• Rock

    Super Bowl Sunday 2010 – Geaux Saints, Who Are You, hey it’s the theme song from CSI!

    Happy Super Bowl Sunday everyone! I’ve donned my Cafe du Monde t-shirt and am ready to cheer on the New Orleans Saints later this afternoon. I’ll be thrilled if they win, but something tells me Peyton and the his Colts are going to come out on top. I hope I’m wrong.

    Of course, I’ll be paying close attention to the halftime entertainment, which this year comes in the form of The Who. Original members Pete Townshend and Roger Daltrey are joined by drummer (and Ringo’s son) Zak Starkey and bass player Pino Palladino. The spectacle and scale of Super Bowl Halftime is always interesting – and having some of my musical heroes involved the past few years – Bruce, Prince, Petty – has made it even more surreal. This year, a generation of younger people will collectively say: “Dude! These guys are doing the song from CSI!!”

    You won’t be hearing “Eminence Front” today, but I have to say – it’s my favorite Who song. Enjoy yourselves today, don’t drink too much, yada yada yada…

    Go Saints!

  • Rock

    Greetings From Asbury Park, NJ (the Buffalo Tour Finale)

    For those interested in downloading Sunday’s tour finale in Buffalo (where Bruce and the band performed Greetings From Asbury Park, NJ), head on over to super top-notch blog Addicted to Vinyl, where Matt’s got a zip file of goodness for you…

    Greetings from Buffalo, NY (Addicted to Vinyl)

    If you’re looking for other full album shows, don’t forget my recent posts:

    Darkness in Philly (10/22/09, Philadelphia)
    Bruce Takes NYC Down To The River (11/08/09, NYC)
    Bruce’s Wild & Innocent Night in NYC (11/07/09, NYC)

    Looks like we still need Born to Run and Born In The U.S.A., eh?

  • Rock

    Darkness in Philly

    As bootlegs go, the tour that supported Bruce’s Darkness on the Edge of Town has to be my favorite (followed closely by The River). My favorite show? Without question, it’s July 7th, 1978 at the Roxy – a small club show in L.A. The quality is perfect, the intensity unmatched. In fact, let me play it now…. *click click*   ….. okay, that’s better.

    So by popular demand, here’s the recent Darkness show at the Spectrum in Philly. Can you believe we’re down to only two shows left on this tour?? After Friday in Baltimore, and Sunday in Buffalo (with a full performance of Greetings from Asbury Park, NJ), that is it, folks. Sort of depressing, isn’t it?

    As for the future of the E Street Band, I’ll quote Little Steven from this Rolling Stone.com article: “…if you ask me if I think we’ll continue I’ll certainly say yes. It’s just a matter of what happens to everybody physically, beginning with Clarence [Clemons] I suppose. He may fantasize about retiring, but with all his ex-wives I doubt it.”

    Bruce Springsteen & the E Street Band
    Philadelphia, PA
    October 14th, 2009
    “Darkness on the Edge of Town”

    Part I

    Thundercrack
    The Ties That Bind
    What Love Can Do
    Hungry Heart
    Working on a Dream
    Intro to Darkness on the Edge of Town
    Badlands
    Adam Raised a Cain
    Something in the Night
    Candy’s Room
    Racing in the Street
    The Promised Land
    Factory
    Streets of Fire

    Part II

    Prove It All Night
    Darkness on the Edge of Town
    Waiting on a Sunny Day
    Sherry Darling
    Human Touch
    Long Walk Home
    The Rising
    Born to Run
    Ramrod
    Detroit Medley
    American Land
    Dancing in the Dark
    Flying High (Theme to Rocky)
    Rosalita (Come Out Tonight)

  • Rock

    Bruce Takes NYC Down To The River

    With only four shows left on the Working On A Dream tour (wrapping up in Buffalo on November 22nd), and with much buzz about how the band will be taking some sort of extended hiatus, now’s the time to savor and cherish what Bruce and the Band have been bringing all year – and that’s night after night of powerhouse performances.

    The tour started out in April with a healthy dose of tracks from Working On A Dream. Last night in Detroit, only the title track was played. The tour has morphed into more of a special treat for the fans – including full album performances, sign requests, and even Bruce regularly crowd surfing during “Hungry Heart”.

    As I mentioned in last week’s The Wild, The Innocent post, a couple of special nights took place in New York City last weekend. Saturday was a full performance of The Wild, The Innocent, and the E Street Shuffle,  and Sunday was Bruce’s 1980 classic The River.

    The River is special to me because it was the album in which I first became aware of Bruce Springsteen. I was only 10 years old, but my older brother Dave became a fan – and he got the chance to go see Bruce when the tour rolled though Minneapolis. “Fade Away” was the first 45 I ever owned. Sides 3 and 4 (“Point Blank” thru “Wreck on the Highway”) have probably had more playtime in my life than any other album (okay, right along with Purple Rain)…  it’s the slow burners like “Point Blank”, “Stolen Car”, “Fade Away”, “Wreck on the Highway”, and of course “Drive All Night” that still resonate so deeply within me. The River is a masterpiece, in my opinion, and last weekend, he played it straight through for an appreciative NYC crowd…

    Bruce Springsteen & The E Street Band
    Madison Square Garden – New York City
    November 8, 2009

    Part I
    Wrecking Ball
    Introduction to the River
    Ties that Bind
    Sherry Darling
    Jackson Cage
    Two Hearts
    Independence Day
    Hungry Heart
    Out in the Street
    Crush On You
    You Can Look (But You Better Not Touch)

    Part II
    I Wanna Marry You
    The River
    Point Blank
    Cadillac Ranch
    I’m a Rocker
    Fade Away
    Stolen Car
    Ramrod
    Price You Pay
    Drive All Night
    Wreck on the Highway

    Part III
    Waiting on a Sunny Day
    Atlantic City
    Badlands
    Born to Run
    Seven Nights to Rock
    Sweet Soul Music
    No Surrender
    American Land
    Dancing in the Dark
    Can’t Help Falling in Love
    Higher and Higher

  • Indie,  Rock

    Slayed by the Percussion Gun: White Rabbits in Minneapolis

    My uncle Jamie is a vocational therapist out in Salem, Oregon. A while back, he related to me the concept of risk and how it relates to developmental wellness. If someone is regularly taking emotional, mental, physical and spiritual risks, generally speaking, they are healthier people on a number of levels.

    This doesn’t mean necessarily that individuals should go jump off a cliff or rob a bank. It does mean that people should try to stretch themselves out in all four of these areas as frequently as they can. How far one stretches depends on the person. Saying “Red wine and clits go quite well together” to a group of people at a wine tasting is not much of a risk for me but it could be a huge one for someone else. Hell, in Minnesota simply saying “hi” to someone you don’t know is an emotional risk.

    Lately, I’ve noticed myself dragging a bit in the risk department. I started running again in the last year and plan on doing a 5K or two in the next month so I guess that’s something in the physical realm. And I’m still  my outspoken and opinionated self in regards to the topics of politics, sex, and religion which, in the land of rock granite rigidity, is a monumental risk on a number of levels. But I ALWAYS do that. I could hear my uncle’s voice in the background…”find something…take a risk.” For my entire life, I have always thought he was the coolest mother fucker (along with my dad of course) since James Dean so I was more than curious when an opportunity to take an emotional, mental, and spiritual risk…a substantially huge one considering who I am…arose.

    I was asked to see a band of whom I had never heard.

    Many of you may chuckle at this but for my entire life I have always been the one to dig on the cool, new bands first. I’m the one who cheerleads people into loving (insert Brit Rock band here) and goads people into going to shows with me. Invariably, they love the bands I suggest and I feel quite proud of myself. I led them to the Holy Land….

    So when my friend Paul asked me to see White Rabbits, I hesitated at first. “Where are they from?” I asked. “Well, they are based out of New York but I think they are originally from Chicago,” he answered. Hmph, I thought all grumbly, not from the UK.

    But I thought of my uncle and something inside of me told me to get a ticket and go. It would be an excellent emotional and mental risk to let someone else drive the Magical Mystery Tour bus for a change. And, since I am convinced that I am Holy Knight of Music, a spiritual risk as well. Perhaps Paul was a Holy Knight and I didn’t know it. He does have a good first name after all:)

    I decided to be really daring and not even bother to listen seriously to any of their music. I would not buy either of their CDs and go see the show completely cold. I found out it was at a venue to which I had never been: The Cedar Cultural Center, located in the West Bank area of Minneapolis. Ah yes, even more of a risk…an untested venue with potential sound issues. I did find out, though, much to my delight that the band got their start in Columbia, Missouri. My place of birth…cool! So New York by way of Chicago and Columbia…yeah, I could dig it.

    I found out that some other friends were going and, at the last minute, asked my friend Wendy to join. Wendy is an unbelievably cool chick (and accomplished artist) who loves all the same music I do. She had heard some of their songs and was keen to go. After spending an hour and half of cocktails and conversation over at the Cafe formerly known as the Riverside, my friends and I went into the CCC.

    I was struck immediately by how much the place looked like a junior high school gymnasium. Wendy remarked that was because of the piano. It had that 1950s school gym look.  We had timed it out just right so we arrived just before White Rabbits were about to go on. I have to admit I was nervous. What if they sucked? What if I got bored? Would I be just a total music snob around my friends if I didn’t like them? As the music started, all of my fears were washed away.

    To begin with, White Rabbits have two drummers, which can sometimes morph into three or four drummers as other members of the band set their respective instruments down and hit the skins. The primal pounding coursed through my veins. It was magnificent. This was not a granola drum circle barf fest. These fucking guys knew how to hit the skins and were so tight that THEY could be a metronome for a drum machine.

    They could also sing. Man, can these guys sing! I have three words for all of you: Four Part Harmony. And that’s with the relentless and cacophonous drumming going on! The blend of their voices reminded me a lot of the Beach Boys. As the set progressed and I watched the lead singer of the Spin Doctors look-alike (who may have been totally naked) make an asshat out of himself doing a pogo dance down in the pit, I realized that my risk had paid off. This band was fucking amazing. And my uncle, as he has mostly been his whole life, was right. Go through the looking glass, Alice, and there you will find…White Rabbits. Take risks and ye shall be rewarded.

    Rewarded with hearing the lead singer of White Rabbits, Stephen Patterson, sing the word “know” in the chorus of “Percussion Gun” and sticking it with such a herculean force that I was slayed. And reminded of a James Brown “HA!”  Rewarded with getting to experience a band live whose music I had never heard. Rewarded with a night of hilarity with friends.

    But most of all, being rewarded with letting myself go…not being the music know-it-all…not being the leader…not being in control.

    And loving every minute of it.

    White Rabbits – Percussion Gun (mp3)

    White Rabbits Official Site

  • Bruce Springsteen,  Rock

    Bruce’s Wild & Innocent Night in NYC

    Since I saw the Boss way back in April on just the second stop of the tour here in Phoenix, the tour has rolled on across the continent, over to Europe, and back again. Since he’s been back stateside, fans have been treated to shows where Bruce and the Band play entire albums from his catalog. Darkness on the Edge of Town, Born To Run, Born in the USA

    But for me, the envy factor really kicked in this weekend with the shows at Madison Square Garden in New York City. Last night, the crowd got Bruce’s second album – 1973’s The Wild, The Innocent, and the E Street Shuffle. Tonight, his classic 1980 double album, The River.

    The two (well, three) albums are teeming with some of my all-time favorite Boss tunes: “Incident on 57th Street”, “4th of July, Asbury Park (Sandy)”, “New York City Serenade”, “The River”, “The Price You Pay”, “Stolen Car”, “Wreck On The Highway”…

    In this spoiled & amazing day and age of the internet, it’s possible to sit in the comfort of one’s home and listen to the magic happen – the very next night. That’s exactly what I’m doing right now. And I thought I’d share the joy & magic for those that are interested. Enjoy…

    Bruce Springsteen & the E Street Band
    Madison Square Garden
    November 7th, 2009

    Part One

    Thundercrack
    Seeds
    Prove It All Night
    Hungry Heart
    Working on a Dream
    The E Street Shuffle [mp3]
    4th of July, Asbury Park (Sandy) [mp3]
    Kitty’s Back [mp3]
    Wild Billy’s Circus Story [mp3]

    Part Two

    Incident on 57th Street [mp3]
    Rosalita (Come Out Tonight) [mp3]
    New York City Serenade [mp3]
    Waitin’ on a Sunny Day
    Raise Your Hand
    Does This Bus Stop at 82nd Street?
    Glory Days
    Human Touch
    Lonesome Day
    The Rising
    Born to Run

    Part Three

    Wrecking Ball
    Bobby Jean
    American Land
    Dancing in the Dark
    Higher and Higher (w/ Elvis Costello)

    Here’s Bruce kicking off “The E Street Shuffle”, baton and all…

  • Rock,  Roots Rock

    Street Songs

    We’ve spent all this time building up our digital music libraries, so why not tinker around with them a bit and have some fun? Last week I explored tunes that clocked in at 2:28. This week, I take it to the streets.

    The exercise this week is to locate your street songs. I’m not talkin’ lanes, avenues, roads, courts, and the like. Nuh-uh. I’m talkin’ Streets.

    What’s more, I’m looking for songs that are simply names of Streets. “Oak Street”, “Main Street”, “This Street”, “That Street”. So that leaves out a lot of quality tunes obviously (“Positively 4th Street”, “Incident on 57th Street”, to name a couple). I’m interested to see what other “Street” gems are out there. So use the Search area of your favorite media player, look for some “___ Street” songs, and drop some into the comments.

    Me? I came up with 17 streets. Here are four of my tops…

    • Christian St. (mp3) – Marah | An ode to their hometown of Philadelphia, this is on Marah’s 2nd album, Kids in Philly. It’s my favorite Marah album – just bristling with life. I spent the better part of the year 2000 with this record.
    • Straylin Street Pete Droge | From Pete’s ’94 album, Necktie Second.
    • Great Jones Street Luna | Never owned any other Luna albums other than Bewitched, but this song is a soft stunner. They had me at Great.
    • Cherry Street – JJ Cale | From JJ’s latest, Roll On (a concept album about deodorant. Just kidding.).

    The Others…

    Alphabet Street – Prince
    Boogie Street – Leonard Cohen
    Dominick St. – Steve Earle
    Grafton Street – Nancy Griffith
    Grey Street – Dave Matthews Band
    Highway One Zero Street – Joe Strummer
    Lonely Street – Bap Kennedy
    Love Street – World Party
    Meadowlake Street – Ryan Adams
    Rain Street – The Pogues
    Shakedown Street – Grateful Dead
    Shouting Street – Joe Strummer
    South Street – The Orlons

  • Rock

    Powderfinger

    Yeah, well, I can’t enough of Neil Young’s “Powderfinger”….

    Shelter me from the powder and the finger
    Cover me with the thought that pulled the trigger
    Think of me as one you’d never figured
    Would fade away so young
    With so much left undone
    Remember me to my love,
    I know I’ll miss her.

    That’s the final and most goosebump-inducing verse of the song. And this 10-22-78 performance at the Cow Palace near San Francisco (the shows that spawned the Rust Never Sleeps and Live Rust albums) ratchets the intensity up even further. Especially when guitarist Frank “Poncho” Sampedro comes over to Neil’s mic to join in for the final verse.

  • Rock

    2:28

    A lot can be accomplished musically in two minutes and twenty eight seconds. What brought this to mind was a Little Feat tune I heard on my way to work recently: “Feats Don’t Fail Me Now”. It funks and it rocks & rolls and grooves…makes me wanna strut down a crowded street with a sweet hat and some big fat shades – a grin on my face. “GIT the hell outta my way people, I’m coming THROUGH!”

    I sorted my iTunes by Time, and found 37 tunes in my online collection that clock in at 2:28 (three of ’em by Jim Croce, go figure). Here’s that sweet-ass Little Feat tune and eight other nuggets of under 2:28 goodness…

    If you’ve got a spare 22:12, listen to ’em all now…

    Little Feat – Feats Don’t Fail Me Now (mp3) – from Feats Don’t Fail Me Now

    Steve Earle – South Nashville Blues (mp3) – from I Feel Alright

    Reverend Horton Heat – Baddest of the Bad (mp3) – from Liquor in the Front

    Creedence Clearwater Revival – Who’ll Stop the Rain (mp3) – from Cosmo’s Factory

    Old 97’s – Coahuila (mp3) – from Drag It Up

    The Byrds – I’ll Feel a Whole Lot Better (mp3) – from Mr. Tambourine Man

    Calexico – Sunken Waltz (mp3) – from Feast of Wire

    Jim Croce – Time in a Bottle (mp3) – from The Definitive Collection

    Paul Weller – Spring (At Last) [mp3] – from Illumination [Limited Edition w/ Bonus DVD]

  • Rock

    So Much World Outside The Door…

    “I’m going to die.”

    This is what I was thinking as I drove, barely 40 mph, east on Interstate 94 from my home in the Twin Cities to the party capital of the world.

    It was last Friday afternoon, October 23rd, and I was on my way to hang out with my friend George. He had called me up two months ago to inform me that Fran Healy and Andy Dunlap, of the Scot band Travis, were playing an intimate acoustic show at the Majestic Theater in Madison, Wisconsin. I was about to buy tickets for the show in Minneapolis when I decided it might be fun to trek down there and see them with a pal I had known for quite some time.

    George and I met on Day One of seventh grade. I had just started at a new school and walked into my home room. Sitting there, at a table by himself, was a somewhat dour looking George..also starting at a new school. I walked right up to him and said,

    “Hey, my name is Mark.”

    He looked at me warily and said, “mmm…George,” and shook my hand. That was September of 1979 and we have been great friends ever since.

    We have always been VERY into music over the years and have seen many great bands throughout the course of our friendship. In too many ways to tell here, the bands we listened to were the soundtrack to our lives and, on many occasions, quite literally saved us. George had never seen Travis and was especially amped to see them at the Majestic. He had been raving about the venue as being a great place to see shows because of how small it was. Was it ever!

    The Majestic Theater in Madison is only slightly larger than my finished basement. Even Fran, as he first came out on stage, wondered if he was in the right place. “Is this a town hall meeting for the borough of such and such?” he asked laughing. We all chuckled along but I certainly wasn’t laughing mere hours before.

    Mother Nature, in her North Woods infinite pranksterism, decided a blizzard on October 23rd might a fun thing. For nearly 45 miles, with my knuckles whiter than a sheet, I drove (slid) through blowing winds, sideways snow, and exit signs – every one of which seemed to read “Alma Center.” Changing lanes literally made my testicles recede into my body cavity as my car fish-tailed constantly. The hope, warmth, and love that what I knew was going to be a mega show was the only thing keeping me going. I imagined myself sipping a beer and hearing the voice of an angel.

    Just like that, I was there! And Fran was singing the first track of the night, “20.” He informed us straight away that this was going to be  a chronological journey through the Travis back catalog. In addition, he mixed a Powerpoint presentation and humor with each story he told before all of the songs in the set. “Falling Down” was inspired by the Michael Douglas film of the same name and…Joni Mitchell? During the song “Slide Show”, he and Andy literally showed one which included several pictures of the band and Paul Fucking McCartney, as the big red letters put it with an arrow pointing to Macca in a few of the snaps from over the years.

    When “Driftwood” started, George leaned over to me and said, “This is my favorite Travis song of all time.” Definitely one of my faves too, and it sounded wonderful in this quiet and intimate setting. About half way through the song, George put his arm around me and gave me the bromance, two pats on the back. George has never been the hugest fan of physical affection so I counted this as being quite extraordinary and felt very blessed. Dude…

    The rest of the set included “Sing”, “Side”, “Indefinitely”, “Love Will Come Through”, and “Closer”. Next up was “My Eyes”, which Fran dedicated to his son. Asking us not to take pictures during this song, he put up a few home pics of his boy and played the song with all of the love of a proud parent. “Big Chair”, one of my faves, was next and sounded magnificent. A new song called “Holiday” was played, which finished the set proper.

    Out for the encore, Fran asked us what we wanted to hear. Several people shouted “Battleships” and still more asked for “Hit Me Baby One More Time”, the Britney Spears tune which Travis covered back in 1999. He said he would play both. “Hit Me” was just as good as I remember it, with the audience singing “still believe” in high falsetto which made Fran crack up several times. Andy came back out and they played “Good Feeling” followed by the last number of the night, “Battleships”, as promised.

    As we left the venue, I spotted an official bootleg at the swag table for 10 bucks and snatched it up immediately. It’s the whole show complete with stories separated via track numbers from the music, so you can just hear the tunes if you like. I highly recommend it. George bought one too and we headed out into the night for an evening of pub hopping on State Street.

    Played early in the set, the words from the song “Turn” reverberated in my ears in the crisp and cool autumnal night. I could have stayed home and seen them in Minny but went on an adventure instead. Sure, I almost careened off the road in a bullshit October snowstorm, but so what? The experience of the Majestic was completely worth it. More people in our “grandma and grandpa” nation need to fucking do shit like this.

    As the song says…”there’s so much world outside the door”:)

    Check TravisOnline for dates near you. There are several in NYC….wow!