My Dwight Masterpiece: If There Was a Way
Tonight I’m reaching back to the archives to my favorite Dwight Yoakam album, 1990’s If There Was a Way. It’s a great record start to finish, and my cassette – yes cassette – got many many listens in its day. Dwight has always remained a steadfastly old-school country-boogie-swingin’ honky-tonk man.
My two favorites off the album are the title track, and “Turn it On, Turn it Up, Turn Me Loose”. The latter track I’ve been looking for on YouTube for a while, and I finally found it. Who uploaded it to YouTube? Why, Warner Brothers Records, believe it or not! A step in the right direction, as the labels are figuring out how important this medium is to the future (and past) of music.
Dwight does himself a little acting in this video for “Turn it On…” As you may know, Dwight’s also established himself as a formidable actor in Hollywood. You all remember him as that prick Doyle in Sling Blade, right? This video precedes his first movie role, 1992’s Red Rock West, by two years.
So, in the annals of songs I’ll always love, I give you the video, courtesy of Warner Brothers, for “Turn It On, Turn It Up, Turn Me Loose.”
“If a tear should fall
If I should whisper her name
To some stranger I’m holdin’
While we’re dancin to an old Buck Owens soooong”So naturally, your next inclination is to buy the album: If There Was a Way
A new Mac and some good Blow
PC or Mac? As my Dell PC (c. 2004) began to slow down a bit, and the 80 gig hard drive neared its capacity, it was time to start the search for my new computer. For once, it was a calculated decision, quite unlike the impulse trips to Best Buy “for a quick look”, only to walk out with a new PC 45 minutes later. This upcoming computer will be my fourth since 1997, not too bad in computer years I guess.
So this time around, I’ve decided to jump across the great divide and go with a Mac for the first time. An iMac, to be precise. 20 inch screen. 500 gig hard drive. A gig of memory. It should be shipping tomorrow. The anticipation builds… a new era! My wife said she’s way more excited about the steam cleanin’ vacuum that’s on its way from Costco. I – I just don’t get that.
So thanks to my friend Jim for being the answer man for all my Mac vs. PC questions. I’m pretty pumped about this if you can’t tell already. Thing is, I haven’t found a Mac owner who hasn’t raved about them. And they’re just – so – damn – cool! Sleek, slick, simple.
So on to some music. The Blow is the brainchild of Portland, Oregon based performance artist Khaela Maricich and Jona Bechtolt. Artsy fartsy indie rockin’ performance artists – with a good beat. And the kids can dance to it.
The Blow –
Parantheses(mp3)The Blow’s Official Site | MySpace
Friday Flashback: Richard Marx
The CD single of Richard Marx‘s “Hazard” was the latest disc my 1 year old grabbed out of my CD rack. It prompted me to throw it in the CD drive and have a good listen. Early 90’s cheese? To some. But in my oh so humble opinion, still a good song. Nice tune, nice melody, nice singin’. It holds up!
Richard Marx:
Hazard(mp3)Buy: Rush Street (1991)
Hollywood Weller
Add Paul Weller’s three night February stand at the Avalon in Hollywood to my “shows I would have driven 6 hours to if I was still a bachelor” list. The former Jam and Style Council frontman has been a very successful solo artist in the years since, and still puts on a great show, as you’ll hear right here, right now.
Paul Weller
The Avalon, Hollywood, Calif.
February 4th, 2007Part I
Science
Peacock Suit
Into Tomorrow
From the Floorboards Up
Paper Smile
All the Pictures On the Wall
Above the Clouds
Thick as Thieves
Savages / Fly Little Bird
Wild Wood
Up In Suze’s Room
My Ever Changing Moods
Running On the Spot
Porcelain Gods / Walk on Gilded SplintersPart II
All On a Misty Morning
Wishing on a Star
Butterfly Collector
It’s a Very Deep Sea(Weller on piano)
Long Hot Summer(Weller on piano)
Shout to the Top
Changingman
At the Foot of the MountainEncore
Come On Let’s Go
I Wanna Make It Alright
Broken Stones / Happy Days
A Town Called MaliceIntro to Blue Man Group
My friend Jim just posted an “Intro to the Blue Man Group”, complete with some interesting mp3’s. Let’s scare him with traffic. Ready? Set? Go…..
Intro to the Blueman Group (melchman.net)
La Boheme, Acts III and IV
Cristina Gallardo-Domâs, soprano who plays Mimi in this performance (I’m not sure which character / opera the photo is from).And so here we have Acts III and IV of La Boheme. I’m glad to see some enthusiasm about the recent opera posts. I’ve had these arias going through my head all week. The cool thing about opera – and I’ll lump classical music into this observation too – is the history behind it. La Boheme debuted in 1896. Isn’t it pretty amazing to consider that people like you and me have been enjoying these arias for the last 111 years? Think about some of the classical composers. Their music has been touching people for hundreds of years. Hundreds. What a legacy to leave behind.
The crazy thing is that people a couple hundred years from now will be looking back at our era with the same historical perspective and amazement. There will be some kid in the year 2307 hearing Hendrix, Miles, Dylan, Prince, and Springsteen for the first time. And Sanjaya of course (I hope you all did your part and voted tonight). Something tells me that a religion will soon form based on the life’s work of the Great Sanjaya. It is beyond our control, I’m afraid. For now, we vote. Sanjaya will not be stopped.
So enjoy Act’s III and IV. I’ll have to track down a performance of Madame Butterfly for some near future opera action.
La Boheme
February 3, 2007
Metropolitan Opera, New York City–Act III: At the toll gate —
Ohe, la, le guardie! Aprite!
Sa dirmi, scusi, qual’e l’osteria
Mimi! Speravo di trovarvi qui
Marcello. Finalemente!
Mimi e una civetta
Mimi e tanto malata!
Donde lieta usci al tuo grido d’amore
Dunque e proprio finita!–Act IV: Back in the garret —
In un coupe?
O Mimi, tu piu non torni
Gavotta! Minuetto! Pavanella! Fandango!
C’e Mimi!
Vecchia zimarra, senti
Sono andati? Fingevo di dormire
Che avvien? Nulla. Sto beneMetropolitan Opera Choir and Orchestra
Conductor: Carlo RizziCast:
Marcello (baritone) – Dwayne Croft
Rodolfo (tenor) – Marcello Giordani
Colline (bass) – John Relyea
Schaunard (baritone) – Aaron St. Clair Nicholson
Benoit (bass) – Paul Plishka
Mimì (soprano) – Cristina Gallardo-Domâs
Parpignol (tenor) – Meredith Derr
Alcindoro (bass) – Paul Plishka
Musetta (soprano) – Susannah GlanvilleKeith snorts his old man!
A delightfully strange nugget of music news crossing the wire today…
LONDON (Reuters) – Rolling Stones guitarist Keith Richards said in an interview published on Tuesday that he once snorted his father’s ashes mixed with cocaine.
“The strangest thing I’ve tried to snort? My father. I snorted my father. He was cremated, and I couldn’t resist grinding him up with a little bit of blow,” Richards said in the interview, which was posted on NME’s Web site.
Source: Yahoo News
What more is there to say?
Get Lost with YouTube Keith:
- Watch this priceless concert footage of Keith unleashing on a stage crasher.
- Hunter S. Thompson interviews Keith. Hats off to anyone who can understand more than 15% of the dialogue. Yet they completely understand eachother. Coincidence?
- Norah Jones & Keith sing “Love Hurts” at the Gram Parsons Tribute.
- A 1974 Keith interview.
- Add more in the comments if you find some tasty Keith footage.
Placido Domingo’s Nessun Dorma
My recent posting of Pavarotti singing “Nessun Dorma” had some people commenting on their preference for Placido Domingo’s version. Here’s one of them…
Start your week right: The Shirelles
Thanks again to David Johansen and his Mansion of Fun for continuing to introduce me to amazing new music, which in this case happens to be 44 years old.
The Shirelles:
Everybody Loves a Lover(mp3)Buy:
Back in time with Shaw / Blades Influence
A Shaw / Blades post seemed to be inevitable: seeing them on VH1-Classic one afternoon, hearing them on Howard Stern the following week, and then being approached by a friend, demanding Shaw / Blades exposure on Ickmusic. So here goes…
Jack Blades, formerly of 80’s super hair-pop group Night Ranger, and Tommy Shaw, singer / guitarist for Styx, first joined together as two members of Damn Yankees (along with the Nuge) in 1990. Seventeen years later, the two are still collaborating, as Shaw / Blades. Influence, released in February, is actually their second release. Hallucination was released back in 1995.
Influence, as the title suggests, is a journey through the classic tunes of yesteryear that influenced the two. They take on tunes by the likes of Buffalo Springfield, the Zombies, and Yes. But they also show their soft sides by covering Orleans, Seals & Crofts, and the Mamas & the Papas. Well actually, soft is a theme throughout the album. They put the soft, smooth, seventies lite-rock twist on every tune on it.
It’s nothing groundbreaking by any means. The covers stay very true to the originals. But it’s … nice. Shaw and Blades are two very down to earth, likeable guys. And they’re sharing the music that means something in their lives. You can’t knock that. And to the fans who have followed them through their careers – like my friend Shannon – it means something to them too.
Shaw/Blades:
Time of the Season(mp3) -originally by the ZombiesBuy:
Track List:
1. Summer Breeze (Seals & Crofts)
2. Time Of The Season (Zombies)
3. Your Move (Yes)
4. I Am A Rock (Simon & Garfunkel)
5. Lucky Man (Emerson, Lake and Palmer)
6. The Sound Of Silence (Simon & Garfunkel)
7. California Dreamin'(Mamas & Papas)
8. On A Carousel (the Hollies)
9. Dirty Work (Steely Dan)
10. For What It’s Worth (Buffalo Springfield)
11. Dance With Me (Orleans)Shaw / Blades‘ Official Site | MySpace