• Live,  Punk

    Live: Joe Strummer & the Mescaleros, 1999

    cover of the book Redemption Song

    I. Am. A. Slow. Reader.

    I’ve always enjoyed reading books. But damned if it doesn’t take me an eternity to read one. Especially over the last decade, as the internet has consumed any free time I previously devoted to books. And maybe it has something to do with reading right before bed. Four, five pages and I’m too tired to go on.

    So my intent is to do my first book review, since I was just sent Chris Salewicz’s new book, Redemption Song: The Ballad of Joe Strummer. But since it may take me while to get through it, I wanted to at least make you good people aware that this book is out there. Chris Salewicz was a music journalist in the seventies, covering the exploding punk scene for several publications, and befriending many of the bands, including the Clash – so he has a unique insider’s perspective on Joe Strummer.

    Joe’s been gone for more than four years now. He left us too early at the age of 50. Shitty thing is, he was just hitting his stride again with the Mescaleros. After a long hiatus, he had formed the band in the late 90’s, and released Rock Art and the X-Ray Style, their debut album, in 1999. A tour followed, and as you’ll hear, Joe was back in prime form. With healthy doses of Clash favorites, old reggae songs, and new Mescaleros tunes, the live shows were great.

    Interspersed between the songs is the classic Strummer stage banter. Before launching into Toots & the Maytalls’ “Pressure Drop”, he introduces it this way:

    “We’re doing it by a Clash arrangement where we fuck the whole song up completely. But what can you do? I’m a great believer in tradition.”

    Enjoy the show. I should have a quality book review to you by, oh – let’s say, Christmas.

    Joe Strummer & the Mescaleros
    Theater of the Living Arts
    Philadelphia, PA
    November 24, 1999

    Download ZIP (mp3)

    Intro
    Shouting Street
    Diggin’ The New
    X-Ray Style
    Rock The Casbah
    Ishen > Brand New Cadillac
    Tony Adams
    Trash City
    Nitcomb
    The Road To Rock n’ Roll
    White Man In Hammersmith Palais
    Safe European Home
    Yalla Yalla
    Rudie Can’t Fail
    London Calling
    Pressure Drop
    Tommy Gun
    Island Hopping
    Forbidden City
    Junco Partner
    Straight To Hell
    I Fought The Law
    Bankrobber
    White Riot

  • Punk,  Rock

    Ist

    IST 

    This is IST from the UK. They mass-mailed the music blogging community with their latest single, and I’m biting. The reasoning is this: if someone sends me a song called “I am Jesus (and You’re Not)”, well, I’m going to post it.

     Ist: I am Jesus (and You’re Not) [mp3]

    Ist’s MySpace | Official

    Listen Here:

    [audio:ist.mp3]

  • Live,  Punk

    The Clash rage at the US Festival

    Joe at the US Festival

    Joe Strummer was not happy when he hit the stage at the US Festival in 1983. There’s different stories about what was pissing him off so much. But the gist of it was that the Clash were upset when they heard that Van Halen took a million dollars to headline the third and final night of the festival. The Clash, by contrast, refused to go on stage until US Festival organizer Steve Wozniak (of Apple Computer) agreed to donate a large sum of money to charity. There was even a backstage shouting match between Joe Strummer and David Lee Roth, if you can believe that. Oh to be a fly on the wall on that day.

    Well, what resulted was a very spirited set, with Joe Strummer taking some time between songs to rant and rave against consumerism and the American way. This is also guitarist Mick Jones’ last performance with the Clash.

    RIP Joe Strummer: 1952-2002

    The Clash / “Clash Calling”
    Saturday, May 28th, 1983
    Glen Helen Regional Park
    San Bernardino, CA
    US Festival ’83

    DOWNLOAD (ZIP)

    * The only imperfection of this show is that “London Calling” cuts out about half way through and jumps about halfway into “This is Radio Clash”. Don’t worry, you’ll get over it quickly.

    London Calling / This Is Radio Clash
    Somebody Got Murdered
    Rock the Casbah
    The Guns Of Brixton
    Know Your Rights
    Koka Kola
    Hate and War
    Armagideon Time
    Sound of the Sinners
    Safe European Home
    Police on My Back
    Brand New Cadillac
    I Fought the Law
    I’m So Bored with the USA
    Train In Vain
    The Magnificent Seven
    Straight to Hell
    Should I Stay or Should I Go?
    Clampdown

  • Punk

    The Ramones Live in 79

    ramones

    Tonight it’s a full-on late 70’s punk rockin’ assault, as the Ramones rock Northwestern University. Coming to you from way back in October of 1979, this is a supercharged set from Joey, Johnny, Dee Dee and Marky. It’s quite shitty to think that three out of those four are no longer with us. Johnny died of prostate cancer in 2004; Dee Dee died of “heroin toxicity” in 2002; and Joey’s been gone since April of 2001, when he died from lymphoma.

    So in memory of the punk pioneers (they formed in 1974, and were a heavy influence on the British Punk ‘revolution’ of 1976, the Clash and the Sex Pistols among them), turn this one up loud and enjoy.

    The Ramones
    “Rock & Roll College”
    Cahn Auditorium, Northwestern University
    Evanston, Illinois
    October 13, 1979

    1. Intro
    2. Blitzkrieg Bop
    3. Teenage Lobotomy
    4. Rockaway Beach
    5. I Don’t Want You
    6. Go Mental
    7. Gimme Gimme Shock Treatment
    8. Rock N Roll High School
    9. I Wanna Be Sedated
    10. I Just Want To Have Something To Do
    11. She’s The One
    12. I’m Against It
    13. Sheena Is A Punk Rocker
    14. Havana Affair
    15. Commando
    16. Needles And Pins
    17. I’m Affected
    18. I Want You Around
    19. Surfin’ Bird
    20. Cretin Hop
    21. All The Way
    22. California Sun
    23. I Don’t Want To Walk Around With You
    24. Today Your Love, Tomorrow The World
    25. Pinhead
    26. Do You Wanna Dance
    27. Suzy Is A Headbanger
    28. Let’s Dance
    29. Chinese Rock
    30. Judy Is A Punk
    31. We’re A Happy Family

    http://www.ramones.com/

  • Acoustic,  Punk

    Joe Strummer Acoustic in 1999

    It’s necessary here on Ickmusic to periodically post about the late great Joe Strummer. Today, my friends, a treat. This is an afternoon in-store appearance in Portland, Oregon back in November of 1999. Joe’s first Mescaleros album, Rock Art & the X Ray Style, had just been released weeks earlier. From Black Market Clash, a cool site covering all of the Clash / Joe Strummer bootlegs….

    The acoustic session is awesome as Joe plays ad lib with funny and made up lyrics ad lib. The sound is excellent also. A direct to DAT mono recording, Joe played in front of around 100 people with a punk circle singing behind Joe and a drummer named Matthew from the local band “Roe” seated with his hands on his legs and stamping on the stage. 4.30pm.

    Not sure which store this short set takes place in (maybe someone out there wants to fill me in? – ed. It’s music Millennium), but the vibe sure is loose and relaxed, and like the blurb above says, the sound is pristine. Take a listen to the late, the great, the incomparable Joe Strummer.

    Joe Strummer
    November 2, 1999
    Portland, Oregon USA

    Download the ZIP (mp3s)

    Junco Partner
    Talk
    X-Ray Style
    Island Hopping
    The Road to Rock and Roll
    Trash City

    Buy Rock Art & the X-Ray Style :

    rock art
  • Funny,  Punk

    Blowfly’s Punk Rock Party and Ickmusic Contest

    null

    FREE STUFF ALERT >> CLICK HERE TO GO RIGHT TO THE CONTEST

    Let’s have some fun, huh? Who wants to get down in person with the original “dirty mouth of the South?” Look out, because Blowfly is coming to your town, and I’ve got two tickets to give away, along with an advance copy of ‘Punk Rock Party’ (not out until September 12), and a Blowfly t-shirt to boot.

    ‘Punk Rock Party’ will be released on Jello Biafra’s label, Alternative Tentacles. Blowfly’s M.O. is “dirty” remakes of well known tunes. On this album, he takes on punk classics like the Dead Kennedys’ “Holiday in Cambodia”, reworked as “R. Kelly in Cambodia” (with guest vocals by Jello himself), the Ramones’ “I Wanna be Sedated” (which morphs into “I Wanna Be Fellated” – lol), and my personal fave, an updated Clash classic, “Should I Lay this Big Fat Ho?”.

    Blowfly is actually 61 year old Clarence Reid, who was a songwriter for many R&B acts of the 60’s and 70’s (Sam & Dave, KC and the Sunshine Band). His knack for making funny (and obscene) versions of others’ songs led him to adopt his alter ego, Blowfly. His debut album, ‘The Weird World of Blowfly’, was released way back in 1971. Since then, dressed in full on superhero getup, Blowfly has released more than two dozen completely tasteless and vulgar versions of many popular tunes. I’m not about to repeat the song titles here, but if you’re ready for a laugh (and you’re an adult who’s not easily offended fer crying out loud), check out his discography on All Music, and be disgusted and amused by the song titles.

    Here’s a mix of a few songs from ‘Punk Rock Party’…

    Blowfly: Punk Rock Party Megamix (mp3) – includes “Should I Lay This Big Fat Ho”, “I Wanna Be Fellated”, “Playing with Myself”, “R. Kelly in Cambodia”

    I’m going out on a limb and guessing that his live show is one entertaining, smut-funkin’ affair. This I gotta see! I’ll be checking Blowfly out at the Clubhouse in Tempe when he hits town in September.

    And now…

    +++++++++ The Ickmusic Blowfly @#*& Contest! ++++++++++

    Okay, we’ll have three winners here. Here are the prizes:

    • Grand Prize Winner receives two tickets to see Blowfly in their town (tour dates & locations listed below), an advance copy of ‘Punk Rock Party’, and a Blowfly t-shirt.
    • First Runner-up will receive ‘Punk Rock Party’ and a Blowfly t-shirt.
    • Second Runner-up will get a Blowfly t-shirt.

    Click here to see the trivia question, and to submit your answer.

    Check out Blowfly’s Official Site | MySpace Page

    Here are the tour dates:


  • Country,  Punk

    London to Lubbock: Joe Ely meets the Clash

    joe ely and joe strummer

    Here’s a cool tidbit of Clash trivia. You know that part in “Should I Stay or Should I Go” where you hear Mick Jones yell “Split!”? It was actually an impromptu moment when Joe Strummer and Joe Ely snuck up behind Jones during the recording session, and basically scared the piss out of him. The moment made it on to the final recording.

    Their relationship began in 1978, when Joe Ely was playing the Venue Club in London. The Clash were admirers of Ely’s most recent release, 1978’s ‘Honky Tonk Masquerade.’ Ely – a native of Lubbock, Texas – and the Clash met backstage and ended up spending the rest of the three night stand hanging around eachother, crawling the pubs, and gaining quite a mutual respect and admiration for eachother.

    joe ely

    Ely opened for the Clash on the 1979 Texas leg of their Pearl Harbor tour. He also headed over to London in 1980 to open for the Clash on their UK London Calling tour, and opened a couple of nights during the Clash’s residency at Bond’s in NYC in 1981.

    Well, fast forward to 1983. It’s a week before the US Festival in San Bernardino, CA, and the Clash are in San Antonio to play a warm-up gig before the 150,000 person event. Joe Ely is in the house that night, and joins the band for a version of “Fingernails” (from ‘Honky Tonk Masquerade”). Here’s the last three from that San Antonio night. The US Festival gig a week later would be Mick Jones’ final performance as a member of the Clash. The festival also included a backstage shouting match between Strummer and Van Halen’s David Lee Roth. Strummer was pissed about Van Halen demanding (and receiving) a cool million for the gig. Oh how I would have loved to be a fly on the wall that day.

    The Clash, Live at the Majestic Theater, San Antonio, TX
    May 22, 1983

    Fingernails (with Joe Ely) [mp3]
    Should I Stay or Should I Go [mp3]
    I Fought the Law [mp3]

    Here’s a cool collaboration that never was to be:

    For years, Ely, a hard-charging alt-country Texan who emerged during Jimmy Carter’s reign, and Strummer, founder and lead singer of the politically astute Clash, the greatest punk band that Margaret Thatcher’s Britain ever produced, had promised each other that some day they’d head to Mexico and record an album just for the hell of it…But Ely, who turns 59 today, never got to Mexico with Strummer.

    “I went to the funeral and got together with the guys and stayed up all night playing guitar,” he said. “I never believed someone with the vital energy he had would die. That’s a lesson that if you say you’re going to do something, you just do it.”

    How cool would that have been? A Strummer/Ely Tex-Mex-World-Punk record? Like an idiot, I just missed Joe Ely at the very intimate Rhythm Room in Phoenix. Next time I’ll go, buy him a beer, and talk about Joe Strummer.

    Here’s a couple from Joe Ely’s great live LP, ‘Live at Antone’s‘….

    The Road Goes on Forever [mp3]
    All Just to Get to You [mp3]

  • Punk

    Sex Pistols in the ATL

    johnny rotten

    In January 1978, the Sex Pistols embarked on an ill-fated first tour of the U.S. It would last less than two weeks. By the time they finished their Jan. 14 gig at San Francisco’s Winterland, Johnny Rotten uttered these words on stage: “Ever get the feeling you’re being cheated?”, and walked off. Three days later, Rotten announced the breakup of the Pistols. They would go on to record some material without him, but the Sex Pistols as they were – Rotten, Sid Vicious, Steve Jones, and Paul Cook – were done.

    The Pistols’ first gig ever under that name took place November 5th, 1975 at Central St. Martins College of Art & Design in London. Earlier that year, Malcolm McLaren took the helm as the band’s manager. It’s been debated to what degree he influenced the band, but he was very much responsible for their style and image. As former manager of the New York Dolls (1974-1975), and a fan of Richard Hell’s Neon Boys and Television, he knew that image and appearance could be major factors in a band’s success (though the Dolls broke up while he was managing them). He was also co-owner of a clothing shop in London call Let It Rock, later renamed Sex. This would become the gathering spot for the alternative / soon to be called Punk set in the London area. Members of the Pistols, the Clash and the Damned hung out there, as well as a pre-Pretenders Chrissie Hynde.

    So it wasn’t long before the Sex Pistols had taken Britain by storm. The years 1976 and 1977 saw the UK punk revolution take flight. The Sex Pistols, the Clash, the Damned, and the Buzzcocks were shaking up the establishment. In that same span, the Pistols zipped through three record labels (EMI to A&M to Virgin) before they finally released their debut, ‘Never Mind the Bollocks, Here’s the Sex Pistols‘ in October 1977. Their relationship with A&M lasted a week. I guess it didn’t help that Sid Vicious trashed (and vomited all over) the Managing Director’s office after the signing ceremony.

    album cover never mind the bollocks sex pistols

    So after the release of Bollocks, things were looking up, amd it was time to go stateside for their first tour. They were booked to appear on Saturday Night Live in December ’77, but because of passport issues, that gig fell through (Elvis Costello & the Attractions took their place). They finally made it over in early January.

    Now, I want you to take a look at the cities they played….

    Jan. 5: Great Southeast Music Hall, Atlanta, Ga.
    Jan. 6: Taliesyn Ballroom, Memphis, Tenn.
    Jan. 8: Randy’s Rodeo, San Antonio, Texas
    Jan. 9: Kingfish Club, Baton Rouge, La.
    Jan. 10: Longhorn Ballroom, Dallas, Texas
    Jan. 12: Cain’s Ballroom, Tulsa, Okla.
    Jan. 14: Winterland, San Francisco, Calif.

    Is there something wrong with that picture? The Sex Pistols live at Randy’s Rodeo?? A swing through the South? Nothing against the “Deep South”, but were those cities really the best place to premier the Sex Pistols on American soil? Wikipedia claims that on this short tour, the Pistols were “plagued by bad sound and physically hostile audiences, mainly at unlikely venues in the South.” Whoever booked the Pistols at these “unlikely venues” must have been on some really potent stuff.

    So let’s go straight to the source and hear for ourselves. Here’s the first gig of their US tour in Atlanta. To this listener, the sound is just fine (it is a soundboard recording), I mean it’s the Sex Pistols here. I don’t sense much hostility from the audience here. If anything, it’s the reverse. Johnny Rotten is vintage Johnny Rotten in his between-song stage banter: rude, vulgar, and unapologetic.

    This is from the Pistols’ Press Release regarding the show, from a cool site I recently found:

    The Pistols spend a quiet day-and-a-half prior to their debut, granting a few interviews (most notably to Time and Newsweek) while hordes of British journalists scurry around the hotel lobby starting, spreading and squelching various rumors…. Channel 2 in Atlanta (WSB) reports the group as 1) having green hair, 2) vomiting and committing sexual acts on one another as part of their show, and 3) heading for Houston after the Atlanta date… Alex Cooley’s Great Southeast Music Hall is packed to the gills minutes after the doors open at 7:00 p.m..Among those in attendance are 5 television crews, approximately 50 members of the press (including such notables as John Rockwell, Bob Christgau, Wayne Robins, Kit Rachlis, Tony Schwartz and Roger Wolmuth), several police officers and vice squads from both Atlanta and Memphis…. A local band called Cruisomatic opens, primarily doing cover versions of early rock and punk standards (to our ears, they are louder than the Pistols will be later, which is not very loud, contrary to what the Atlanta papers said the next day)..The rain is coming down pretty hard by the time the Pistols go on at about 10:15 p.m.; Rotten asks, “Where’s My Beer?”… “You can all stop staring at us now,” Rotten says after opening with “God Save the Queen,” “We’re ugly and we know it… See what kind of fine upstanding youth England is chucking out these days?”..About 60% of the audience is standing and doing an Americanized version of the Pogo throughout, 20% of the audience is nasty, yelling yelling and throwing things at the band, and 20% of the crowd clearly does not know what on earth is going on..A mighty blow is struck for Punk Rock!!

    Nine days later, Rotten would play his last show with the Pistols.
    Ten months later, Sid Vicious would be arrested for the murder of his girlfriend, Nancy Spungen. After Sid spent some time in Riker’s Island Prison, McLaren convinced Virgin Records to put up the $50,000 to bail Sid out. At a party celebrating his release on Feb. 2, 1979, Sid Vicious died from an overdose of heroin that he allegedly obtained from his addict mother. Truth is stranger than fiction, my friends.

    So coming to you from deep inside Lynnrd Skynnrd territory, it’s the Sex Pistols!

    January 5, 1978
    Great Southeast Music Hall
    Atlanta, Georgia

    Download (zip file)

    God Save The Queen
    I Wanna Be Me
    Seventeen
    New York
    Bodies
    Submission
    Holidays In The Sun
    E.M.I.
    No Feelings
    Problems
    Pretty Vacant
    *Anarchy In The UK
    *No Fun
    *Liar
    *Tracks 12-14 are from December 11, 1977, Maasbree, Holland

    sid vicious

    Bonus: Sid ViciousMy Way (mp3)

  • Punk,  Rock

    The Clash hit France

    There are a few recurring themes on this site that I unapologetically hammer at the masses. There’s Prince, there’s Springsteen, and there is Joe Strummer & The Clash. I came across a cool bootleg recently of what I guess would be called Sandanista-era Clash.

    This May 9, 1981 show came five months after the release of their ambitious, extremely eclectic 3-LP juggernaut that was (and is) ‘Sandanista’. The album review on All Music has it just about right:

    The Clash sounded like they could do anything on London Calling. For its triple-album follow-up, Sandinista!, they tried to do everything, adding dub, rap, gospel, and even children’s choruses to the punk, reggae, R&B, and roots rock they already were playing. Instead of presenting a band with a far-reaching vision, like London Calling did, Sandinista! plays as a messy, confused jumble, which means that its numerous virtues are easy to ignore.

    While it doesn’t come close to the brilliance and magnitude of London Calling, it does have its moments (“The Call Up”, “The Magnificent Seven”, “Washington Bullets”, etc.), but it is a triple album of 36 songs for cryin’ out loud, so there’s bound to be some less than stellar moments (like a reworked “Career Opportunities” sung by children).

    So anyhoo, the bootleg was recorded live in France. It’s great quality, and really captures their F**ing brilliance….

    The Clash live at Palais St. Sauveur, Lille in France
    May 9, 1981

    London Calling
    Safe European Home
    The Leader
    Somebody Got Murdered
    White Man in Hammersmith Palais
    The Guns of Brixton
    Lightning Strikes (not once but twice)
    I Fought The Law
    Corner Soul
    Ivan Meets G.I. Joe
    Radio Clash
    Charlie Don’t Surf
    Magnificent Seven
    Bankrobber
    Wrong ‘Em Boyo
    Train in Vain

  • Punk

    Rotten: Bugger to the Hall of Fame

    letter

    I just caught John Lydon (AKA Johnny Rotten) on Jimmy Kimmel Live a few nights ago. He is one entertaining and honest guy. He was ranting about the Sex Pistols induction into the Rock & Roll Hall of Fame. In a nutshell, eh, they ain’t goin’. Though they’ve been history for a long time, it’s admirable that a band so anti-establishment has stuck to their principles so many years later, and not bowed down to the “system”.

    Cheers to them for causing a little stir… here’s my favorite Sex Pistols song.

    The Sex Pistols: Bodies (mp3) – from Never Mind the Bollocks, Here’s the Sex Pistols

    Here’s the letter written to the Hall of Fame, thought to be John Lydon’s handwriting (Link to John Lydon’s Official Site with a larger image of the letter):

    Next to the SEX PISTOLS rock and roll and that hall of fame is a piss stain. Your museum. Urine in wine. Were not your monkey and so what? Fame at $25,000 if we paid for a table or $15,000 to squeak up in the gallery, goes to a non-profit organization selling us a load of old famous. Congradulations. If you voted for us, I hope you noted your reasons. Your anonymous as judges. but your still music industry people. Were not coming. Your not paying attention. Outside the shit-stem is a real SEX PISTOL.