The Friday Five: March 19, 2010
Mar 19th

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
Editor’s Note: It doesn’t happen often, but I’m actually going to be away from all forms of internet today so I’ve asked my Popdose cohort, Rob Smith, to watch the shop for me today. I’m sure you will all make him feel right at home, and I’ll be back next week! – Michael
The Five:
Huh? Wha? You want me to do what? Lead off this week? Sure, dude. Absolutely. Anytime.
Here goes:
Gowan, “Moonlight Desires.” Cool live version, solo piano. I like this a lot better than the original studio version, with Jon Anderson on guest vocals. Gowan, of course, has been the new Dennis DeYoung in Styx for the last 11 or so years. I know a few Styx fans who can’t stand Gowan, but it’s not like he won a Rock Star: Styx competition to get the gig or anything. He had a solid, though unspectacular career prior to joining the band. I recommend this live record (called Solo Live: No Kilt Tonight) for Gowan’s voice and chops, certainly, but also his humor (he performs a 30-second snippet of Monty Python’s “Lumberjack Song”) and this most excellent ballad.
Escape Club, “Wild Wild West.” Jesus freakin’ Christ, I have Escape Club on my iTunes? Damn that Like, Omigod box set. On the rare occasions I hear this song, I think about doing radio in college, freshman and sophomore years. We had a Top 40 show I’d DJ on occasion, and this one was in the stacks and played pretty much constantly [I also think of Information Society's "What's on Your Mind (Pure Energy)" when I hear this, cuz both tracks were more or less ubiquitous]. We could play Escape Club once an hour with no complaints from management, but when I tried to squeeze in Thomas Dolby’s “Airhead,” I got in trouble. I did win once, though — I was the first to play Fine Young Cannibals’ “She Drives Me Crazy,” got yelled at, but was eventually vindicated when it became, oh I don’t know, the Number One song in the country. I had fucking EARS back then, man! But I hate Escape Club. Shit. Next?
Van Halen, “Unchained.” That’s more like it. My fave Van Halen song, whether performed by Roth, Hagar (on the ‘04 tour — fucking awesome), or Cherone. I just think the riff is tops — one of the simplest and best Eddie VH ever conjured. Big fail, though — having Wolfie do the “C’mon Dave, give me a break” line on the most recent tour. Roth could eat that kid alive, and on occasion did. You’d think Ed would want to protect his only child from wiseacres like Roth. Perhaps ye olde parental instinct got burned out during one or another evening with the Schlitz Malt Liquor tallboys.
Jonatha Brooke, “Because I Told You.” The gods smile upon me. I love Brooke’s music, particularly the stuff from the Story through maybe ‘95 or ‘96. This is from her first live record, and it’s a gem. A track from Ten-Cent Wings, arguably her best solo record, the melody gives me chills every time I hear it (only other song to do so consistently: Springsteen’s “Bobbie Jean.” Man, when that sax solo kicks in at the end …). The sorta/kinda middle-eight is particularly beautiful: “You take the wheel for now / I’m too tired to drive this one home anyhow, for now.” Find this if you’ve never heard it — studio version or live. You’re welcome.
John Denver, “Rocky Mountain High.” Fuck you if you think this is wimpy. Just … I don’t want to hear it. It takes a man — a real man, one not afraid to mow his lawn in the nude — to come up with a chorus like this one. “I’ve seen it raining fire in the sky?” Are you kidding me? Fucking great image. I also like the AM radio vibe on this; it doesn’t matter what I hear this song on — computer, earbuds, boombox, or multi-component stereo system — it still sounds like I’m listening to it in my dad’s old Chrysler. The one with the manual transmission, shift on the column. But I don’t want to hear that it’s crap, or wussified pap, or unfit for man or Muppet. Great song. “Friends around the campfire and everybody’s high?” I could go for being around that campfire right about now.
So anyway, now that I’ve defended John Denver by telling you all to fuck yourselves, I suppose that I should ask forgiveness. But really, all I want to know is this: What’s on YOUR shuffle?
I Shall Be Released from The Last Waltz
Mar 18th
The Last Waltz - best concert film of all time? Certainly right up there. When I stumble upon it on TV, like I did tonight, there’s no way I can turn away.
Thanksgiving 1976. The Band. Bob Dylan. Van Morrison. Neil Young. Dr. John. Joni Mitchell. Muddy Waters. Eric Clapton. Neil Diamond. Ronnie Wood. Ringo Starr. Ronnie Hawkins. Paul Butterfield.
Still such a thrill to watch. Here’s the last song of the show, as Dylan leads The Band and all the guests in his own tune, “I Shall Be Released”…
BUY iT ….
Oh hell, let me add a few other tunes…
The Band w/ Neil Diamond
“Dry Your Eyes”
The Band w/ Joni Mitchell
“Coyote”
The Band w/ Muddy Waters
“Mannish Boy”
Ick’s Pick: Josh Rouse’s El Turista
Mar 17th

I knew next to nada about Josh Rouse before hearing of his new album El Turista a couple weeks ago. The review I read spoke of laid back Latin-inspired rhythms, the kind of vibe Stan Getz and João Gilberto exuded. That’s my kind of vibe.
After streaming the album on Lala (sounding like a broken record with Lala lately), I was hooked. One listen is all it took. And I know there are those of you out there who will lock in the same way I did.
Take some time right now – listen to this record on the nifty little widget down there.
Then, here you go: El Turista (Bonus Version). You’ll thank me later.
Phish confirmed for Telluride Town Park
Mar 16th

If the ticket gods are kind, then come August 9th and 10th, I’ll be in one of my favorite places on earth – Telluride, Colorado – to see Phish! My first Phish show was 20 years ago, when Phish came to my school (Colorado College) for an outdoor Earth Day show with Pike’s Peak in the background. Since then, I’ve seen them play in Arizona, Las Vegas, Wisconsin, and London.
When I heard that Phish may play Telluride this summer, a heavenly spot where my parents live during the summers, I knew that I’d need to find a way. Well, if I can score the tickets, I will be there! Oh hell yeah…
See all the dates from their just announced Summer Tour right here.
And here’s a “Lizards” from their Colorado ‘88 collection (the cover features Trey & Mike crossing Telluride’s main drag, Colorado Ave).
Elvis Presley’s first Ed Sullivan Appearance
Mar 14th
I finished up Peter Guralnick’s “part one” bio of Elvis Presley last week, a book called Last Train To Memphis: The Rise of Elvis Presley. It’s a fascinating and exhilarating look at “50’s Elvis,” including his first TV appearances in 1956.
Earlier in ‘56, Elvis had made his first television appearances on shows hosted by the Dorsey Brothers, Milton Berle, and Steve Allen. These appearances shocked – SHOCKED! – the nation’s old guard. The media, parents, and citizens of high moral fortitude (yeah right) were appalled at the sexual connotations set forth by Mr. Presley. Of course, his actions then wouldn’t raise an eyebrow in today’s cesspool of cultural waste – but in 1956, ooo-weee, look out America, Elvis the Pelvis is comin’ for your kids!
On September 9th, 1956, Elvis made his first appearance on the Ed Sullivan Show. Mr. Sullivan was recovering from a serious car accident, so Charles Laughton actually hosted the program in the New York City studio. Across the country in Hollywood, Elvis was filming his first motion picture, Love Me Tender, so his first appearance on Ed Sullivan was simulcast from CBS Television City.
The clips below skip the intros by Laughton, so if you have a Netflix account, I’d recommend watching the entire show (available streaming). But what we have here with Elvis’s performances are pure magic. The show was viewed by 60 million Americans that night – a staggering 82.6% of the total television audience. I’m sure it changed some minds and solidified some others.
But man oh man, to be a music lover in the year 1956. It’s hard to imagine now, but try to think back to the mindset of 1950’s America – you flip on the television on a Sunday night and you see this…
“Ready Teddy” is my favorite of the bunch. I love the way he kicks off the song with a finger point to the drummer – going from 0 to 60 in about 5 seconds. This is pure Elvis – unrestrained and one of a kind.
The Friday Five: March 12, 2010
Mar 12th

Friday Five : \’frī-(,)dā,-dē ‘fīv\ : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.
The Five:
“Comin’ Home” by City and Colour (from Sometimes, 2005)
A few weeks ago, I mentioned the songs that find you at the just the right moment in your life; this is another one of those songs. In the mid-aught’s my job had me shuttling back and forth to Toronto, Ontario on a monthly basis. On one hand, I got to know my host city in intimate detail, finding favorite restaurants, pubs — P.J. O’Brien, just in case you are curious — and hidden corners of Canada’s largest city. I was lucky enough to have my wife join me on more than one trip, but more often than not, I was alone and far from home. Around the same time, I discovered singer/songwriter Dallas Green’s City and Colour. I vividly recall listening to the album on one of many flights home and this song coming on, sealing it forever in that time and place.
Well I’ve been down to Georgia
I’ve seen the streets in the West
I’ve driven down the 90, hell I’ve seen America’s best
I’ve been through the Rockies, well I’ve seen Saskatoon
I’ve driven down the highway 1 just hopin’ that I’d see you soon
Cause I’m comin’ home, I’m comin’ home
“We Can Work It Out” by The Beatles (from Mono Masters, 2009)
If you had asked 13-year old me what my favorite Beatles tune was I surely would have responded with “We Can Work It Out.” These days I find myself gravitating to other, deep catalog tracks to find my favorite, but always come back to this as a great example of the Lennon/McCartney songwriting style. Listening to it now does reaffirm it as one of my Top 10 Beatles songs.
“Misunderstanding” by Genesis (from Turn It On Again: The Hits, 1999)
Somehow I had never put this together, but if you listen to “Misunderstanding” and follow it up with Led Zeppelin’s “Fool in the Rain” — which you call may recall is my favorite Zeppelin tune — you’ll notice certain similarities. Not just in its rhythmic swing feel, but lyrically it covers the same ground. Originally written by Phil Collins for his solo debut, Face Value, the track was a real departure from the rest of Duke. It is also one of my favorite Genesis tunes, which is probably somehow related to the whole “Fool in the Rain” thing, odd how that happens.
“Fragile Tension” by Depeche Mode (from Sounds of the Universe, 2009)
Why this is still on my iPod, I am not sure. As much as I dig Depeche Mode, this album was just awful.
“Misery Business” by Paramore (from RIOT!, 2007)
The little subtle things in this song are what make it so damned awesome. Sure, it is an arena-ready rock anthem, on par with some of the greats. The little things, like the half-time drums that build the tension in the second half of the chorus show attention to detail that is rare in a band so young.
What’s on your shuffle today?
What The Kids Are Listening To: Taio Cruz
Mar 11th
It’s always interesting to take a peek at Billboard’s HOT HOT singles chart, the Hot 100, and to be mystified at what’s popular with our nation’s youth these days. I’m turning 40 this year, and I feel increasingly like an old fart. Last week at my favorite pizza joint (that’d be Jimmy & Joe’s in Chandler), some high school kid came over to borrow the cheese, and I was shown gratitude with a “Thank you sir.” I guess I should be happy that manners and civility are alive and well in some pockets of adolescent society, and some kids are respecting their elders. It’s just weird to be an elder.
So this week, a British newcomer named Taio Cruz vaulted to the #1 spot in the charts, knocking the Black Eyed Peas “Imma Be” from the roost. It features Ludacris (who seems very early 00’s to me). And after listening once, my thoughts are… Meh. Homogenized. Unoriginal. Annoyingly repetitive chorus. But I’m not a teenage girl – at least last I checked – and “Break Your Heart” is currently rockin’ their world.
Ya-Ka-May, the new album from Galactic
Mar 9th

It took a listen to Sirius Jam On this afternoon to clue me into the fact that there’s a new Galactic record out – focused on the music of New Orleans (their hometown). “Bounce,” to be specific – an “energetic, highly eroticized and occasionally gender-bending” type of music native to the city. The album is full of special guests: Rebirth Brass Band, Irma Thomas, Big Chief Bo Dollis, Allen Toussaint, “Wolfman” Washington, Trombone Shorty, and others.
Not surprisingly, after listening to the full album on Lala, I can confirm that the record is a non-stop party, a percussive blast of Louisiana flavor. Here are two early favorites right off the bat, “Boe Money” and “Do It Again”…
Listen…
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Buy the MP3’s at the Amazon Music Store: Boe Money (Featuring The Rebirth Brass Band)| Do It Again (Again) (Featuring Cheeky Blakk)
Check out the whole album: Ya-Ka-May
Galactic’s Web Site, where you can download “Heart of Steel” (w/ Irma Thomas) and “Dark Water” (w/ John Boutte) for free.
A Taste of What Laura Says’ forthcoming album: ‘Bloom Cheek’
Mar 8th
My favorite local band by far is Tempe’s What Laura Says. Their debut record, Thinks And Feels, was one of my 2008 highlights – and their live show is just as impressive. Organic, psychedelic, folky/retro rock n’ roll; beautiful Beatles/Beach Boys-influenced melodies; and just all-around good vibes.
So I’m really stoked to see that this year will bring a brand new album entitled Bloom Cheek (on Terpikshore). A few days ago, they posted some sneak peeks at the new record. Take a listen to the minute and a half clips below. A great sign of things to come…
“On The Fence” | Great groove!
“Keep Running Shoes Special” | I saw them do this live, and it smokes.
“Tape It Spoke” | Brings out the folksy “Fleet Fox-y” side of the boys…
Notting Hillbillies in Newcastle (Redux)
Mar 7th

I stumble across this show quite frequently in my travels through iTunes, and I was reminded again of it this morning while picking around on my acoustic guitar. I was toying around with the beautiful guitar parts of the Dire Straits tune “Why Worry”, and decided to punch it up in iTunes so I could play along. Up came this live version by the Notting Hillbillies – a relatively short-lived group from the early 1990’s made up of Mark Knopfler, Steve Phillips, Brendan Croker, and Guy Fletcher.
I posted this show back in 2006, and thought I’d bring it back for those who want to hear a laid back, tight-knit group of friends playing some great music. The Dire Straits covers are especially great – particularly the Calypso version of “So Far Away”.
The Notting Hillbillies – Why Worry (mp3)
Download the whole show here (zip).
THE NOTTING HILLBILLIES
Swan Hunter Shipyard
Newcastle, England
July 6th, 1993
1. Intro
2. Calling Elvis
3. So Far Away (Calypso version)
4. Your Own Sweet Way
5. Run Me Down
6. Why Worry
7. Railroad Worksong
8. Feel Like Going Home
9. Setting Me Up
10. Outro
Check out the Notting Hillbillies’ one and only album: Missing…Presumed Having A Good Time




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