Ryan Bingham’s new album: Junky Star
Aug 30th

Hmm, what to do on this Tuesday, August 31st? Well first of all, can we stop the presses and figure out how the hell it’s already September?? Crikes.
But alas, what you should do if raw, real American roots music is your bag – is snatch up Junky Star, the brand new album by Ryan Bingham & the Dead Horses.This is Ryan’s 3rd release, after the excellent one-two punch of Mescalito and Roadhouse Sun
. This time, T-Bone Burnett produces.
I just snatched it up, and I’ll be diving into it first thing in the morning. The Amazon MP3 Store makes it a bargain too good to pass up: $3.99 for the whole album. Bite now while the gettin’s good…
BUY: Junky Star($3.99 on Amazon).
Now I’m off to catch ol’ Ryan on Letterman.
Ryan Bingham – Bread & Water (mp3) – from Mescalito
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The morning after: Bingham and the Horses killed on Letterman last night, performing “Depression”. Check it out…
The Dance Electric
Aug 29th
A commenter on my most commented post, Whatever Happened to Andre Cymone, pointed out that Andre’s “The Dance Electric” video was available on Yahoo Music. Indeed it is. And I thought I’d share again.
Among all the songs that Prince has passed on to others – “Nothing Compares to U” and “Manic Monday” among them (don’t forget “Sugar Walls“!) – “The Dance Electric” ranks right up there. It has simply one of the F-U-N-K-I-E-S-T rhythms ever to emanate from His Purpleness – so funky that I questioned why he ever gave this one away.
“Kiss” was actually written for his Mazarati project in the mid-80′s; but Prince wisely snatched that one back when he realized he had a potential hit in his hands. I’m not sure “The Dance Electric” would have met with the same success as “Kiss” (likely not), but it’s one that would have complemented P’s 80′s work quite nicely.
Here’s Prince’s version of “The Dance Electric”. It wasn’t a huge stretch for Andre, was it? It was pretty much signed, sealed and delivered…
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And of course, here’s Andre’s video:
Stray Cats Live: “Somethin’ Else”
Aug 29th
Brian Setzer, Lee Rocker and Slim Jim Phantom take on “Somethin’ Else” by Eddie Cochran – live in Paris, circa ’82 or ’83.
My older bro got to see the Stray Cats live back in the day. They still get together to tour now & then. Next time, I get my rockabilly lovin’ arse out there!
The Friday Five: August 27, 2010
Aug 27th

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Hey Baby (feat. Bounty Killer)” by No Doubt (from The Singles 1992-2003, 2003)
I recall strongly disliking this song when it first was released. Not so much for its departure from the band’s ska-punk roots — I saw that coming from a mile away — but more for its derivative quality. rather than take the dancehall influence and make it part of the band’s sound, they co-opted it and made it more of a pastiche. For the record, I like this song quite a bit these days.
“Can’t Go Back Now” by The Weepies (from Hideaway, 2008)
I still do not love this record nearly as much as Say I Am You. Popdose Grand Pubah Jeff Giles tells me that their new record, Be My Thrill, is excellent. I’m going to have to check it out.
“Magic” by The Cars (from Complete Greatest Hits, 2002)
I can’t hear this song with out picturing the video featuring Rick Ocasek’s slight frame walking across the pool. Sure, it’s horribly clear that he is standing on glass suspended just under the water, but it’s the effect that counts. For a long time, if asked, I would have to cop to this being my favorite Cars tune. I think age has jaded me, as I find tunes like “Drive” and “Tonight She Comes” getting played more often than the upbeat numbers.
“Every Little Step” by Bobby Brown (from Dance! … Ya Know It, 1989)
Sure, this has come up on the Five before, but I’ll be dammed if I will pass up the opportunity to post this video of my pals Jason Hare and Michael Burke rocking this tune.
And yes, that is me laughing when Jason busts the second part of the rap. The video is courtesy of Popdose editor, and frequent Friday Fiver, Ken Shane.
“No Better Than This” by John Mellencamp (from No Better Than This, 2010)
I’ve yet to listen to this record. Judging by what I’ve heard so far, I’m not sure that I’ll ever make it through a front to back listen. The songwriting seems strong enough — hell, it’s probably the strongest he’s been able to come up with in years — but the mono production just sounds less than authentic.
What’s on your shuffle today?
Like a Bird, Like a Plane
Aug 26th

As the ACL Festival creeps closer (6 weeks away!), I thought I’d check out the schedule and dive into some discovery of artists I hadn’t heard. Charlie Mars, one of the first acts to play on Friday, Oct. 8th, was my first pick.
I dialed up his record, Like a Bird Like a Plane, on Rdio, and instantly liked what I heard. The title track that kicks off the album has a nice, cool vibe. I dig the sparse instrumentation – the unique drum sound, the swirl of the organ riff during the chorus… nice tune and a nice album. It’ll get some spins ’round my way.
Ayanna [Branford Marsalis Quintet] : the calming effect
Aug 24th

Go go go. Rush rush rush.
The pace of everyday life can be a bit exhausting at times, overwhelming if you let it. But that’s where the tunes kick in, and everything is restored, the reset button is punched, and you’re ready for another round.
It was after a hectic day, where the stress-o-meter was tipping a little high to my liking, and I was driving home after some gym time. I was tuned into KJZZ, our local public radio station here in Phoenix which flips on the jazz after 8pm. The good jazz, not the smooth or lite crap.
This song came on and, well, it had a calming effect. It was the Branford Marsalis Quartet. “Ayanna”. A track off a Grammy winning 2000 album, Contemporary Jazz.
Let this one wind down your day sometime.
Branford Marsalis Quartet – “Ayanna” (mp3)
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From the album Contemporary Jazz (Amazon).
The Friday Five: August 20, 2010
Aug 20th

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Dance in the Dark (Monarchy ‘Stylites’ remix)” by Lady Gaga (from The Remix, 2010)
It’d be hard for me to deny being absolutely smitten with all things Lady Gaga. Well-crafted dance-pop is timeless. I’ve made the case for it here before, but will again suggest that if you have refused to partake in Gaga for some trivial reason, that you stop and give The Fame Monster a listen.
“Peach” by Prince (from The Hits/The B-Sides, 1993)
Recorded as one of the “new” tracks for his first greatest hits package, this reveals His Royal Badness in full-on Rock n’ Roll Saviour mode. Built with around a driving four on four beat — courtesy of powerhouse Michael B. — and featuring some of the most fiery guitar pyrotechnics that Prince has displayed on record; coupled with naughty lyrics about the buoyancy of his ladies “assets,” this is a hell of a jam. Oddly enough, it is one he still trots out, despite its racy content. Which is, perhaps obviously, scrubbed clean of any of its less than savory bits.
“New York Groove” by Ace Frehley (from Hard Rock Gold, 2009)
Who would have thought that out of the the four solo KISS records, that Ace Frehley would be the one to produce a bona fide hit?
“I Would Die 4 U” by Prince (from The Hits/The B-Sides, 1993)
It’s been a long time since two Prince tracks crept into the Friday Five. Perhaps my purple fatigue is wearing off?
“August in Bethany” by The Juliana Theory (from Understand This Is a Dream, 1999)
Words cannot express just how excited I am to see the reunited Juliana Theory this evening at the Highline Ballroom. The last time that I saw them was 2001, which seems like a lifetime ago. The band decided to reunite for a batch of dates to officialy say goodbye to their fans. While I doubt that I’ll get to hear “August in Bethany,” it doesn’t matter.
What’s on your shuffle today?
Wooderson, R.I.P.
Aug 18th

Every summer I dig out the film Dazed and Confused, a wonderful story set on the last day of school in 1976 in Austin, Texas, and I let its warm rays cascade over me. The music, the images, the theme and the style all mix up in a beautiful melange…so much so that at various points throughout the 103 minutes of this absolute gem, I well up and by the end, I’m usually crying.
It’s not from laughter nor is it from bong smoke getting in my eyes. It’s from a deep sadness so compelling that more often than not it is overwhelming. I find myself getting up from in front of the television and going outside to breathe the clean, crisp summer air…sucking it deeply into my lungs…hoping that my mind, body, and soul will be soothed. And I will remember that time clearly…and feel like I am there again.
Most of the time it is not soothed and I find myself left with a deep yearning that goes unfulfilled nearly every day of my life.The simple reason for all of this is the titanic melancholy I feel at peeking back into a world that is long gone and has been dead for way too many years…just like all those endless, youthful summers that were eternally magical…always…
The film was released in 1993 and did bring about a brief wave of 70′s nostalgia but that was soon lost to new trends, ideas and really fucking awful lifestyle choices. And that nostalgia was mostly filled with pretense although some bands like Oasis and Paul Weller sought to make a point of injecting Bowie, Zeppelin, and T-Rex dripped style into their music and largely succeeded. Every year that goes by puts more and more distance between us and that wonderful world that Richard Linklater, the film’s director and writer, showed us. What is this world like?
It’s a simple place filled with people and laughter. The women are gorgeous in their hip hugging jeans and long beautiful hair. The men are extremely cool in their muscle cars, t-shirts, jeans and Chucks. There is no Facebook, no texting, on cell phones, no iPods, nor DVD players. There’s hanging out and actually having a live conversation while driving in a car and listening to an 8 track player as opposed to sitting in front of a computer. There are drive-in movies and drive-in burger joints. There’s pot smoking in the bedroom and quick sprays of air freshener as the parents unexpectedly knock on the door.
Most of all, there is a lot of fun.
This fun reveals itself in a myriad of ways…a primary focus of which is to party with beer and pot. Looking at the partying that goes on in the film through the lens of 2010, the melancholy bubbles up and overwhelms me. In today’s culture, this sort of behavior is either insanely surpassed by a whole host of unhealthy drugs like Crystal Meth or is massively derided by narrow-minded people who view any sort of drug taking as being The End. In some ways, the latter group is right. People smoke pot and drink these days for all the wrong fucking reasons. This is likely due to the fact that people are so much more stupid now than they were 35 years ago….Mike Judge’s Idiocracy nearly complete (and 500 years early).
The dichotomy between today and 1976 is presented quite eloquently in the character of Wooderson, the first major role for Matthew McConaughey. It is my view that he is Linklater’s answer to Joseph Campbell’s mono mythical hero. Wooderson conveys universal truths about his place in history and transcends his own role in his culture while building new meaning regarding the relationship between the two. He is a Campbell archetype and he fits this role perfectly.
Stylistically, this is eloquently conveyed when he walks into the Rec Center with Randy and Mitch. The Tarrentino slo-mo backed with the choice track, “Hurricane” by Bob Dylan drives the meaning of this world home. The Rec Center was THE place to be back then…..even up to the summer before my senior year (1984). Every town had one filled with pool tables, foosball. and later, Tron and Missile Command. Sadly, these are all gone now as people just stay home in their little cyberpunk pods of entertainment. There is no face to face conversation or checking out girls or boys in person. Instead, we have Match.com and instant messaging via Twitter. Oh boy…
Every time I watch this film – every single time – my mind drifts back to my friends’ older brothers and sisters who lived through this age. As a 9 year old in 1976, they were the coolest people I had ever seen (next to my dad and John Lennon). But it wasn’t just them. Even my mom, age 30 at that time, would not stop playing Dreamboat Annie by Heart and Rumours
by Fleetwood Mac. Those records are also mixed up in my 70′s dreamwarp Monet haze. When I listen to them, I think of Dazed and Confused, and when I watch the film, I think of those records even though there were songs from neither album in the film. They are inexorably tied together.

All of the characters in the film exemplify this haze but none more so than Wooderson. He’s in his 20s but he still hangs out with teenagers. This would never be allowed to happen today (in our hyper fearful and giant leap of paranoia culture) as he would immediately be considered “weird” and possibly a pedophile. He parties quite a bit…getting his “third wind” for another round of drinking and pot smoking at 4am on the 50 yard line of the high school football field. Again, if this happened today he would essentially be considered a gun running drug dealer who wants to destroy us all. In short, Wooderson would be labeled a loser by the narrow minded ass hats who sadly define our socio-cultural context today – his actions…deplorable.
But he does all these things, though, throughout the course of the film while working for the city and contemplating a return to college….just like most of the people I knew back in the day. As he speaks of himself earlier in the film, one gets the sense that he generally has a handle on his life…he parties hard but works hard as well. Unlike the youth of today, he doesn’t feel like he is entitled to anything.
Sadly, the youth of today imagine themselves as Vinnie Chase (Entourage) or a cast member of The Jersey Shore, and their idea of partying and fun is done within the framework of these images. It’s empty…hollow…devoid of any real passion…completely lacking in the important elements of deep soul…music…and love. In short, it is nothing like the world of Dazed and Confused where people got ripped but it meant something. Ironic that the youth of today are far more “dazed and confused,” than the youth of 1976 who honestly weren’t either at all.
We see wisps of the World of Wooderson here and there. A great example of this would be the voice of Kelly Jones and his music with Stereophonics. The Subways and the Stone Temple Pilots are two other bands that seem to have shining hints of this forgotten world. For the most part, however, it’s gone. Our society has moved on and that wonderful culture that truly meant so much to me and many others is effectively dead and buried.
For the most part people just don’t live, love and party like they did in the film Dazed and Confused – like they did in the 70s. Either they are too square, too uptight, too boring or the exact opposite – too wild, too crazy, and far too out of control. Far too infrequently, I see a ray of hope.
On this rare occasion here and there, I’ll sit with some friends – a few of the them women in hip hugging jeans – have a conversation that’s actually in person, listen to some great music (playing actual vinyl!), and remember – if only for a few, fleeting moments – that wonderful world. If I’m lucky, I might actually feel like I’m back there. Most times, though, someone will pull out a cell phone and look at their texts.
Rest in Peace, Wooderson. At least I will always remember you.
33 Years Gone – Long Live the King
Aug 16th
Thirty three years ago today, the world lost The King.
I’ve always been crazy about Elvis Presley, but his music and legacy means more to me these days than at any point in my life. The music I know and have loved for all these years simply never gets old, and I never tire of hearing “Treat Me Nice”, “Teddy Bear”, or “Are You Lonesome Tonight?”.
Then there’s the back catalog of Elvis Presley, the music I continue to discover. Listening to Sirius Elvis Radio earlier this year, I came across early gems like “Doncha’ Think It’s Time” and “Blue River”.
And then the bio. This year, I finally read Peter Guralnick’s masterful 2-part biography of Elvis: Last Train to Memphis: The Rise of Elvis Presley and Careless Love: The Unmaking of Elvis Presley; learning all about the King’s life – yes, the good and the not so good. We all know that Elvis’s private life was wrought with imperfections – but who among us is perfect?
The important part is the music, and his role as consummate entertainer. Up to the year he died, he never lost his passion for singing, and for entertaining his throngs of fans. Elvis Presley’s legacy and mystique live on.
Long live the King!
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Harbor Lights (mp3) – from Elvis’ very first session at Sun Studios on July 5, 1954.
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Found on Elvis at Sun.
Doncha’ Think It’s Time (mp3) – one of the 50′s masters, recorded and released in early 1958. I’m not sure how I went all this time without hearing this one.
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Found on The King of Rock ‘n’ Roll: The Complete 50′s Masters.
Hurt (mp3) – One of of Elvis’ last studio recordings, recorded for the 1977 Moody Blues record.
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Found on Moody Blue.
And we wrap it up with a nice fan-made video for “Hurt”…
















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