Thanks Austin
Well I’m back in the desert after a nice long, hot, exhausting, and thoroughly exhilarating weekend at the Austin City Limits Music Festival. Crikey, do those folks at ACL know how to put on a festival… seven stages scattered throughout Zilker Park – an immense city park that accommodated 65,000 (!) of us each of the three days. The army of shuttle buses from downtown Austin to the park was a godsend – when we figured it out on the third day. For those who are curious, it takes an hour and 10 minutes to walk from Zilker Park, across Town Lake, and down Cesar Chavez Blvd. to downtown. I know from experience. Thanks to the Lavaca Street Bar for serving as a veritable oasis to me and my brother – two very sweaty & weary customers who emerged from the hot and humid Austin night. Your pitchers of Dos Equis are to be commended. Well played.
With 130 acts playing over the span of three days, it was impossible to see every act I wanted to see. Unfortunately, I missed Damien Rice, Stephen Marley, and Joss Stone – to name a few. But here’s who we did get to see over the three days.
Friday:
Jesse Malin
Joseph Arthur & the Lonely Astronauts
Will Hoge
Blonde Redhead
Crowded House
M.I.A.
Spoon
Kaiser Chiefs
Reverend Horton Heat
The Killers (from a diiistaaance)Saturday:
Raul Malo
Steve Earle
Beausoleil
Arctic Monkeys
Arcade FireSunday:
Yo La Tengo
The National
Sound Tribe Sector Nine
Ben Kweller
Grace Potter & the Nocturnals
Common
Lucinda Williams
Amos Lee
My Morning Jacket
Wilco
Ziggy Marley
Bob DylanI’ll spend some time focusing on each day over the next few posts, but here are some highlights…
BEST IN SHOW: The Arcade Fire – Win Butler and his band of crazed gypsies killed on Saturday night. Since discovering them a couple years ago, they are the one band I’ve been dying to see live. And they lived up to my high expectations. The moment for me was the emotional anti-war “Intervention“, which he dedicated to “Governor Bush”. The studio version gives me the chills every time as it is. But live, it’s taken to another level. The encore, “Wake Up”, was an amazing crowd experience, as everyone sang along to the epic “OOOOOWOOOOOO”s. It was a high energy assault on the senses, and for me, one of the best live music experiences of my life.
MIGHTY NICE TO MEET YA, v. 1: After Steve Earle’s hour long set (with his quite fetching wife Alison Moorer joining in for a couple), he headed over to the Waterloo Records tent to sign some CD’s. My brother, camera in hand, came through with what will be a prized possession of mine: me and Mr. Earle!
Steve has shaved off his long, grizzly beard that he wore for his role on The Wire, and he’s looking like one bad-ass mofo these days. I remember not too long ago that he would have been the one with the double chin. Oh how the tables have turned! (dammit Pete, no more ice cream for you!… but that Ben & Jerry’s Willie Nelson Peach Cobbler is so Good! …NO!!).
MIGHTY NICE TO MEET YA, v. 2: I had a chance to meet up with the mighty Ace Cowboy over at Hidden Track. We caught some Beausoleil, Arctic Monkeys, and Arcade Fire together (or Arcade Monkeys as we came to call them). Ace has some detailed ACL posts up. He was dedicated enough to post from the road. My lazy ass left the laptop at home. Nice to meet a fellow blogga.
MY RUNNERS UP FOR BEST SET: Steve Earle, Raul Malo, Amos Lee, Joseph Arthur & the Lonely Astronauts, and Common.
More details will emerge this week. For now, I rest!
Reunion Fever: Led Zeppelin
You know, most folks are geeked out over the Van Halen reunion (and being a guitarist who grew up in the 80’s I should be one of them) but I’m more excited to hear what Led Zeppelin sounds like with 20 years between them. What will the set list look like? Will they stick to the versions we all know and love or will they favor some new arrangements? And most importantly, will they play “Stairway To Heaven”? All burning questions…
To coincide with the reunion, Rhino Records will be releasing a 2-disc ‘definitive’ collection with the tracks being personally selected by Jimmy Page, Robert Plant, and John Paul Jones.
Preorder Led Zeppelin “Mothership”: Amazon
Links: Official Site | Mothership Site
Siouxsie Solo
For established artists, putting out new music is always a risky venture. Of course, it’s equally risky for the fan. More often than not, the result is disappointment. Recent disappointments for me include The Stooges’ Wierdness and Debbie Harry’s Necessary Evil. However, occasionally the artist in question pulls it off. The most recent example that comes to mind is last year’s New York Dolls disc, Someday it Will Please Us to Remember Even This. So it was with hesitation that I spun Siouxsie Sioux’s new album, Mantaray.
I should preface this by saying that I only discovered Siouxsie and the Banshees a little over a year ago. I can’t claim to be a seasoned fan. In addition, I haven’t heard much of her previous project, The Creatures. Furthermore, this is the first solo disc Siouxsie’s ever recorded.
I’m pleased to report that the album is surprisingly good. Of course, you have to accept that it isn’t going to blow your mind in the way the Banshees’ early work might. Nevertheless, Siouxsie’s voice is incredibly intact, the songs are both competent and enjoyable, and the album as a whole is well produced. Fans of the Banshees’ work should be pleased with Mantaray. I’m not sure that it will produce any new fans, but rarely do such establish artists accomplish that feat with new work. It’s a strong solo effort, and definitely worth picking up.
Here is the video for the single, “Into a Swan.”
[youtube=http://www.youtube.com/watch?v=T3CC0t66gd4 336 278]
Mantaray streets 10/2 in the US (already available in the UK).