• Oldies

    Goodbye Phil Everly

    When I think back on the first five days in 2014 music wise, I think immediately of Phil Everly. Since I was a kid, I’ve always been drawn to the big hits of the Everly Brothers: “All I Have To Do Is Dream,” “Let It Be Me,” and especially “Devoted To You.” I was still a good dozen years away from being born when these songs hit it big on the charts, but as you all know, great music is timeless. That amazing era of early rock n’ roll will live on forever. But unfortunately, the pioneers and legends of the era are living, breathing folks just like the rest of us. Last Friday, January 3rd, we lost a giant, as Phil succumbed to COPD after a lifetime of cigarette smoking.

    I am not a smoker, but I get the addiction, and know it ain’t easy to just hang it up. It just seems that there’s a GIANT beneficial incentive to quitting (that whole living longer thing). But easier said than done, and God knows the rest of us ain’t perfect, shoveling in food we shouldn’t be eating, drinking alcohol, etc. Anyhow, my mother in law smokes, and my wife, daughters and I will continue the good fight to push her toward quitting.

    Did you make any new year’s resolutions? I’m one of those who puts together a short (and often predictable) list every year. This year, they include:

    • No Crap Food Mon-Sat (desserts, ice cream, cookies, other sugar-filled things). One indulgence on Sundays. You see, I have no will power in the kitchen. If there’s a box of Krispy Kreme donuts, I’ll devour two of them in the span of a minute and not think twice. Cookies? Chips? And God forbid – chocolate, in any form? I’m all over that shit.  All this running I do doesn’t do much good in the weight loss department if all I’m doing is replacing every calorie I burn.  So I’m happy to report that it’s so far, so good in 2014. And yes, today was Sunday, and I did indeed do a little bit of damage to a tin of Costco European Belgian Chocolate Cookies (and yum).
    • Lose some belly. I topped out around 270 a few years ago. I made it all the way down to 230 in 2012 with the help of the Lose It app on iPhone (where you have an allotted amount of calories every day and you track everything you eat). I weighed in at 247 last week and decided to kick start the Lose It routine again.  I’m going to shoot for 220 this time around. By the way, the eight cookies I ate today? 340 cals. Little bastards.
    • Be credit card debt free.  In early 2012, after a lifetime of pitiful money management, I listened to Dave Ramsey’s Total Money Makeover audio book and started following his plan. This year should will be the year I’m debt free except for my house. I’ve been in debt my whole adult life, folks, and I can see the finish line. Just right over there.
    • Calm Down. I am not the zen master I appear to be. Ask my wife and kids. Often times I simply just need to calm the hell down.

    So those are my big four for the year. I’ll keep you posted.

    In tribute to Phil Everly, I’ll leave you with the entire Everly Brothers 1983 reunion concert at the Royal Albert Hall in London. It had been ten years since their last performance at Knotts Berry Farm, where Phil infamously smashed his guitar and walked off. The highlight of this concert for me is “Let It Be Me,” simply for the priceless looks on Phil’s face as he watched his brother Don sing those beautiful solo parts. Knots Berry Farm was a distant memory.

    RIP Phil. You’re missed already.

  • Best of Lists,  Ick's Pick

    Pete’s Top 10 in Music – 2013

    One of my new year’s resolutions for 2014 will be to spend more time banging out some thoughts on this blog (which will turn 10 in December). It mystifies me how fast time flies between my posts here (and time in general).  I want to come here more often and blurt out my reactions to all the good tunes swirling around out there. So what holds me back? It’s things like growing older, deepening responsibilities, two children growing up, work, stress, obligations, laziness, Netflix, bourbon…

    Still, it’s important for me to continue to have this outlet. Although attention spans on the internet are fleeting and fragmented, and not many eyes gaze upon this site anymore, I still like having my own little virtual nook. So continue on I shall, and hopefully more frequently.

    So what of my musical interests in 2013? As usual, not so much time was spent jumping voraciously into newly released material (although there are a few that rattled my core). I still love jumping back in time (often with the help of Rdio and Spotify) to discover and re-discover the myriad tunes I’ve missed and/or neglected all these years.  It’s overwhelming, but it sure is exciting to know that so much music exists with the potential to have that profound impact that makes it so special.

    So here’s my top 10 in music this year. These are the albums, songs, shows and moments that moved me in 2013…

    10. [Album] Billie Joe + Norah – ‘Foreverly

    This album came out in November and absolutely floored me. I had no expectations, and frankly wasn’t even aware of it until the week it came out. I took a listen, and I was hooked a minute into the album opener, “Roving Gambler.” The voices of Billie Joe Armstrong (of Green Day fame) and Norah Jones mesh perfectly in this sublime song for song cover of the Everly Brothers’ 1958 album Songs Our Daddy Taught Us. The whole album soothes my laid back, old folkie soul.

    9. [Song] Kings of Leon – “Temple

    Saturday Night Live still has some great moments. Besides the regular appearances of my favorite cast members Cecily Strong, Kate McKinnon, and Taran Killam, the music guests can deliver and surprise. I enjoyed Haim this year, and I really enjoyed the Kings of Leon appearance, particularly “Temple,” the best straight ahead rock tune I’ve heard all year.
    Here is KoL’s performance of the song from Live on Letterman:

    8. [Song] Alice Smith – “Loyalty

    Deep. Stunning. What a flawless voice. This slow burning, soulful track from Alice’s album, She, was an early year highlight. I saw her open for Citizen Cope several years back, and here’s hoping she makes it back to AZ soon, ’cause Alice, I Want You Just For Me.

    7. [Song] Guy Clark – “My Favorite Picture Of You

    Want your heart ripped right out of your chest, tossed around like a hot potato, and shoved back in? In a good way? Then this tune is for you. This is Guy’s tribute to his late wife, Susanna, who passed away in 2012. Here’s an intimate intro and performance from Guy’s home:

    6. [Show] Steve Earle & the Dukes – Scottsdale Center of the Performing Arts – October 14th

    It had been 10 plus years since I last saw Steve perform with his band the Dukes. This year’s incarnation included long time members Kelly Looney on bass and Will Rigby on drums, and husband and wife-duo the Mastersons (Chris Masterson and Eleanor Whitmore) on guitars, violin and background vocals. Seeing them in the hoity-toity confines of Scottsdale among the older set (okay, blue hairs) was entertaining in and of itself, but the main event was clear as could be: the bad-ass Steve Earle front and center, ripping through songs new and old, including his great new record The Low Highway. Highlights for me came from my favorite Steve album, I Feel Alright, with rip-roaring performances of “Hard Core Troubadour” and “Billy & Bonnie.”

    5. [Album] John Grant – ‘Pale Green Ghosts

    Thanks to Later with Jools Holland, a British music show which started airing stateside this year on the Palladia HD channel, I was introduced to the talented John Grant. ‘Pale Green Ghosts’ is electronic, melodic, grandiose, and beautiful. One of its best songs, “GMF,” will have you singing along loud & proud: “I am the greatest motherfuckerrr that you’re ever gonna meet / from the top of my head down to the tips of the toes on my feeet.” I’m telling you.

    4. [Show] Prince & 3rd Eye Girl – Marquee Theater, Tempe, AZ – May 1st

    It was a really long drought for me between Prince shows. I hadn’t seen him since his One Night Alone tour in 2002, when he was touring behind The Rainbow Children album. This time, it was Prince (full on ‘fro in effect) and his new all-female backing trio 3rd Eye Girl, in the intimate setting of the 1000-capacity Marquee Theater in Tempe. I wasn’t further than 50 feet from him, and as you could guess, the experience was unforgettable. There were the impressive new cuts like “Screwdriver” and “Fixurlifeup,” but the true magic for me came with tunes like “Forever In My Life” (with P on bass), “Joy In Repetition” (with Larry Graham on bass), and “Purple Rain” performed at the piano. Ain’t no party like a purple party.

    3. [Album] Phosphorescent – ‘Muchacho

    Matthew Houck released a hell of an album this year with ‘Muchacho.’ Its lead single, “Song for Zula” was a gorgeous introduction, an honest look at love and the frailty of the human condition. The album is rich with poignant, beautiful moments. Take for instance one of my favorites, “Down to Go”:

    You say, Oh, you’ll spin your heartache into gold
    And I suppose but it rips my heart out don’t you know
    But if I’m waking each morning babe
    All aching and ornery babe
    All vacant and thorny, hey I’m down to go

    Seeing Matthew and his band sing these songs live back in October at their Crescent Ballroom show – magnified the beauty and brilliance of this album, and showed how great music lives and breathes.

    2. [Show] The Who – Jobing.com Arena, Glendale, AZ – February 6th

    This may go down as the best last minute decision I’ve ever made. I had just wrapped up Pete Townshend’s great autobiography Who I Am early in the year, and was fully immersed in The Who and Pete’s solo work. It turned out that The Who were stopping through Phoenix in February, performing Quadrophenia in its entirety, followed by a greatest hits set. They are definitely  a Bucket List-caliber band to me, so I recruited a friend and got a couple of tickets. I’m so glad I made that decision. Watching Pete Townshend and Roger Daltrey live (yes, even in 2013) is a must for any fan of rock & roll. Seeing them blast through hits like “Baba O’Riley,” “Who Are You,” “Won’t Get Fooled Again,” and the full epic performance of Pete’s rock opera, Quadrophenia, was a once in a lifetime thrill. I soaked it all in, and walked out with a Who-induced buzz that lasted weeks. Fantastic show.

    1. [Artist] Neil Young

    I’ll finish with Neil.

    Once again, a book was the catalyst in inspiring me to jump into a catalog of work. I found Neil’s bio, Waging Heavy Peace,  a very entertaining read. It jumps from past to present and back, and you just never know what topic he’ll cover from chapter to chapter – whether it’s his Buffalo Springfield days in the 60’s, his adventures in Topanga Canyon in the 70’s, his passions in this century of developing a superior quality audio file or his alternate-fueled LincVolt car project… he’s all over the place (sort of how my brain behaves most of the time), and that appealed to me in the book.  So to accompany the book, I jumped head first into Neil’s catalog later this year – his vast collection of solo albums (wow, still a long way to go), the Springfield stuff, his Crazy Horse records, etc. Now, I’ve always loved Neil’s stuff – the stuff I’ve been familiar with over the years, that is. Albums like Harvest, Harvest Moon, and Rust Never Sleeps.  But for some reason, I hadn’t tracked down other gems – the biggest miss being his second album, 1969’s Everybody Knows This Is Nowhere. Yes, I know “Cinnamon Girl” and “Down By The River,” but damned if I didn’t discover that I had never – not once – listened to this 44 year old record in my entire 43 years on this planet! Over the past couple months, as I’ve listened repeatedly to masterpieces like “The Losing End (When You’re On)” and “Cowgirl in the Sand” – and I realize that this record would have been right up there with some of my landmark “life” albums (like ‘Sticky Fingers,’ ‘Hard Promises,’ and ‘Purple Rain’)… well, I feel like a dope.

    But such is life. Better late than never. And speaking of Bucket Lists – Neil Young, you are right up there near the top. Cheers to a legend.

    I wish you all a very Happy New Year.

  • Roots Rock

    “Drunk Girl” – New from Fred Eaglesmith’s ‘Tambourine’

    A nice surprise awaited me this morning on Rdio (and Spotify) when I was greeted with ‘Tambourine’ – a brand new release from great Canadian songwriter Fred Eaglesmith.

    “Drunk Girl” is easily my early favorite – and what a surprise, it’s a ballad! Sorry, always a sucker for one. Funny name for a ballad, I know. But the gist of it is that Fred’s had his heart right ripped out of his chest by a lost lover, and tonight – dammit all – he’s looking for a drunk girl to come “sail away” with him – to “weave on down Revelation Hill, down to the old mill street”. I picture a man sitting at the far corner of a dimly lit tavern bar. He’s a couple of whiskeys in, a slight sad smile on his face, as he resigns himself to his fate for the night. You know that smile, the one Bruce Springsteen nails about 2 minutes into his “One Step Up” video.

    Reverb-drenched guitar chord strikes and arpeggios, Fred’s unmistakeable vocals, all delivered in an early rock n’ roll era sweetness.

    Buy Tambourine on Fred’s Online Store.

     

  • MIA
    Electronic

    LIGHTS… new from M.I.A.

    I’ve said it before – a large part of the allure of M.I.A.‘s music for me lies in the physical realm. If she resembled a Sri Lankan Mugsy Bogues, I may not have become enamored with her back in the Arular days. But indeed she does not resemble Mugsy Bogues. She’s an exotic, caramel-skinned south Asian beauty with a fuck you attitude, who puts together some of the most unique beats and sounds around.

    On Tuesday, she released Matangi, only her fourth studio release in the last 8 years. Her last album, Maya (2010) didn’t do too much for me, but after a couple of listens to Matangi, she’s got me back the same way Arular and Kala had me.

    It’s the creativity I love – having no idea what she’s going to bring you from song to song. The layered tracks are exotic, odd, surprising, sexy, disturbing, and completely original. A couple of tunes from Matangi have already risen to the top (for now – that’s sure to change). “Y.A.L.A.”, and this one: “Lights”… The booming bass, the tribal percussion, and the way her vocals fluctuate throughout the song – high to low, raps morphing into melodies, all winding its way through the changing rhythms.

    I know if I approached 10 of my friends with this album (or any M.I.A. album, for that matter), 9 and a half of them would turn and look me in the eyes with a confused look. That’s okay. I’m not seeking validation. I gravitate to some artists just for the odd, the creative, and the adventurous. M.I.A.’s got her own thing going, and I love it.

    Check out Matangi on Amazon.

  • Indie

    Right Hand On My Heart

    “Pete FM” is my new personalized station on Rdio. You can choose among five different settings – from one end of the spectrum, “Familiar”, to the other end, “Adventurous.” It takes the songs in your collection and the songs you’ve been listening to, and formulates a playlist based on your choice between the two ends of that spectrum.  This Pandora-like music discovery feature is nothing new, but it is another great way to get out of your musical rut and discover something new.

    And wow, did Pete FM spring a great new (to me) one on me yesterday: a six year old tune by Athens, GA band The Whigs.

    The song is “Right Hand On My Heart,” and it smokes! Nothing manufactured or synthetic about this one – it starts with a pounding bass drum and snare, and quickly launches into a rocking guitar/bass riff. Singer/guitarist Parker Gispert’s vocals hit the cool spot for me – especially during the verses, as the last word in each line extends just a bit and trails off. That badass vocal delivery on top of the get-in-your-car-and-crank-this-shit-up power trio groove makes “Right Hand On My Heart” one of the best tunes I’ve heard in some time.

    The tune is from their 2008 album Mission Control. Listen & watch:

  • Guy Clark My Favorite Picture of You album cover
    Country

    My Favorite Picture of You

    I was trying to fulfill just a part of my domestic obligation by folding some laundry this morning, and, because laundry foldin’ also just happens to be one of the most opportune times to really listen to music, I fired up the new Guy Clark record, My Favorite Picture of You. Now, I’m only one listen through, but I can tell you that if you’re a fan of great, evocative songwriting, quality finger picking, and well crafted acoustic folk/’country’ tunes, then pick it up (it is Guy Clark after all, the legend).

    It was song number two into the album, the title track, that really perked my ears – a melancholy, wistful ode to his favorite picture of his girl. In this case, the girl is his wife Susanna, who lost a battle with cancer just last year at the age of 73. Put into that context, the words that Guy put to paper for this tune are all the more heartbreaking and beautiful.

    I found this video tonight, with Guy alone in his home explaining (and showing) the picture behind the song before singing it. It’ll put a lump in your throat. Bet on it.

  • Roots Rock

    Deer Tick’s new tune, “The Rock”

    Deer Tick world premiered their video for their new tune “The Rock” late last month, but it took me a while to get around to properly viewing/listening. I heard a handful of new tunes from their forthcoming album Negativity back in March when they played two full sets at the local McDowell Mountain Music Festival, and I’m excited for what’s in store, especially since it’s produced by Steve Berlin of Los Lobos (also a part of Diamond Rugs with DT’s John McCauley). Negativity releases September 24th on Partisan Records.

    Here’s “The Rock”, another quality DT tune that starts out slow and introspective, but soon unleashes a rock-fueled barrage of guitars,keys, John’s raspy vocals and horns (thanks Steve Berlin!). Now, stare into John’s eyes for a few minutes…

  • Indie

    New from Brett Dennen: “Wild Child”

    First of all – wait, what? – Brett Dennen is 6’5″ tall? I. Did. Not. Know. That.
    Second of all, I need to remind myself not to get sucked into the hateful rabbit hole of YouTube/internet comments as I did recently with this live from YouTube headquarters performance from northern California’s red-headed native son. Brett’s style, voice, delivery et al is unique, and like all music and all things in life, everyone’s not gonna like it. But me? I love this guy. I love his vibe and everything he brings to the proverbial musical table.

    So good news for Brett fans this week: a new tune and a new album announcement. Smoke and Mirrors will be released on October 22nd (via F-Stop Music/Atlantic). The lead single is called “Wild Child” – a personal affirmation of Brett’s love of all things nature and his free spirit, set to a Petty-esque “Last Dance With Mary Jane” tempo.

    So take a listen, and be sure to dial up his earlier albums too. Brett is the shit, regardless of what some of the YouTube brain trust will have you believe.

  • Jamey Johnson
    Country

    Dreaming My Dreams With You – Jamey Johnson

    Jamey Johnson is a big bad bearded, former Marine country singer from Alabama. He’s only 37, but leans toward the old school “classic” country sound of Waylon, Willie and George. Now I love my twang, and there’s little I find to appreciate in the mainstream country that Nashville churns out these days. But always lurking in the shadows are artists like Jamey keeping that old school tradition alive – and I’m always happy to stumble across them.

    His 2008 debut album, That Lonesome Song, makes its way back into my rotation every so often. It’s a laid back, back of the bar acoustic guitar and pedal steel ride that is great all the way through.

    I always like the quieter moments, and Jamey knocks it out of the park with his cover of “Dreaming My Dreams With You”, an absolutely gorgeous tune written by songwriter Allen Reynolds for Waylon Jennings’ 1975 album, Dreaming My Dreams

    I also recommend Jamey’s latest release, Living For A Song: A Tribute To Hank Cochran. He duets with the likes of Alison Krauss, Elvis Costello, Vince Gill, Emmylou Harris, and others.

  • Electronic,  Indie

    John Grant on Later…With Jools Holland

    Best television discovery of late? Without a doubt, it’s Later…with Jools Holland, a BBC2 music show that showcases 4-5 artists per show in a unique way: all bands & artists are set up in studio at the same time in a circle, with each performing a song at a time (with Jools as emcee, introducing the acts). It’s really a neat dynamic, as it’s pretty easy to tell that it raises the game for the musicians, who are not only performing for a live studio audience, but to their musician peers standing feet away.

    The first Jools show I watched straight through a few weeks back featured the Stereophonics, Low, the Lee Thompson Ska Orchestra, Melt Yourself Down, Yasmine Hamdan, and John Grant. Two of the artists stuck out for me – the Lee Thompson Ska Orchestra and John Grant. If you want a great summer album to accompany a BBQ or poolside relaxation, definitely spin Lee Thompson’s latest album, The Benevolence of Sister Mary Ignatius. Lee is the sax player and one of the founding members of Madness, so that’s an instant indicator of its ska-cool quality…

    But I was really blown away by John Grant. It’s music that’s hard to describe – electronic folk, maybe? Very melodic, great harmonies and sounds, both acoustic and synthetic. It just really caught on with me.  One  of the standout tunes on his new album, Pale Green Ghosts, is “GMF”, a tune whose tender and sensitive opening instrumentation unleashes into some eye opening and interesting lyrics – especially the chorus:

    But I am the greatest motherfucker
    That you’re ever gonna meet
    From the top of my head
    Down to the tips of the toes on my feet.

    So go ahead and love me while it’s still a crime,
    And don’t forget you could be laughing
    65 percent more of the time.
    You could be laughing
    65 percent more of the time.

    And it’s hooky enough that you’ll be singing along by the time the chorus rolls around for the second time. 

    There’s a lot of analysis yet to be done on this record, but it’s clear that Grant, who is openly gay, does not shy away from the subject. But it’s only one dimension of this unique album and artist. The strange opening sounds of the opener “Pale Green Ghosts” pull you right in (headphones recommended) and don’t let go until the end.

    For those of you in the U.S., you can catch Jools Holland on Palladia HD network.

    Check out John Grant’s Pale Green Ghosts on Amazon.