slow burning, soulful track from Alice’s album, She, was an early year highlight. I saw her open for Citizen Cope several years back, and here’s hoping she makes it back to AZ soon, ’cause Alice, I Want You Just For Me.

    7. [Song] Guy Clark – “My Favorite Picture Of You

    Want your heart ripped right out of your chest, tossed around like a hot potato, and shoved back in? In a good way? Then this tune is for you. This is Guy’s tribute to his late wife, Susanna, who passed away in 2012. Here’s an intimate intro and performance from Guy’s home:

    6. [Show] Steve Earle & the Dukes – Scottsdale Center of the Performing Arts – October 14th

    It had been 10 plus years since I last saw Steve perform with his band the Dukes. This year’s incarnation included long time members Kelly Looney on bass and Will Rigby on drums, and husband and wife-duo the Mastersons (Chris Masterson and Eleanor Whitmore) on guitars, violin and background vocals. Seeing them in the hoity-toity confines of Scottsdale among the older set (okay, blue hairs) was entertaining in and of itself, but the main event was clear as could be: the bad-ass Steve Earle front and center, ripping through songs new and old, including his great new record The Low Highway. Highlights for me came from my favorite Steve album, I Feel Alright, with rip-roaring performances of “Hard Core Troubadour” and “Billy & Bonnie.”

    5. [Album] John Grant – ‘Pale Green Ghosts

    Thanks to Later with Jools Holland, a British music show which started airing stateside this year on the Palladia HD channel, I was introduced to the talented John Grant. ‘Pale Green Ghosts’ is electronic, melodic, grandiose, and beautiful. One of its best songs, “GMF,” will have you singing along loud & proud: “I am the greatest motherfuckerrr that you’re ever gonna meet / from the top of my head down to the tips of the toes on my feeet.” I’m telling you.

    4. [Show] Prince & 3rd Eye Girl – Marquee Theater, Tempe, AZ – May 1st

    It was a really long drought for me between Prince shows. I hadn’t seen him since his One Night Alone tour in 2002, when he was touring behind The Rainbow Children album. This time, it was Prince (full on ‘fro in effect) and his new all-female backing trio 3rd Eye Girl, in the intimate setting of the 1000-capacity Marquee Theater in Tempe. I wasn’t further than 50 feet from him, and as you could guess, the experience was unforgettable. There were the impressive new cuts like “Screwdriver” and “Fixurlifeup,” but the true magic for me came with tunes like “Forever In My Life” (with P on bass), “Joy In Repetition” (with Larry Graham on bass), and “Purple Rain” performed at the piano. Ain’t no party like a purple party.

    3. [Album] Phosphorescent – ‘Muchacho

    Matthew Houck released a hell of an album this year with ‘Muchacho.’ Its lead single, “Song for Zula” was a gorgeous introduction, an honest look at love and the frailty of the human condition. The album is rich with poignant, beautiful moments. Take for instance one of my favorites, “Down to Go”:

    You say, Oh, you’ll spin your heartache into gold
    And I suppose but it rips my heart out don’t you know
    But if I’m waking each morning babe
    All aching and ornery babe
    All vacant and thorny, hey I’m down to go

    Seeing Matthew and his band sing these songs live back in October at their Crescent Ballroom show – magnified the beauty and brilliance of this album, and showed how great music lives and breathes.

    2. [Show] The Who – Jobing.com Arena, Glendale, AZ – February 6th

    This may go down as the best last minute decision I’ve ever made. I had just wrapped up Pete Townshend’s great autobiography Who I Am early in the year, and was fully immersed in The Who and Pete’s solo work. It turned out that The Who were stopping through Phoenix in February, performing Quadrophenia in its entirety, followed by a greatest hits set. They are definitely  a Bucket List-caliber band to me, so I recruited a friend and got a couple of tickets. I’m so glad I made that decision. Watching Pete Townshend and Roger Daltrey live (yes, even in 2013) is a must for any fan of rock & roll. Seeing them blast through hits like “Baba O’Riley,” “Who Are You,” “Won’t Get Fooled Again,” and the full epic performance of Pete’s rock opera, Quadrophenia, was a once in a lifetime thrill. I soaked it all in, and walked out with a Who-induced buzz that lasted weeks. Fantastic show.

    1. [Artist] Neil Young

    I’ll finish with Neil.

    Once again, a book was the catalyst in inspiring me to jump into a catalog of work. I found Neil’s bio, Waging Heavy Peace,  a very entertaining read. It jumps from past to present and back, and you just never know what topic he’ll cover from chapter to chapter – whether it’s his Buffalo Springfield days in the 60’s, his adventures in Topanga Canyon in the 70’s, his passions in this century of developing a superior quality audio file or his alternate-fueled LincVolt car project… he’s all over the place (sort of how my brain behaves most of the time), and that appealed to me in the book.  So to accompany the book, I jumped head first into Neil’s catalog later this year – his vast collection of solo albums (wow, still a long way to go), the Springfield stuff, his Crazy Horse records, etc. Now, I’ve always loved Neil’s stuff – the stuff I’ve been familiar with over the years, that is. Albums like Harvest, Harvest Moon, and Rust Never Sleeps.  But for some reason, I hadn’t tracked down other gems – the biggest miss being his second album, 1969’s Everybody Knows This Is Nowhere. Yes, I know “Cinnamon Girl” and “Down By The River,” but damned if I didn’t discover that I had never – not once – listened to this 44 year old record in my entire 43 years on this planet! Over the past couple months, as I’ve listened repeatedly to masterpieces like “The Losing End (When You’re On)” and “Cowgirl in the Sand” – and I realize that this record would have been right up there with some of my landmark “life” albums (like ‘Sticky Fingers,’ ‘Hard Promises,’ and ‘Purple Rain’)… well, I feel like a dope.

    But such is life. Better late than never. And speaking of Bucket Lists – Neil Young, you are right up there near the top. Cheers to a legend.

    I wish you all a very Happy New Year.

  • Best of Lists,  BritPop

    Mark’s Top Five of 2013

    Time to once again tap into my inner Cusack and reveal my Top Five Albums of 2013.

    5. Antiphon by Midlake

    After the departure of lead vocalist and founding member Tim Smith, Midlake has been born again with a much more powerful sound reminiscent of Mercury Rev and The Flaming Lips. I saw them when they came through town and they were amazing. Here is the title track.

    4. State-by Todd Rundgren

    The wizard returns to original material with a true gem that works nicely as a companion piece to his 2004 release, Liars. Vintage Todd!

    3. The Next Day by David Bowie

    Seriously, WTF happened to David Bowie? He vanishes for 10 years and then makes one of the best albums of his career. With the January release, I truly got to enjoy it all year. There isn’t a bad track on the whole LP. Here is one of my favorite tracks

    http://www.youtube.com/watch?v=BYZyY1lMcLA

    2. AM by Arctic Monkeys

    The lads from Sheffield can’t seem to make a bad record. NME made it their album of the year and graced it with a rare 10 out of 10. AM is more laid back than their previous records but still packs a wallop lyrically. Alex and his stories…

    Here is a live version of the first single, “Do I Wanna Know?”

    http://www.youtube.com/watch?v=vWRkk4rf7l8

    1. San Cisco by San Cisco

    The best album of 2013 belongs to Fremantle, Western Australia’s San Cisco. Much of their music was released late last year but they didn’t secure a record deal here until early this year. I have played this disc so much that it is nearly worn out. My 14 year old daughter loves it and can’t get enough of all the catchy pop hooks and down under bliss. Parts of it remind me of the 80s but yet it still sounds very fresh. I’d urge you to check out all their EPs as they have many tracks not on the album.

    Here is the track that helped them get a US record deal.

    Happy 2013 everyone!

  • Best of Lists

    Mark’s Top Five Albums of 2012

    For my top five albums of the year, we begin with something I didn’t think I would like but then did. And then loved. And then became obsessed with to the point of nausea. But a good nausea. Folks, I’m not ashamed to admit but I heart the Original Soundtrack to Rock of Ages. Heart heart heart!!!

    Maybe it’s nostalgia or maybe I’m just that shocked that Tom fucking Cruise can carry a tune but this disc is Chock-o-Block with great tracks. My personal favorite is Cruise and Malin Akerman’s rendition of  Foreigner’s “I Wanna Know What Love Is.” This is largely due to the scene in which it is performed being so over the top and wonderful that I could hardly contain myself.

    Next up is Donald Fagen’s Sunken Condos. My first reaction was instant delight at the cover. Artists these days don’t put as much thought into album covers largely because they are seen on a small screen. Since the advent of downloads, I have opined for the days of the album cover as art (see: Yes or Pink Floyd). Sunken Condos is a brilliant piece of work by Stephen Walker and Jeff Wack. The centerfold is equally as amazing and haunting in its beauty.

    The music itself is classic Fagen/Steely Dan. Slinky grooves played by stellar studio musicians with DF’s voice out front, guiding us through his unique and remarkable take on life. It’s nice to see him getting past his big, autobiographical trilogy on life (The Nightfly, Kamakiriad, Morph the Cat) and just have fun again.

    http://www.youtube.com/watch?v=Epxd1v43yas&w=480&h=360

    For number three on my list, I look closer to home and note the wonderful debut of The Stereo Pirates self-titled record. Since it was a January release, it was a real treat to play it all year and enjoy it through all four seasons. I found it to be a great disc to throw on while running and play from start to finish. Perhaps it’s because it’s a “journey” album and every time you listen to it, your mind goes down a new path.

    Number two on my list is That’s Why God Made the Radio by The Beach Boys. Brian is back and this time, it ain’t no publicity stunt. Their twenty ninth (!) studio album is a return to heights that have not been seen since Sunflower. Honestly, some tracks are right up there with Pet Sounds. All surviving members are here, including the return of Al Jardine replacement, David Marks. The last three tracks (“From There and Back Again,” “Pacific Coast Highway,” and “Summer’s Gone”) are Smile-like in their connectivity and wonder. The band recorded 28 songs for this album so perhaps this isn’t the end for new material but if it is (they are all in their 70s, after all), what an impressive coda!

    The best of album of 2012 is Sonik Kicks by Paul Weller. I make no bones about by obsession with Brit Rock and it really isn’t that much of a stretch to guess that the Modfather would be my top pick of the year. I wrote a more detailed review of it back when it was released and all of those words still apply today, if not more so. Weller is truly like a fine wine, getting more robust with each passing year. He promises much more to come in the future and I simply can’t wait. If he keeps growing like this, it’s going to be more apparent that his solo career is leaps and bounds past The Jam and The Style Council. Diehards like me already know this to be true.

    Now, go buy all these fucking records….

  • Best of Lists,  Ick's Pick

    Pete’s Music Highlights: My Top 12 of 2012

    I’ve been as quiet here on Ickmusic as I ever have during its eight year run.  Worry not, nothing (outside of my family) has taken a back seat to music in my life. It still fuels everything I do. But there has been a definite lull in my desire to sit down and type out regular blog posts. I know it tears you up inside (whoever “you” may be).

    But it’s okay, Ickmusic.com is still here when I need it. Like today, for instance, when I feel like sharing my music highlights from the year Twenty-Twelve.

    Here are some of the albums, songs and live shows that enriched my world in 2012…

    1. Album: Band of Horses – ‘Mirage Rock

    Fans and critics who were praying for another Everything All The Time or Cease to Begin cried foul when Mirage Rock was released this year. Me? I ate it right up. The album, produced by legendary classic rock engineer/producer Glyn Johns (The Who, The Stones, to name a couple) definitely steers heavily into 70’s classic rock and even soft rock category. I am just fine with that. In fact, the wistfully sweet “Long Vows” and “Slow Cruel Hands of Time” are two of my favorites. But the boys sure crank it up with tunes like “Dumpster World”, “Knock Knock”, and the early 70’s Stones-ish “Electric Music.” Yep, I’m all in on this record. Oh, and if you’re looking for beauty, track down “Relly’s Dream” from the Sonic Ranch Sessions bonus disc on their deluxe edition. I spun this album start to finish more than any other release this year.

    2. Show: World Party – Crescent Ballroom, Phoenix – 12-02-2012

    worldparty1

    Thanks to Zia Records, the top independent record store here in Phoenix, I won a pair of tickets to see Karl Wallinger and his band World Party. As a big fan especially of the Goodbye Jumbo album, it was a rare honor to see Karl play an intimate venue like the Crescent Ballroom in downtown Phoenix (my #1 room in town). After a serious health scare in the early 2000’s (a brain aneurysm), Karl’s voice is as pure and dynamic as you’d hope for. Along with his sharp young Nashville bandmates, he tore through WP classics like “Is It Like Today”, “Ship of Fools”, “Way Down Now” and (my favorite) “Put The Message In The Box”; and also sat down at the keys for “She’s The One” and “God On My Side.” This gig far exceeded my expectations (I didn’t know what to expect, really), and I sincerely hope Karl continues on with making music and touring. I can’t wait to see him again.

    Here’s a video I shot of Karl and violin/mandolin/harmony vocalist extraordinaire David Duffy singing “Mystery Girl” (bump up the quality to 720p or 1080p):

    3. Show: Band of Horses, Marquee Theater, Tempe 10-26-2012

    ben-peteLG

    I’d seen Band of Horses a couple of times before, but only in a festival setting (Austin City Limits). This first true headlining show came out of the cancelled Railroad Revival Tour with Willie Nelson. Ben Bridwell and the boys set up at Tempe’s Marquee Theater in late October and tore the roof off the dump. Drawing from all four of their studio albums with a couple covers thrown in (Them Two and Hour Glass, nice & obscure!), the songs were rambunctious, mellow, inspiring, wistful, beautiful, rocking… all the adjectives that reminded me (and the full house) why we love them so much. Not to mention getting to chat for a while with Ben after the show. The dude abides.

    4. Album: Ryan Bingham – ‘Tomorrowland

    Ryan-Bingham-Tomorrowland-album-cover

    Give me the cool, gravelly roots/folk/country rockin’ twang of Ryan Bingham any day of week. Tomorrowland is a return to the more straight-ahead rockers that seemed to be missing on his last album, the T-Bone Burnett produced ‘Junky Star.’ He wastes no time on Tomorrowland’s opener, launching into “Beg for Broken Legs” with urgency and force. “Guess Who’s Knockin” is another strong one, featuring a satisfying F-bomb chorus. “Never Ending Show”, “Flower Bomb”, “The Road I’m On” – all standout tracks. If you haven’t checked out Tomorrowland (or Ryan Bingham) yet, you’re missing out. Just do it.

    http://www.youtube.com/watch?v=ftBWG1U09OA

    5. Show: Bruce Springsteen & the E Street Band – Jobing.com Arena, Glendale 12-06-2012

    IMG_4755

    I took a couple of Bruce first timers a few hours early to go through the wristband lottery to try and get up near the front of the stage (“in the pit”, as they say). Sadly, our numbers were not of the lucky variety, and we were shut out. So we ended up behind the pit right next to the sound booth. The disappointment was very quickly washed away with Bruce’s first strum of the acoustic for the opener “Surprise, Surprise.” The first 30 minutes was a showcase of career nuggets: “No Surrender”, “I’m a Rocker”, “Hungry Heart”, “Prove It All Night”, “Trapped”, and “Lost in the Flood” – and all those before launching into the new Wrecking Ball material! Three plus hours from a tireless 63 year old and his very large troupe of supporting members – the E Street Band and then some. My eighteenth live Bruce experience, and yet another reminder why The Boss sits on the top of the pile in my world.

    6. Show: Girls – Crescent Ballroom, Phoenix – 03-03-2012

    IMG_3860

    Who would’ve thought I was seeing Girls the band in one of their final performances? For not long after, frontman, songwriter, and singer Christopher Owens announced on Twitter that the band was done. He’s moving on in another musical direction (his debut solo album, Lysandre, comes out in just a couple weeks). So I am fortunate to have seen Christopher and the band play songs I’ve come to absolutely love since discovering them a couple of years ago: “Laura”, “Alex”, “Honey Bunny”, “Love Like a River”, “Die”…

    Something about Christopher’s music draws me in – the beauty and innocence, the light in the darkness – and I’ll basically be following him around for however long he decides to make music. A great show – short, but sweet.

    http://www.youtube.com/watch?v=-J6aXK39qVQ

    7. AlbumNeil Young & Crazy Horse – ‘Psychedelic Pill

    untitled

    A 27 minute album opener with the lyrics “I wanna get a hip-hop haircut”? Check. Something about this record, particularly the longer running tunes (“Driftin’ Back”, “Ramada Inn”, “Walk Like a Giant”), really grabbed hold of me. It’s the loud, distorted (and long) guitar solos, it’s the way Neil sneers his way through the lyrics… It’s the unconventional and F-you attitude of it all. Everything Mr. Neil Young represents.

    And of course Neil has a 27 minute long official video for “Driftin’ Back”…

    8. Show: Lenny Kravitz – Comerica Theater, Phoenix – 02-12-2012

    lennylive

    Rock Star. Completely and indisputably. It’s fun to sit back and watch a performer just turn on all the glamor, glitz, and poses of a Rock Star. Lenny has perfected this persona over his 20+ years of performing. He’s got a quite the catalog to choose from, and watching him perform the hits (“Are You Gonna Go My Way” being my favorite) as well as tunes from his surprisingly strong latest album, ‘Black and White America‘, had us out of our seats the entire gig. Lenny has always been and remains a total badass. Such an entertaining show.

    9. Song: Bruce Springsteen – “Jack of All Trades”

    This is my favorite Bruce tune in years. I thought about including the whole ‘Wrecking Ball‘ on the “list”, but that wouldn’t be an honest assessment. While I enjoy Bruce’s Great Recession album from earlier this year, I just haven’t connected too much with the songs (of course, hearing them live is a whole ‘nother ball of wax – see above for my December 6th Bruce show). “Jack of All Trades” though, wow. A slow, dirge-like bass drum and piano start off the song. It builds and builds with each verse and ends with a forceful guitar solo from Tom Morello. The theme of strength, perseverance and optimism in the face of adversity is a common one in Bruce’s music, but he really connects with this tune in a goosebumps and tears kind of way.

    “I’m the jack of all trades / honey we’ll be alright”

    10. Album: Delta Spirit – ‘Delta Spirit

    deltaspirit1

    Matt Vasquez and company continue to evolve, refusing to stay pigeonholed the way some fans prefer (see Mirage Rock comments). “California” was the lead single and the most obvious stray from their former indie/folk sound – a more electronic modern pop sound. But they still rock out – “Money Saves” is one of my favorites, as are “Tear It Up” and “Tellin’ the Mind.” Nothing matches my three standout tracks from their last album, ‘History From Below‘ – “911”, “Bushwick Blues” and “Salt in the Wound” – but that’s not a knock on this record. I love a band that explores new territory and challenges themselves to try something new – Delta Spirit is a band I’ll be following for years to come.

    11. Album: Fred Eaglesmith – ‘6 Volts

    fredeaglesmith_6volts

    It wasn’t until about midway though the year that I reconnected with Canadian singer/songwriter Fred Eaglesmith. I listened to him in the late 90’s and early 00’s, but for some reason, I seemed to veer away. ‘6 Volts’ was released in January, and quickly reminded me what drew me to Fred: clever songwriting and storytelling, and great folk/root-rock sounds and rhythms. ‘”Betty” is a standout track from 6 Volts, with Fred conjuring up dark imagery on as cheerful a melody and cadence as possible: “Betty what’d you do with the gun? There’s strangers at my door / and there’s more where they come from / …was it the money, was it the drugs / was it somebody that you used to know / …Betty Betty why won’t you tell me”.

    12. AlbumTrampled by Turtles – ‘Stars and Satellites

    cover-stars-300px

    Straight out of Duluth, Minnesota, I became aware of Trampled by Turtles when I saw them at the 2011 Newport Folk Festival. I’ve seen categorizations bandied about in the past for this band, like “newgrass” and “speedgrass”… but with this year’s release, people will have to search for new adjectives. They jump into more rootsy, Americana-inspired territory here, bringing the tempo down with some great tunes like “Midnight on the Interstate”, “Alone”, “Widower’s Heart” and “Beautiful.” Of course, they haven’t abandoned their bluegrass roots, their banjo and fiddle players remain. So if you want your speed fix, listen to “Don’t Look Down” or “Walt Whitman.”

  • Best of Lists

    Mark’s Best of 2011

    2011 was truly a blessed year for music. Many of my favorite groups released new records and, as always thanks to NME, I found some fab new ones to geek out over. Without further adieu, here are my Top Ten Albums and Top Ten Tracks of 2011 (Click on the album or track to purchase).

    Albums

    10. Unknown Mortal OrchestraUnknown Mortal Orchestra

    This Portland, Oregon band have a a combo lo-fi, groovy throwback sound that makes me smile. “Thought Ballune” is a must download.

    9. American RevivalThe Worst Is Over Now

    My fave new local band by way of Pete getting me back into alt.country. Their debut is magnificent. Here is their first video which showcases one of the best local bars, Williams Pub.

    8. ElbowBuild A Rocket Boys!

    Yes, these Ramsbottom, Bury lads sound like Genesis avec Peter Gabriel but so what? Every new release sees treasure after treasure.

    7. The VaccinesWhat Did You Expect From The Vaccines?

    I can’t wait to see all the music this band is going to make over the years. Caught them live in a warm up for the Arctic Monkeys last spring. Bril!

    6. Noel GallagherNoel Gallagher’s High Flying Birds

    It’s about time that Noel did his own thing. I say it all the time – he’s the better singer. This album has been like a comfy blanket to me of late.

    5. Beady EyeDifferent Gear, Still Speeding

    I was pleasantly surprised to see Liam try on some different musical styles. The results speak for themselves.

    4. The Arctic MonkeysSuck It And See

    Another great fucking record from the Sheffield lads. I don’t think it’s possible for them to make a bad one.

    3. The KooksJunk Of The Heart

    Every three years The Kooks make an album that is seamless from the last one in its perfection. Just a joy to play over and over again…like this Simon and Garfunkel-esque gem..

    2. The Original 7venCondensate

    This barely missed being the album of the year. The only thing that honestly held it back was it came out later in the year (October) and I haven’t lived with like I did with my #1 pick. Morris, Jerome, Jimmy, Terry, Jesse, Monte, and Jellybean made the best Time album out of the five with this absolute corker of a record. Done without the help of that dude from Chanhassen, the greatest band in the history of funk delivered a stunner that has deepened my desire to be Morris Day.

    1. Friendly FiresPala

    The soundtrack to my summer and, indeed, the entire year. I think I have played this disc at least 200 times start to finish since it came out and I still find layers to it previously unheard. Pala sets a mood that is sorely lacking today, not just in music, but in our culture in general. I’m not entirely certain I can describe it in words but it’s reminiscent of what the most gorgeous flower would sound like as it blooms…in a club at 1:30am with piles of sweaty bodies writhing around to massive and thumping beats. And if it could tell Robert Browning-esque love stories. Like their self titled first release, Pala deserves to be forever enshrined in any Hall of Fame.

    Lay back in the sun and listen to the title track…

    Tracks

    10. “Whirring” – The Joy Formidable

    I imagine this song as being the soundtrack to an indie love story. A true gem from this North Wales group.

    9. “Endless Blue” – The Horrors

    It begins like a gentle kiss from a beautiful woman and switches mid way through into a full on frenetic, saliva-dripped shag…just like love making should be.

    8. “Boogabear” – American Revival

    “I’m so tired of fighting the battle for who could care less…” singer Thomas Pendarvis croons in my fave from the Mpls alt. country outfit’s debut. This song is now officially the anthem of every bar in every small town for every person having a cold one. (No video here so go listen to the track by clicking on the song).

    7. “Minnesota, WI” – Bon Iver

    The Eau Claire, WI natives perfectly captured that autumnal shimmer that I write about constantly. A nice shout out to my neighborhood of the country.

    6. “Wasted” – Glass Rock

    I love the mood this song sets and the album cover art is the best of the year. It’s a photo I would take. And it came out on my birthday! (No video here so go listen to the track by clicking on the song).

    5. “Shuffle” – Bombay Bicycle Club

    This Crouch End, London group may become my new Brit Rock darlings. This track struck me as sounding very different from what I normally hear from across the pond. It’s free on Amazon!

    4. “Days” – The Drums

    This is my son’s best track of 2011. He wanted me to make note of it and it’s funny because it’s appropriate considering the video below. This Brooklyn based guitar pop outfit continues to make great music with their third release, Portamento.

    3. “Post Break-Up Sex” – The Vaccines

    If Dylan’s Blood On The Tracks is the best break up album of all time, this track holds the best break up song mantle. We’ve all been there, and it’s wonderful.

    2. “Junk Of The Heart (Happy)” – The Kooks

    A perfect pop song in just about every way. Luke does it again!

    1. “Blue Cassette” – Friendly Fires

    Not simply the best track of 2011, but one of the best of all time. Friendly Fires really outdid themselves with this stunning song that waxes nostalgic about cassette tapes and lost love. My heart melts every single time I listen to it.

    Those are my albums and tracks. What are yours?

  • Best of Lists,  Ick's Pick

    Pete’s Top Albums of 2011

    2011 was another year of musical discovery for me. Clocking in highest on the discovery meter were San Francisco’s Girls; but right up there with Girls were two bands that can’t technically qualify for my best of 2011 album list: Delta Spirit and Titus Andronicus. Their latest albums – History from Below and The Monitor (respectively) – were both released in 2010, but I didn’t hear them until this year. Overall, when I think of 2011, these three groups reigned supreme in my corner of the world.

    When it comes to 2011 live shows, it was also Titus Andronicus that blew my mind (back on April 18th at The Rhythm Room in Phoenix). All punk and passion, courtesy of front man Patrick Stickles. My jaw hit the floor.

    But on to the albums. Looking back at my iTunes and Last.fm listening history, it was clear to me that I wouldn’t be able to muster up a Top Ten list. Sure, I could B.S. and include something like the Beasties’ Hot Sauce Committee Part Two – which I enjoyed on some level, but never listened to straight through more than twice. Thinking about albums, ’tis all about honesty, and what’s truly important to me as a full body of work. So in that spirit, here are my Top 8 albums of 2011…

    1. GirlsFather, Son, Holy Ghost ($5 on Amazon)

    I had heard – and loved – “Laura,” a single off Girls first album a couple years back. But it wasn’t until this year that I fell completely head over heels for the San Francisco band led by Christopher Owens. The quirky “Honey Bunny” video drew me in – and when I tracked down the new album, Father, Son, Holy Ghost, it was over – I was hooked. It’s rich with emotion, it rocks, it’s delicate… I can’t wait to follow Christopher around from here on out and hear what he has to say. Both Girls full lengths and the EP are excellent – discovering them has been the music highlight of my year.

    Highlight: “Alex” – Hypnotic. Beautiful. Sublime.

    2. Greg BrownFreak Flag ($4.99 on Amazon)

    Here’s one that surprised me. Though I loved “The Poet Game” single many years back, no full album of Greg Brown’s had really come along that knocked my socks off. Freak Flag did just that. Full of beauty, wisdom and Greg’s wry sense of humor, it’s the folk masterpiece of 2011.

    Highlight: “Where Are You Going When You’re Gone.” All groove and growl. Toe tappin’ funky folk (there is such a thing).

    3. Middle BrotherMiddle Brother ($5 on Amazon)

    I love Delta Spirit. I love Deer Tick. I love Dawes. So it’s no surprise that Middle Brother was up among the tops this year, since the group is made up of the front men of all 3 groups. I had the pleasure of seeing Middle Brother live this summer at the Newport Folk Festival, which may very well have been their last performance… but something tells me Taylor Goldsmith, John McCauley and Matt Vasquez will be making more music together somewhere down the road.

    Highlight: “Million Dollar Bill” – This is a Goldsmith-penned song that also shows up on Dawes’ new record, Nothing Is Wrong. On the MidBro version, the three guys each get a verse, and the result is profound, in my ever so humble opinion. I prefer it to the Nothing is Wrong version.

    4. DawesNothing Is Wrong ($4.99 on Amazon)

    It’s hard not to be endeared to this L.A. band that channels the SoCal /  Lauren Canyon 70’s vibe. Taylor Goldsmith is a brilliant lyricist, and they’re just getting started. That’s scary (in a very good way). And their live show? Forget about it. Passionate and fiery stuff…

    Highlight: “Fire Away” – This tune features Jackson Browne on background vocals, Taylor’s brother Griffin taking lead vocals on the bridge, and the Heartbreakers’ Benmont Tench on the organ. Great sing along chorus – a tune that really takes off into the stratosphere by song’s end – especially live.

    5. My Morning JacketCircuital ($4.99 on Amazon)

    Jim James (er – Yim Yames) and the boys of MMJ always put me in a good place. Another solid studio album featuring tunes that ignite in a live setting. I must have watched MMJ on at least 3-4 festival webcasts this summer. Another mind-blowing live band that can also deliver in the studio. Confession though: I just don’t like “Holdin On To Black Metal.”

    Highlight: “Wonderful (The Way I Feel)” – I’m a sucker for some mellow MMJ. A great moment when the drums come in at “I-I-I-I’m going where there ain’t no fear…”

    6. Deer TickDivine Providence ($5 on Amazon)

    Snarly wild man John McCauley is back with another Deer Tick record. This time he shares the spotlight with drummer Dennis Ryan and guitarist Ian O’Neill, who write and sing on a few tunes. Divine Providence has a little bit of everything – honky-tonk rock, punk, pop. Oh, do I need to mention they’re also a killer live band? I saw them three times this year – twice in their home state of Rhode Island as they took over the Newport Blues Cafe during Folk Festival time.

    Highlight: “The Bump” – The Deer Tick theme song. “We’re full grown men! But we act like kids!” The drunken devil strikes again.

    7. Lenny KravitzBlack & White in America ($10.49 on Amazon)

    I was frankly surprised by Lenny’s latest. Rock, funk, soul, pop – yep, pretty much the Lenny Kravitz blueprint throughout his career. But the hooks and melodies caught on quick with me, and had me coming back for more helpings. The last time I enjoyed a Lenny album this much, I was 21 (1991’s Mama Said)!

    Highlight: “Liquid Jesus” – A sexy 70’s soul vibe as Lenny channels his inner Curtis Mayfield.

    8. Frank TurnerEngland Keep My Bones ($9.99 on Amazon)

    I was looking forward to a full length album from the UK’s Frank Turner since stumbling across his set at the ACL Festival a couple years back. It was worth the wait. Frank’s working class, populist folk/punk is alive and well in England Keep My Bones.

    Highlight: “If Ever I Stray” – Certain songs give me goosebumps and make my eyes well up with their sheer power. This is one of those songs.

  • Best of Lists

    Gonzo’s Top 10 of the Decade

    Hello Ickies! I know I’ve been absent from posting for far too long. I shall try harder in 2010 (though I think I said the same thing last year).

    The first decade of the new millennium produced some great music, from established artists and from new folks. Keeping with the format set forth by Mark and Pete, I offer my top 10 of the decade. Narrowing it to ten was a near impossible task. I adopted Pete’s “one album per artist rule,” which helped. Also know that these are in no order whatsoever. I simply can’t rank them. We’ll go chronologically. That seems fair.

    First, I’ll briefly plug my two-disc Aughts (oughts?) mix that Pete mentioned. Check it out and enjoy!

    Outkast – Stankonia (2000)
    stankonia
    Still my favorite Outkast record. I am certainly not one to knock Speakerboxxx/The Love Below. But for me, Stankonia has held up better as the new decade dawns. That might just be a product of having played the hell out of Speakerboxxx/The Love Below. But personally, I feel like when Outkast hit, they made us realize that hey, you can actually have really good hip hop in the top 40.

    Daft Punk – Discovery (2001)
    daft

    Speaking of albums that I overplayed in the earlier part of the decade, Daft Punk’s sophomore effort is certainly another example. There were so many big songs off this – whether their bigness was represented in college airplay or appropriation by television commercials. “One More Time,” “Harder, Better, Faster, Stronger,” “Digital Love,” “Something About Us,” “Face to Face” … Lord. This was essential weekend grooving for a good 2 years of my college life.

    Sigur Ros – ( ) (2002)
    sr

    This album blew me away. At the time, a friend described Sigur Ros as music to watch glaciers move by (or something along those lines). I was impressed first with the laboriously slow tempo of the tracks. More than that though, was the emotional depth in an album of songs who had no true lyrics to speak of. You may recall that the songs are sung in “Hopelandic,” wherein the idea was to go for the phonetic sounds that seemed most effective rather than a language proper (though structurally Hopelandic is based on the band’s native tongue of Icelandic).

    The Flaming Lips – Yoshimi Battles the Pink Robots (2002)
    yoshi

    This album cemented the Flaming Lips in music history. They’d had some success with “She Don’t Use Jelly” and more recently, The Soft Bulletin. But Yoshimi took them to the next level. Although their follow up (2006’s At War with the Mystics) was great and their current release (Embryonic) is also quite good, it all goes back to Yoshimi. It’s their masterpiece.

    Jay-Z – The Black Album (2003)
    jayz

    “S’ya boy!” Speaking of canonic, career-defining albums, there is little doubt in my mind that Jay-Z’s Black Album is his magnum opus. It almost makes me think that maybe he was serious about retiring, and put everything into what was to be his swan song. Of course that isn’t the way things panned out. Nonetheless, the album is a hip hop classic, track after track.

    White Stripes-Get Behind Me Satan (2005)
    satan

    I love the White Stripes. No, really. And I’ve gone on record as naming Jack White the artist of the decade. The Stripes have yet to disappoint me. Sure, 2007’s Icky Thump didn’t live up to its predecessors, but even their worst album is still pretty damn good. I didn’t think they could top Elephant, but 2005’s Get Behind Me Satan did just that. I love that they aren’t afraid to experiment – they relish the chance to step outside of their blues-rock/garage comfort zone. Satan was all over the place stylistically, and each fore was a success. The summer that this came out, I seriously listened to it at least twice a day for a month.

    MIA-Arular (2005)
    mia

    Pete might be onto something in saying that MIA is a love her or hate her type of artist. I love her, though I’ve played her for others that remain unimpressed. I was floored upon hearing Arular – it was unlike anything I’d ever heard before. It sounds cliche to say, but MIA is truly a hybrid artist, meshing so many genres and cultural flavors into one. 2007’s Kala is also amazing, but not quite the sonic dance floor assault that Arular is. She’s allegedly at work on the third album, so here’s hoping.

    Chromeo – Fancy Footwork (2007)
    chromeo

    Quite possibly my pick for best party album of the decade. They’re cheeky, funky and they’ve mastered the Minneapolis sound. Fancy Footwork just makes me want to dance, from start to finish. There is not a bad track on the album. They’re also a good time live, and they’ve slated a new disc for a summer 2010 release. I can’t wait.

    Cut Copy – In Ghost Colours (2008)
    cc

    More dancing. Aussie electropop outfit Cut Copy harken back to the 1980s synth dance of groups like New Order, but manage to do so in a way that takes them beyond being a mere retro or ripoff act. In essence, Cut Copy effectively takes emotive 1980s dance music and updates it for the new millennium. (Can I still refer to this as the new millennium ten years on?)

    Santogold – Santogold (2008)
    santigold

    A year ago, I claimed Santogold’s self-titled debut as my favorite disc from 2008, and my feelings have not changed. The Brooklynite alternately incorporates hip hop, new wave and ska influences among others, all adding up to one of the most refreshing albums of the decade. And she keeps good company – Diplo, Switch, Spank Rock, Amanda Blank…I very much look forward to what Santogold/Santigold offers up in the new decade.

  • Best of Lists

    Pete’s Favorite Albums of the 00’s

    Quick Note: I didn’t want to bombard my Top 10 with Springsteen and Prince albums, so I chose my favorites of theirs from the 00’s. Did I spend more time with  M.I.A.’s Arular than with Bruce’s Magic or Prince’s Musicology?  No way.  Just so you know, I limited my picks to one album per artist.

    And now, on to the completely subjective look at 10 of my favorite albums of the decade!

    10. Prince – The Rainbow Children (2001)

    Jazzy, funky, and dipping deeply into P’s then new-found life as a Jehovah’s Witness, this album connected with me more than any Prince album of the 00’s (and nope, no JW am I). As much as the 54 second “Wedding Feast” makes me cringe, the album makes up for it with great tracks like “Digital Garden”, “The Work, Pt. 1”, and “The Sensual Everafter”.

    Favorite tune: “1+1+1 is 3” (mp3) – to me, easily the funkiest Prince song of the 00’s.

    9. M.I.A. – Arular (2005)

    I couldn’t leave the girls out! M.I.A. came out of nowhere halfway through the decade with her brand of world-influenced electronic hip-hop. I love her attitude, her style, her accent, and she ain’t so bad lookin’ either. I think this is one of those love it or hate it albums. My wife can’t stand it. But for me, songs like “Pull Up The People”, “Fire Fire”, and “Amazon” just, er, do it for me, okay?

    Favorite tune: “Bucky Done Gun” – super sexy militant rappin’ time:

    8. Steve Earle – Jerusalem (2002)

    Steve had a lot to say about the state of our country after 9/11 and the ensuing conflicts overseas. Of course he was his controversial self with “John Walker’s Blues”. He was fierce as hell on “Ashes to Ashes” and “Amerika V. 6.0 (The Best We Can Do)”. And he looked for a world of peace in the gentle album closer, “Jerusalem”. A great album top to bottom.

    Favorite tune: “What’s a Simple Man To Do?” (mp3) – an organ-driven barnburner of a tune about a Mexican drug smuggler’s letter to his madre.

    7. Wilco – Yankee Hotel Foxtrot (2002)

    Sure, some people think this is the obligatory best of the decade album – even if they think it doesn’t merit it. But guess what, it’s completely subjective, and certain albums connect with certain people. YHF was on constant rotation early in the decade. Wilco’s creativity and originality were through the roof in the late 90’s to early 00’s. The changes in direction between Being There, Summerteeth, Yankee Hotel Foxtrot, and A Ghost is Born are startling.

    Favorite tune: The “War on War” and “Jesus, Etc.” combo special.

    6. Grandaddy – The Sophtware Slump (2000)

    The brainchild of Jason Lytle, this futuristic, tech-themed album – with its gorgeous, sweeping electronic-based melodies – blew me away. Who would’ve guess I’d have such strong feelings about songs like “”Broken Household Appliance National Forest” and “Miner at the Dial-a-View”?

    Favorite tune: “The Crystal Lake” and the beautiful “So You’ll Aim Toward the Sky” (YouTube).

    5. Arcade Fire – Funeral (2004)

    Win Butler and his merry troupe of noisemakers got my attention with “Old Flame” from their self-titled EP. And when I heard this album, I was hooked.

    Favorite tune: “Wake Up” (YouTube) – especially after seeing them live at the Austin City Limits Music Festival. A sea of people singing “Whoooa-ooooa Whoooa-oooo-oooo-ooo”.

    4. Bruce Springsteen – We Shall Overcome: The Seeger Sessions (2006)

    When Bruce takes a break from the E Street Band, you never know what you’re gonna get. And with the Sessions record, it was a return to the roots of American folk music, and he brought along about 15-20 of his friends for the ride. This album provided countless hours of joy around our house. And the tour stop through Phoenix was an absolute thrill for me and my wife. Hey Bruce, bring back the Sessions Band!!

    Favorite tune: “Pay Me My Money Down”. A family favorite. The kids still sing it.

    3. Band of Horses – Cease to Begin (2008)

    2. Band of Horses – Everything All the Time (2006)

    Thank God these guys came along. Led by the gentle voice of Ben Bridwell, the first two Band of Horses albums are folk/indie masterpieces. There isn’t a bit of filler in either of these, and I look forward to following these guys for the rest of my lifetime.

    Favorite tune: “Monsters” [mp3] (from EATT) and “Windows Blues” [mp3] (from CTB) – surprise, the slower tunes.

    1. Marah – Kids in Philly (2000)

    In 2000, when I was going through some “woe is me” / “whaddya mean I can’t get this girl back”-type stuff, this album picked me up, punched me in the nuts, and knocked me back over. I was living down by the new Tempe Town Lake, and I’d run around it a few nights a week – I’d start running as the opening banjo riff of “Faraway You” ignited the album, and I wouldn’t stop ’til the closing street harmonies of “This Town”. The album was super cathartic, and every time I listen to it, I think of that summer of 2000. August 2000 also included one of the best rock ‘n roll shows I’ve ever seen: Marah at Tempe’s now defunct Long Wong’s – a small, sweat-soaked bar. I’ll never forget the energy of Dave, Serge and the boys that night. The album and band encapsulate what stripped down rock ‘n roll is all about.

    Favorite Tune: “Round Eye Blues” – capturing the spirit of Motown and Phil Spector’s Wall of Sound, this is a vivid and beautiful song, sung in the perspective of a young man in Vietnam:

    Fables tell of men who fell
    With swords dangling from their chest
    The old guys down at the taproom swear
    The Japs could kill you best
    But late at night I could still hear the cries
    Of three black guys I seen take it in the face
    I think about them sweet Motown girls they left behind
    And the assholes that took their place

    Goosebumps every time.

    When all is said and done, this is the album that affected me most personally, and therefore must be crowned: Pete’s Album of the 00’s!

  • Best of Lists

    Markadelphia’s Best of the Noughties

    The last decade of music was fucking amazing. One would think that being the Brit Rock maniac that I am I would be all about the 90s. While I did enjoy that decade, the music that came out in the last ten years made me wish it was a woman that I could kiss deeply and shower her with love and affection.

    So what were the best ones? Here is my Top Ten with comments followed by my other 40 to round out the Top 50 CDs of the Noughties!

    10. The Coral – Roots and Echoes (2007). Haunting, beautiful and brilliant. The best album of their career. Also contains my son’s favorite song of all time–“Cobwebs.” A psychedelic kiss…

    9. Friendly Fires – Friendly Fires (2008).

    Like Ennis Del Mar, I can’t quit this album. They musically illustrate what it’s like to “Jump in the Pool” on the track of the same name. Wow! Every track is a dime. And they are a great live band. See them.

    8. Mercury Rev – The Secret Migration (2005). From the first sound of this disc, the listener begins a sacred feminine journey that is a kiss to be cherished forever.

    7. Coldplay – Parachutes (2000). Their first album is still my favorite. “High Speed” is the very definition of dream pop. Memories of those I love wash over me when I hear it…

    6. The Kooks – Inside In/Inside Out (2006).

    A stunner of a debut. Pop bliss wrapped in an amorous red bow.

    5. The Fratellis – Costello Music (2006). Sometimes you hear a record for the first time and yet you have known it your whole life. This is one of those records. “Her’s is the tonic and mine is the gin”–mega…

    4. Arctic Monkeys – Whatever People Say I Am, That’s What I Am Not (2006).

    The heirs to the Beatles and Oasis. This disc is filled with love soaked Brit tales that are guaranteed to warm the heart and make us all Holy Knights of the British Empire.

    3. Sterephonics – Just Enough Education To Perform (2001). Their finest album.  NME will never forgive Kelly for “Mr Writer” and I think that is fucking wonderful.

    2. The Subways – All Or Nothing (2008). The album that has defined my life. I think Billy and I are kindred spirits. Listening to this record is an answer to the question “Just what is Mark’s romance with women and music all about?”

    1. Brian Wilson – Smile (2004).

    An album 38 years in the making. Even in 2004 (just as in 1966), the concept of this album is light years ahead of its time. Brian Wilson is a genius. He is the American John Lennon. I was fortunate enough to see this album performed live in its entirety. It left me with no doubt that there is a higher power because, in addition to being the best show I have ever seen, Smile is one of the purest forms of beauty I have ever heard.

    The rest of the best…

    11. The Verve-Forth, 12. Keane-Hopes and Fears, 13. Doves-The Last Broadcast, 14. Snow Patrol-A Hundred Million Suns, 15. The Subways-Young For Eternity, 16. Delays-Faded Seaside Glamour, 17. Joe Jackson-Volume 4, 18. Ryan Adams-Love Is Hell, 19. The Kooks-Konk, 20. Coldplay-X and Y, 21. Snow Patrol-The Final Straw, 22. Stereophonics-You Gotta Go There To Come Back, 23. Doves-The Last Broadcast, 24. Saint Etienne-Finnesterre, 25. Travis-The Invisible Band, 26. U2-All That You Can’t Leave Behind, 27. Todd Rundgren-Liars, 28. Planet P Project-Go Out Dancing Pt.1, 29. The Last Shadow Puppets-The Age of the Understatement, 30. Kings of Leon-Holy Roller Novocaine EP, 31. Tom Petty-The Last DJ, 32. Doves-Some Cities, 33. Stereophonics-Language, Sex, Violence, Other, 34. Phoenix-United, 35. The Libertines-Up The Bracket, 36. Muse-Black Holes and Revelations, 37. Green Day-American Idiot, 38. Neil Young-Silver and Gold, 39. Beck-Guero, 40. Starsailor-Love Is Here, 41. Captain-This is Hazelville, 42. Kaiser Chiefs-Employment, 43. The Strokes-Is This It? 44. The Vines-Highly Evolved, 45. Paul McCartney-Chaos and Creation in the Backyard, 46. Stereophonics-Keep Calm and Carry On, 47. Yeah Yeah Yeahs-EP, 48. Neil Finn-One Nil/One All, 49. John Starkey-Live at Jitters, 50. Oasis-Dig Out Your Soul

  • Best of Lists

    The Year in (Ick)Music – Gonzo’s List

    It’s been a pretty solid year. Either that means there’s a lot of great music coming out these days, or I’m just too hip for my own good. I’m guessing the former. Nevertheless, Pete asked me to share my best from 2008, and I am happy to do so! Earlier this month, I posted the tracklist to my annual year-end mix (with notes) over at my own blog, and last week posted a companion podcast (with minimal overlap). My comments here may be minimal only to prevent redundancy, but please feel free to stop by Gonzo’s Music-O-Rama.
    Also, these numbers do not necessarily correspond to rank.

    Albums of the year:

    1. MGMTOracular Spectacular ::This would have been on my 2008 cd until I found out it was actually a 2007. I later found out the digital edition came out in 2007, but the hard copy hit shelves in 2008. Ergo, it is an omission from my initial list for which I’ve been making atonement ever since.

    2. SantogoldSantogold :: My pick for album of the year. Diverse, well produced and well executed. Comparisons to MIA are pretty superficial – their music for the most part is quite dissimilar, as evidenced by Santogold’s penchant for rock/new wave song structures.

    jl

    3. Jamie LidellJim ::Though less varied than Multiply, Jim is perhaps a more solid album. Jim‘s all-out soul revival gets the feet tappin’ and the fingers snappin’. My only concern is his next step – it seems to me you can only do the all-out retro thing for a very limited time and have it be interesting.

    4. CSSDonkey

    5. Erykah BaduNew Amerykah, Pt. 1: 4th World War ::Possibly the most underrated album of the year.

    6. Cut CopyIn Ghost Colours ::2008: New Order breaks up, Cut Copy carries the torch.

    7. RatatatLP3

    8. Pop LeviNever Never Love

    9. She & HimVolume One

    10. The Atlas SoundLet The Blind Lead Those Who Can See But Cannot Feel ::I actually liked this better than the Deerhoof record.

    Songs of the Year:

    1. Ladytron – “Ghosts”
    2. Crystal Castles – “Crimewave”
    3. Cut Copy – “Lights & Music”
    4. M83 – “Kim and Jesse” ::This is one that I admittedly got into only recently. The album didn’t grab me on first listen, but after some replays, it – and this track especially – are ranking highly in my book.
    5. The Ting Tings -“Shut Up & Let Me Go”
    6. Love is All – “Wishing Well”
    7. Snoop Dogg – “Sensual Seduction”
    8. Santogold – “L.E.S. Artistes” ::The entire Santogold album is great, and was the soundtrack for many runs this summer. While “L.E.S. Artistes” is a critique of the art/hipster scene, I have a Nike commercial in my head built around the chorus.

    Cover Songs of the Year:

    Santogold – “Guns of Brooklyn”

    guns of brooklyn (doc and jon hill dub) – Santogold and diplo

    Take one of my favorite Clash songs, have one of my favorite artists of 2008 sing it, and have Diplo produce. GOLDEN.

    She and Him – “You Really Got a Hold On Me” :: I love covers where the artists really make the song their own. Such is the case here. The Miracles version is an undisputed classic, and perhaps the most famous cover (The Beatles) is stylistically true. Yet here we have She & Him fitting the song into the context of the album’s laid back, alt-country-pop style. It sounds so much more desperate and haunting in this version. I love it. They also do a great laid back rendition of The Beatles’ “I Should Have Known Better.”

    Disappointments of the Year:

    Guns n RosesChinese Democracy :: As Michael indicated, this may be an obvious choice. I guess this isn’t really a disappointment in that it met my very low expectations.

    Gnarls BarkleyThe Odd Couple

    We are ScientistsBrain Thrust Mastery

    Best Live Show of the Year:

    Chromeo: 9:30 Club, Washington DC 10/4/08 :: This what immediately came to mind when prompted for the best show of the year. Chromeo’s 2007 release Fancy Footwork was one of my favorites last year, and I knew I had to catch them live. They were great – performances were spot on, they were as cheeky and entertaining as you’d expect, and played the entire album. See my full review here.

    Other shows of note:

    Jamie Lidell Abbey Pub, Chicago 6/4/08
    CSS – 9:30 Club, DC 12/20 [review forthcoming!]

    Best New (to me) Artist:

    The Mighty Hannibal ::Late in the summer, I was introduced to King Khan and the Shrines, a tongue-in-cheek garage band. I saw an interview where they hung out with The Mighty Hannibal, of whom I’d never heard. But I was curious, given my penchant for 1960s soul. I heard the album Hannibalism! and fell in love with it immediately.

    The Birds :: No, that’s not a typo. The Birds were the first band Ronnie Wood recorded with. Great British garage/beat rock.

    Bonde do Role :: More recent, a great Brazilian electro-funk outfit.

    —-
    Here’s looking to a funky 2009, Ickies!