• Martin Sexton and Nils Lofgren
    Local

    Recap: Martin Sexton (and Nils Lofgren) at the Compound Grill

    You may not come across many people in your daily life who are familiar with the music of Martin Sexton – much less seen him perform live. But anyone I’ve encountered who has seen his live act – people I know personally, online, etc. – has nothing but rave reviews for the guy.

    Now I know why.

    Martin Sexton, backed by the talented Ryan Montbleau Band (who also opened the show with an impressive 45 minute set), rolled into town last night for one of the opening gigs of his tour in support of a new album – Sugarcoating.

    Martin Sexton

    It was a 90 minute dose of a little of everything: roots, rock, gospel, blues, soul… and to sweeten the pot even further, who shows up to sit in for the entire second half of the show? E Streeter and local resident Nils Lofgren, that’s who! Being someone who worships at the altar of E Street – I was pretty excited.

    I had spotted Nils right before the show started – wearing a jacket, t-shirt, jeans, and sporting a “I Could be Illegal” button on his lapel. He was sitting at a table not six feet away from me. And when he walked by, I had to do it: “Excuse me. Are you Nils Lofgren?” In a cool and calculated fashion (like it was the 20,000th time he’d heard this question), he extended his hand and replied “Yeah man, how are ya.”

    So it was pretty cool taking in the first part of Martin’s show with Nils and his gang sitting right by me.

    The first part of Martin’s set focused largely on new tunes from Sugarcoating. “Found”, the album opener, featured a beautifully sung “America the Beautiful” intro. “Sugarcoating” morphed into the first verse of “Amazing Grace.”

    It’s these types of moments where Sexton stands out from the rest. His lower register singing voice is unique as is, but when he lets loose with his higher register voice – often stepping away from the microphone to really let loose – it’s hard not get goosebumps and lose yourself in the moment. And when the music includes moving standards like “America” and “Amazing”, it’s a great showcase for Martin’s supreme vocals.

    “Diner” was the first Martin Sexton song I ever heard, the song that made me seek out more of his stuff. So I was happy to hear it as the second song of the night.

    After a string of new tunes, the crowd really came alive during “Angeline” – from his 2000 Wonder Bar album – singing along during the fun chorus.

    For “Glory Bound”, the band left the stage, leaving Martin to sing with his plugged in acoustic. It was before “Glory Bound” that Nils Lofgren stood up, walked past us and made his way through a door sidestage. When the band came out after “Glory Bound”, out came Nils with them – launching into a slow, bluesy “There Go I”. Nils launched into one of his signature solos, toying with the effects pedals and poking at the fret board…it was a sight to see – especially in the intimate confines of the Compound.

    Nils Lofgren

    I thought Nils would sit in for one song and call it a night. But he never left the stage. He was there for the rest of the show. He joined Martin and the band for the Texas blues boogie of “Ice Cream Man”; the reggae rhythm of “My Faith Is Gone”; a short blast of Zeppelin’s “Heartbreaker”; the beautiful “Always Got Away” (a favorite of mine from the new record); the playful feel of “Failure.”

    The encore started with the slower, gospel-tinged “Black Sheep”. Then, it was really time for church.

    Martin: “Hallelujah!” Crowd: “Hallelujah!!” Repeat. Repeat. Repeat.

    It was joy & inspiration all around as Martin and the band dove into “Turn On Your Lovelight”, intermingled with “This Little Light of Mine”, and whipped the sold out crowd into a spirited frenzy. It felt like a revival, and as Martin, Nils and the band left the stage, it was hard to come down and call it a night.

    But as the saying goes, leave ’em wanting more. And that they did.

    ——-

    ——–

    Ryan Montbleau, Nils Lofgren and Martin Sexton
    Nils Lofgren and Martin Sexton
    Nils Lofgren and Martin Sexton
    Nils Lofgren and Martin Sexton
    Martin Sexton

    Set List

    Martin Sexton
    The Compound Grill
    Scottsdale, AZ

    May 5th, 2010

    Love Keep Us Together
    Diner
    America the Beautiful > Found
    Boom Sh-Boom
    Livin the Life
    Sugarcoating > Amazing Grace
    Stick Around
    Angeline
    Glory Bound
    There Go I **
    Failure **
    Heartbreaker (instrumental)**
    My Faith is Gone **
    Always Got Away **
    Station Man **
    Real Man **
    Ice Cream Man **

    Encore

    Black Sheep **
    Turn On Your Lovelight / This Little Light of Mine **

    [** with Nils Lofgren]

    All photographs courtesy of OWB Photography. Click for larger images.

  • Rock

    Show Alert: Martin Sexton this Wednesday at the Compound Grill

    Photo by Crackerfarm

    Over the years, I’ve heard from numerous people about the great live show that Martin Sexton and his band put on. This Wednesday, I’ll finally get to experience it for myself. Martin Sexton is just kicking off a nationwide tour, and Scottsdale’s Compound Grill is one of his first stops. The Ryan Montbeau Band will be opening the show, and then backing Martin up for his set.

    If you’re in the Phoenix area, come on down to the Compound –  this Wednesday, May 5th. Martin will be playing lots of stuff from his new record, Sugarcoating, as well as some rarities and favorites.

    Buy Tickets Here.

    Here’s a recent video blog from Martin…

  • Jam

    Phish + ACL Music Festival? Yes. Please.

    If this rumor turns out to be true, then it’s clear to me that the music gods are on my side. A few weeks ago, I tried for a ticket (one ticket) to see Phish play Telluride’s Town Park in August. My folks live there during the summer, my first Phish show was in Colorado twenty years ago, yada yada yada…

    I would even have forfeited my October trip to the Austin City Limits Music Festival.

    But I had no luck. Telluride tickets sold out in minutes. “It wasn’t to be,” I sighed and told myself.

    So the ACL Festival it was. I secured my three day pass on April 20th, booked my flight and hotel, and all was well. I’ll be returning for my third ACL…

    And NOW look – straight from the rumor mill – it’s looking like Phish could be announced as one of the headliners for ACL! Could this be any more perfect (other than a lineup also including Springsteen, Prince, 70’s Stones, and a resurrected Joe Strummer and Elvis Presley)?

    Phish. ACL Festival. Yes. Let it be.

    Source: Coventry Music: – Phishy Rumor: 2010 Austin City Limits Music Festival

  • Friday Five

    The Friday Five: April 30, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    Would you believe I actually forgot it was Friday? I was able to sneak in a quick listening session during a short break between meetings, here’s what I heard:

    “Let Me Love You Tonight” by Pure Prairie League (from The Best of Pure Prairie League, 1995)

    “A Matter of Trust” by Billy Joel (from The Bridge, 1986)

    “Rapture” by Seed (from Ling, 1994)

    “Stars Fell on Alabama” by Cannonball Adderly & John Coltrane (from Cannonball & Coltrane, 1960)

    “3×5” by John Mayer (from Room for Squares, 2001)

    What’s on your shuffle today?

  • McDowell Mountain Music Festival

    Recap: 2010’s McDowell Mountain Music Festival

    I’ll admit, my first feeling was of disappointment when I found out a few months back that the 7th McDowell Mountain Music Festival was scaling down – from the spacious polo field of Scottsdale’s Westworld to the parking lot adjacent to the Compound Grill. But my feelings quickly changed to ones of thankfulness and support toward a genuinely good group of people who were determined not to fold it up and call it quits in these tough economic times.

    After spending most of Saturday and all of Sunday at the festival, it was clear to me that not only had the festival organizers pulled it off, but they had created a very special and intimate experience for everyone involved. By scaling down the event and bringing everyone and everything closer together, it actually helped enhance the experience. I couldn’t help but feel a stronger sense of community than years past. By the end of the weekend, there were familiar and friendly faces everywhere I looked. And of course, the cozy atmosphere also brought us all closer to the great music.

    There was no hot black asphalt to be found within the festival. Fresh green sod had been laid end to end, side to side. The food tent featured a delicious and unique menu provided by the adjoining Compound Grill – delicious turkey burgers, Korean BBQ tacos (teeny-tiny, but delicious), chicken & rice bowls, burritos, and churros with Prickly Pear Jam (a favorite of both my daughters). The beer tent featured about a dozen microbrews – New Belgium brews, Abita, Flying Dog, and others. There were vendors and crafts for the kids…

  • Funk,  Indie

    White Hinterland, “No Logic” (Alan Wilkis remix)

    White Hinterland – “No Logic” (Alan Wilkis remix)

    Remixing the ambient dream-pop of White Hinterland is not a task for the weak. Thankfully, electrofunketeer Alan Wilkis is no slouch in the remix chair. Taking the otherwise demure original “No Logic,” from the band’s new release Kairos, and spinning it on its end with a musical drumbeat and his signature sense of funk; Wilkis manages to breathe a gust of life into an otherwise lifeless track. Check it out:

    White Hinterland – “No Logic” (Alan Wilkis remix)

  • Friday Five

    The Friday Five: April 23, 2010

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “Nothin’ On You (feat. Bruno Mars)” by B.o.B. (from The Adventures of Bobby Ray, 2010)

    I remember first hearing B.o.B. — aka Bobby Ray – back in 2008 with his track “I’ll Be in the Sky,” and just as abruptly as he appeared, he was gone. A deft amalgam of Andre 3000 and Kanye with the sensibility and flow of Q-Tip, Bobby Ray manages to sound fresh, despite bringing some classic hip-hop clichés to bear. All that shit aside, this track made me giddy like a 12-year-old girl the first time I heard it. Evoking the classic summer single, there just in time to shake off the cold and ready to bump at maximum volume with the car windows down, this cut definitely deserves all the spins it’s getting. It may be “what the kids are listening to,” but in this case, I’m down.

    “Hole Hearted” by Extreme (from Extreme II: Pornograffitti, 1990)

    Take a open major D chord and shuffle it up the fretboard of a well mic’ed 12-string guitar and you’ve got yourself the recipe for the classic coda to Extreme’s magnum opus Extreme II: Pornograffitti. Seriously, could it get any more extreme? Is it cheesy as hell? Of course it is, let’s look at the lyrics: “If I’m not blind why can’t I see / that a circle can’t fit / where a square should be.” Pass the Gouda, please.

    “Head Crusher” by Megadeth (from Endgame, 2009)

    If given the choice between listening to a new Megadeth record and a new Metallica record, I will always choose the Megadeth, because no matter who is playing behind Dave Mustaine, you know exactly what it is going to sound like. Hell, at this point, the worst song on a new Megadeth record is still better than the best that James, Lars and company have to offer.

    “Ice Cream (feat. Ghostface Killah, Method Man & Cappadonna)” by Raekwon (from Only Built 4 Cuban Linx…, 1995)

    Speaking of songs that scream “summer,” this track was the jam back in the day, when I had a stereo system in the car that was worthy of turning up. While it might just be me, does anyone else feel like the Wu-Tang fell off after this? Take Enter the Wu-Tang (36 Chambers), Method Man’s Tical, Ol’ Dirty Bastard’s The Return To The 36 Chambers – The Dirty Version, Genius/GZA’s Liquid Swords, Only Built 4 Cuban Linx…, and maybe Ghostface Killah’s Ironman – and that’s a big maybe – and you’ve got the makings of a legacy by which almost anything short of “classic” is really lesser. Sure, there have been shining moments after, but nothing that feels as raw and real as the freshmen releases.

    “You Are the Woman” by Firefall (from Greatest Hits, 1992)

    I’m not going to lie; I love this song. I love its stupid flute solo. I love just about every stupid thing about it.

    What’s on your shuffle today?

  • Indie

    Flash Delirium

    Really enjoying this new MGMT album, and especially the song “Flash Delirium”.

    They made a video for this tune, and yeah, it’s pretty o-u-t t-h-e-r-e. An A for originality.