• Ick's Pick

    Ick’s Pick: Frank Turner – ‘England Keep My Bones’

    Frank Turner came out of nowhere and wowed me last year when I stumbled upon his set in Zilker Park at the ACL Festival. It’s hard not to be instantly converted by the Brit- he’s likeable, charismatic, and he digs Springsteen…

    So I was excited today to see that his new record has been released stateside. England Keep My Bones does a great job of translating a very vivacious and infectious live performer to tape. Songs like “Redemption”, “I Still Believe” and “One Foot Before the Other” are alive and kicking, really capturing what is great about Frank’s live shows – pure energy. I swear, his atheist barroom anthem “Glory Hallelujah” may not convert the believers, but they’ll certainly be singing along to the “There is no God” refrain if they’re not careful.

    Everything I like about Frank is summed up quite nicely in “If Ever I Stray”: the populist, everyman theme; the inspiration, the encouragement…

    But if ever I stray from the path I follow
    Take me down to the English Channel
    Throw me in where the water is shallow
    And then drag me on back to shore!

    ‘Cos love is free and life is cheap
    As long as I’ve got me a place to sleep
    Clothes on my back and some food to eat
    I can’t ask for anything more

    Come on everybody sing it 1, 2, 3, 4!

    That’s the infectious chorus, words you’ll be singing along to by the end of the first listen. Like the album, they’re words that inspire, that lift you up, and make you want to track down the nearest pint of Guinness and toast to this imperfect world we live in.

    BUY England Keep My Bones (Amazon)

    Here’s a nice in studio acoustic version of “If Ever I Stray”…

  • Friday Five

    The Friday Five: June 3, 2011

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “Stay” by David Bowie (from Station to Station, 1991)

    We’re kicking off the festivities with a aggressively funky cut from the Thin White Duke. I especially dig the go-go congas panned hard left.

    “Fireflies” by The Hush Now (from Constellations, 2009)

    File these guy under “the best bands you’ve never heard.” Heck, I’m not even sure how I originally tripped over their 2008 self-titled effort, but it was one of the records that I ended up coming back to more than a few times. The second record was a bit uneven in spots, but still solid overall.

    “Manipulation” by Chicago (from Chicago XIV, 1980)

    In the year 1980 BDF—that’s Before David Foster, for the uninitated—Chicago released the record that got them dropped from Columbia records. Yes, boys and girls, it’s that bad.

    “Speak Low” by Billie Holiday (from Verve Jazz Masters 12, 1994)

    Oh, how I love Billie.

    “Breakout” by Foo Fighters (from Greatest Hits, 2009)

    Hail! Hail! Rock n’ Roll!

    What’s on your shuffle today?

  • Greg Brown Freak Flag album cover
    Folk,  Ick's Pick

    Ick’s Pick: Greg Brown’s ‘Freak Flag’

    I’ve been completely floored – I mean profoundly impacted – by Greg Brown’s Freak Flag.

    From the first notes of “Someday House” to the last delicate notes of “Tenderhearted Child”, the album flows with beauty and wisdom and grace, all delivered in Greg’s low-low-lowdown baritone. He’s always been one of a kind, this folk singing troubadour from southeast Iowa. Now in his early 60’s, he’s managed to take a look at the world around him and write some of the most heartfelt and genuine songs around. Whether it’s singing of love for a woman (“Lovinest One”), love for a child (in the deeply moving album closer, “Tenderhearted Child”), trepidation about where our country is headed (“I Don’t Know Anybody In This Town”, “Mercy Mercy Mercy”), or looking at religion and man’s thirst for something more on the other side (the gorgeous “Let the Mystery Be”)  – he does so with the utmost humor and humility.

    There are memorable moments – both musically and lyrically – all over this album; really well written words, shuffles, chord changes, etc. that make me smile, nod my head, and in the case of “Tenderhearted Child”, even tear up. If you’re a dad, and you can listen to these lyrics without misting up, then something’s wrong…

    I wish that we could leave you
    A world that knows no war
    where of all God’s children
    would never suffer any harm

    May you not give in to bitterness
    May your heart stay undefiled
    May your love never fail you
    Tenderhearted child

    Tenderhearted child
    I will always be your dad
    even when you leave home
    call me when you’re sad

    Okay, maybe it’s not difficult to tap into the strong emotions a father feels for a child, but this song really digs in deep.

    Those deep family bonds are evident in “Freak Flag”, the title track, as well…

    Well my dad preached a message of love
    I heard him say on the day he passed on above
    He said “Use what you got son
    to raise a hopeful cry”.

    Dad I heard what you had to say
    I try to hold to it every day
    I’m your boy
    I’m gonna let my freak flag fly

    The song also touches on coming of age during Vietnam, and love of country (“I’m an American, I’m gonna let my freak flag fly”), and goes on to raise the flag “for every soul gettin beat down” and “for every child who sees the light and turns around”.

    All this may seem like some deep, serious stuff. But Greg delivers it all in such a fresh, inspiring roots and folk sound;  great hooks, wonderful melodies, and a sense of humor that brings a smile to your face.

    I’m only scratching the surface here. I haven’t even touched on the opening songs, “Someday House” and “Where Are You Going When You’re Gone”, the latter which features one of the catchiest grooves and cadences I’ve heard in sometime. The guitar work is fun, twangy, and funky – right along with the lyrics.

    This album is an adventure. I feel like these great songs are coming from someone who’s been around the block – someone who knows; who makes you pause, take notice, and appreciate what’s around you. Greg Brown is some kind of Shaman of the Corn Fields.

    Simply put, the songs on Freak Flag make me Happy. I can’t recommend it enough.

    Buy Freak Flag on Amazon

    Visit Greg Brown’s Official Site.

  • Rock

    This House Is A Circus, Berserk As Fuck

    In what now has become a bi-annual tradition, The Arctic Monkeys descend on First Avenue and remind the Twin Cities why they are the Colossus of UK Banks. Last night’s show was unique in several ways.

    To begin with, First Ave recently installed a high capacity roof air conditioner (announced on their Facebook page to much rejoicing) so the sold out show would be cool and comfortable. This proved to be extremely beneficial as the pit became insane about a third of the way through the Monkey’s set.

    This was also the first time I had ever seen the Monkey’s before they released their new album. Suck It and See is not due out until June 6th in the UK (June 7th stateside).  I had only heard one new track (“Brick by Brick”) so the rest were going to be new to me. I was pretty amped to hear the new songs for the first time AND live!

    They also brought a support band with them that has blown up quickly just like the Monkeys did when they released their first album. The Vaccines took the stage a little after 7pm and played a fantastic 35 minute set which included many tracks from their debut disc, What Did You Expect From The Vaccines? Check out their video for the instant and hilarious classic “Post Break Up Sex.”

    After The Vaccines left the stage, the pit began to swell with humanity. My buddy Paul and I camped out underneath The Forbidden Staircase which has an excellent view of the stage from the right side of the pit. The Premier League like crowd started to get rowdy and sweaty when the announced set time (now posted on Facebook (mega!) for each show) came and went. I quietly blessed the owners of First Ave as I felt the soft wisps of cool air coming down on my head and shoulders.

    Finally, the Monkeys took the stage and, without playing a note, the crowd went berserk. As all of us sang “O-lay, O-lay, O-lay, O-lay” as the lads led off with “Library Pictures” from their new record. A fast tempo surf punk diddy, the song impressed me immediately as being (yet another) departure from their previous work. After that was “Brianstorm” and that was pretty much it for any sort of control in the pit. Bodies flew everywhere as the set progressed through songs from all four of their releases.

    Highlights for me were, first and foremost, the new tracks. “Don’t Sit Down Because I’ve Moved Your Chair” and “Brick by Brick” were amazing. “The Hellcat Spangled Shalalala,” aside from being a fantastic song title, recalled (of all bands) The Doors and late 60s/early 70s California.

    A very large highlight for me was the crowd. As the lads played their older songs, their ridiculously loyal fans sang (no, screamed) along with every word. I, of course, was one of them. In many ways, we were all part of the performance as they did “Still Take You Home,” “Teddy Picker,” “Crying Lightening” and all of the others.

    Coming as the second to last song of the night, “The View From The Afternoon,” took on a whole new meaning. The first track on their first album, which sets up the journey that a late adolescent man takes as he imagines what sort of evening he is going to have round the pubs and clubs, seemed last night more like confirmation of a premonition fulfilled completely. In looking at their body of work, on full display at First Avenue, The Arctic Monkeys have managed to evolve past that young man while still maintaining that spark of anticipation of what will always be a fucking riot of a night if they are playing a gig.

    For the full set list, click here.

    For my photos from the evening, click here.

    Here is a live performance of “The Hellcat Spangled Shalalala” from the Jools Holland Show.

  • Friday Five

    The Friday Five: May 27, 2011

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “My Country” by tUnE-YaRdS (from WHOKILL, 2011)

    This is the first time I’m hearing anything from this record, which comes very highly recommended by my Popdose alum—and frequent flyer with the Friday Five—Michael Fortes. It reminds me a bit of Ween, filtered through a Sonic Youth colored lens. I’ll have to queue this up for the long weekend.

    “Anna Begins” by Counting Crows (from Films About Ghosts: The Best of…, 2003)

    This is, for me, Adam Duritz’s greatest moment as a songwriter.

    “The Same December” from Prince (from Chaos and Disorder, 1996)

    For every bit of praise I lavished on Come a few weeks back, I have to decry Chaos and Disorder. Does anyone else recall the full court press promotional tour for this record? I swear, there must be a dozen television performances of “Dinner With Delores” out there.

    “Transatlanticism” by Death Cab for Cutie (from Transatlanticism, 2003)

    Buy Codes and Keys. Seriously, you’ll thank me.

    ‘Bonita Applebum (radio edit)” by A Tribe Called Quest (from Bonita Applebum, 1990)

    With this, I’m kicking off the Friday Dance Party.

    What’s on your shuffle today?

  • Rock

    Some Kind Of Fine

    People make fun of me because I like the band Heart. Actually, I don’t just like them. I love them. I love Heart.

    I ♥ Heart.

    There, I’ve said it. Heap your crooked looks and gas faces all over me if you wish but they were, are and always will be a mega fucking band. Much of the reason why I think so has to do with those magic herbs that are still lingering around in me from the 70s. More importantly, they bring that sacred feminine spirit to rock music like no other band.

    Their latest disc, Red Velvet Car, is quite good. The album came out last August but I just got around to buying it about a month ago. It is their first new studio album since 2004’s Jupiter’s Darling which I also enjoyed a great deal. New studio albums from Ann and Nancy have been sparse over the last couple of decades but what they lack in quantity they make up for in quality.

    Their latest effort represents a return to the sound of Dreamboat Annie which is one of the greatest albums of all time. I have a number of things to say about that album but I will wait until I am drenched in the glorious heat of the summer before I share. I need to be in the right frame of mind to convey, in those debilitating things they call words, how I feel about that mystical piece of wonder.

    For now, let’s take a look at Red Velvet Car. The album opens with a slinky rocker called “There You Go” and right away we can tell that Ann is in fine form. “WTF,” “Queen City,” and the title track firmly ensconce us in that groove that only Heart can carve. “WTF” goes for (and achieves) the power of “Barracuda.” But that’s the point, right?

    After the first four tracks, we get to the album’s true gem. “Hey You” written and sung by Nancy. This is sacred feminine rock in all its beautiful acoustic glory. In many ways, Nancy Wilson is THE eternal rock and roll girl-carrying with her all the swagger and history of wine soaked passion. Hammer of the Gods indeed!

    Next up we have a classic road song (“Wheels”) which made me laugh with its pomp and shameless preening for victory…reminding me quite well of MTV and the various Scorpions, Loverboy, and Journey videos I watched over and over again as a young lad. “Saffronia’s Mark” evokes the mystical whereas “Death Valley” dips a toe into Heart-1980s version. “Sunflower” is another Nancy track which means amazing. “Sand” rounds out the album proper (various editions have bonus tracks which are also quite good) and is another classic Annie reflection.

    Chuckle all you want at me, folks, but I will always love this band. They are one of a very few bands that epitomize the spirit and legacy of rock and roll. Here is a video I found for “Hey You.” I recommend downloading the studio version though. My inner vagina is always soaked after listening to this one!

  • Friday Five

    The Friday Five: May 20, 2011

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “Touch of Madness” by Night Ranger (from Midnight Madness, 1987)

    Discussion around the Popdose water cooler has been buzzing about Night Ranger’s upcoming release, Somewhere in California, touting the return of “classic Night Ranger.” Perhaps predictably, Matt Wardlaw and Dave Steed are in a tizzy and Jeff Giles (Y’all) has to replace his monitor.

    Oh, and will you look at that; Matt even wrote about it!

    “Dance the Night Away” by Van Halen (from Best Of, Volume 1, 1996)

    Since we’re all doomed in the next 48 hours, I might as well go ahead and let you all know that this is, hands down, without a doubt or question, my favorite Van Halen song. It’s the perfect example of the band’s ability to balance pop perfection and hard rock hooks.

    “Can’t Buy Me Love” by The Beatles (from A Hard Day’s Night, 1964)

    I’m debating listening to Abbey Road, Let it Be and Purple Rain all day Saturday. I’m not buying into this rapture bullshit, but if something is going down, I might as well go ahead and listen to my favorite records, right?

    “Porch” by Pearl Jam (from Ten, 1991)

    “What the fuck is this world running to?” Okay, enough of this end of the world crap.

    “The Best of My Love” by The Eagles (from The Very Best of The Eagles, 2003)

    When I heard the first strum, I was reminded of a story I read once. You should go and read it, but make sure you come back and leave your five!

    What’s on your shuffle today?

  • Rock

    AZ Incoming: Old 97’s

    The good Lord knows Dallas alt-country stalwarts Old 97s don’t come through my town very often. So on June 6th, you will be seeing my Old 97s lovin’ ass at Martini Ranch – in the heart of old town Scottsdale. The last time I saw them in town was May 9th, 2001 at the old Nita’s Hideaway in Tempe (the original one on Rio Salado), with the Honeydogs opening.

    So mark your calendars for Monday, June 6th – less than three weeks away… grab your tickets here.

    MP3: Oppenheimer (from Fight Songs)

    MP3: Salome (from Too Far To Care)

  • Video

    Big Audio Dynamite at Coachella

    Nice surprise a few weeks ago during Coachella’s webcast to stumble across Big Audio Dynamite‘s set. I missed their first go ’round back in the mid 80’s, but developed an appreciation for their albums over the years since. It was 1991’s The Globe (with the retooled lineup of Big Audio Dynamite II) that woke me up and made me dig back into their earlier incarnation.

    As you see, the boys have aged right along with the rest of us, but how sweet is it to see former Clash-man Mick Jones on stage in 2011, having a ball? Word is they’ll schedule more dates in the U.S. later this year. Keep an eye out…

    Big Audio Dynamite’s Site

    Here’s B.A.D.’s entire April 16th set at Coachella…

    Medicine Show
    Beyond the Pale
    A Party
    V Thirteen
    BAD
    E=MC2
    The Battle of All Saints Road
    The Bottom Line
    Rush

  • Friday Five

    The Friday Five: May 13, 2011

    Friday Five

    Friday Five : ‘frī-(,)dā,-dē ‘fīv : On the sixth day of every week, I hit the shuffle button on my iTunes, then share the first five tracks and thought for each track. Sometimes there is a playlist involved, occasionally we’ll have a guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    The Five:

    “One Way or Another” by Blondie (from Just Can’t Get Enough: New Wave Hits of the ‘80s, Volume 1, 1994)

    I don’t begrudge any artist making a few bucks via licensing, but I swear, if I have to hear “One Way or Another” one more time…

    “Heaven” by Warrant (from Dirty Rotten Filthy Stinking Rich, 1989)

    Oh, goodness. I’d hang my head in shame, if it weren’t for the fact that I still kind of like this song.

    “Take Me Home” by Phil Collins (from No Jacket Required, 1985)

    iTunes seems to be in a mood today, eh?

    “Space (acoustic remix)” by Prince (from Space,  1994)

    Originally from Prince’s Come, I actually prefer this stripped down version to the one that is featured on the record. Looking back, Come is a quality album.

    “March of the Pigs” by Nine Inch Nails (from March of the Pigs, 1994)

    Well, that is one hell of a way to wrap up this week’s five.

    What’s on your shuffle today?