• Pop

    On Discovering Butch Walker

    Regardless of how tuned in you think you are to the popular music scene, there’s always something good slipping under the radar. One of the most recent examples for me is Butch Walker. The Georgia-born musician and producer has been making waves since his early hair metal days with Southgang. He moved on to the Marvelous 3 in the late 90’s, and, and over the last decade, he’s found success as a pop/rock solo artist and producer (Pink, Weezer, Fall Out Boy).

    Butch Walker and Daryl Hall
    Butch Walker & Daryl Hall (photo: Mark Maglio)

    I had heard of Butch, but didn’t get a good quality introduction until I watched his appearance on the always great Live from Daryl’s House series. Musically, it was the performance of “Sweethearts” that reeled me in. But it’s also impossible not to appreciate the funny, genuine person he is (Daryl’s House seems to bring that out in its guests).

    That brought me to The Spade album, his 2011 release by Butch Walker and the Black Widows – a wonderful collection of catchy hooks, fantastic harmonies and simply fun songs. The mid-album trio of “Sweethearts”, “Day Drunk”, and “Synthesizers” is my highlight.

    Little did I also know that a great video for “Synthesizers” was released a year ago, featuring Matthew McConaughey reprising his role as his Dazed & Confused character Wooderson, a role that my colleague Mark has proclaimed his appreciation for.

    The “Synthesizers” chorus has some advice that ties in well to the new year.

    For once, once in your life
    Won’t you do what feels right
    Instead of waiting for the next big compromise
    Stop running your mouth
    Get out of the house
    Get yourself downtown
    And shake it all out tonight.

    Add this song to your exercise playlist and tell me you don’t get a charge out of it.

    Here’s the video, followed by the first segment from the Live From Daryl’s House episode with Butch, which I highly recommend taking the time to watch.

    Watch the whole episode.

  • McDowell Mountain Music Festival

    2013 McDowell Mountain Music Festival brings the Roots, the Shins, and lots more to Downtown Phoenix

    2013 MMMF logoArizona’s own McDowell Mountain Music Festival marks its 10 year anniversary in just a couple of months (March 22-24) with a stellar lineup – arguably the strongest lineup in its decade long run.

    I’ve made it very clear over the years that MMMF is hands-down my favorite music event in old AZ. I’ve attended every one of them since 2007, when I watched in awe as Aaron Neville and his brothers belted out “Tell It Like It Is.”

    From its earlier years at Scottsdale’s spacious Westworld complex (2004-2009) to the intimate sod-laid parking lot outside of the (now defunct) Compound Grill in north Phoenix/Scottsdale (2010-2012), the all-for-charity festival has brought in the likes of Los Lobos, Gov’t Mule, the Flaming Lips, Matisyahu, Blues Traveler, Galactic, and Edward Sharpe & the Magnetic Zeros – as well as a regular rotation of local artists like What Laura Says, Tramps & Thieves, and Endoplasmic.

    2013 brings another new venue for MMMF – Margaret T. Hance Park in downtown Phoenix (aka “Deck Park” because of it’s locale over the Interstate 10 tunnel). It’s clearly a shift for the festival, moving from the far outskirts of the Phoenix metro area to smack dab in the middle of an urban center. This won’t be welcome news to those that enjoyed camping out under the stars during its first several years at Westworld, and were hoping for a return there. But any hesitation to attend should be squashed with this year’s announced lineup…

    The Shins
    The Roots
    Umphrey’s McGee
    Les Claypool’s Due de Twang
    Deer Tick
    Heartless Bastards
    Dr. Dog
    Edward Sharpe & the Magnetic Zeros
    Yonder Mountain String Band
    and more…

    Me? I’m most excited to catch the Shins for the first time, to see the Roots a second time, and to see Rhode Island’s crazy bastards, Deer Tick, for a fifth time. The afterhours Deer Tick party on Saturday at the nearby Crescent Ballroom should be a wild time too.

    I’m also really looking forward to Sunday’s closer, Umphrey’s McGee – a prog-rock/jamband that has been making big waves in the jam scene for years.

    There’s a little something for everyone, isn’t there? Sunday’s lineup is a jamband fan’s wet dream. Saturday is gritty and soulful. Friday leans to the Indie side. All in all, a killer lineup if you ask me.

    So tickets just went on sale January 1st. 3-day passes are going for $120.

    See you there on Friday, March 22nd, yeah?

    Here’s the full lineup…

    FRIDAY, MARCH 22, 2013

    5:00 LOCAL TBD
    6:00 Balkan Beat Box
    7:30 Edward Sharpe and the Magnetic Zeroes
    9:30 The Shins

    AFTERHOURS AT CRESCENT BALLROOM:
    11:30  ORGONE

    SATURDAY, MARCH 23, 2013:

    12:00 LOCAL
    1:00 LOCAL
    3:00 Heartless Bastards
    5:00 Deer Tick
    7:00  Iration
    9:00   The Roots

    AFTERHOURS AT CRESCENT BALLROOM:
    11:30   Deer Tick

    SUNDAY, MARCH 24, 2013:

    11:30 LOCAL
    12:30 JGB BAND
    2:00 Dr. Dog
    4:00 Les Claypool’s Duo de Twang
    6:00 Yonder Mountain String Band
    8:00 Umphrey’s McGee

    BUY TICKETS

    Official Site for the McDowell Mountain Music Festival

     

  • Hip Hop

    Lifting My Mind in the New Year

    It’s always cool to kick off the new year with some fresh music. It’s even better when it’s some local boys! Lifted Mindz are a five man, hip hop crew that I first heard during a break of the Orange Bowl just two days ago and they are very, very wonderful.

    The tune below (“Dora Hade”) lays down a nice, thick groove that is reminiscent of early De la Soul. Their message, like Hemingway, is honest, true and strong…a movable feast, if you will, for stream of consciousness expression.

    What a great way to start off 2013!

    Here is a link to download their music.

  • Best of Lists

    Mark’s Top Five Albums of 2012

    For my top five albums of the year, we begin with something I didn’t think I would like but then did. And then loved. And then became obsessed with to the point of nausea. But a good nausea. Folks, I’m not ashamed to admit but I heart the Original Soundtrack to Rock of Ages. Heart heart heart!!!

    Maybe it’s nostalgia or maybe I’m just that shocked that Tom fucking Cruise can carry a tune but this disc is Chock-o-Block with great tracks. My personal favorite is Cruise and Malin Akerman’s rendition of  Foreigner’s “I Wanna Know What Love Is.” This is largely due to the scene in which it is performed being so over the top and wonderful that I could hardly contain myself.

    Next up is Donald Fagen’s Sunken Condos. My first reaction was instant delight at the cover. Artists these days don’t put as much thought into album covers largely because they are seen on a small screen. Since the advent of downloads, I have opined for the days of the album cover as art (see: Yes or Pink Floyd). Sunken Condos is a brilliant piece of work by Stephen Walker and Jeff Wack. The centerfold is equally as amazing and haunting in its beauty.

    The music itself is classic Fagen/Steely Dan. Slinky grooves played by stellar studio musicians with DF’s voice out front, guiding us through his unique and remarkable take on life. It’s nice to see him getting past his big, autobiographical trilogy on life (The Nightfly, Kamakiriad, Morph the Cat) and just have fun again.

    http://www.youtube.com/watch?v=Epxd1v43yas&w=480&h=360

    For number three on my list, I look closer to home and note the wonderful debut of The Stereo Pirates self-titled record. Since it was a January release, it was a real treat to play it all year and enjoy it through all four seasons. I found it to be a great disc to throw on while running and play from start to finish. Perhaps it’s because it’s a “journey” album and every time you listen to it, your mind goes down a new path.

    Number two on my list is That’s Why God Made the Radio by The Beach Boys. Brian is back and this time, it ain’t no publicity stunt. Their twenty ninth (!) studio album is a return to heights that have not been seen since Sunflower. Honestly, some tracks are right up there with Pet Sounds. All surviving members are here, including the return of Al Jardine replacement, David Marks. The last three tracks (“From There and Back Again,” “Pacific Coast Highway,” and “Summer’s Gone”) are Smile-like in their connectivity and wonder. The band recorded 28 songs for this album so perhaps this isn’t the end for new material but if it is (they are all in their 70s, after all), what an impressive coda!

    The best of album of 2012 is Sonik Kicks by Paul Weller. I make no bones about by obsession with Brit Rock and it really isn’t that much of a stretch to guess that the Modfather would be my top pick of the year. I wrote a more detailed review of it back when it was released and all of those words still apply today, if not more so. Weller is truly like a fine wine, getting more robust with each passing year. He promises much more to come in the future and I simply can’t wait. If he keeps growing like this, it’s going to be more apparent that his solo career is leaps and bounds past The Jam and The Style Council. Diehards like me already know this to be true.

    Now, go buy all these fucking records….

  • Rock

    Mark’s Top Five Tracks of 2012

    Channeling my inner Cusack via Nick Hornby, here are my Top Five Tracks of 2012.

    5. “Don’t Stare At The Sun” – Richard Hawley

    Haunting and evocative of another time, this song has been stuck to me for the past few months and won’t let go. Certainly, it’s reminiscent of Tonight-era David Bowie but there’s something more than that here. It’s echo-y…shimmery…like memories…simply wonderful…

    4. “I’m Not The Same Without You” – Donald Fagen

    The more things change, the more they stay the same..a cliche, I know, but I’ve been struck how this year saw me listening to the same bands I did 30+ years ago. This list (along with new releases by Joe Jackson and Bruce Springsteen) is certainly indicative of that. It’s not that I’m old and crabby about music or anything (I have plenty of new bands that I love) but these senior farts are still making exceptional music that, in many ways, is superior to some of the new stuff coming out.

    This is certainly true of Donald Fagens’ new album, Sunken Condos. This track is a great example of how the good ol’ style of music still sounds great today. In fact, no one really makes music like this anymore so it’s actually very refreshing!

    3. “Take Me Home” – The Stereo Pirates

    Almost my track of the year and not just because they are local boys. The LA sound here is absolutely perfect in this stunner of a track. I challenge anyone to listen to this from start to finish and not well up a little bit. A stadium anthem for 2012 if there ever was one…

    2. “Summer’s Gone” – The Beach Boys

    Brian finally got the remaining boys back together for one last (?) go around. This is the closing track on a truly exceptional album and it acts as a possible epilogue to the 50 year career of the Beach Boys. Brian has hinted for many years that he had a song that would be the last song on the last Beach Boys album and this is it. Who knows if this is really the end (they are all in their 70s now, after all)?

    If it is, “Summer’s Gone” is a perfect track for taking your best gal for that last stroll home, past the white picket fences or through the fields or under the boardwalk, in early September right before you head off to college…with the leaves…and the co-eds in sweaters…and textbooks…and the life of the mind…

    http://www.youtube.com/watch?v=hDEzqFMejzU&w=560&h=315

    1. “A Study In Blue” – Paul Weller

    The Modfather came up big this year, as I discussed previously, and there was never really any question after I heard this track, that it would be my top choice for 2012. The duet with Hannah Weller (his wife) is what really makes this song shine in its trippy, chill-outedness. This song has been floating next to me all year and has been a very soothing companion.

    Tomorrow I’ll put up my Top Five Albums of the Year.

  • Best of Lists,  Ick's Pick

    Pete’s Music Highlights: My Top 12 of 2012

    I’ve been as quiet here on Ickmusic as I ever have during its eight year run.  Worry not, nothing (outside of my family) has taken a back seat to music in my life. It still fuels everything I do. But there has been a definite lull in my desire to sit down and type out regular blog posts. I know it tears you up inside (whoever “you” may be).

    But it’s okay, Ickmusic.com is still here when I need it. Like today, for instance, when I feel like sharing my music highlights from the year Twenty-Twelve.

    Here are some of the albums, songs and live shows that enriched my world in 2012…

    1. Album: Band of Horses – ‘Mirage Rock

    Fans and critics who were praying for another Everything All The Time or Cease to Begin cried foul when Mirage Rock was released this year. Me? I ate it right up. The album, produced by legendary classic rock engineer/producer Glyn Johns (The Who, The Stones, to name a couple) definitely steers heavily into 70’s classic rock and even soft rock category. I am just fine with that. In fact, the wistfully sweet “Long Vows” and “Slow Cruel Hands of Time” are two of my favorites. But the boys sure crank it up with tunes like “Dumpster World”, “Knock Knock”, and the early 70’s Stones-ish “Electric Music.” Yep, I’m all in on this record. Oh, and if you’re looking for beauty, track down “Relly’s Dream” from the Sonic Ranch Sessions bonus disc on their deluxe edition. I spun this album start to finish more than any other release this year.

    2. Show: World Party – Crescent Ballroom, Phoenix – 12-02-2012

    worldparty1

    Thanks to Zia Records, the top independent record store here in Phoenix, I won a pair of tickets to see Karl Wallinger and his band World Party. As a big fan especially of the Goodbye Jumbo album, it was a rare honor to see Karl play an intimate venue like the Crescent Ballroom in downtown Phoenix (my #1 room in town). After a serious health scare in the early 2000’s (a brain aneurysm), Karl’s voice is as pure and dynamic as you’d hope for. Along with his sharp young Nashville bandmates, he tore through WP classics like “Is It Like Today”, “Ship of Fools”, “Way Down Now” and (my favorite) “Put The Message In The Box”; and also sat down at the keys for “She’s The One” and “God On My Side.” This gig far exceeded my expectations (I didn’t know what to expect, really), and I sincerely hope Karl continues on with making music and touring. I can’t wait to see him again.

    Here’s a video I shot of Karl and violin/mandolin/harmony vocalist extraordinaire David Duffy singing “Mystery Girl” (bump up the quality to 720p or 1080p):

    3. Show: Band of Horses, Marquee Theater, Tempe 10-26-2012

    ben-peteLG

    I’d seen Band of Horses a couple of times before, but only in a festival setting (Austin City Limits). This first true headlining show came out of the cancelled Railroad Revival Tour with Willie Nelson. Ben Bridwell and the boys set up at Tempe’s Marquee Theater in late October and tore the roof off the dump. Drawing from all four of their studio albums with a couple covers thrown in (Them Two and Hour Glass, nice & obscure!), the songs were rambunctious, mellow, inspiring, wistful, beautiful, rocking… all the adjectives that reminded me (and the full house) why we love them so much. Not to mention getting to chat for a while with Ben after the show. The dude abides.

    4. Album: Ryan Bingham – ‘Tomorrowland

    Ryan-Bingham-Tomorrowland-album-cover

    Give me the cool, gravelly roots/folk/country rockin’ twang of Ryan Bingham any day of week. Tomorrowland is a return to the more straight-ahead rockers that seemed to be missing on his last album, the T-Bone Burnett produced ‘Junky Star.’ He wastes no time on Tomorrowland’s opener, launching into “Beg for Broken Legs” with urgency and force. “Guess Who’s Knockin” is another strong one, featuring a satisfying F-bomb chorus. “Never Ending Show”, “Flower Bomb”, “The Road I’m On” – all standout tracks. If you haven’t checked out Tomorrowland (or Ryan Bingham) yet, you’re missing out. Just do it.

    http://www.youtube.com/watch?v=ftBWG1U09OA

    5. Show: Bruce Springsteen & the E Street Band – Jobing.com Arena, Glendale 12-06-2012

    IMG_4755

    I took a couple of Bruce first timers a few hours early to go through the wristband lottery to try and get up near the front of the stage (“in the pit”, as they say). Sadly, our numbers were not of the lucky variety, and we were shut out. So we ended up behind the pit right next to the sound booth. The disappointment was very quickly washed away with Bruce’s first strum of the acoustic for the opener “Surprise, Surprise.” The first 30 minutes was a showcase of career nuggets: “No Surrender”, “I’m a Rocker”, “Hungry Heart”, “Prove It All Night”, “Trapped”, and “Lost in the Flood” – and all those before launching into the new Wrecking Ball material! Three plus hours from a tireless 63 year old and his very large troupe of supporting members – the E Street Band and then some. My eighteenth live Bruce experience, and yet another reminder why The Boss sits on the top of the pile in my world.

    6. Show: Girls – Crescent Ballroom, Phoenix – 03-03-2012

    IMG_3860

    Who would’ve thought I was seeing Girls the band in one of their final performances? For not long after, frontman, songwriter, and singer Christopher Owens announced on Twitter that the band was done. He’s moving on in another musical direction (his debut solo album, Lysandre, comes out in just a couple weeks). So I am fortunate to have seen Christopher and the band play songs I’ve come to absolutely love since discovering them a couple of years ago: “Laura”, “Alex”, “Honey Bunny”, “Love Like a River”, “Die”…

    Something about Christopher’s music draws me in – the beauty and innocence, the light in the darkness – and I’ll basically be following him around for however long he decides to make music. A great show – short, but sweet.

    http://www.youtube.com/watch?v=-J6aXK39qVQ

    7. AlbumNeil Young & Crazy Horse – ‘Psychedelic Pill

    untitled

    A 27 minute album opener with the lyrics “I wanna get a hip-hop haircut”? Check. Something about this record, particularly the longer running tunes (“Driftin’ Back”, “Ramada Inn”, “Walk Like a Giant”), really grabbed hold of me. It’s the loud, distorted (and long) guitar solos, it’s the way Neil sneers his way through the lyrics… It’s the unconventional and F-you attitude of it all. Everything Mr. Neil Young represents.

    And of course Neil has a 27 minute long official video for “Driftin’ Back”…

    8. Show: Lenny Kravitz – Comerica Theater, Phoenix – 02-12-2012

    lennylive

    Rock Star. Completely and indisputably. It’s fun to sit back and watch a performer just turn on all the glamor, glitz, and poses of a Rock Star. Lenny has perfected this persona over his 20+ years of performing. He’s got a quite the catalog to choose from, and watching him perform the hits (“Are You Gonna Go My Way” being my favorite) as well as tunes from his surprisingly strong latest album, ‘Black and White America‘, had us out of our seats the entire gig. Lenny has always been and remains a total badass. Such an entertaining show.

    9. Song: Bruce Springsteen – “Jack of All Trades”

    This is my favorite Bruce tune in years. I thought about including the whole ‘Wrecking Ball‘ on the “list”, but that wouldn’t be an honest assessment. While I enjoy Bruce’s Great Recession album from earlier this year, I just haven’t connected too much with the songs (of course, hearing them live is a whole ‘nother ball of wax – see above for my December 6th Bruce show). “Jack of All Trades” though, wow. A slow, dirge-like bass drum and piano start off the song. It builds and builds with each verse and ends with a forceful guitar solo from Tom Morello. The theme of strength, perseverance and optimism in the face of adversity is a common one in Bruce’s music, but he really connects with this tune in a goosebumps and tears kind of way.

    “I’m the jack of all trades / honey we’ll be alright”

    10. Album: Delta Spirit – ‘Delta Spirit

    deltaspirit1

    Matt Vasquez and company continue to evolve, refusing to stay pigeonholed the way some fans prefer (see Mirage Rock comments). “California” was the lead single and the most obvious stray from their former indie/folk sound – a more electronic modern pop sound. But they still rock out – “Money Saves” is one of my favorites, as are “Tear It Up” and “Tellin’ the Mind.” Nothing matches my three standout tracks from their last album, ‘History From Below‘ – “911”, “Bushwick Blues” and “Salt in the Wound” – but that’s not a knock on this record. I love a band that explores new territory and challenges themselves to try something new – Delta Spirit is a band I’ll be following for years to come.

    11. Album: Fred Eaglesmith – ‘6 Volts

    fredeaglesmith_6volts

    It wasn’t until about midway though the year that I reconnected with Canadian singer/songwriter Fred Eaglesmith. I listened to him in the late 90’s and early 00’s, but for some reason, I seemed to veer away. ‘6 Volts’ was released in January, and quickly reminded me what drew me to Fred: clever songwriting and storytelling, and great folk/root-rock sounds and rhythms. ‘”Betty” is a standout track from 6 Volts, with Fred conjuring up dark imagery on as cheerful a melody and cadence as possible: “Betty what’d you do with the gun? There’s strangers at my door / and there’s more where they come from / …was it the money, was it the drugs / was it somebody that you used to know / …Betty Betty why won’t you tell me”.

    12. AlbumTrampled by Turtles – ‘Stars and Satellites

    cover-stars-300px

    Straight out of Duluth, Minnesota, I became aware of Trampled by Turtles when I saw them at the 2011 Newport Folk Festival. I’ve seen categorizations bandied about in the past for this band, like “newgrass” and “speedgrass”… but with this year’s release, people will have to search for new adjectives. They jump into more rootsy, Americana-inspired territory here, bringing the tempo down with some great tunes like “Midnight on the Interstate”, “Alone”, “Widower’s Heart” and “Beautiful.” Of course, they haven’t abandoned their bluegrass roots, their banjo and fiddle players remain. So if you want your speed fix, listen to “Don’t Look Down” or “Walt Whitman.”

  • Rock

    Autumnal Delights (Richard Hawley)

    With only a few weeks left until the official end to autumn, I thought it appropriate to return to the that magic mix of music and this time of the year. It seems like kismet for today considering it hit 52 degrees in the Twin Cities with London like fog covering the area for the last 48 hours. There have been quite a number of songs released this year that have captured that feel of autumn that I speak so often to anyone who will listen so let’s get to them!

    First up is a song that has been seared into my mind and heart. Richard Hawley’s haunting “Don’t Stare At The Sun” is so ridiculously wonderful that I have to play it every single day. The echo-y guitars produce that magical autumnal shimmer that takes me back to my high school years and solders an immediate connection with The Unforgettable Fire. 

    Hawley’s voice on this track reminds me of the very underappreciated Tonight LP (released in October of 1984 and to be highlighted here soon) by David Bowie. Folks, this track is simply amazing and must be downloaded immediately for long walks under the Harvest Moon.

    Check it out below!

  • Bruce Springsteen

    We Take Care Of Our Own

    Yeah, that’s right, Bruce. We sure do. Fuckin’-A right we do. That’s why you just helped us elect the right guy for president a week ago. You are amazing. You are wonderful.

    You are a fucking monster.

    And it was great to see you again after 25 years.

    The last time I saw you was at the now giant parking lot next to the Mall of America but then the Met Center on the Tunnel of Love Tour. You played for four and a half hours and I loved every minute of it. Two days ago you played for just over three hours but I didn’t care because your set list was redonkulous.

    You opened with “We Take Care Of Our Own” which was a nice exclamation point on the election. You had the house singing along early to “Out in the Street.” You delivered a powerful one-two punch with “Death To My Hometown” and “My City of Ruins,” the latter of which made me well up at not only the theme but how fucking beautiful your voice was…

    Each song seemed to give you more energy just like it was 25 years ago when you were a young lad of 37. Body surfing for fuck’s sake to “Hungry Heart”…the unbridled energy of “Open All Night,” which was my wife’s fave…and I still can’t believe you were able to pull “Savin’ Up” out of your ass and play it perfectly. “Shackled and Drawn” reminded the crowd of just how good your new record is.

    My personal fave was “Rosalita.” Same intensity. Same high energy. Same amount of sweat and multiple gallons of water.

    The memories of the 88 year old dancing with Stevie to “Dancing in the Dark” and the various kids you pulled up on stage will be with me forever, dude. You are more than a boss. More than an icon.

    You are….

    For the rest of my photos, click here.

  • BritPop,  Rock

    A Salve For All That Ails

    It had been far too long since I’d seen a show. That’s the way it is sometimes when you have kids, school and a myriad of other things that need your attention. I have to confess that sometimes music takes a back seat in my life. Awful, I know, but it’s true.

    In fact, I’d begun to notice that something was very wrong with my soul these last few months. My life just didn’t seem right. Even though I listen to music every day (especially when I run), I wasn’t letting it fully envelop me as I usually do…comfort me more in those times that are extra stressful…and remembering that this is exactly what music should be…a salve for all that ails in totality.

    Of course, I knew several months ago when I bought the tickets for the Noel Gallagher-Snow Patrol show last Wednesday night that my musical spirit would be uplifted enormously. I couldn’t believe it when I saw the double bill. A Brit Rock Double Feature…what a treat! Neither band disappointed.

    The evening began with Jake Bugg, a very young lad hailing from Nottingham, whose short acoustic set was reminiscient of Lee Mavers. I’d recommend picking up his disc and giving it a chance.

    Noel was up next and it was an absolute corker of a set. Mixing Oasis songs with his wonderful new material, Noel showed his god like genius through 14 musical chestnuts. His first solo record, which I reviewed a while back, is so good he could have honestly played the whole thing (as his brother did when he was in town with his new band, Beady Eye) and I wouldn’t have cared. A key ingredient for me in good music is what kind of stories does the artist tell and what is their perception of the world? Noel’s lines up just about perfectly with mine and it is very evident in tracks like “Dream On” and “If I Had A Gun,” both of which were performed flawlessly with that Mancuian magic.

    The real treat of the night, in terms of his new record, was “(I Wanna Live In A Dream In My) Record Machine.” As the lyrics washed over me, the irony became very apparent. I was living in a dream about living in dream…

    The Oasis tracks were great, of course. The one that really stood out was “Talk Tonight,” originally an acoustic only song, and now a full band number that sounded marvelous. Noel’s set ended with “Don’t Look Back in Anger” (of course), my soul was reset to where it should be and all was well and good with the world again.

    But that wasn’t the end!

    Throughout Noel’s set i kept thinking about how awesome this was that there was ANOTHER great band going on right after this. Snow Patrol did not disappoint in their 14 song set, mixing old and new songs as lead singer Gary Lightbody darted around the stage like a lanky firefly (man, is he hard to photograph!). They opened with “Hands Open” and it was obvious from the start that the band (as they always go) were going to pour their hearts into every single track.

    “Crack the Shutters” was ridiculously awesome. “Run” had everyone singing along with every single word in soft and haunting, almost church like, tone. “Dark Roman Wine” was subbed in for “Make This Go On Forever” which bummed me out at first but the former is a really cool tune. “Chasing Cars” brought me to that romantic place where I can’t tell the difference between loving music and loving love. They closed the night out with “Just Say Yes,” the stand alone single from their 2009 greatest hits package.

    As I filed out of the Roy Wilkins Auditorium (a perfect place to see a show, b to the w), I quietly made two promises to myself. First, to never again let music take a back seat to my daily life…allowing it always to continually heal me. Second, never let this long of time go by until my next show. This second promise was easily kept as I am going to see (ahem) BRUCE FUCKING SPRINGSTEEN (general admission tix) in eight days!

    Photos of the show.

    For tour info on Noel Gallagher-Snow Patrol, click here. 

     

  • Rock n' Folk

    Recap: Band of Horses at the Marquee Theater in Tempe

    It was starting to feel like Band of Horses may never actually make it back to Phoenix. Last year, they were scheduled to open for Kings of Leon at Ashley Home Store Pavilion, but that got axed. Then this year, they were scheduled to play downtown Tempe as part of the second installment of the Railroad Revival Tour with Willie Nelson, Jamey Johnson, and actor/musician John C. Reilly, but that fell apart a few weeks prior to the October 26th date.

    Luckily, Band of Horses wasted no time and promptly booked gigs in the cancelled tour towns, including an October 26th stop at the Marquee Theater in Tempe. For fans like me, it was a big win, now getting a full headlining gig versus an abbreviated festival-like set.

    And so deliver they did, playing a roughly two hour set for (what had to be) a sold out crowd – the set list drawing from all four studio albums. In fact, at the end of the night, only four songs showed up from their latest release, Mirage Rock.

    Some friends and I got to spend about fifteen minutes chatting with lead singer Ben Bridwell after the show, and he talked about the fun they’re having with these last minute headlining dates. They’re giving themselves the freedom to relax, have some fun, and play outside of the box a little.

    It showed with the 23-song set list that included a couple of rarely seen covers: keyboardist/guitarist Ryan Monroe took to the organ for “Ain’t No Good To Cry,” a late 60’s tune by Hour Glass – the L.A. band that Gregg and Duane Allman were a part of before forming the Allman Brothers Band. How’s that for obscure? (Thanks to Ryan Monroe for the Twitter reply confirming the song name). The other cover was the encore finale, an old deep soul track called “Am I A Good Man?”, originally by a group called Them Two. They’ve pulled that one out quite a bit in the past.

    We got a song premiere too, “A Little Biblical” from Mirage Rock, a tune they had never performed live.

    But by and large, the band delivered lots of familiar Band of Horses favorites:

    • The night opener, “The First Song,” with Ben sitting down with this pedal steel.
    • “Marry Song,” with Ryan and Ben synched up perfectly with that gorgeous harmony.
    • “No One’s Gonna Love You,” a night highlight, with only Tyler Ramsey on guitar and Ben on vocals – a very intimate few minutes and clearly a crowd favorite.
    • Another slow burning highlight: “Detlef Schrempf,” where Ben came down to the crowd to share the mic during the chorus, letting crowd members sing “My eyes can’t look at you any other way…”- and by the way, I asked Ben after the show if former NBA star Detlef Schrempf knows there’s a song named after him. The answer is yes – Detlef and Ben keep still keep in touch, and try to hang out when Ben stops through Seattle.
    • “The Funeral” was the regular set closer, and since Ben’s amp blew out during the prior tune, it didn’t feature the familiar guitar riff from his Les Paul Standard. Instead, Ryan worked the riff on the organ. They may have stumbled on something there… very cool to see an oft-played tune done in a different style.

    Just an amazing night overall – for the super fans like me on down. And to be able to chat it up with Ben after the show was the icing on the cake – such a genuinely nice guy.

    Back in October 2008, on the morning after their Austin City Limits Festival set, I saw Ben in the Austin airport, so I went up and said hi. When I mentioned that encounter last night, unbelievably to me, he remembered meeting me on that bleary-eyed morning. So naturally, I asked him to reenact the photo we took in the airport. Kudos to Ben for removing his ball cap to style his hair a la 2008…

    2012

    2008

    Ben promised the crowd that it wouldn’t take so long for the band to make it back to the Phoenix area. From what I can find, the last time they were in Phoenix was a June 2006 stop at the Rhythm Room. That is a long time.

    Here’s hopin’ and beggin’ and prayin’ they stop through again soon. Special band. Special night.

    Band of Horses Web Site

    Band of Horses on Amazon

    Set List

    Marquee Theater
    Tempe, AZ
    Oct 26, 2012

    The First Song
    Laredo
    Great Salt Lake
    Islands on the Coast
    NW Apartment
    Electric Music
    Ain’t No Good To Cry (Hour Glass cover)
    Blue Beard
    Cigarettes Wedding Bands
    On My Way Back Home
    Marry Song
    Everything’s Gonna Be Undone
    Older
    Knock Knock
    A Little Biblical
    No One’s Gonna Love You
    Is There a Ghost
    Weed Party
    Ode to LRC
    The Funeral

    ~ Encore ~
    The General Specific
    Detlef Schrempf
    Am I A Good Man? (Them Two cover)

    ** Thanks to Nicole LaRochelle for some of the photos above.