• Essential Guy Clark album cover
    Country,  Folk

    Let Him Roll

    Guy Clark hit my radar after I got into Steve Earle in the 90’s. I started digging deeper into the “outlaw” singer/songwriters from the state of Texas. People like Clark, Jerry Jeff Walker, Joe Ely, and Townes Van Zandt. I still have a long way to go with exploring the rich catalogs of these guys. My most recent pick-up on eMusic was The Essential Guy Clark, which I will make a point of spending plenty of time with in the near future.

    I heard “Let Him Roll” on Sirius a while ago, and was struck – as I always am with these guys – by the vivid, colorful, and genuine imagery in the storytelling.

    Like:

    It was white port that put that look in his eye,
    Grown men get when they need to cry.
    We sat down on the curb to rest,
    And his head just fell down on his chest.

    He says: “Every single day it gets,
    “Just a little bit harder to handle and yet. . .”
    Then he lost the thread and his mind got cluttered,
    And the words just rolled off down the gutter.

    It’s a tale of a down on his luck wino – in love with a prostitute from Dallas. He’s at the end of his road, and the narrator tells the story of his sad demise…

    Guy Clark – Let Him Roll – from The Essential Guy Clark

  • Rock

    Bruce Takes NYC Down To The River

    With only four shows left on the Working On A Dream tour (wrapping up in Buffalo on November 22nd), and with much buzz about how the band will be taking some sort of extended hiatus, now’s the time to savor and cherish what Bruce and the Band have been bringing all year – and that’s night after night of powerhouse performances.

    The tour started out in April with a healthy dose of tracks from Working On A Dream. Last night in Detroit, only the title track was played. The tour has morphed into more of a special treat for the fans – including full album performances, sign requests, and even Bruce regularly crowd surfing during “Hungry Heart”.

    As I mentioned in last week’s The Wild, The Innocent post, a couple of special nights took place in New York City last weekend. Saturday was a full performance of The Wild, The Innocent, and the E Street Shuffle,  and Sunday was Bruce’s 1980 classic The River.

    The River is special to me because it was the album in which I first became aware of Bruce Springsteen. I was only 10 years old, but my older brother Dave became a fan – and he got the chance to go see Bruce when the tour rolled though Minneapolis. “Fade Away” was the first 45 I ever owned. Sides 3 and 4 (“Point Blank” thru “Wreck on the Highway”) have probably had more playtime in my life than any other album (okay, right along with Purple Rain)…  it’s the slow burners like “Point Blank”, “Stolen Car”, “Fade Away”, “Wreck on the Highway”, and of course “Drive All Night” that still resonate so deeply within me. The River is a masterpiece, in my opinion, and last weekend, he played it straight through for an appreciative NYC crowd…

    Bruce Springsteen & The E Street Band
    Madison Square Garden – New York City
    November 8, 2009

    Part I
    Wrecking Ball
    Introduction to the River
    Ties that Bind
    Sherry Darling
    Jackson Cage
    Two Hearts
    Independence Day
    Hungry Heart
    Out in the Street
    Crush On You
    You Can Look (But You Better Not Touch)

    Part II
    I Wanna Marry You
    The River
    Point Blank
    Cadillac Ranch
    I’m a Rocker
    Fade Away
    Stolen Car
    Ramrod
    Price You Pay
    Drive All Night
    Wreck on the Highway

    Part III
    Waiting on a Sunny Day
    Atlantic City
    Badlands
    Born to Run
    Seven Nights to Rock
    Sweet Soul Music
    No Surrender
    American Land
    Dancing in the Dark
    Can’t Help Falling in Love
    Higher and Higher

  • Friday Five

    The Friday Five: November 13, 2009

    https://ickmusic.com/pics/FridayFive08.png

    Friday Five : ˈfrī-(ˌ)dā,-dē ˈfīv : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    Editor’s Note: While short on time it occurred to me that I always have time for some twitter-sized goodness so once again, this week’s five is all in 140 characters or less. @michaelparr

    The Five:

    Prince & The Revolution – “Paisley Park” (from Around the World in a Day, 1995)

    Paisley Park is in your heart. I’ve spent a bit of time considering my ‘Desert Island’ discs lately, and I keep coming back to this record.

    The Damnwells – “Down With the Ship” (mp3) (from One Last Century, 2009)

    My earliest contender for album of the year, this record delivers on every level. You can help the band fund their next release here.

    Weezer – “Buddy Holly” (from Weezer, 1994)

    Save for “Say It Ain’t So” and playing “Undone – The Sweater Song” on Rock Band, I rarely listen to Weezer. I do still love those songs.

    Janet Jackson – “Control” (mp3) (from Control, 1986)

    This really should have been billed as Jimmy Jam & Terry Lewis – “Control” (feat. Janet Jackson), I’m just saying.

    Camera Obscura – “French Navy” (from My Maudlin Career, 2009)

    Another contender for album of the year,My Maudlin Career is the happiest group of utterly depressing songs you’ll ever listen to.
    What’s next on your shuffle?

  • Gipsy Kings
    World

    A Nod to the the Gipsy Kings

    Almost 5 years running, and I’ve never even mentioned the Gipsy Kings on this blog? For shame, Pete. The Rumba Catalana sound of the Gipsy Kings have been bringing audiences and listeners joy for more than 20 years now (13 for me) – it’s near impossible to listen to their music and not feel the tension lift.

    I first became aware of them in a Mexican-style cantina in Salzburg, Austria called Pepe Gonzalez back in 1996. I was traveling with my mom and dad, who were living near London at the time. When they were hitting the sack in the 500 year old hotel (the Elefant), it was time for me to hit the town. My first stop was this cool little cantina across the Salzach River. As I sat at the bar sipping my beer, this wonderful sound of latin rhythms came immediately to my attention. I asked the bartender who it was, and the rest is history.

    When I got back home to Arizona, I immediately bought The Best of the Gipsy Kings – and it has served admirably since… on road trips, at backyard barbecues, house parties… It’s simply the type of music – this more pop-oriented style of flamenco – that satisfies the soul. You put on some Gipsy Kings music, and you make people happy. Plain and simple.

    As for the band itself, its eight members make up two families – five from the Reyes family, and three from the Baliardo family. Anyone new to the band wouldn’t probably guess that all eight members were born in France – but it’s true. Their parents fled Catalonia (Spain) during the Spanish Civil War, and ended up in Arles and Montpelier, in southeast France.

    I may be preaching to the choir with a lot of you, but if it happens that you haven’t yet experienced the sounds of the Gipsy Kings, get one of the two collections below. You’ll be happy.

  • Indie,  Rock

    Slayed by the Percussion Gun: White Rabbits in Minneapolis

    My uncle Jamie is a vocational therapist out in Salem, Oregon. A while back, he related to me the concept of risk and how it relates to developmental wellness. If someone is regularly taking emotional, mental, physical and spiritual risks, generally speaking, they are healthier people on a number of levels.

    This doesn’t mean necessarily that individuals should go jump off a cliff or rob a bank. It does mean that people should try to stretch themselves out in all four of these areas as frequently as they can. How far one stretches depends on the person. Saying “Red wine and clits go quite well together” to a group of people at a wine tasting is not much of a risk for me but it could be a huge one for someone else. Hell, in Minnesota simply saying “hi” to someone you don’t know is an emotional risk.

    Lately, I’ve noticed myself dragging a bit in the risk department. I started running again in the last year and plan on doing a 5K or two in the next month so I guess that’s something in the physical realm. And I’m still  my outspoken and opinionated self in regards to the topics of politics, sex, and religion which, in the land of rock granite rigidity, is a monumental risk on a number of levels. But I ALWAYS do that. I could hear my uncle’s voice in the background…”find something…take a risk.” For my entire life, I have always thought he was the coolest mother fucker (along with my dad of course) since James Dean so I was more than curious when an opportunity to take an emotional, mental, and spiritual risk…a substantially huge one considering who I am…arose.

    I was asked to see a band of whom I had never heard.

    Many of you may chuckle at this but for my entire life I have always been the one to dig on the cool, new bands first. I’m the one who cheerleads people into loving (insert Brit Rock band here) and goads people into going to shows with me. Invariably, they love the bands I suggest and I feel quite proud of myself. I led them to the Holy Land….

    So when my friend Paul asked me to see White Rabbits, I hesitated at first. “Where are they from?” I asked. “Well, they are based out of New York but I think they are originally from Chicago,” he answered. Hmph, I thought all grumbly, not from the UK.

    But I thought of my uncle and something inside of me told me to get a ticket and go. It would be an excellent emotional and mental risk to let someone else drive the Magical Mystery Tour bus for a change. And, since I am convinced that I am Holy Knight of Music, a spiritual risk as well. Perhaps Paul was a Holy Knight and I didn’t know it. He does have a good first name after all:)

    I decided to be really daring and not even bother to listen seriously to any of their music. I would not buy either of their CDs and go see the show completely cold. I found out it was at a venue to which I had never been: The Cedar Cultural Center, located in the West Bank area of Minneapolis. Ah yes, even more of a risk…an untested venue with potential sound issues. I did find out, though, much to my delight that the band got their start in Columbia, Missouri. My place of birth…cool! So New York by way of Chicago and Columbia…yeah, I could dig it.

    I found out that some other friends were going and, at the last minute, asked my friend Wendy to join. Wendy is an unbelievably cool chick (and accomplished artist) who loves all the same music I do. She had heard some of their songs and was keen to go. After spending an hour and half of cocktails and conversation over at the Cafe formerly known as the Riverside, my friends and I went into the CCC.

    I was struck immediately by how much the place looked like a junior high school gymnasium. Wendy remarked that was because of the piano. It had that 1950s school gym look.  We had timed it out just right so we arrived just before White Rabbits were about to go on. I have to admit I was nervous. What if they sucked? What if I got bored? Would I be just a total music snob around my friends if I didn’t like them? As the music started, all of my fears were washed away.

    To begin with, White Rabbits have two drummers, which can sometimes morph into three or four drummers as other members of the band set their respective instruments down and hit the skins. The primal pounding coursed through my veins. It was magnificent. This was not a granola drum circle barf fest. These fucking guys knew how to hit the skins and were so tight that THEY could be a metronome for a drum machine.

    They could also sing. Man, can these guys sing! I have three words for all of you: Four Part Harmony. And that’s with the relentless and cacophonous drumming going on! The blend of their voices reminded me a lot of the Beach Boys. As the set progressed and I watched the lead singer of the Spin Doctors look-alike (who may have been totally naked) make an asshat out of himself doing a pogo dance down in the pit, I realized that my risk had paid off. This band was fucking amazing. And my uncle, as he has mostly been his whole life, was right. Go through the looking glass, Alice, and there you will find…White Rabbits. Take risks and ye shall be rewarded.

    Rewarded with hearing the lead singer of White Rabbits, Stephen Patterson, sing the word “know” in the chorus of “Percussion Gun” and sticking it with such a herculean force that I was slayed. And reminded of a James Brown “HA!”  Rewarded with getting to experience a band live whose music I had never heard. Rewarded with a night of hilarity with friends.

    But most of all, being rewarded with letting myself go…not being the music know-it-all…not being the leader…not being in control.

    And loving every minute of it.

    White Rabbits – Percussion Gun (mp3)

    White Rabbits Official Site

  • Video

    Yoko Ono Plastic Ono Band on Jimmy Fallon

    Okay, so today, Howard Stern played this Nov. 5th clip of Yoko Ono Plastic Ono Band on Jimmy Fallon’s show (with Sean Lennon on guitar). Now, I can’t say I’m familiar at all with her brand of avant garde music. There’s one person in my life who I know as a fan, and that’s Gonzo.

    It’s hard for me to consider this performance as anything but novel and a tad bizarre. But I have to know, what is the general consensus… what is your opinion of this performance? There must be some of you who enjoyed this? What say you, Gonzo?

    By the way, Howard and the gang thought the intro sounded like “Wipeout”.

  • Bruce Springsteen,  Rock

    Bruce’s Wild & Innocent Night in NYC

    Since I saw the Boss way back in April on just the second stop of the tour here in Phoenix, the tour has rolled on across the continent, over to Europe, and back again. Since he’s been back stateside, fans have been treated to shows where Bruce and the Band play entire albums from his catalog. Darkness on the Edge of Town, Born To Run, Born in the USA

    But for me, the envy factor really kicked in this weekend with the shows at Madison Square Garden in New York City. Last night, the crowd got Bruce’s second album – 1973’s The Wild, The Innocent, and the E Street Shuffle. Tonight, his classic 1980 double album, The River.

    The two (well, three) albums are teeming with some of my all-time favorite Boss tunes: “Incident on 57th Street”, “4th of July, Asbury Park (Sandy)”, “New York City Serenade”, “The River”, “The Price You Pay”, “Stolen Car”, “Wreck On The Highway”…

    In this spoiled & amazing day and age of the internet, it’s possible to sit in the comfort of one’s home and listen to the magic happen – the very next night. That’s exactly what I’m doing right now. And I thought I’d share the joy & magic for those that are interested. Enjoy…

    Bruce Springsteen & the E Street Band
    Madison Square Garden
    November 7th, 2009

    Part One

    Thundercrack
    Seeds
    Prove It All Night
    Hungry Heart
    Working on a Dream
    The E Street Shuffle [mp3]
    4th of July, Asbury Park (Sandy) [mp3]
    Kitty’s Back [mp3]
    Wild Billy’s Circus Story [mp3]

    Part Two

    Incident on 57th Street [mp3]
    Rosalita (Come Out Tonight) [mp3]
    New York City Serenade [mp3]
    Waitin’ on a Sunny Day
    Raise Your Hand
    Does This Bus Stop at 82nd Street?
    Glory Days
    Human Touch
    Lonesome Day
    The Rising
    Born to Run

    Part Three

    Wrecking Ball
    Bobby Jean
    American Land
    Dancing in the Dark
    Higher and Higher (w/ Elvis Costello)

    Here’s Bruce kicking off “The E Street Shuffle”, baton and all…

  • Friday Five

    The Friday Five: November 06, 2009

    https://ickmusic.com/pics/FridayFive04.png

    Friday Five : ˈfrī-(ˌ)dā,-dē ˈfīv : On the sixth day of every week I hit the shuffle button on my iTunes and share my five and drop a little knowledge and insight for each track. Sometimes there is a playlist involved, sometimes there isn’t. Sometimes we have guest, but most of the time it’s just me. The rest is up to you, our friends and readers! Fire up your media player of choice and share the first five random track of your shuffle in the comments.

    Editor’s Note: While short on time, it occurred to me that I always have time for some twitter-sized goodness so this week’s five is all in 140 characters or less. @michaelparr

    The Five:

    The Jimi Hendrix Experience – “Little Wing” (From Axis: Bold as Love, 1967)

    While possibly cliché, this is my favorite Hendrix tune. Simple, soulful and beautiful, this is easily on my desert island song list.

    Enuff Z’Nuff – “New Thing” (mp3) (from Enuff Z’Nuff, 1989)

    Day-glo attire and pop-metal leanings aside, Enuff Z’Nuff were one of the most underrated power pop bands of the ’80s and ’90s.

    Bryan Adams – “Heat of the Night” (from So Far So Good, 1993)

    Does anyone truly dislike Bryan Adams? If pressed to name the essential ’80s records, Reckless would always be mentioned in the top 10.

    Counting Crows – “Angels of the Silences” (from Recovering the Satellites, 1996)

    I recall seeing the band on the Recovering the Satellites tour and how powerful this track is live. Adam is dynamic when he wants to be.

    Bon Jovi – “Never Say Goodbye” (mp3) (from Slippery When Wet, 1986)

    The ultimate prom song, I look at this record and wonder how it is that 23 years later this band is still flogging the same dead horse.

    What’s your Five?

  • street albums photo
    Rock,  Roots Rock

    Street Songs

    We’ve spent all this time building up our digital music libraries, so why not tinker around with them a bit and have some fun? Last week I explored tunes that clocked in at 2:28. This week, I take it to the streets.

    The exercise this week is to locate your street songs. I’m not talkin’ lanes, avenues, roads, courts, and the like. Nuh-uh. I’m talkin’ Streets.

    What’s more, I’m looking for songs that are simply names of Streets. “Oak Street”, “Main Street”, “This Street”, “That Street”. So that leaves out a lot of quality tunes obviously (“Positively 4th Street”, “Incident on 57th Street”, to name a couple). I’m interested to see what other “Street” gems are out there. So use the Search area of your favorite media player, look for some “___ Street” songs, and drop some into the comments.

    Me? I came up with 17 streets. Here are four of my tops…

    • Christian St. – Marah | An ode to their hometown of Philadelphia, this is on Marah’s 2nd album, Kids in Philly. It’s my favorite Marah album – just bristling with life. I spent the better part of the year 2000 with this record.
    • Straylin Street – Pete Droge | From Pete’s ’94 album, Necktie Second.
    • Great Jones Street – Luna | Never owned any other Luna albums other than Bewitched, but this song is a soft stunner. They had me at Great.
    • Cherry Street – JJ Cale | From JJ’s latest, Roll On (a concept album about deodorant. Just kidding.).

    The Others…

    Alphabet Street – Prince
    Boogie Street – Leonard Cohen
    Dominick St. – Steve Earle
    Grafton Street – Nancy Griffith
    Grey Street – Dave Matthews Band
    Highway One Zero Street – Joe Strummer
    Lonely Street – Bap Kennedy
    Love Street – World Party
    Meadowlake Street – Ryan Adams
    Rain Street – The Pogues
    Shakedown Street – Grateful Dead
    Shouting Street – Joe Strummer
    South Street – The Orlons

  • Rock

    Powderfinger

    Yeah, well, I can’t enough of Neil Young’s “Powderfinger”….

    Shelter me from the powder and the finger
    Cover me with the thought that pulled the trigger
    Think of me as one you’d never figured
    Would fade away so young
    With so much left undone
    Remember me to my love,
    I know I’ll miss her.

    That’s the final and most goosebump-inducing verse of the song. And this 10-22-78 performance at the Cow Palace near San Francisco (the shows that spawned the Rust Never Sleeps and Live Rust albums) ratchets the intensity up even further. Especially when guitarist Frank “Poncho” Sampedro comes over to Neil’s mic to join in for the final verse.