In Appreciation of: Neil’s Thrasher
A couple weeks back, I finally got a couple of good CD display cabinets, mounted them on the wall, and released my CD’s from years of exile in plastic storage bins. It’s nice to have them in my face again, and it’s making me revisit a lot of favorites from my past that haven’t yet made it to the iTunes rip machine.
One such CD is Neil Young & Crazy Horse‘s Rust Never Sleeps, which I initially bought because of my love for the song “Powderfinger”. But upon listening to it recently, it was the beautiful lyrics, intense imagery and the simple & sweet melody of “Thrasher” that hit me.
The amazing lyrics have undoubtedly been absorbed and closely studied by longtime fans of Neil, but I’m still trying to wrap my head around them – even just the last few lines:
Where the vulture glides descending
On an asphalt highway bending
Thru libraries and museums, galaxies and stars
Down the windy halls of friendship
To the rose clipped by the bullwhip
The motel of lost companions
Waits with heated pool and bar.But me I’m not stopping there,
Got my own row left to hoe
Just another line in the field of time
When the thrashers comes, I’ll be stuck in the sun
Like the dinosaurs in shrines
But I’ll know the time has come
To give what’s mine.There’s magic in those words. And the sort of melancholy, matter of fact style in which Neil sings it… Wow… Such a good tune…
Neil Young & Crazy Horse – Thrasher
New Matthew Ryan available, and hear another single: “We Are Snowmen”

Matthew Ryan gave another sneak peek at his new album, Dear Lover, a couple days ago. It’s called “We Are Snowmen”, and it just gave me more incentive to buy the record, which will be available digitally on Tuesday, October 27th.
In fact, you can order the CD today from Matthew’s Store. Go do it. I just did.
My Night With The Pogues (@ the Marquee Theater)

Check another one off of my bucket list – I have now seen the Pogues.
Last night’s show at the Marquee Theater in Tempe was their first stop in Arizona. Ever. And it was my first chance to catch a band I’ve long admired – a legendary British band masterfully playing Irish folk music since 1982. A band fronted for most of their years by the notoriously erratic and often [always?] inebriated Shane MacGowan.
This was the 7th show of a relatively short swing across the West and central U.S., and reports in from their Los Angeles show a few nights ago had me reconsidering the steep $60 ticket price. Shane wasn’t in great shape at the Nokia Theater – stumbling and fumbling around, falling down multiple times; at one point finishing a song lying on his back.
But Shane is like that box of chocolates – you never know what you’re gonna get. He has his good days and his bad days, and I wasn’t about to miss the chance to see these legends.
After a couple pints of Guinness at my old haunt, Casey Moore’s Oyster House (I lived around the corner for five years back in my single days) – it was off to the Marquee Theater across the Mill Avenue bridge.
It was a little after 10pm when the band sauntered on stage to the sounds of the Clash’s “Straight to Hell” on the PA. 10-15 seconds after his bandmates came out (just enough time for the crowd to think “Uh oh” to themselves), Shane MacGowan – drink and cigarette in hand – shuffled out to center stage in a seasoned drunkard’s stagger.
Then the opening notes of “Sally Maclennane” kicked in, and there was no looking back. My friend Todd and I spent the show front and center, just on the outer edge of the drunken mosh pit that would vary in intensity throughout the evening (but was never still). Even during songs like “Dirty Old Town” and “Rainy Night In Soho”, there were at least a few testosterone-laced brutes jostling around.
As the show progressed, a pattern began to take shape: a couple songs with Shane, and one without – while Shane took a breather side stage (I assume). But like clockwork, Shane would make his way back to center stage, grab the mic in his signature style, and sing the great songs of the Pogues. Unlike his earlier shows in San Diego and L.A., he stood the entire time. It seems funny to be thankful that an artist you paid $60 to see was able to simply stand for a whole show. But this is Shane MacGowan we’re talking about. I’d be interested to know if Shane has ever been sober for a performance.
Clearly it was one of Shane’s “good” nights. Maybe it was the Arizona sunshine at the Biltmore luxury resort, where the Pogues stayed; or maybe it was the U2 concert in Glendale the night before, where Shane was in attendance, and prompted a shout out from Bono himself (and a segue into “Dirty Old Town”). Maybe the U2 show inspired Shane to pull it together for his fans.
Whatever forces of nature were in place, it resulted in over 90 minutes of unbridled Irish-inspired joy and revelry. The crowd – old and young alike – swayed, danced, and most notably, smiled. This was one of those live music experiences where time stood still. Before I knew it, the final song,”Fiesta”, was playing, Spider Stacy was smashing a pizza pan against his forehead, and Shane was leading the crowd in a singalong:
“Come all you rambling boys of pleasure / And ladies of easy leisure / We must say Adios! until we see Almeria once again”.
And then it was over.
I may never see the Pogues again. God willing, Shane MacGowan will continue to defy all odds behind his self destructive behavior, and he will continue to front this amazing band. But I thank the Music Gods I had an opportunity to experience the spirited majesty of a Pogues show.
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On Twitter: well, people do read the Twitter ramblings of @ickmusic! Check out this Phoenix New Times article.
On Youtube: 1123Mozart captured this great quality video of “Rainy Night in Soho”..
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Set List – Marquee Theatre – Tempe, Arizona – 10/21/2009
Sally Maclennane
Streams of Whiskey
If I Should Fall From Grace With God
The Broad Majestic Shannon
Young Ned Of The Hill
White City
A Pair of Brown Eyes
Tuesday Morning
Transmetropolitan
Kitty
Sunnyside of the Street
Repeal of the Licensing Laws
Body of an American
Old Main Drag
Thousands are Sailing
Dirty Old Town
Bottle of Smoke
The Sick Bed of CuchulainStar of the County Down
Rainy Night in Soho
Irish RoverPaddy on the Railway
FiestaIck’s Pick: En’ A-Free-Ka
Unpredictable.
Otherworldy.
Fuunnky.
Indescribable.The new album from Shafiq Husayn is blowing my mind. En’ A-Free-Ka is an hour long journey through strange sounds, funky Parliament-arian grooves, futuristic hip-hop soundscapes.
Seriously, when I listen to this album, it feels like I’m listening to sounds I shouldn’t be hearing for another 20 years. It feels ahead of its time.Thanks to SiriusXM’s Subsoniq radio show on Backspin for the Shafiq interview and spins.
I had to include these two – favorites right out of the gate…
The U.N. Plan
Major Heavy feat. Sonny Coates and Count Bass D
BUY: En’a-Free-Ka
Visit: Shafiq’s Enafreeka.com
Video: Prince mini show on French TV (2009)
Let’s face it, it’s been a long time since quality video footage of Prince has been readily available to the internet masses. So it was refreshing earlier today when I came across this cool mini-concert of Prince on a French TV show called Le Grand Journal.
On the set list: “Dance 4 Me”, “No More Candy 4 U”, “1999”, and “Controversy”. The quality of the video is excellent,and Prince, his band, and his dancers appear loose and relaxed…they’ve been over in Paris for a week or two now – I think with more shows to come over there.
This may be one of those here today / gone tomorrow videos, so enjoy while you can…
Video is available here on Facebook.
Here’s a 2011 performance too..
With eyes that burn so bright they make me pure

I’ve had a nice 3 day weekend: a hike near Canyon Lake in the Superstition Wilderness, an outing to the zoo with the family, BBQ and wine with the neighbors… but as all good things come to an end, it’s time to face the work week ahead (albeit a shortened one).
Tonight, the music of Conor Oberst makes a damn fine accompaniment.
I didn’t hear about Bright Eyes until Conor released the great album I’m Wide Awake, It’s Morning in 2005 and grabbed my attention. So I didn’t hear this great track until this past summer while I was in Telluride. It’s from their second album, Letting Off The Happiness, released in 1998.
Bright Eyes – June On The West Coast
Conor’s most recent project and release is Outer South, by Conor Oberst and the Mystic Valley Band. This is one of my favorites. You can see I like the more introspective tunes…which Conor’s music spilleth over with…
Conor Oberst and the Mystic Valley Band – I Got The Reason
Visit ConorOberst.com.
Buzz Cason’s Sentimental Attitude
Oh here’s a nice one. Sort of like Rodney Crowell singing an up-tempo 60’s Bob Dylan tune. The singer is Buzz Cason.
When I heard the song this morning on Sirius Outlaw Country, I pictured Buzz as a younger 20/30-something alt-country rabble rouser a la Todd Snider. Come to find out Buzz was born in 1939 and was a backup singer for Elvis in the 70’s. Whaaa? But that doesn’t do justice to his career accomplishments. Read his bio here, with name drops like U2 and the Beatles.
And enjoy this catchy, quick Nashvillian shit-kicker of a number….
Hear: Sentimental Attitude
From his new album, Busload of Love.
A Quick Nod to Rick James
I’d just like to know… how in the holy hell is it possible that we live in a world without Rick James?? Yeah yeah, we all know Rick was certainly no angel. I mean, no upstanding citizen would hold someone hostage as a sex slave for six days and torture her with a crack pipe. But it’s crazy nonetheless to think that he’s been gone for more than five years.
I’m still working on getting my Rick James digital collection filled out – several of his vinyl albums sit tucked away in a shelf next to where I sit now – but I have managed to get his 1981 classic, Street Songs (featuring his biggest hit, “Superfreak”), which is my favorite album, along with Cold Blooded.
A tip o’ the hat to you, Rick, wherever you may be. Any fan of the funk worth his salt owes a debt of gratitude to you… I hope the J is being passed your way.
The Time live in KC

In the year nineteen eighty-three, Prince’s Triple Threat Tour did hit the road. Vanity 6 opened the evening, with The Time as their backing band behind a curtain. Next up, before Prince took the stage, Morris Day and the boys got their 45 minutes in the spotlight, and they took every advantage, trying their hardest to upstage their boss.
I was a wee 12 year old during this tour, so I didn’t get to witness the competition firsthand. But from all accounts, it made for an amazing tour – Prince touring behind 1999, and the Time, with two solid (Prince-produced) records under their belt, there to try and show him up night after night.
Here’s The Time’s set from a recently unearthed soundboard recording from March 19th, 1983, at the Municipal Auditorium in Kansas City.
The Time
Kansas City, MO
March 19, 19831. Intro
2. Get It Up
3. 777-9311
4. Girl
5. Wild & Loose
6. Gigolos Get Lonely Too
7. Cool
8. The Walk
9. Outro