Simply Gorgeous
“Their songs start off OK but then it’s all…..ARRRHHHDDDAHHHHHHHRRRRRRARAR.”
So says my wife regarding the New York based band the Yeah Yeah Yeahs. Back in 2003, I dragged her to their first show at First Avenue when they were touring in support of the first CD, Fever To Tell. The reaction on her face (nausea) when they did the song “Art Star” (a track from their first self-titled EP which, btw, is one of the BEST album covers EVER) naturally led to what has now become a decade-plus debate with my wife on what is and what is not art.
This perpetual debate usually ends with me saying, “You have to have your art spoon fed to you” which invariably results in me not getting any vag booty that evening (please email me if you do not know what vag booty is or what the difference is between it and ass booty). It’s always been tough to play the Yeah Yeah Yeahs over the years for my wife, who considers The Stranger by Billy Joel and Bat Out of Hell by Meat Loaf to be the high water marks of art in music.While I do enjoy both of those albums immensely, I think the tapestry of art that is music should contain a great deal more depth than those records. Variety, angst, power, labia, and soul vomit (all words that come to mind when I think of the Yeah Yeah Yeahs) should also be a part the lexicon of artistic expression in music. I doubt my wife, as well as many others, will ever see this.
So, when the Yeah Yeah Yeahs released It’s Blitz last March, I expected a similar reaction. As I listened to the record, I was stunned to hear an entirely new direction. A mellow sound made up of stunning vocals by Karen and wispy keyboards gave me hope that my wife would give it a chance, or perhaps even like it. One track in particular has haunted me since I first played it last spring.
“Skeletons” is simply gorgeous. It’s so fucking good it just breaks my heart. It starts off with melancholic softness and builds into a majestic cacophony that makes the listener feel like he or she is John Wayne riding through Monument Valley in triumph. I am honestly at loggerheads as to which track will be the track of the year… this one or “Strange Enough” by N.A.S.A. Both feature Karen, so at least no matter which song I pick, I know I won’t dis the indie goddess of this century.
Last night as I was making dinner, I put “Skeletons” on the iPod boom box in the kitchen. My wife was reading the paper and looked up in the middle of the song. “This is a terribly sad song. I like it, though. Who is it?” I told her it was the Yeah Yeah Yeahs. Her face quickly turned to astonishment. “Really? There’s no…….ARRRRAARRRGGGHHHHAARR…I hardly recognized it.”
I recommend that you buy the deluxe version of It’s Blitz as it has an accoustic (stunning!) version of “Skeletons” in addition to the original version.
Listen: Skeletons (mp3)
Buy It’s Blitz (click the cover):
Visit: Official Site | MySpace
New Pete Droge: The Droge & Summers Blend
Pete Droge just added Volume One, a new EP by The Droge & Summers Blend, to his Puzzle Tree Online Store today. The EP is made up of 5 tracks, and you – the picky music consumer – have the option of paying what you want, a la Radiohead’s In Rainbows. I just picked up the digital download for the default price of $2.99, and they are well worth it. Head over to Pete’s store to listen to the tracks and download if you fancy. The EP is officially released later this month.
The Summers in The Droge & Summers Blend refers to Elaine Summers, a Seattle area musician and artist who shares the vocals with Pete. They recorded the songs on nearby Vashon Island.
I’ve been a fan of Pete’s since his debut, the Brendan O’Brien-produced Necktie Second, back in 1994. There’s just something about his vibe – relaxed, genuine, gentle – that has always sat quite well with me.
Here’s one of the tracks – a happy-go-lucky, summery kind of tune…
Listen: The Droge & Summers Blend – Tie the Knot (mp3)
Name Your Price at Pete’s Puzzle Tree Store.
David Gray, “Fugitive”
David Gray has managed to exist just outside of my listening radar, crossing over here and there. What has always struck me is the depth of soul that he is able to breathe into every tune I’ve had the pleasure of hearing. That soul is abundant in the first single off his upcoming release Draw the Line due out September 22nd. Titled “Fugitive”, Gray says the image of Saddam Hussein being pulled out his spider hole inspired in part the lyrics for the song. The result is a striking and moving bit of singer-songwriter heaven which I’m sure will get many spins in the coming month and has me looking forward to the coming release.
For a peek behind the curtain Gray has shared this bit of film during the recording process:
Links: Official Site | on Last.fm | on MySpace
<div><div id=”c_s013FX69FvjCtpXOHcInsUnsw==”><div class=”ilike_content”> <ul class=”song_list_preview” style=”list-style:none;”> <li style=”overflow:hidden;”><a class=”song_play_btn” title=”Fugitive” href=”http://www.ilike.com/artist/David+Gray/track/Fugitive”>Fugitive</a> by <a href=”http://www.ilike.com/artist/David+Gray/David+Gray”>David Gray</a></li> </ul> </div> </div><script src=’http://www.ilike.com/api/s?c=1&k=s013FX69FvjCtpXOHcInsUnsw%3D%3D’></script><div id=”ilike_s013FX69FvjCtpXOHcInsUnsw==”><div style=”border-top:1px solid #dddddd;padding-top:5px;font-size:smaller;”>More <a href=’http://www.ilike.com/artist/David+Gray’>David Gray</a> music on <a href=’http://www.ilike.com/’>iLike</a></div></div></div>Something like that, right? Is that what you want?
“Daddy, what’s stream of consciousness?”
My nine year old daughter was in the back seat of our minivan as we were heading home from summer day camp and laid yet another way beyond her age question on me. For a moment, my thoughts went back to when she was four years old and asked me if George Bush was a Christian. And if he was, why would he send people to kill other people if it was murder and breaking one of the Ten Commandments? I think Jean Piaget, developmental psychologist of the early and middle 20th Century, was rolling in his grave to hear a four year old express a question dripping with formal operational thought.
I actually could’ve used Piaget in answering not only the question from five years ago, but the current one that had piqued her curiosity.
“Why do want to know, hon?” I asked her.
“Well, we were talking about rap music today at camp and one of the counselors said that rap was cool because it was like stream of consciousness. So I want to know what that is.”
So, I spent the next few minutes explaining to her what it meant…how random thoughts can be strung together in a seemingly related way to express a thought or mood. Or both.
“Let’s listen to a song like that.”
I knew she’d make this request and I had the perfect one in mind…the Song of the Summer of 2009.
American Sam Spiegel (aka Squeak Spiegel) and Brazilian Ze Gonzales (aka Zegon) came together in 2007 to create a massively cool indie hip hop band called N.A.S.A. No, it’s not your father’s space agency but actually North America-South America…a sisterhood and brotherhood of unity that, quite frankly, our country could really use right now. All of their music reflects this mood quite wonderfully.
On February 17, 2009, the duo released The Spirit of Apollo. There are several great tracks on this record as well as a collection of guest stars like David Byrne, John Frusciante, Tom Waits, Santogold, George Clinton, and a wide variety of rappers and hip hop artists.
The track that really grabbed me, and officially became OCD (Obssesive Compulsive Disorder) song #1 of 2009 (review of OCD #2 to appear here soon) – and what I played for my daughter to illustrate the beauty of stream of consciousness – was “Strange Enough”, featuring the late Ol’ Dirty Bastard (Wu Tang Clan), Fatlip, and the seriously stunning on several levels Karen O (lead singer of the Yeah Yeah Yeahs). What an absolute fucking corker of a song!I think I have played this track every day at least once since it came out in February and, for whatever reason, it has become synonymous with this summer. Virtually everyone I have played it for has downloaded it. It’s rhythm is tight. The mood is intense and the lyrics are just plain cool. “Freak show pantie lover…but I’m getting too old for this like Danny Glover” or “Wild boy cowboy entertainer…insane…Purple Rainer”(special shout out to our Prince loving host of this site) are just two examples of how much fun this song is.
And Karen O’s bit is mega fucking cool. Towards the end of her rap, which is essentially the chorus of the song, she breaks down and giggles, asking Squeak and Zegon, who were presumably in the control room while she did her part…
“Something like that, right? Is that what you want?”
To which, the reply from Fatlip is:
“Perfect.”
No shit. Track of the Summer. Period. Heck, it might even be the Song of the Year but let’s not get ahead of ourselves. We still have five months left of 2009. And there is this track (serendipity!) on the new Yeah Yeah Yeahs album…
Hear: Strange Enough (mp3)
Buy: Spirit of Apollo
Visit: N.A.S.A. Official Site | MySpace
Discovering Discovery
As side-projects go, the pairing of Rostam Batmanglij (keyboardist for Vampire Weekend) and Wes Miles (vocalist for Ra Ra Riot) makes perfect sense. The results however, are as far as you can imagine from the twee indie pop of the pair’s respective bands. Trading in guitars, violins and afro-beat for synths and 808 drum machines, Discovery is an unabashed love letter to the days of electro-pop past.
The record opens with the one / two punch of the jubilant summertime “Orange Shirt” followed by the equally brilliant (and insanely catchy) “Osaka Loop Line”. “Can You Discover?” is a chopped and screwed re-imagining of Ra Ra Riot‘s “Can You Tell”. Angel Deradoorian of Dirty Projectors lends her vocal shine to the hook of “I Wanna Be Your Boyfriend”. The dynamic “So Insane” is easily my favorite track of the bunch and is shaping up to be a contender for my summertime jam. The record covers the hipster spectrum from reggae-tinged (“Swing Tree”) to R&B through twee-tinted glasses (“Carby” (featuring Batmanglij‘s bandmate Ezra Koenig)) to a timely (albeit, ironic) cover of The Jackson 5 hit “I Want You Back”. The record wraps just shy of 30 minutes and almost begs an immediate second (and third) listen straight away.
It’s not ground-breaking but Discovery‘s LP could very well be the indie-pop record of the summer.
You can stream the entirety of LP at Discovery‘s Official Site.
Discovery – “Osaka Loop Line” (mp3)
Buy LP: Amazon (available for only $3.99!)
Links: Official Site | on Last.fm | on MySpace
Brent Randall and his Pinecones
I dipped into the inbox tonight and discovered this little gem from Halifax, Nova Scotia’s own Brent Randall and his Pinecones. Hell yeah, Brent and Band. It’s a catchy, dreamy little ditty and I thought I’d pass along…oh, and there’s an odd video to go along with it.
Hear: Strangelove (Don’t Be Lazy) [mp3]
Check out the album, We Were Strangers In Paddington Green, on
Links: Official Site | MySpace
Kingsbury, “Atlantic City” and “Southern Accent”
Kingsbury has been at the top of my listening pile for what seems like weeks but is more likely months. Their latest release Lie to Me is a beautifully nuanced post-rock work (you can download the entire EP at the bands official site). The band recently released a pair of covers Bruce Springsteen‘s “Atlantic City” and Tom Petty‘s “Southern Accent” featuring Matt Butcher on vocals. Each track is a quiet reflection on the original, capturing the essence of the lyric and definitely worth the listen.
Kingsbury – “Atlantic City” (mp3)
Kingsbury – “Southern Accent (feat. Matt Butcher)” (mp3)
Links: Official Site | on Last.fm | on MySpace
Video Break: Ra Ra Riot, “Can You Tell”
Somehow I missed Ra Ra Riot‘s sticky sweet video for “Can You Tell” but I’m fixing that now. Seriously how can you not love it for all it’s twee goodness?
Buy The Rhumb Line
Ick’s Pick (Week X): Cursive – ‘Mama, I’m Swollen’
This week I thought I’d adventure off to unfamiliar territory again. I just couldn’t get myself all geeked up to listen to the new Kelly Clarkson or Chris Cornell / Timbaland over and over. So I decided on Omaha’s Cursive, mostly because of their label, Saddle Creek, which was founded by Conor Oberst.
I can affirm, after a few listens, that:
- Cursive do indeed rock. And…
- Their drummer’s name is Cornbread Compton. That’s reason enough to buy this album as far as I’m concerned.
The album kicks off with “In the Now”, featuring a feedback/effects laden intro, and launching into the repeated chorus “Don’t wanna live in the now / don’t wanna know what I know”; followed up later with “So history repeats / ‘cause present won’t repent”. It’s short, simple and ferocious, like a lot of moments on this record. I find it pretty cathartic myself.
“From the Hips”, which the band kindly offers up gratis on their web site, starts off slow, before singer/guitarist Tim Kasher’s squealing “right?!” brings in the up tempo, double beat madness.“I Couldn’t Love You” has Kasher channeling his inner Robert Smith – which makes sense – Cursive was picked by the Cure to open for them on their 2004 tour.
You won’t believe how soft and pleasant they can make a song called “We’re Going To Hell”. But there’s also an underlying doom and creepiness. The song has sort of a Pixies-like vibe going on too.
And the boys get downright evil on “Mama, I’m Satan”:
I’m writing out a confession
My fathers and brothers
Raped your sisters and mothers
We are the sons of butchers
All in all we’re pawns
The darkness of mankind stirs in us allSongs like “Mama, I’m Satan”, “Let Me Up”, and “Mama, I’m Swollen” – and really the feel of the record – take the listener into the darkness – some ugly fugly places. I feel like taking a shower and finding a church, and I’m not even that religious. Holy smokes…
For those looking for some quality power-indie-post-punk, and aren’t afraid to step into the shadows for a while, this album fits the bill.
Links: Official Site | MySpace (be sure to listen to “Dorothy at Forty” – one of the rockin-est grooves I’ve ever heard) | Last.fm
Now Hear This: Best of the Inbox, Volume I
Editor’s Note: The sheer volume of new music that I get every day is overwhelming at best so in an effort to get the best of it out to you I’ve decided to start the “Now Hear This: Best of the Inbox” series. I’m not sure what the frequency will be yet, but I’ll make every attempt to get a couple of these up a month. Enjoy! – Michael
The Hush Now
Recalling the lush reverb drenched textures of early 90’s shoegaze and retrofitting it with the power pop sensibilities The Hush Now‘s self-titled debut is a solid listen and a must for fans of Guided By Voices. My current favorite track ,the appropriately titled “Subtle Like Bombs”, lulls you in with rich vocal harmonies and mesmerizing guitars only to abruptly end in transition.
Full Album Download: The Hush Now
Links: Official Site | on Last.fm | on MySpace
The Deer Tracks
Swedish duo The Deer Tracks brings quirky electronic pop influenced post rock to the table on their latest release Aurora. The single “127sexfyra” bubbles along over various plinking and plucked chimes and horn beds with whispered vocals.
“127sexfyra” (mp3) by The Deer Tracks
