Impossible But…
Before it had even arrived in the mail my mind was made up. There was no way in hell that the new Subways album, Money and Celebrity, was going to be as good as their last one. All or Nothing is one of the greatest rock and roll albums of all time. Seriously. I listed it here as the 2nd best album of the last decade because it defines the very essence of the mixed up love affair I have with women and music.So, the very notion of it being as good or better was impossible. Indeed, the first listen didn’t go very well as I had this bias firmly entrenched in my mind. The same thing happened with the second and third listens. But the fourth listen was the one where I decided that it didn’t have to be as good as or better than All or Nothing.
Because it’s still way fucking better than 99 percent of the boring shit that’s been put out this year! And, honestly, Billy, Charlotte and Josh have turned in one heck of a third record. In many ways, it reminds me a great deal of their first album, Young For Eternity, in both theme and style
With this, we also see an attempt by the band to achieve more of commercial sound. This is evident in the first single, “It’s A Party” as well as “I Wanna Dance With You.” The producing talents of Stephen Street (The Smiths, The Cranberries, Blur) are evident in both of these tracks that were tailor made for radio. This record is also kind of a concept disc with the title coming from two most excellent tracks on the album (“Money” and “Celebrity”) which both offer biting social commentary.
My faves are “Popdeath” (timely, considering the recent passing of Amy Winehouse), “Like I Love You” (classic Billy in love track), and “Down Our Street” (ok, I’m always a sucker for stories of British towns).
Although the record has not been released here in the US, Amazon Uk has it available. I’d recommend it as a stocking stuffer!
Here is the song “Popdeath” performed acoustically on Carnaby Street at a recent guerrilla gig.
Markadelphia’s Best of the Noughties
The last decade of music was fucking amazing. One would think that being the Brit Rock maniac that I am I would be all about the 90s. While I did enjoy that decade, the music that came out in the last ten years made me wish it was a woman that I could kiss deeply and shower her with love and affection.
So what were the best ones? Here is my Top Ten with comments followed by my other 40 to round out the Top 50 CDs of the Noughties!
10. The Coral – Roots and Echoes (2007). Haunting, beautiful and brilliant. The best album of their career. Also contains my son’s favorite song of all time–“Cobwebs.” A psychedelic kiss…
9. Friendly Fires – Friendly Fires (2008).
Like Ennis Del Mar, I can’t quit this album. They musically illustrate what it’s like to “Jump in the Pool” on the track of the same name. Wow! Every track is a dime. And they are a great live band. See them.
8. Mercury Rev – The Secret Migration (2005). From the first sound of this disc, the listener begins a sacred feminine journey that is a kiss to be cherished forever.
7. Coldplay – Parachutes (2000). Their first album is still my favorite. “High Speed” is the very definition of dream pop. Memories of those I love wash over me when I hear it…
6. The Kooks – Inside In/Inside Out (2006).
A stunner of a debut. Pop bliss wrapped in an amorous red bow.
5. The Fratellis – Costello Music (2006). Sometimes you hear a record for the first time and yet you have known it your whole life. This is one of those records. “Her’s is the tonic and mine is the gin”–mega…
4. Arctic Monkeys – Whatever People Say I Am, That’s What I Am Not (2006).
The heirs to the Beatles and Oasis. This disc is filled with love soaked Brit tales that are guaranteed to warm the heart and make us all Holy Knights of the British Empire.
3. Sterephonics – Just Enough Education To Perform (2001). Their finest album. NME will never forgive Kelly for “Mr Writer” and I think that is fucking wonderful.
2. The Subways – All Or Nothing (2008). The album that has defined my life. I think Billy and I are kindred spirits. Listening to this record is an answer to the question “Just what is Mark’s romance with women and music all about?”
1. Brian Wilson – Smile (2004).
An album 38 years in the making. Even in 2004 (just as in 1966), the concept of this album is light years ahead of its time. Brian Wilson is a genius. He is the American John Lennon. I was fortunate enough to see this album performed live in its entirety. It left me with no doubt that there is a higher power because, in addition to being the best show I have ever seen, Smile is one of the purest forms of beauty I have ever heard.
The rest of the best…
11. The Verve-Forth, 12. Keane-Hopes and Fears, 13. Doves-The Last Broadcast, 14. Snow Patrol-A Hundred Million Suns, 15. The Subways-Young For Eternity, 16. Delays-Faded Seaside Glamour, 17. Joe Jackson-Volume 4, 18. Ryan Adams-Love Is Hell, 19. The Kooks-Konk, 20. Coldplay-X and Y, 21. Snow Patrol-The Final Straw, 22. Stereophonics-You Gotta Go There To Come Back, 23. Doves-The Last Broadcast, 24. Saint Etienne-Finnesterre, 25. Travis-The Invisible Band, 26. U2-All That You Can’t Leave Behind, 27. Todd Rundgren-Liars, 28. Planet P Project-Go Out Dancing Pt.1, 29. The Last Shadow Puppets-The Age of the Understatement, 30. Kings of Leon-Holy Roller Novocaine EP, 31. Tom Petty-The Last DJ, 32. Doves-Some Cities, 33. Stereophonics-Language, Sex, Violence, Other, 34. Phoenix-United, 35. The Libertines-Up The Bracket, 36. Muse-Black Holes and Revelations, 37. Green Day-American Idiot, 38. Neil Young-Silver and Gold, 39. Beck-Guero, 40. Starsailor-Love Is Here, 41. Captain-This is Hazelville, 42. Kaiser Chiefs-Employment, 43. The Strokes-Is This It? 44. The Vines-Highly Evolved, 45. Paul McCartney-Chaos and Creation in the Backyard, 46. Stereophonics-Keep Calm and Carry On, 47. Yeah Yeah Yeahs-EP, 48. Neil Finn-One Nil/One All, 49. John Starkey-Live at Jitters, 50. Oasis-Dig Out Your Soul
A Tortured And Wonderful Howl From The Heart
In April of 2006, Billy Lunn, guitarist, singer, and songwriter for the Welwyn Garden City, Hertforshire, England trio The Subways, was diagnosed with nodules on his vocal chords. They canceled several appearances in support of their wonderful first album Young For Eternity, including one that I had tickets for here in Minneapolis. Doctors said that years of intense screaming during his songs may have damaged his voice permanently and it was entirely possible that he would never sing again. His scream, in many ways, is one of the best in the history of rock and roll. It epitomizes that Janovian wail that only true disciples of the medium can capture and convey. An excellent example of its supremacy can be heard in the song “Rock & Roll Queen“, from Young For Eternity, a high-octane, balls-to-labia shag tune that is a must for any playlist. Shortly after the diagnosis, Lunn and his girlfriend (and bass player in the band), Charlotte Cooper, broke up. The question of whether the band would even continue weighed pretty heavily on the band. With the future of the band in doubt, Billy started writing.
And what we wrote has become the album of 2008.
In fact, it may be the album of the decade and is, without a doubt, in my top 25 records of all time. To borrow from the late Heath Ledger from Brokeback Mountain, I can’t quit this album. It is absolutely infectious on just about every level. As I listened to it the first few times, I could smell the beer, the smoke (if not illegal in your city), the vodka-Red Bulls, the sweat, the women, and the absolute human glory that is the CLUB. Every time I listen to it I get the urge to be body passed in a slimy, hoard of humanity…my Chucks flailing uncontrollably…as I revel in the majestic splendor of the pit.
Much of this feeling is due to the stellar production work of Butch Vig (of Garbage and Nirvana fame), and one really gets the sense that this is the next logical progression from Nevermind… Brit-Style. The first four songs are like Ali’s fucking fist (“Girls and Boys”, “Kalifornia”, “Alright”, and “Shake Shake”), pummeling you with such might that you are immediately brought to your knees in gratitude for hearing such great music. The next track, “Move to Newlyn”, is a wonderful travelogue that brings you on a journey of self discovery around the United Kingdom. We get back into the power with the title track “I Won’t Let You Down” (his scream at the end…OMG!), “Turnaround”, and “Obsession”, the latter of which has a terribly haunting harmony vocal by Charlotte.
Then we get to the track of the album: “Strawberry Blonde”. To say that this song is gorgeous is the understatement of… history. It is three levels above gorgeous and there hasn’t been a word yet invented to define the truth and beauty of this instant top ten love song. The album finishes with “Always Tomorrow” and “Lost Boy”, another shovel-to-the-head stunner of a track.
All or Nothing was finally released in the US a couple of weeks ago. It has been available since June in the UK. I bought it a few weeks after the UK release date when I saw no US date on the horizon. The fact that it has taken this long to release it is proof positive that American record company execs have their heads firmly up their arses regarding what is and what is not good music. I have listened to it pretty much every day since I bought it and still have not grown tired of it. You won’t either. No one will.
Because Billy approaches life like I do…fucking mega or fuck you…All or Nothing….and it is magnificent. Thank God.
Subways Links: Official Site | MySpace | Last.fm