Christopher Owens’ new album, Lysandre (and a giveaway)
“Don’t try to get me down. Don’t try to harsh my mellow, man!”
Because after multiple listens over the last 24 hours, the short & sweet Lysandre album, brand new from former Girls frontman Christopher Owens, is doing the trick. And yes, Owens does indeed use the “harsh my mellow” line in “Here We Go Again.”
So for anyone who doesn’t know, I am enamored with the Girls catalog – the two albums and one EP. Christopher dissolved the band in mid 2012 to move on to some solo work. The first fruits of his solo labors is the concept album Lysandre, which has been kicking around in his head since the first Girls tour in 2008. For on that tour, while in France, he met a fair French maiden named Lysandre, and they fell hard for each other. Love ensued, but so did separation, as Chris returned to his home in San Francisco. Most of us know how difficult it is to maintain a long distance relationship, and theirs was no different than most of us – it fell apart.
Lysandre tells that story from A to Z in a sweet, sad, fun, beautiful little 28 minute package. My one and only complaint is the abbreviated EP-like length. It leaves me thirsting for more.
Tops for me so far is “New York City”, which is catchy as hell with that cool neo-Brian Wilson vibe, and juxtaposes tales of his pre-band days in Texas (dime bags, guns & knives, making a quick hundred bucks in the back of a pickup truck) with playing to a crowd for the first time in New York City: “But look at us in New York City, everybody’s listening to me.” Oh, and Saxophone warning! There is Saxophone on this track, which some may find over the top or cheesy at parts. I like Chris’s attitude about it though – put it in there, and make it loud! This, folks, is a fun song…
Another highlight is “Love Is In The Ear Of The Listener,” an endearing song about self doubt, the naysayers and critics, and an affirmation that “beauty’s in the eye of the beholder, love is in the ear of the listener.”
All in all, I admire the way this album is put together. As I’ve prattled on about before, any artist who is out there creating something fresh and unpredictable every time out has my respect. It’s one story told over 28 minutes. “Lysandre’s theme” / interlude makes appearances throughout, and ties the songs together. It never leaves the key of A. There’s saxes. There’s Renn-faire flutes. There’s bang-bang beach rock n roll… It’s a half hour journey through California, NYC and France – an enjoyable one that I look forward to riding along to in the months and years to come.
MP3 Download Giveaway – I bought a vinyl copy of Lysandre, and they included a couple of extra download codes for the digital album in MP3 format. If you’re interested in getting a hold of the digital album, leave a comment below. I’ll pick a couple of people in a few days (or – if there’s only two of you, lucky you!).
If you’re bent on grabbing that record here and now (which I heartily recommend), here are some links for you:
Buy Lysandre On: Fat Possum Records | Amazon
Song for Zula, new from Phosphorescent

“Some songs just feel like home.”
Commenters on YouTube (and the internet in general) can be a wicked, often ignorable bunch – but in this case, Youtube user RMBRKFLD is spot on. Phosphorescent’s brand new single, “Song For Zula” latches on instantly with its entrancing, dreamy rhythm and Matthew Houck’s fragile vocals.
The song’s first verse lets you know immediately where Matthew’s going, and it isn’t that bright, sunny nirvana called Love Land. Instead, he takes us into the deep, dark depths, where love will, well, tear you apart. Houck references “Ring of Fire” in the very first line, and goes on to detail his despair:
Some say love is a burning thing
That it makes a fiery ring
Oh but I know love as a fading beam
Just as fickle as a feather in a stream
See, honey, I saw love. You see, it came to me
It put its face up to my face so I could see
Yeah then I saw love disfigure me
Into something I am not recognizingThe song is shattering and beautiful, and exactly what I wanted to hear from Matthew/Phosphorescent after falling hard for their 2010 album, Here’s to Taking It Easy
The new album is called ‘Muchacho‘, and is due out March 19th. The title is no doubt inspired by his stay in Tulum, Mexico (on the Yucatan Peninsula), where he kicked up his feet in a hut on the beach and penned the album’s songs (apparently in one week’s time). The jury’s out on the source of the album cover photo, but it very well could have Mexican origins, and appears, quite frankly, like a recipe for a damn good time!
You can pre-order Muchacho on Amazon.
Muchacho Track Listing:
1. Sun, Arise! (An Invocation, An Introduction)
2. Song for Zula
3. Ride On/Right On
4. Terror in the Canyons (The Wounded Master)
5. A Charm/ A Blade
6. Muchacho’s Tune
7. A New Anhedonia
8. The Quotidian Beasts
9. Down to Go
10. Sun’s Arising (A Koan, An Exit)Cock’d Gunns and Nick Rose’s “Wintersong”
A simultaneous tip of the hat, high five and hearty kudos to whoever’s responsible for bringing the hilarious Canadian “rockumentary” Cock’d Gunns to the Fuse music channel. First of all, it’s one of the funniest music spoof/comedies I’ve ever seen (seriously, it’s right up there with Flight of the Conchords and Spinal Tap in my opinion).
I’ve already watched all 13 episodes detailing the adventures of Reggie Van Gunn (guitar), Dick Van Gunn (bass), Barry Cicarelli (drums) and Keith Horvak (manager) in their quest for a record deal, riches and fame. Unfortunately, the 13 episodes (shot in 2008-2009) are all that currently exist. One thing is clear – Cock’d Gunns must return for more seasons. So Fuse, thanks for getting the ball rolling, and for introducing me to these insanely funny (and delightfully vulgar) people. I’ve fallen hard for these north of the border misfits.

Morgan Waters, the comedic genius who plays Reggie, is currently part of Toronto pop/rock band Sweet Thing. His bandmate is Nick Rose, who I discovered on Episode 8 as background music during the final scene (Reggie and Becky walking into the motel room together for a night of _?_. You’ll need to watch it…).
With the help of Shazam, I discovered Nick’s tune, “Wintersong” – a melancholy, yearning vibe which reminds me of those slower Ryan Adams tunes I love so much. Just a beautifully crafted song. His entire album, Oxbow Lake, is an equally impressive 38 minutes of rootsy folk.
I’ve always got my ears to the ground, listening for that next great song. It can be found anywhere, even in a show like this – among Cock’d Gunns classics like “Piss Helmet” and “Party Eyes.”
Great show. Great album. Listen & watch.
Nick Rose – Wintersong
OXBOW LAKE: On Amazon | Spotify
There’s one full episode left on Youtube…
On Discovering Butch Walker
Regardless of how tuned in you think you are to the popular music scene, there’s always something good slipping under the radar. One of the most recent examples for me is Butch Walker. The Georgia-born musician and producer has been making waves since his early hair metal days with Southgang. He moved on to the Marvelous 3 in the late 90’s, and, and over the last decade, he’s found success as a pop/rock solo artist and producer (Pink, Weezer, Fall Out Boy).
I had heard of Butch, but didn’t get a good quality introduction until I watched his appearance on the always great Live from Daryl’s House series. Musically, it was the performance of “Sweethearts” that reeled me in. But it’s also impossible not to appreciate the funny, genuine person he is (Daryl’s House seems to bring that out in its guests).
That brought me to The Spade album, his 2011 release by Butch Walker and the Black Widows – a wonderful collection of catchy hooks, fantastic harmonies and simply fun songs. The mid-album trio of “Sweethearts”, “Day Drunk”, and “Synthesizers” is my highlight.
Little did I also know that a great video for “Synthesizers” was released a year ago, featuring Matthew McConaughey reprising his role as his Dazed & Confused character Wooderson, a role that my colleague Mark has proclaimed his appreciation for.
The “Synthesizers” chorus has some advice that ties in well to the new year.
For once, once in your life
Won’t you do what feels right
Instead of waiting for the next big compromise
Stop running your mouth
Get out of the house
Get yourself downtown
And shake it all out tonight.Add this song to your exercise playlist and tell me you don’t get a charge out of it.
Here’s the video, followed by the first segment from the Live From Daryl’s House episode with Butch, which I highly recommend taking the time to watch.
Watch the whole episode.
Photo credit: Mark Maglio
2013 McDowell Mountain Music Festival brings the Roots, the Shins, and lots more to Downtown Phoenix
Arizona’s own McDowell Mountain Music Festival marks its 10 year anniversary in just a couple of months (March 22-24) with a stellar lineup – arguably the strongest lineup in its decade long run.I’ve made it very clear over the years that MMMF is hands-down my favorite music event in old AZ. I’ve attended every one of them since 2007, when I watched in awe as Aaron Neville and his brothers belted out “Tell It Like It Is.”
From its earlier years at Scottsdale’s spacious Westworld complex (2004-2009) to the intimate sod-laid parking lot outside of the (now defunct) Compound Grill in north Phoenix/Scottsdale (2010-2012), the all-for-charity festival has brought in the likes of Los Lobos, Gov’t Mule, the Flaming Lips, Matisyahu, Blues Traveler, Galactic, and Edward Sharpe & the Magnetic Zeros – as well as a regular rotation of local artists like What Laura Says, Tramps & Thieves, and Endoplasmic.
2013 brings another new venue for MMMF – Margaret T. Hance Park in downtown Phoenix (aka “Deck Park” because of it’s locale over the Interstate 10 tunnel). It’s clearly a shift for the festival, moving from the far outskirts of the Phoenix metro area to smack dab in the middle of an urban center. This won’t be welcome news to those that enjoyed camping out under the stars during its first several years at Westworld, and were hoping for a return there. But any hesitation to attend should be squashed with this year’s announced lineup…
The Shins
The Roots
Umphrey’s McGee
Les Claypool’s Due de Twang
Deer Tick
Heartless Bastards
Dr. Dog
Edward Sharpe & the Magnetic Zeros
Yonder Mountain String Band
and more…Me? I’m most excited to catch the Shins for the first time, to see the Roots a second time, and to see Rhode Island’s crazy bastards, Deer Tick, for a fifth time. The afterhours Deer Tick party on Saturday at the nearby Crescent Ballroom should be a wild time too.
I’m also really looking forward to Sunday’s closer, Umphrey’s McGee – a prog-rock/jamband that has been making big waves in the jam scene for years.
There’s a little something for everyone, isn’t there? Sunday’s lineup is a jamband fan’s wet dream. Saturday is gritty and soulful. Friday leans to the Indie side. All in all, a killer lineup if you ask me.
So tickets just went on sale January 1st. 3-day passes are going for $120.
See you there on Friday, March 22nd, yeah?
Here’s the full lineup…
FRIDAY, MARCH 22, 2013
5:00 LOCAL TBD
6:00 Balkan Beat Box
7:30 Edward Sharpe and the Magnetic Zeroes
9:30 The ShinsAFTERHOURS AT CRESCENT BALLROOM:
11:30 ORGONESATURDAY, MARCH 23, 2013:
12:00 LOCAL
1:00 LOCAL
3:00 Heartless Bastards
5:00 Deer Tick
7:00 Iration
9:00 The RootsAFTERHOURS AT CRESCENT BALLROOM:
11:30 Deer TickSUNDAY, MARCH 24, 2013:
11:30 LOCAL
12:30 JGB BAND
2:00 Dr. Dog
4:00 Les Claypool’s Duo de Twang
6:00 Yonder Mountain String Band
8:00 Umphrey’s McGeeOfficial Site for the McDowell Mountain Music Festival
Lifting My Mind in the New Year
It’s always cool to kick off the new year with some fresh music. It’s even better when it’s some local boys! Lifted Mindz are a five man, hip hop crew that I first heard during a break of the Orange Bowl just two days ago and they are very, very wonderful.
The tune below (“Dora Hade”) lays down a nice, thick groove that is reminiscent of early De la Soul. Their message, like Hemingway, is honest, true and strong…a movable feast, if you will, for stream of consciousness expression.
What a great way to start off 2013!
Here is a link to download their music.
Mark’s Top Five Albums of 2012
For my top five albums of the year, we begin with something I didn’t think I would like but then did. And then loved. And then became obsessed with to the point of nausea. But a good nausea. Folks, I’m not ashamed to admit but I heart the Original Soundtrack to Rock of Ages. Heart heart heart!!!
Maybe it’s nostalgia or maybe I’m just that shocked that Tom fucking Cruise can carry a tune but this disc is Chock-o-Block with great tracks. My personal favorite is Cruise and Malin Akerman’s rendition of Foreigner’s “I Wanna Know What Love Is.” This is largely due to the scene in which it is performed being so over the top and wonderful that I could hardly contain myself.
Next up is Donald Fagen’s Sunken Condos. My first reaction was instant delight at the cover. Artists these days don’t put as much thought into album covers largely because they are seen on a small screen. Since the advent of downloads, I have pined for the days of the album cover as art (see: Yes or Pink Floyd). Sunken Condos is a brilliant piece of work by Stephen Walker and Jeff Wack. The centerfold is equally as amazing and haunting in its beauty.
The music itself is classic Fagen/Steely Dan. Slinky grooves played by stellar studio musicians with DF’s voice out front, guiding us through his unique and remarkable take on life. It’s nice to see him getting past his big, autobiographical trilogy on life (The Nightfly, Kamakiriad, Morph the Cat) and just have fun again.
http://www.youtube.com/watch?v=Epxd1v43yas&w=480&h=360
For number three on my list, I look closer to home and note the wonderful debut of The Stereo Pirates‘ self-titled record. Since it was a January release, it was a real treat to play it all year and enjoy it through all four seasons. I found it to be a great disc to throw on while running and play from start to finish. Perhaps it’s because it’s a “journey” album and every time you listen to it, your mind goes down a new path.
Number two on my list is That’s Why God Made the Radio by The Beach Boys. Brian is back and this time, it ain’t no publicity stunt. Their twenty ninth (!) studio album is a return to heights that have not been seen since Sunflower. Honestly, some tracks are right up there with Pet Sounds. All surviving members are here, including the return of Al Jardine replacement, David Marks. The last three tracks (“From There and Back Again,” “Pacific Coast Highway,” and “Summer’s Gone”) are Smile-like in their connectivity and wonder. The band recorded 28 songs for this album so perhaps this isn’t the end for new material but if it is (they are all in their 70s, after all), what an impressive coda!
The best of album of 2012 is Sonik Kicks by Paul Weller. I make no bones about by obsession with Brit Rock and it really isn’t that much of a stretch to guess that the Modfather would be my top pick of the year. I wrote a more detailed review of it back when it was released and all of those words still apply today, if not more so. Weller is truly like a fine wine, getting more robust with each passing year. He promises much more to come in the future and I simply can’t wait. If he keeps growing like this, it’s going to be more apparent that his solo career is leaps and bounds past The Jam and The Style Council. Diehards like me already know this to be true.
Now, go buy all these fucking records….
Mark’s Top Five Tracks of 2012
Channeling my inner Cusack via Nick Hornby, here are my Top Five Tracks of 2012.
5. “Don’t Stare At The Sun” – Richard Hawley
Haunting and evocative of another time, this song has been stuck to me for the past few months and won’t let go. Certainly, it’s reminiscent of Tonight-era David Bowie but there’s something more than that here. It’s echo-y…shimmery…like memories…simply wonderful…
4. “I’m Not The Same Without You” – Donald Fagen
The more things change, the more they stay the same..a cliche, I know, but I’ve been struck how this year saw me listening to the same bands I did 30+ years ago. This list (along with new releases by Joe Jackson and Bruce Springsteen) is certainly indicative of that. It’s not that I’m old and crabby about music or anything (I have plenty of new bands that I love) but these senior farts are still making exceptional music that, in many ways, is superior to some of the new stuff coming out.
This is certainly true of Donald Fagens’ new album, Sunken Condos. This track is a great example of how the good ol’ style of music still sounds great today. In fact, no one really makes music like this anymore so it’s actually very refreshing!
3. “Take Me Home” – The Stereo Pirates
Almost my track of the year and not just because they are local boys. The LA sound here is absolutely perfect in this stunner of a track. I challenge anyone to listen to this from start to finish and not well up a little bit. A stadium anthem for 2012 if there ever was one…
2. “Summer’s Gone” – The Beach Boys
Brian finally got the remaining boys back together for one last (?) go around. This is the closing track on a truly exceptional album and it acts as a possible epilogue to the 50 year career of the Beach Boys. Brian has hinted for many years that he had a song that would be the last song on the last Beach Boys album and this is it. Who knows if this is really the end (they are all in their 70s now, after all)?
If it is, “Summer’s Gone” is a perfect track for taking your best gal for that last stroll home, past the white picket fences or through the fields or under the boardwalk, in early September right before you head off to college…with the leaves…and the co-eds in sweaters…and textbooks…and the life of the mind…
http://www.youtube.com/watch?v=hDEzqFMejzU&w=560&h=315
1. “A Study In Blue” – Paul Weller
The Modfather came up big this year, as I discussed previously, and there was never really any question after I heard this track, that it would be my top choice for 2012. The duet with Hannah Weller (his wife) is what really makes this song shine in its trippy, chill-outedness. This song has been floating next to me all year and has been a very soothing companion.
Tomorrow I’ll put up my Top Five Albums of the Year.
Pete’s Music Highlights: My Top 12 of 2012
I’ve been as quiet here on Ickmusic as I ever have during its eight year run. Worry not, nothing (outside of my family) has taken a back seat to music in my life. It still fuels everything I do. But there has been a definite lull in my desire to sit down and type out regular blog posts. I know it tears you up inside (whoever “you” may be).
But it’s okay, Ickmusic.com is still here when I need it. Like today, for instance, when I feel like sharing my music highlights from the year Twenty-Twelve.
Here are some of the albums, songs and live shows that enriched my world in 2012.
1. Album: Band of Horses – ‘Mirage Rock‘

Fans and critics who were praying for another Everything All The Time or Cease to Begin cried foul when Mirage Rock was released this year. Me? I ate it right up. The album, produced by legendary classic rock engineer/producer Glyn Johns (The Who, The Stones, to name a couple) definitely steers heavily into 70’s classic rock and even soft rock category. I am just fine with that. In fact, the wistfully sweet “Long Vows” and “Slow Cruel Hands of Time” are two of my favorites. But the boys sure crank it up with tunes like “Dumpster World”, “Knock Knock”, and the early 70’s Stones-ish “Electric Music.” Yep, I’m all in on this record. Oh, and if you’re looking for beauty, track down “Relly’s Dream” from the Sonic Ranch Sessions bonus disc on their deluxe edition. I spun this album start to finish more than any other release this year.
2. Show: World Party – Crescent Ballroom, Phoenix – 12-02-2012
Thanks to Zia Records, the top independent record store here in Phoenix, I won a pair of tickets to see Karl Wallinger and his band World Party. As a big fan especially of the Goodbye Jumbo album, it was a rare honor to see Karl play an intimate venue like the Crescent Ballroom in downtown Phoenix (my #1 room in town). After a serious health scare in the early 2000’s (a brain aneurysm), Karl’s voice is as pure and dynamic as you’d hope for. Along with his sharp young Nashville bandmates, he tore through WP classics like “Is It Like Today”, “Ship of Fools”, “Way Down Now” and (my favorite) “Put The Message In The Box”; and also sat down at the keys for “She’s The One” and “God On My Side.” This gig far exceeded my expectations (I didn’t know what to expect, really), and I sincerely hope Karl continues on with making music and touring. I can’t wait to see him again.
Here’s a video I shot of Karl and violin/mandolin/harmony vocalist extraordinaire David Duffy singing “Mystery Girl” (bump up the quality to 720p or 1080p):
3. Show: Band of Horses, Marquee Theater, Tempe 10-26-2012
I’d seen Band of Horses a couple of times before, but only in a festival setting (Austin City Limits). This first true headlining show came out of the cancelled Railroad Revival Tour with Willie Nelson. Ben Bridwell and the boys set up at Tempe’s Marquee Theater in late October and tore the roof off the dump. Drawing from all four of their studio albums with a couple covers thrown in (Them Two and Hour Glass, nice & obscure!), the songs were rambunctious, mellow, inspiring, wistful, beautiful, rocking… all the adjectives that reminded me (and the full house) why we love them so much. Not to mention getting to chat for a while with Ben after the show. The dude abides.
4. Album: Ryan Bingham – ‘Tomorrowland‘
Give me the cool, gravelly roots/folk/country rockin’ twang of Ryan Bingham any day of week. Tomorrowland is a return to the more straight-ahead rockers that seemed to be missing on his last album, the T-Bone Burnett produced ‘Junky Star.’ He wastes no time on Tomorrowland’s opener, launching into “Beg for Broken Legs” with urgency and force. “Guess Who’s Knockin” is another strong one, featuring a satisfying F-bomb chorus. “Never Ending Show”, “Flower Bomb”, “The Road I’m On” – all standout tracks. If you haven’t checked out Tomorrowland (or Ryan Bingham) yet, you’re missing out. Just do it.
5. Show: Bruce Springsteen & the E Street Band – Jobing.com Arena, Glendale 12-06-2012
I took a couple of Bruce first timers a few hours early to go through the wristband lottery to try and get up near the front of the stage (“in the pit”, as they say). Sadly, our numbers were not of the lucky variety, and we were shut out. So we ended up behind the pit right next to the sound booth. The disappointment was very quickly washed away with Bruce’s first strum of the acoustic for the opener “Surprise, Surprise.” The first 30 minutes was a showcase of career nuggets: “No Surrender”, “I’m a Rocker”, “Hungry Heart”, “Prove It All Night”, “Trapped”, and “Lost in the Flood” – and all those before launching into the new Wrecking Ball material! Three plus hours from a tireless 63 year old and his very large troupe of supporting members – the E Street Band and then some. My eighteenth live Bruce experience, and yet another reminder why The Boss sits on the top of the pile in my world.
6. Show: Girls – Crescent Ballroom, Phoenix – 03-03-2012
Who would’ve thought I was seeing Girls the band in one of their final performances? For not long after, frontman, songwriter, and singer Christopher Owens announced on Twitter that the band was done. He’s moving on in another musical direction (his debut solo album, Lysandre, comes out in just a couple weeks). So I am fortunate to have seen Christopher and the band play songs I’ve come to absolutely love since discovering them a couple of years ago: “Laura”, “Alex”, “Honey Bunny”, “Love Like a River”, “Die”…
Something about Christopher’s music draws me in – the beauty and innocence, the light in the darkness – and I’ll basically be following him around for however long he decides to make music. A great show – short, but sweet.
7. Album: Neil Young & Crazy Horse – ‘Psychedelic Pill‘
A 27 minute album opener with the lyrics “I wanna get a hip-hop haircut”? Check. Something about this record, particularly the longer running tunes (“Driftin’ Back”, “Ramada Inn”, “Walk Like a Giant”), really grabbed hold of me. It’s the loud, distorted (and long) guitar solos, it’s the way Neil sneers his way through the lyrics… It’s the unconventional and F-you attitude of it all. Everything Mr. Neil Young represents.
And of course Neil has a 27 minute long official video for “Driftin’ Back”…
8. Show: Lenny Kravitz – Comerica Theater, Phoenix – 02-12-2012
Rock Star. Completely and indisputably. It’s fun to sit back and watch a performer just turn on all the glamor, glitz, and poses of a Rock Star. Lenny has perfected this persona over his 20+ years of performing. He’s got a quite the catalog to choose from, and watching him perform the hits (“Are You Gonna Go My Way” being my favorite) as well as tunes from his surprisingly strong latest album, ‘Black and White America‘, had us out of our seats the entire gig. Lenny has always been and remains a total badass. Such an entertaining show.
9. Song: Bruce Springsteen – “Jack of All Trades”
This is my favorite Bruce tune in years. I thought about including the whole ‘Wrecking Ball‘ on the “list”, but that wouldn’t be an honest assessment. While I enjoy Bruce’s Great Recession album from earlier this year, I just haven’t connected too much with the songs (of course, hearing them live is a whole ‘nother ball of wax – see above for my December 6th Bruce show). “Jack of All Trades” though, wow. A slow, dirge-like bass drum and piano start off the song. It builds and builds with each verse and ends with a forceful guitar solo from Tom Morello. The theme of strength, perseverance and optimism in the face of adversity is a common one in Bruce’s music, but he really connects with this tune in a goosebumps and tears kind of way.
“I’m the jack of all trades / honey we’ll be alright”
10. Album: Delta Spirit – ‘Delta Spirit‘
Matt Vasquez and company continue to evolve, refusing to stay pigeonholed the way some fans prefer (see Mirage Rock comments). “California” was the lead single and the most obvious stray from their former indie/folk sound – a more electronic modern pop sound. But they still rock out – “Money Saves” is one of my favorites, as are “Tear It Up” and “Tellin’ the Mind.” Nothing matches my three standout tracks from their last album, ‘History From Below‘ – “911”, “Bushwick Blues” and “Salt in the Wound” – but that’s not a knock on this record. I love a band that explores new territory and challenges themselves to try something new – Delta Spirit is a band I’ll be following for years to come.
11. Album: Fred Eaglesmith – ‘6 Volts‘
It wasn’t until about midway though the year that I reconnected with Canadian singer/songwriter Fred Eaglesmith. I listened to him in the late 90’s and early 00’s, but for some reason, I seemed to veer away. ‘6 Volts’ was released in January, and quickly reminded me what drew me to Fred: clever songwriting and storytelling, and great folk/root-rock sounds and rhythms. ‘”Betty” is a standout track from 6 Volts, with Fred conjuring up dark imagery on as cheerful a melody and cadence as possible: “Betty what’d you do with the gun? There’s strangers at my door / and there’s more where they come from / …was it the money, was it the drugs / was it somebody that you used to know / …Betty Betty why won’t you tell me”.
12. Album – Trampled by Turtles – ‘Stars and Satellites‘
Straight out of Duluth, Minnesota, I became aware of Trampled by Turtles when I saw them at the 2011 Newport Folk Festival. I’ve seen categorizations bandied about in the past for this band, like “newgrass” and “speedgrass”… but with this year’s release, people will have to search for new adjectives. They jump into more rootsy, Americana-inspired territory here, bringing the tempo down with some great tunes like “Midnight on the Interstate”, “Alone”, “Widower’s Heart” and “Beautiful.” Of course, they haven’t abandoned their bluegrass roots, their banjo and fiddle players remain. So if you want your speed fix, listen to “Don’t Look Down” or “Walt Whitman.”
Autumnal Delights (Richard Hawley)
With only a few weeks left until the official end to autumn, I thought it appropriate to return to the that magic mix of music and this time of the year. It seems like kismet for today considering it hit 52 degrees in the Twin Cities with London like fog covering the area for the last 48 hours. There have been quite a number of songs released this year that have captured that feel of autumn that I speak so often to anyone who will listen so let’s get to them!
First up is a song that has been seared into my mind and heart. Richard Hawley’s haunting “Don’t Stare At The Sun” is so ridiculously wonderful that I have to play it every single day. The echo-y guitars produce that magical autumnal shimmer that takes me back to my high school years and solders an immediate connection with The Unforgettable Fire.
Hawley’s voice on this track reminds me of the very underappreciated Tonight LP (released in October of 1984 and to be highlighted here soon) by David Bowie. Folks, this track is simply amazing and must be downloaded immediately for long walks under the Harvest Moon.
Check it out below!