• Live,  R&B

    Recap: Cameo at the Celebrity Theater in Phoenix

    Everyone’s allowed a pure and simple nostalgia trip from time to time, right? For me tonight, it was the funk/soul/R&B of Cameo that brought me back to simpler days. Crazy to think that the last time I saw Cameo in concert, Ronald Reagan was president and I was a junior in high school.

    After discovering Prince in ’84, I threw myself into all the funky sounds I could get my hands on. Cameo was a huge part of that mid-80’s funk explosion in my life. Sitting in my room, cranking up the volume on “Flirt”, “I Just Want To Be”, “Candy”… and taping all the videos on BET’s Video Soul and New York Hot Tracks – “Attack Me With Your Love”, Single Life”, and of course “Word Up.”

    So when I saw that Cameo was stopping through Phoenix in this year 2013, I jumped all over it.

    The wife and I headed down to the Celebrity Theater, an old school theater-in-the-round room in Phoenix (Bruce Springsteen played there in 1974). It was around 9:30 when the house lights went down and out walked the familiar faces of Tomi Jenkins, Charlie Singleton (covered in a space-age silver Mardi-Gras mask), and of course the one and only Larry Blackmon.

    Larry’s put on a few pounds, shall we say, and can’t jump around with his bandmates like he used to, but the big ol’ red codpiece was still on display, and he was still busting out his signature moves… The rest of the band were fit as could be. They looked great. They busted out all the familiar moves, shaking it to “Candy”, “Single Life”, “Attack Me With Your Love”… slowing it down for “Why Have I Lost You” and “Sparkle”… and laying down the old school funk with “Flirt” and “Keep It Hot.”

    The crowd participation during “Candy” was a crowd favorite – with the ladies and the fellas trading off the line “It’s like Candy” one after another. Overall, the crowd was full of energy, and showed some serious love to the veterans of Cameo, now in their 34th year as a band.

    It wasn’t a long show – only 12 songs with no encore, lasting about 70-75 minutes. But we didn’t mind. Sure, we all wanted more, but we were happy just to forget about the day to day for part of a Friday night; to listen to the sounds that bring back those good memories, and be just fine with letting the nostalgia wash over for a little while. Music, sweet music…

    ~~~ Set List ~~~ 

    Cameo
    January 18, 2013
    Celebrity Theater
    Phoenix, AZ

    She’s Strange
    Single Life
    Attack Me With Your Love
    I’ve Got Your Image
    Why Have I Lost You
    Hangin Downtown
    Sparkle
    Candy
    I Just Want To Be
    Keep It Hot
    Flirt
    Word Up

    Here’s a little bit of “Flirt” from the show…

  • Indie

    Christopher Owens’ new album, Lysandre (and a giveaway)

    “Don’t try to get me down. Don’t try to harsh my mellow, man!”

    Because after multiple listens over the last 24 hours, the short & sweet Lysandre album, brand new from former Girls frontman Christopher Owens, is doing the trick. And yes, Owens does indeed use the “harsh my mellow” line in “Here We Go Again.”

    So for anyone who doesn’t know, I am enamored with the Girls catalog – the two albums and one EP. Christopher dissolved the band in mid 2012 to move on to some solo work. The first fruits of his solo labors is the concept album Lysandre, which has been kicking around in his head since the first Girls tour in 2008. For on that tour, while in France, he met a fair French maiden named Lysandre, and they fell hard for each other. Love ensued, but so did separation, as Chris returned to his home in San Francisco. Most of us know how difficult it is to maintain a long distance relationship, and theirs was no different than most of us – it fell apart.

    Lysandre tells that story from A to Z in a sweet, sad, fun, beautiful little 28 minute package. My one and only complaint is the abbreviated EP-like length. It leaves me thirsting for more.

    Tops for me so far is “New York City”, which is catchy as hell with that cool neo-Brian Wilson vibe, and juxtaposes tales of his pre-band days in Texas (dime bags, guns & knives, making a quick hundred bucks in the back of a pickup truck) with playing to a crowd for the first time in New York City: “But look at us in New York City, everybody’s listening to me.” Oh, and Saxophone warning! There is Saxophone on this track, which some may find over the top or cheesy at parts. I like Chris’s attitude about it though – put it in there, and make it loud! This, folks, is a fun song…

    Another highlight is “Love Is In The Ear Of The Listener,”  an endearing song about self doubt, the naysayers and critics, and an affirmation that “beauty’s in the eye of the beholder, love is in the ear of the listener.”

    All in all, I admire the way this album is put together. As I’ve prattled on about before, any artist who is out there creating something fresh and unpredictable every time out has my respect. It’s one story told over 28 minutes. “Lysandre’s theme” / interlude makes appearances throughout, and ties the songs together. It never leaves the key of A. There’s saxes. There’s Renn-faire flutes. There’s bang-bang beach rock n roll… It’s a half hour journey through California, NYC and France – an enjoyable one that I look forward to riding along to in the months and years to come.

    MP3 Download Giveaway – I bought a vinyl copy of Lysandre, and they included a couple of extra download codes for the digital album in MP3 format. If you’re interested in getting a hold of the digital album, leave a comment below. I’ll pick a couple of people in a few days (or – if there’s only two of you, lucky you!).

    If you’re bent on grabbing that record here and now (which I heartily recommend), here are some links for you:

    Buy Lysandre On: Fat Possum Records | Amazon

  • Indie,  Laid Back

    Song for Zula, new from Phosphorescent

    “Some songs just feel like home.”

    Commenters on YouTube (and the internet in general) can be a wicked, often ignorable bunch – but in this case, Youtube user RMBRKFLD is spot on. Phosphorescent’s brand new single, “Song For Zula” latches on instantly with its entrancing, dreamy rhythm and Matthew Houck’s fragile vocals.

    The song’s first verse lets you know immediately where Matthew’s going, and it isn’t that bright, sunny nirvana called Love Land. Instead, he takes us into the deep, dark depths, where love will, well, tear you apart. Houck references “Ring of Fire” in the very first line, and goes on to detail his despair:

    Some say love is a burning thing
    That it makes a fiery ring
    Oh but I know love as a fading beam
    Just as fickle as a feather in a stream
    See, honey, I saw love. You see, it came to me
    It put its face up to my face so I could see
    Yeah then I saw love disfigure me
    Into something I am not recognizing

    The song is shattering and beautiful, and exactly what I wanted to hear from Matthew/Phosphorescent after falling hard for their 2010 album, Here’s to Taking It Easy.

    The new album is called ‘Muchacho‘, and is due out March 19th. The title is no doubt inspired by his stay in Tulum, Mexico (on the Yucatan Peninsula), where he kicked up his feet in a hut on the beach and penned the album’s songs (apparently in one week’s time).  The jury’s out on the source of the album cover photo, but it very well could have Mexican origins, and appears, quite frankly, like a recipe for a damn good time!

    You can pre-order Muchacho on Amazon.

    Muchacho Track Listing:

    1. Sun, Arise! (An Invocation, An Introduction)
    2. Song for Zula
    3. Ride On/Right On
    4. Terror in the Canyons (The Wounded Master)
    5. A Charm/ A Blade
    6. Muchacho’s Tune
    7. A New Anhedonia
    8. The Quotidian Beasts
    9. Down to Go
    10. Sun’s Arising (A Koan, An Exit)

  • Funny

    Cock’d Gunns and Nick Rose’s “Wintersong”

    A simultaneous tip of the hat, high five and hearty kudos to whoever’s responsible for bringing the hilarious Canadian “rockumentary” Cock’d Gunns to the Fuse music channel. First of all,  it’s  one of the funniest music spoof/comedies I’ve ever seen (seriously, it’s right up there with Flight of the Conchords and Spinal Tap in my opinion).

    I’ve already watched all 13 episodes detailing the adventures of Reggie Van Gunn (guitar), Dick Van Gunn (bass), Barry Cicarelli (drums) and Keith Horvak (manager) in their quest for a record deal, riches and fame. Unfortunately, the 13 episodes (shot in 2008-2009) are all that currently exist.  One thing is clear – Cock’d Gunns must return for more seasons. So Fuse, thanks for getting the ball rolling, and for introducing me to these insanely funny (and delightfully vulgar) people. I’ve fallen hard for these north of the border misfits.

    Morgan Waters, the comedic genius who plays Reggie, is currently part of Toronto pop/rock band Sweet Thing. His bandmate is Nick Rose, who I discovered on Episode 8 as background music during the final scene (Reggie and Becky walking into the motel room together for a night of _?_. You’ll need to watch it…).

    With the help of Shazam, I discovered Nick’s tune, “Wintersong” –  a melancholy, yearning vibe which reminds me of those slower Ryan Adams tunes I love so much. Just a beautifully crafted song. His entire album, Oxbow Lake, is an equally impressive 38 minutes of rootsy folk.

    I’ve always got my ears to the ground, listening for that next great song. It can be found anywhere, even in a show like this – among Cock’d Gunns classics like “Piss Helmet” and “Party Eyes.”

    Great show. Great album. Listen & watch.

    Nick RoseWintersong (mp3)

    OXBOW LAKE: On Amazon | Spotify

  • Pop

    On Discovering Butch Walker

    Regardless of how tuned in you think you are to the popular music scene, there’s always something good slipping under the radar. One of the most recent examples for me is Butch Walker. The Georgia-born musician and producer has been making waves since his early hair metal days with Southgang. He moved on to the Marvelous 3 in the late 90’s, and, and over the last decade, he’s found success as a pop/rock solo artist and producer (Pink, Weezer, Fall Out Boy).

    Butch Walker and Daryl Hall
    Butch Walker & Daryl Hall (photo: Mark Maglio)

    I had heard of Butch, but didn’t get a good quality introduction until I watched his appearance on the always great Live from Daryl’s House series. Musically, it was the performance of “Sweethearts” that reeled me in. But it’s also impossible not to appreciate the funny, genuine person he is (Daryl’s House seems to bring that out in its guests).

    That brought me to The Spade album, his 2011 release by Butch Walker and the Black Widows – a wonderful collection of catchy hooks, fantastic harmonies and simply fun songs. The mid-album trio of “Sweethearts”, “Day Drunk”, and “Synthesizers” is my highlight.

    Little did I also know that a great video for “Synthesizers” was released a year ago, featuring Matthew McConaughey reprising his role as his Dazed & Confused character Wooderson, a role that my colleague Mark has proclaimed his appreciation for.

    The “Synthesizers” chorus has some advice that ties in well to the new year.

    For once, once in your life
    Won’t you do what feels right
    Instead of waiting for the next big compromise
    Stop running your mouth
    Get out of the house
    Get yourself downtown
    And shake it all out tonight.

    Add this song to your exercise playlist and tell me you don’t get a charge out of it.

    Here’s the video, followed by the first segment from the Live From Daryl’s House episode with Butch, which I highly recommend taking the time to watch.

    Watch the whole episode.

  • McDowell Mountain Music Festival

    2013 McDowell Mountain Music Festival brings the Roots, the Shins, and lots more to Downtown Phoenix

    2013 MMMF logoArizona’s own McDowell Mountain Music Festival marks its 10 year anniversary in just a couple of months (March 22-24) with a stellar lineup – arguably the strongest lineup in its decade long run.

    I’ve made it very clear over the years that MMMF is hands-down my favorite music event in old AZ. I’ve attended every one of them since 2007, when I watched in awe as Aaron Neville and his brothers belted out “Tell It Like It Is.”

    From its earlier years at Scottsdale’s spacious Westworld complex (2004-2009) to the intimate sod-laid parking lot outside of the (now defunct) Compound Grill in north Phoenix/Scottsdale (2010-2012), the all-for-charity festival has brought in the likes of Los Lobos, Gov’t Mule, the Flaming Lips, Matisyahu, Blues Traveler, Galactic, and Edward Sharpe & the Magnetic Zeros – as well as a regular rotation of local artists like What Laura Says, Tramps & Thieves, and Endoplasmic.

    2013 brings another new venue for MMMF – Margaret T. Hance Park in downtown Phoenix (aka “Deck Park” because of it’s locale over the Interstate 10 tunnel). It’s clearly a shift for the festival, moving from the far outskirts of the Phoenix metro area to smack dab in the middle of an urban center. This won’t be welcome news to those that enjoyed camping out under the stars during its first several years at Westworld, and were hoping for a return there. But any hesitation to attend should be squashed with this year’s announced lineup…

    The Shins
    The Roots
    Umphrey’s McGee
    Les Claypool’s Due de Twang
    Deer Tick
    Heartless Bastards
    Dr. Dog
    Edward Sharpe & the Magnetic Zeros
    Yonder Mountain String Band
    and more…

    Me? I’m most excited to catch the Shins for the first time, to see the Roots a second time, and to see Rhode Island’s crazy bastards, Deer Tick, for a fifth time. The afterhours Deer Tick party on Saturday at the nearby Crescent Ballroom should be a wild time too.

    I’m also really looking forward to Sunday’s closer, Umphrey’s McGee – a prog-rock/jamband that has been making big waves in the jam scene for years.

    There’s a little something for everyone, isn’t there? Sunday’s lineup is a jamband fan’s wet dream. Saturday is gritty and soulful. Friday leans to the Indie side. All in all, a killer lineup if you ask me.

    So tickets just went on sale January 1st. 3-day passes are going for $120.

    See you there on Friday, March 22nd, yeah?

    Here’s the full lineup…

    FRIDAY, MARCH 22, 2013

    5:00 LOCAL TBD
    6:00 Balkan Beat Box
    7:30 Edward Sharpe and the Magnetic Zeroes
    9:30 The Shins

    AFTERHOURS AT CRESCENT BALLROOM:
    11:30  ORGONE

    SATURDAY, MARCH 23, 2013:

    12:00 LOCAL
    1:00 LOCAL
    3:00 Heartless Bastards
    5:00 Deer Tick
    7:00  Iration
    9:00   The Roots

    AFTERHOURS AT CRESCENT BALLROOM:
    11:30   Deer Tick

    SUNDAY, MARCH 24, 2013:

    11:30 LOCAL
    12:30 JGB BAND
    2:00 Dr. Dog
    4:00 Les Claypool’s Duo de Twang
    6:00 Yonder Mountain String Band
    8:00 Umphrey’s McGee

    BUY TICKETS

    Official Site for the McDowell Mountain Music Festival

     

  • Best of Lists,  Ick's Pick

    Pete’s Music Highlights: My Top 12 of 2012

    I’ve been as quiet here on Ickmusic as I ever have during its eight year run.  Worry not, nothing (outside of my family) has taken a back seat to music in my life. It still fuels everything I do. But there has been a definite lull in my desire to sit down and type out regular blog posts. I know it tears you up inside (whoever “you” may be).

    But it’s okay, Ickmusic.com is still here when I need it. Like today, for instance, when I feel like sharing my music highlights from the year Twenty-Twelve.

    Here are some of the albums, songs and live shows that enriched my world in 2012…

    1. Album: Band of Horses – ‘Mirage Rock

    Fans and critics who were praying for another Everything All The Time or Cease to Begin cried foul when Mirage Rock was released this year. Me? I ate it right up. The album, produced by legendary classic rock engineer/producer Glyn Johns (The Who, The Stones, to name a couple) definitely steers heavily into 70’s classic rock and even soft rock category. I am just fine with that. In fact, the wistfully sweet “Long Vows” and “Slow Cruel Hands of Time” are two of my favorites. But the boys sure crank it up with tunes like “Dumpster World”, “Knock Knock”, and the early 70’s Stones-ish “Electric Music.” Yep, I’m all in on this record. Oh, and if you’re looking for beauty, track down “Relly’s Dream” from the Sonic Ranch Sessions bonus disc on their deluxe edition. I spun this album start to finish more than any other release this year.

    2. Show: World Party – Crescent Ballroom, Phoenix – 12-02-2012

    worldparty1

    Thanks to Zia Records, the top independent record store here in Phoenix, I won a pair of tickets to see Karl Wallinger and his band World Party. As a big fan especially of the Goodbye Jumbo album, it was a rare honor to see Karl play an intimate venue like the Crescent Ballroom in downtown Phoenix (my #1 room in town). After a serious health scare in the early 2000’s (a brain aneurysm), Karl’s voice is as pure and dynamic as you’d hope for. Along with his sharp young Nashville bandmates, he tore through WP classics like “Is It Like Today”, “Ship of Fools”, “Way Down Now” and (my favorite) “Put The Message In The Box”; and also sat down at the keys for “She’s The One” and “God On My Side.” This gig far exceeded my expectations (I didn’t know what to expect, really), and I sincerely hope Karl continues on with making music and touring. I can’t wait to see him again.

    Here’s a video I shot of Karl and violin/mandolin/harmony vocalist extraordinaire David Duffy singing “Mystery Girl” (bump up the quality to 720p or 1080p):

    3. Show: Band of Horses, Marquee Theater, Tempe 10-26-2012

    ben-peteLG

    I’d seen Band of Horses a couple of times before, but only in a festival setting (Austin City Limits). This first true headlining show came out of the cancelled Railroad Revival Tour with Willie Nelson. Ben Bridwell and the boys set up at Tempe’s Marquee Theater in late October and tore the roof off the dump. Drawing from all four of their studio albums with a couple covers thrown in (Them Two and Hour Glass, nice & obscure!), the songs were rambunctious, mellow, inspiring, wistful, beautiful, rocking… all the adjectives that reminded me (and the full house) why we love them so much. Not to mention getting to chat for a while with Ben after the show. The dude abides.

    4. Album: Ryan Bingham – ‘Tomorrowland

    Ryan-Bingham-Tomorrowland-album-cover

    Give me the cool, gravelly roots/folk/country rockin’ twang of Ryan Bingham any day of week. Tomorrowland is a return to the more straight-ahead rockers that seemed to be missing on his last album, the T-Bone Burnett produced ‘Junky Star.’ He wastes no time on Tomorrowland’s opener, launching into “Beg for Broken Legs” with urgency and force. “Guess Who’s Knockin” is another strong one, featuring a satisfying F-bomb chorus. “Never Ending Show”, “Flower Bomb”, “The Road I’m On” – all standout tracks. If you haven’t checked out Tomorrowland (or Ryan Bingham) yet, you’re missing out. Just do it.

    http://www.youtube.com/watch?v=ftBWG1U09OA

    5. Show: Bruce Springsteen & the E Street Band – Jobing.com Arena, Glendale 12-06-2012

    IMG_4755

    I took a couple of Bruce first timers a few hours early to go through the wristband lottery to try and get up near the front of the stage (“in the pit”, as they say). Sadly, our numbers were not of the lucky variety, and we were shut out. So we ended up behind the pit right next to the sound booth. The disappointment was very quickly washed away with Bruce’s first strum of the acoustic for the opener “Surprise, Surprise.” The first 30 minutes was a showcase of career nuggets: “No Surrender”, “I’m a Rocker”, “Hungry Heart”, “Prove It All Night”, “Trapped”, and “Lost in the Flood” – and all those before launching into the new Wrecking Ball material! Three plus hours from a tireless 63 year old and his very large troupe of supporting members – the E Street Band and then some. My eighteenth live Bruce experience, and yet another reminder why The Boss sits on the top of the pile in my world.

    6. Show: Girls – Crescent Ballroom, Phoenix – 03-03-2012

    IMG_3860

    Who would’ve thought I was seeing Girls the band in one of their final performances? For not long after, frontman, songwriter, and singer Christopher Owens announced on Twitter that the band was done. He’s moving on in another musical direction (his debut solo album, Lysandre, comes out in just a couple weeks). So I am fortunate to have seen Christopher and the band play songs I’ve come to absolutely love since discovering them a couple of years ago: “Laura”, “Alex”, “Honey Bunny”, “Love Like a River”, “Die”…

    Something about Christopher’s music draws me in – the beauty and innocence, the light in the darkness – and I’ll basically be following him around for however long he decides to make music. A great show – short, but sweet.

    http://www.youtube.com/watch?v=-J6aXK39qVQ

    7. AlbumNeil Young & Crazy Horse – ‘Psychedelic Pill

    untitled

    A 27 minute album opener with the lyrics “I wanna get a hip-hop haircut”? Check. Something about this record, particularly the longer running tunes (“Driftin’ Back”, “Ramada Inn”, “Walk Like a Giant”), really grabbed hold of me. It’s the loud, distorted (and long) guitar solos, it’s the way Neil sneers his way through the lyrics… It’s the unconventional and F-you attitude of it all. Everything Mr. Neil Young represents.

    And of course Neil has a 27 minute long official video for “Driftin’ Back”…

    8. Show: Lenny Kravitz – Comerica Theater, Phoenix – 02-12-2012

    lennylive

    Rock Star. Completely and indisputably. It’s fun to sit back and watch a performer just turn on all the glamor, glitz, and poses of a Rock Star. Lenny has perfected this persona over his 20+ years of performing. He’s got a quite the catalog to choose from, and watching him perform the hits (“Are You Gonna Go My Way” being my favorite) as well as tunes from his surprisingly strong latest album, ‘Black and White America‘, had us out of our seats the entire gig. Lenny has always been and remains a total badass. Such an entertaining show.

    9. Song: Bruce Springsteen – “Jack of All Trades”

    This is my favorite Bruce tune in years. I thought about including the whole ‘Wrecking Ball‘ on the “list”, but that wouldn’t be an honest assessment. While I enjoy Bruce’s Great Recession album from earlier this year, I just haven’t connected too much with the songs (of course, hearing them live is a whole ‘nother ball of wax – see above for my December 6th Bruce show). “Jack of All Trades” though, wow. A slow, dirge-like bass drum and piano start off the song. It builds and builds with each verse and ends with a forceful guitar solo from Tom Morello. The theme of strength, perseverance and optimism in the face of adversity is a common one in Bruce’s music, but he really connects with this tune in a goosebumps and tears kind of way.

    “I’m the jack of all trades / honey we’ll be alright”

    10. Album: Delta Spirit – ‘Delta Spirit

    deltaspirit1

    Matt Vasquez and company continue to evolve, refusing to stay pigeonholed the way some fans prefer (see Mirage Rock comments). “California” was the lead single and the most obvious stray from their former indie/folk sound – a more electronic modern pop sound. But they still rock out – “Money Saves” is one of my favorites, as are “Tear It Up” and “Tellin’ the Mind.” Nothing matches my three standout tracks from their last album, ‘History From Below‘ – “911”, “Bushwick Blues” and “Salt in the Wound” – but that’s not a knock on this record. I love a band that explores new territory and challenges themselves to try something new – Delta Spirit is a band I’ll be following for years to come.

    11. Album: Fred Eaglesmith – ‘6 Volts

    fredeaglesmith_6volts

    It wasn’t until about midway though the year that I reconnected with Canadian singer/songwriter Fred Eaglesmith. I listened to him in the late 90’s and early 00’s, but for some reason, I seemed to veer away. ‘6 Volts’ was released in January, and quickly reminded me what drew me to Fred: clever songwriting and storytelling, and great folk/root-rock sounds and rhythms. ‘”Betty” is a standout track from 6 Volts, with Fred conjuring up dark imagery on as cheerful a melody and cadence as possible: “Betty what’d you do with the gun? There’s strangers at my door / and there’s more where they come from / …was it the money, was it the drugs / was it somebody that you used to know / …Betty Betty why won’t you tell me”.

    12. AlbumTrampled by Turtles – ‘Stars and Satellites

    cover-stars-300px

    Straight out of Duluth, Minnesota, I became aware of Trampled by Turtles when I saw them at the 2011 Newport Folk Festival. I’ve seen categorizations bandied about in the past for this band, like “newgrass” and “speedgrass”… but with this year’s release, people will have to search for new adjectives. They jump into more rootsy, Americana-inspired territory here, bringing the tempo down with some great tunes like “Midnight on the Interstate”, “Alone”, “Widower’s Heart” and “Beautiful.” Of course, they haven’t abandoned their bluegrass roots, their banjo and fiddle players remain. So if you want your speed fix, listen to “Don’t Look Down” or “Walt Whitman.”

  • Rock n' Folk

    Recap: Band of Horses at the Marquee Theater in Tempe

    It was starting to feel like Band of Horses may never actually make it back to Phoenix. Last year, they were scheduled to open for Kings of Leon at Ashley Home Store Pavilion, but that got axed. Then this year, they were scheduled to play downtown Tempe as part of the second installment of the Railroad Revival Tour with Willie Nelson, Jamey Johnson, and actor/musician John C. Reilly, but that fell apart a few weeks prior to the October 26th date.

    Luckily, Band of Horses wasted no time and promptly booked gigs in the cancelled tour towns, including an October 26th stop at the Marquee Theater in Tempe. For fans like me, it was a big win, now getting a full headlining gig versus an abbreviated festival-like set.

    And so deliver they did, playing a roughly two hour set for (what had to be) a sold out crowd – the set list drawing from all four studio albums. In fact, at the end of the night, only four songs showed up from their latest release, Mirage Rock.

    Some friends and I got to spend about fifteen minutes chatting with lead singer Ben Bridwell after the show, and he talked about the fun they’re having with these last minute headlining dates. They’re giving themselves the freedom to relax, have some fun, and play outside of the box a little.

    It showed with the 23-song set list that included a couple of rarely seen covers: keyboardist/guitarist Ryan Monroe took to the organ for “Ain’t No Good To Cry,” a late 60’s tune by Hour Glass – the L.A. band that Gregg and Duane Allman were a part of before forming the Allman Brothers Band. How’s that for obscure? (Thanks to Ryan Monroe for the Twitter reply confirming the song name). The other cover was the encore finale, an old deep soul track called “Am I A Good Man?”, originally by a group called Them Two. They’ve pulled that one out quite a bit in the past.

    We got a song premiere too, “A Little Biblical” from Mirage Rock, a tune they had never performed live.

    But by and large, the band delivered lots of familiar Band of Horses favorites:

    • The night opener, “The First Song,” with Ben sitting down with this pedal steel.
    • “Marry Song,” with Ryan and Ben synched up perfectly with that gorgeous harmony.
    • “No One’s Gonna Love You,” a night highlight, with only Tyler Ramsey on guitar and Ben on vocals – a very intimate few minutes and clearly a crowd favorite.
    • Another slow burning highlight: “Detlef Schrempf,” where Ben came down to the crowd to share the mic during the chorus, letting crowd members sing “My eyes can’t look at you any other way…”- and by the way, I asked Ben after the show if former NBA star Detlef Schrempf knows there’s a song named after him. The answer is yes – Detlef and Ben keep still keep in touch, and try to hang out when Ben stops through Seattle.
    • “The Funeral” was the regular set closer, and since Ben’s amp blew out during the prior tune, it didn’t feature the familiar guitar riff from his Les Paul Standard. Instead, Ryan worked the riff on the organ. They may have stumbled on something there… very cool to see an oft-played tune done in a different style.

    Just an amazing night overall – for the super fans like me on down. And to be able to chat it up with Ben after the show was the icing on the cake – such a genuinely nice guy.

    Back in October 2008, on the morning after their Austin City Limits Festival set, I saw Ben in the Austin airport, so I went up and said hi. When I mentioned that encounter last night, unbelievably to me, he remembered meeting me on that bleary-eyed morning. So naturally, I asked him to reenact the photo we took in the airport. Kudos to Ben for removing his ball cap to style his hair a la 2008…

    2012

    2008

    Ben promised the crowd that it wouldn’t take so long for the band to make it back to the Phoenix area. From what I can find, the last time they were in Phoenix was a June 2006 stop at the Rhythm Room. That is a long time.

    Here’s hopin’ and beggin’ and prayin’ they stop through again soon. Special band. Special night.

    Band of Horses Web Site

    Band of Horses on Amazon

    Set List

    Marquee Theater
    Tempe, AZ
    Oct 26, 2012

    The First Song
    Laredo
    Great Salt Lake
    Islands on the Coast
    NW Apartment
    Electric Music
    Ain’t No Good To Cry (Hour Glass cover)
    Blue Beard
    Cigarettes Wedding Bands
    On My Way Back Home
    Marry Song
    Everything’s Gonna Be Undone
    Older
    Knock Knock
    A Little Biblical
    No One’s Gonna Love You
    Is There a Ghost
    Weed Party
    Ode to LRC
    The Funeral

    ~ Encore ~
    The General Specific
    Detlef Schrempf
    Am I A Good Man? (Them Two cover)

    ** Thanks to Nicole LaRochelle for some of the photos above.

  • Indie

    Christopher Owens announces ‘Lysandre’

    Christopher Owens, the heart, mind, body and soul behind San Francisco’s Girls, decided to leave (and effectively disssolve) the group back in July with an announcement on Twitter (One, Two, and Three).

    Thankfully, the creative juices are still flowing, and he’s been busy in L.A. recording his first solo album. The word is now out that Chris will be releasing Lysandre on January 15th, 2013 on the Fat Possum label.

    There’s a really nice piece here on Fader where Chris talks about the backstory behind Lysandre. In a nutshell, Lysandre is a French girl he met on Girls’ first tour back in 2008 (supporting their debut, Album). A long distance romance evolved and eventually ended. The album tells the story of the journey.

    I feel like this is the most focused effort I’ve ever made musically; telling a story from one song to the next in order of occurrence, making the album almost like one long song. A little bit like a musical. I’m very proud of it and happy it worked so well. I’m pleased to be able to share it with the world; its story, its music, its universal and classic themes. It’s a coming of age story, a road trip story, a love story. It’s a moment in time that has been captured and brought to life through art. For you, for me, for us. For what it’s worth. – Christopher Owens

    I am so locked into this guy and the music he makes, so count me among those who are very excited about this new record. The first two tracks have been offered up on Soundcloud: “Lysandre’s Theme” (a short instrumental intro) and “Here We Go,” featuring soft acoustic guitar, flute, fuzzed out electric… Time for another listen.

    Here’s the track listing for Lysandre. Pre-Order the album here.

    1: Lysandre’s Theme
    2: Here We Go
    3: New York City
    4: A Broken Heart
    5: Here We Go Again
    6: Riviera Rock
    7: Love Is In The Ear Of The Listener
    8: Lysandre
    9: Everywhere You Knew
    10: Closing Theme
    11: Part Of Me (Lysandre’s Epilogue)

    Keep up with all things Christopher on his web site, his Facebook, and Twitter.

  • Punk

    New Titus Andronicus: ‘Local Business’

    High expectations – they’re dangerous.

    I first heard Titus Andronicus on a jog around the neighborhood in March 2011, a few months after they released their 2nd full length, The Monitor. Halfway through the opener, “A More Perfect Union,” I was all systems go, hair standing on end. It was exhilarating (as was their live show a month later). The album was rich with imagery, rage, a continuity and flow from song to song, an abundance of fist-to-the-air-moments, and a full production sound.

    So maybe I can be partly blamed for the high expectations I brought to the table today when I tapped “Play” on T.A.’s new release, Local Business. I strapped on the earbuds and the running shoes and embarked on that familiar jog around the neighborhood, ready for that feeling, that Red Bull-will-give-you-Wings rush that music can provide…

    Wasn’t happening.

    Granted, the opening trio of songs – “Ecce Homo,” “Still Life With Hot Deuce on Silver Platter,” and “Upon Viewing Oregon’s Landscape With Flood of Detritus” – are solid rockers with that familiar angst and anger, a specialty of frontman Patrick Stickles. They’re good, and they very well may grow on me, but where The Monitor had that epic, fulfilling feel to it, Local Business has a garage-y, rushed quality to it.  And, a lot like the (disappointing) album cover, the record’s production sound seems a lot more Do It Yourself and lower quality than the two previous releases.

    I know it’s not really fair of me to rush to the web on the first day of its release to spit out my less than favorable judgment. But dammit, I was expecting more! They captured lightning in a bottle on The Monitor, and I know Stickles has it in him to go to that level again. On first listen, Local Business doesn’t come close.

    → Local Business on Amazon.

    → Titus Andronicus Web Site

    Here’s “Still Life with Hot Deuce on Silver Platter” at Shayz Lounge in Brooklyn. See all Local Business Sessions at locations around Brooklyn here on Pitchfork.