Tomorrow, I will try my luck on Ticketmaster.com for some decent seats to see the Boss at the L.A. Sports Arena on October 29th. Did you see him on the Today show Friday morning? My original idea was to record it and get to work on time, but “The Promised Land” pulled me in, and Plan B was swiftly put into action (stare intently at the TV screen for the next 35 minutes or so, then walk late into work like I own the place). Check out some Today action here (thanks Krup for the link).
Naturally, this segues effortlessly into an Old School Friday, featuring our friend Georgio. Where is Georgio these days? He directed and appeared in a movie with Coolio: 2003’s Tapped Out (oh, don’t make me Netflix it, I will). I had to share this review snippet from Netflix:
“I applaud Giorgio’s effort in getting this movie completed. The plot is as loose as a $10 hooker on Figueroa. The beginning scene of the movie has virtually nothing to do with the rest of the flick. Lots of good eye candy in the soft porn scenes though! I give Georgio 5 stars for the supporting females casting.”
I can’t call myself a fan of Queens of the Stone Age, but the gratuitous violence and bare breasteses in the following video put me well on my way… click the large poster… probably NSFW for most of us…
I’ll try very hard to avoid the cliché of saying Genesis “turned it on again” last night at Giants Stadium, but I’ll be damned if I can find a better metaphor at the moment. From the opening blast of “Duke’s Intro (Behind The Lines)” to the last bit of “Invisible Touch” (we skipped the encore in favor of not sitting in the nightmare that is Giants Stadium traffic) the group delivered a dynamic and energetic set of hits, classics and rarities spanning their 40 year career.
There are very few times that I can say that I was actually glad to be in ‘nose-bleed’ section. This is one of them as it really allowed us to take in the massive stage and light show. The band performed while dwarfed by the enormous backdrop and flanked by high definition video screens. I’d venture to say the experience was on par with Pink Floyd or U2’s Popmart tour. While the band performed, video and images danced across the stage reflecting the band’s 70’s art-rock leanings.
Set highlights for me are almost too many too mention but standout performances of “No Son Of Mine”, the once again relevant “Land Of Confusion” and haunting “Firth Of Fifth” / “I Know What I Like (In Your Wardrobe)” through “Mama” (complete with Phil scaring the crap out of the crowd during his “Ha-Ha”) all come to the forefront. While I could complain that favorites like “Misunderstanding”, “That’s All” and “Illegal Alien” were not included, I found that I really did not miss them. I walked away feeling fully satisfied and with a giant smile on my face.
Oh, also of note is the fact that each of the North American shows are going to be made available to purchase at TheMusic.com. If you did not have the chance to catch the show and want to hear it, you can order any of the 22 shows.
Here’s the setlist:
“Duke’s Intro (Behind The Lines)”
“Turn It On Again”
“No Son Of Mine”
“Land Of Confusion”
“In The Cage” / “The Cinema Show” / “Duke’s Travels” / “Afterglow”
“Hold On My Heart”
“Home By The Sea” / “Second Home By The Sea”
“Follow You, Follow Me”
“Firth Of Fifth” / “I Know What I Like (In Your Wardrobe)”
“Throwing It All Away”
“Tonight, Tonight, Tonight”
“I Can’t Dance”
“The Carpet Crawlers”
If you could find a picture of me in ’92 (though I doubt any exist) you’d see a young, scruffy, ‘musician-type’ wearing flannel shirts, drinking too much coffee and very likely listening to Pearl Jam. They were one of ‘my’ bands. You know the bands that you find long before everyone else does. I’ve had a long string of such bands in my lifetime but Pearl Jam is by far the one that started it all.
Somewhere between “No Code” and “Binaural” I lost touch with the group, and with last year’s self titled record they drew me back in. While I love the songwriting and band itself, the real draw was always Eddie Vedder and his voice, his passion, his vision. So I was giddy when I read over at I Am Fuel, You Are Friends that he was producing a soundtrack worth of solo material. I’ve had a week to listen to the record over and over and I have to say it far exceeded any unrealistic expectation I may have put on it. The tunes range from the dirge and strum of “Society” to the hope of the uplifting track “Hard Sun”, which is a cover of an obscure track by the group Indio and which I’ve provided below for everyone to sample. Have a listen and see how hard it is to not be singing along by the end of the tune.
Montreal based quartet Intensive Care show a great deal of promise in their debut EP 2805. While the recording itself lacks a certain depth you can see past it for the clarity of the group’s vision in songwriting. Complex and moving, the band clearly knows its identity and has little difficulty sharing it. The multi-layered vocal crescendo of the epic 7 minute-plus “K” builds to quite the satisfying resolution with vocalist Philippe Manasseh pleading in earnest with an unseen spirit looking into his soul. There are missteps along the way, but this band appears to be at its best when they’re at their most epic and glorious. I’d recommend this to fans of Radiohead or Sigur Rós. I look forward to hearing more from this group.
UPDATE: Bruce and the band kicked off their Asbury Park rehearsal shows last night (Monday night). Here’s the set list:
Asbury Park Convention Hall
September 24th, 2007
Something in the Night
Girls in Their Summer Clothes
The Promised Land
Livin’ in the Future
She’s the One
Last to Die
Long Walk Home
Born to Run
Here’s the last of the Austin City Limits Festival recaps: Day Three comin’ at ya!
Sunday, September 16, 2007
Yo La Tengo – This was the perfect way to kick off the day. We had a late Denny’s breakfast, with a couple cups of coffee. It turned out that no caffeine was needed, though. The Yo La Tengo wall of sound tore through us like a jet engine. We showed up in time to hear their take on the Beach Boys’ “Little Honda”, one of my faves from their ’97 album, I Can Hear the Heart Beating As One.
The jet engine experience came during the last song of their set , as the trio tore into “The Story of Yo La Tango” [yes “Tango”]. It was fun to watch Ira Kaplan enter “the zone” during these feedback and distortion frenzies. Georgia Hubley, Kaplan’s wife, kept the rhythm, and burly bassist James McNew laid down those steady bass lines that made my first live – albeit brief – Yo La Tengo experience a memorable one.
The Story of Yo La Tango (mp3)
Here they are doing “Pass the Hatchet, I Think I’m Goodkind” at ACL..
The National – We caught the first few songs from Brooklyn’s The National. The only exposure I really have to them is through their latest album, The Boxer. I picked it up on eMusic a few months ago. Matt Berninger’s vocals remind me of that Peter Murphy type vibe. I got to hear my favorite, “Slow Show”.
Here they are singing “Mr. November” @ ACL…
Sound Tribe Sector Nine – I wish I could have seen the full set by electronic jam band STS9. I may be wrong, but I think they’re all instrumental, right? We only dropped by for a couple – late in the set – and we already felt like we were late to the party, so off we went….
Ben Kweller – ..We saw the first three or four tunes of Ben’s set. Ben’s got some chops on guitar, and he had the power trio thing going too. He’s 26, but looks like he’s under 20 (form a distance). He has some great rock star moves, thrashing and flailing about like a red-maned 21st century Leif Garrett. There was an overabundance of upper teen-aged girls there for his set, too – which I had no problem with at all, mind you. But alas, my bro and I were soon off to our next musical adventure…
Here’s Ben slowing it down with “Old Hat”…
Grace Potter & the Nocturnals – We only caught a couple of tunes this time around, but my wife and I enjoyed a Grace & the Nocturnals set back in April at the McDowell Mountain Music Festival here in Arizona. So we had enough time to catch her on the Hammond B3, and rockin’ the Flying V front and center. Talented singer and a talented band. But… I don’t know. I just don’t get a”WOW” out of the experience like a lot of others do.
Common – One of the two full sets of the day that we caught was Common. I’ve seen a few hip hop shows in my day – well, pre-90’s hip-hop that is. The last hip-show I probably saw the “Jam ’88 Tour”- which was LL Cool J , Public Enemy, Whodini, and Run D.M.C (among some others that I can’t remember).
But it was worth the wait, because Common is one of the few hip-hop artists today that I can enjoy. Kanye’s a huge talent, but just too much of an ass. Others I hear are just too cliche – money, violence, misogyny.. it’s been played out for a while now. I’m sure there’s a ton out there I would like if given the chance though.
Common was a late announcement to ACL. Mexican guitar duo Rodrigo y Gabriela were slated to perform, but cancelled the week before. A number of people, then, were probably expecting R&G on the stage, when out popped Common. There were other gospel, R&B, and soul acts performing at ACL, but it was great of the organizers to bring in the intelligent hip-hop sound.
Common brought along a DJ, a drummer, and a keyboard player. The “band” hip-hop feel, a la the Roots, probably won over a lot of the crowd from the start. But it was Common’s smooth, slick lyrical flow that endeared the crowd to him. Performing songs like “Black Maybe”, “Drivin’ Me Wild” (with Lily Allen samples in the background), and “Go”, Common was in charge, commanding respect from the overflowing crowd at the Dell stage. Even my bro, who has little history with the rap/hip-hop genre, was converted.
Here he is rockin’ da (mostly) white folks with “The Light”…
Lucinda Williams – My intention going in to the festival was to enjoy Lucinda way up close, but as we found out quickly, ACL has a way of scheduling your time for you, rather than the other way around. So, while we caught a good part of Lucinda’s set, it was from far back in the grass, closer to the nearest beer tent than to the stage. We heard some good ones. Among them, “Joy”, “Essence” and a cover of the Doors’ “Riders on the Storm”.
Amos Lee – Favorite set of the day went to Philly soul-folkster Amos Lee. My whole family has loved “Arms of a Woman” ever since I snuck it on to a Wiggles CD (along with Metallica’s “Whiskey in the Jar”- get’ em started young) a couple years ago. It’s the perfectly crafted, perfectly sung, soulful love song. Like Amos Lee himself, the song is criminally under appreciated.
I hate to be an advocate for the placement of a song in a commercial, movie, or TV show, but if any song can appeal to a wide demographic of people, this one is it. This one’s a HIT folks!
From the moment Amos came out on stage with his Fender and went into “Dreamin”, the crowd was his. There is no other reaction than to be awed when you get to experience a voice like this live. The mainstream/ MTV / popular radio world seems so distant, otherworldly, and laughable when you hear a person like Amos sing. Effortless, smooth, and heavenly, quite frankly. For me, he’s on the same level as a Raul Malo: a voice from the gods, yet somehow managing to exist just below the radar.
It really hit home toward the end of the set, when Amos sang a steamy Isley Brothers ballad. The ACL setlist page lists it as “I Wanna Know”, but I think it may have been ” I Wanna Be With You”. Regardless, it transfixed the crowd. After the show, my bro remarked how he didn’t want that song to end.
Amos closed the set with a killer version of “Arms of a Woman”. Here’s a funny “It’s a Small Youtube world” moment: the first Youtube video I found of “Arms of a Woman” was shot directly behind me. I was shooting my own video (it ended up being too large for Youtube). My large melon is the centerpiece of this clip (and a sobering reminder that I’m losing my hair!):
My Morning Jacket – I have to admit my expectations were probably a bit high for this set. I was front and center a couple of years ago at the Henry Fonda Theater in L.A., where MMJ came out and blew the roof off the place. The acoustics were perfect, my positioning was ideal, and I guess I was spoiled. For the ACL set, we were behind the soundboard to the right, and it covered about half of the stage (the sound quality could have been better too).
MMJ is definitely an entertaining bunch. This set featured a beach backdrop, the band decked out in tropical beachwear (including a long blonde wig on lead singer / guitarist Jim James), a metal detector guy roaming the stage for the whole set, and a half dozen hula girls holding pineapples. Sure, it was funny and different, but unnecessary, I thought. Maybe it was just me, but I found that it distracted from the music. But that’s not to say it wasn’t enjoyable. Andrew Bird joined in for a great version of “Golden”, a beautiful acoustic MMJ tune. They played some off their most recent studio release, Z. And the highlight for me: the majestic rocker “One Big Holiday”.
Here, MMJ sings “Lay Low” at ACL….
Wilco – I had only one gripe about ACL: My Morning Jacket and Wilco came on at the same time. Our decision was to start with MMJ and catch the last portion of Wilco’s set.
As we walked up to Wilco’s set, and heard them wrapping up “I’m the Man Who Loves You”, I immediately regretted not devoting all of my time to them. Live and learn I guess.
We saw the last few songs, which reached back to A.M. and Being There: “Red Eyed & Blue”, “I Got You”, “Casino Queen”, and “Outtasite (Outta Mind)”. I can’t get enough of Tweedy, Cline and the boys, and look forward to their return to the Arizona desert.
Here’s a cool sidestage view of Wilco doing “Handshake Drugs”…
Bob Dylan – As the festival headliner, Bob was the last one to go on. We made an attempt to get somewhat close to the stage, but found very quickly that it was futile to try. Tens of thousands of people were jockeying for a decent position to check out the legend. So we settled for a couple football fields back, and hoped to at least check out the large stage video screens. Well, guess what Bob didn’t allow for his set? Close-ups.
So as “Rainy Day Women..” kicked in from a distance, and I mean a distance, and all we could see on the giant screens was a distant shot of the stage. We gave it a few verses and called it a festival.
Wrapup: More than a week has passed since the festival wrapped up, and I still have that “post-good time” depression that we experience from time to time.
ACL was the one of the most well organized, seamless festivals I’ve ever attended.
Every act started and ended exactly as scheduled.
No cars / parking allowed anywhere near Zilker Park.
An army of shuttle buses zipped the tens of thousands of us between the park and downtown Austin with little delay.
Volunteers were available throughout the park to help anyone with any question.
The abundance of BAR tents made getting a beer a BREEZE. $4 for a 16 ouncer. $7 for a larger souvenir cup.
Plenty of port-o-potties, even without the few that got torched on day one. I still feel for the ladies though, as some of these toilets were looking quite nasty by the end of the days.
Note to self: hit the merchandise tent on Day 1 next year. I waited till the last day and couldn’t find any shirts for myself or my kids (the wife got one, don’t worry).
The Waterloo Records Tent gave fans the opportunity to get autographs and pictures with some of their favorites. I got the chance to meet Steve Earle. Can’t beat that!
The Eats area was awesome. Plenty of variety along the long line of food tents.
The giant mist-spraying fans were a godsend in the 95 degree heat.
I already miss the experience. If you love music, add this to your list of things to do before you move on to the great festival in the sky. Or if you’re like me, join me every year for the foreseeable future!
Thanks again ACL and Austin, Texas. See ya next year.