Pete’s Music Highlights: My Top 12 of 2012
I’ve been as quiet here on Ickmusic as I ever have during its eight year run. Worry not, nothing (outside of my family) has taken a back seat to music in my life. It still fuels everything I do. But there has been a definite lull in my desire to sit down and type out regular blog posts. I know it tears you up inside (whoever “you” may be).
But it’s okay, Ickmusic.com is still here when I need it. Like today, for instance, when I feel like sharing my music highlights from the year Twenty-Twelve.
Here are some of the albums, songs and live shows that enriched my world in 2012.
1. Album: Band of Horses – ‘Mirage Rock‘

Fans and critics who were praying for another Everything All The Time or Cease to Begin cried foul when Mirage Rock was released this year. Me? I ate it right up. The album, produced by legendary classic rock engineer/producer Glyn Johns (The Who, The Stones, to name a couple) definitely steers heavily into 70’s classic rock and even soft rock category. I am just fine with that. In fact, the wistfully sweet “Long Vows” and “Slow Cruel Hands of Time” are two of my favorites. But the boys sure crank it up with tunes like “Dumpster World”, “Knock Knock”, and the early 70’s Stones-ish “Electric Music.” Yep, I’m all in on this record. Oh, and if you’re looking for beauty, track down “Relly’s Dream” from the Sonic Ranch Sessions bonus disc on their deluxe edition. I spun this album start to finish more than any other release this year.
2. Show: World Party – Crescent Ballroom, Phoenix – 12-02-2012
Thanks to Zia Records, the top independent record store here in Phoenix, I won a pair of tickets to see Karl Wallinger and his band World Party. As a big fan especially of the Goodbye Jumbo album, it was a rare honor to see Karl play an intimate venue like the Crescent Ballroom in downtown Phoenix (my #1 room in town). After a serious health scare in the early 2000’s (a brain aneurysm), Karl’s voice is as pure and dynamic as you’d hope for. Along with his sharp young Nashville bandmates, he tore through WP classics like “Is It Like Today”, “Ship of Fools”, “Way Down Now” and (my favorite) “Put The Message In The Box”; and also sat down at the keys for “She’s The One” and “God On My Side.” This gig far exceeded my expectations (I didn’t know what to expect, really), and I sincerely hope Karl continues on with making music and touring. I can’t wait to see him again.
Here’s a video I shot of Karl and violin/mandolin/harmony vocalist extraordinaire David Duffy singing “Mystery Girl” (bump up the quality to 720p or 1080p):
3. Show: Band of Horses, Marquee Theater, Tempe 10-26-2012
I’d seen Band of Horses a couple of times before, but only in a festival setting (Austin City Limits). This first true headlining show came out of the cancelled Railroad Revival Tour with Willie Nelson. Ben Bridwell and the boys set up at Tempe’s Marquee Theater in late October and tore the roof off the dump. Drawing from all four of their studio albums with a couple covers thrown in (Them Two and Hour Glass, nice & obscure!), the songs were rambunctious, mellow, inspiring, wistful, beautiful, rocking… all the adjectives that reminded me (and the full house) why we love them so much. Not to mention getting to chat for a while with Ben after the show. The dude abides.
4. Album: Ryan Bingham – ‘Tomorrowland‘
Give me the cool, gravelly roots/folk/country rockin’ twang of Ryan Bingham any day of week. Tomorrowland is a return to the more straight-ahead rockers that seemed to be missing on his last album, the T-Bone Burnett produced ‘Junky Star.’ He wastes no time on Tomorrowland’s opener, launching into “Beg for Broken Legs” with urgency and force. “Guess Who’s Knockin” is another strong one, featuring a satisfying F-bomb chorus. “Never Ending Show”, “Flower Bomb”, “The Road I’m On” – all standout tracks. If you haven’t checked out Tomorrowland (or Ryan Bingham) yet, you’re missing out. Just do it.
5. Show: Bruce Springsteen & the E Street Band – Jobing.com Arena, Glendale 12-06-2012
I took a couple of Bruce first timers a few hours early to go through the wristband lottery to try and get up near the front of the stage (“in the pit”, as they say). Sadly, our numbers were not of the lucky variety, and we were shut out. So we ended up behind the pit right next to the sound booth. The disappointment was very quickly washed away with Bruce’s first strum of the acoustic for the opener “Surprise, Surprise.” The first 30 minutes was a showcase of career nuggets: “No Surrender”, “I’m a Rocker”, “Hungry Heart”, “Prove It All Night”, “Trapped”, and “Lost in the Flood” – and all those before launching into the new Wrecking Ball material! Three plus hours from a tireless 63 year old and his very large troupe of supporting members – the E Street Band and then some. My eighteenth live Bruce experience, and yet another reminder why The Boss sits on the top of the pile in my world.
6. Show: Girls – Crescent Ballroom, Phoenix – 03-03-2012
Who would’ve thought I was seeing Girls the band in one of their final performances? For not long after, frontman, songwriter, and singer Christopher Owens announced on Twitter that the band was done. He’s moving on in another musical direction (his debut solo album, Lysandre, comes out in just a couple weeks). So I am fortunate to have seen Christopher and the band play songs I’ve come to absolutely love since discovering them a couple of years ago: “Laura”, “Alex”, “Honey Bunny”, “Love Like a River”, “Die”…
Something about Christopher’s music draws me in – the beauty and innocence, the light in the darkness – and I’ll basically be following him around for however long he decides to make music. A great show – short, but sweet.
7. Album: Neil Young & Crazy Horse – ‘Psychedelic Pill‘
A 27 minute album opener with the lyrics “I wanna get a hip-hop haircut”? Check. Something about this record, particularly the longer running tunes (“Driftin’ Back”, “Ramada Inn”, “Walk Like a Giant”), really grabbed hold of me. It’s the loud, distorted (and long) guitar solos, it’s the way Neil sneers his way through the lyrics… It’s the unconventional and F-you attitude of it all. Everything Mr. Neil Young represents.
And of course Neil has a 27 minute long official video for “Driftin’ Back”…
8. Show: Lenny Kravitz – Comerica Theater, Phoenix – 02-12-2012
Rock Star. Completely and indisputably. It’s fun to sit back and watch a performer just turn on all the glamor, glitz, and poses of a Rock Star. Lenny has perfected this persona over his 20+ years of performing. He’s got a quite the catalog to choose from, and watching him perform the hits (“Are You Gonna Go My Way” being my favorite) as well as tunes from his surprisingly strong latest album, ‘Black and White America‘, had us out of our seats the entire gig. Lenny has always been and remains a total badass. Such an entertaining show.
9. Song: Bruce Springsteen – “Jack of All Trades”
This is my favorite Bruce tune in years. I thought about including the whole ‘Wrecking Ball‘ on the “list”, but that wouldn’t be an honest assessment. While I enjoy Bruce’s Great Recession album from earlier this year, I just haven’t connected too much with the songs (of course, hearing them live is a whole ‘nother ball of wax – see above for my December 6th Bruce show). “Jack of All Trades” though, wow. A slow, dirge-like bass drum and piano start off the song. It builds and builds with each verse and ends with a forceful guitar solo from Tom Morello. The theme of strength, perseverance and optimism in the face of adversity is a common one in Bruce’s music, but he really connects with this tune in a goosebumps and tears kind of way.
“I’m the jack of all trades / honey we’ll be alright”
10. Album: Delta Spirit – ‘Delta Spirit‘
Matt Vasquez and company continue to evolve, refusing to stay pigeonholed the way some fans prefer (see Mirage Rock comments). “California” was the lead single and the most obvious stray from their former indie/folk sound – a more electronic modern pop sound. But they still rock out – “Money Saves” is one of my favorites, as are “Tear It Up” and “Tellin’ the Mind.” Nothing matches my three standout tracks from their last album, ‘History From Below‘ – “911”, “Bushwick Blues” and “Salt in the Wound” – but that’s not a knock on this record. I love a band that explores new territory and challenges themselves to try something new – Delta Spirit is a band I’ll be following for years to come.
11. Album: Fred Eaglesmith – ‘6 Volts‘
It wasn’t until about midway though the year that I reconnected with Canadian singer/songwriter Fred Eaglesmith. I listened to him in the late 90’s and early 00’s, but for some reason, I seemed to veer away. ‘6 Volts’ was released in January, and quickly reminded me what drew me to Fred: clever songwriting and storytelling, and great folk/root-rock sounds and rhythms. ‘”Betty” is a standout track from 6 Volts, with Fred conjuring up dark imagery on as cheerful a melody and cadence as possible: “Betty what’d you do with the gun? There’s strangers at my door / and there’s more where they come from / …was it the money, was it the drugs / was it somebody that you used to know / …Betty Betty why won’t you tell me”.
12. Album – Trampled by Turtles – ‘Stars and Satellites‘
Straight out of Duluth, Minnesota, I became aware of Trampled by Turtles when I saw them at the 2011 Newport Folk Festival. I’ve seen categorizations bandied about in the past for this band, like “newgrass” and “speedgrass”… but with this year’s release, people will have to search for new adjectives. They jump into more rootsy, Americana-inspired territory here, bringing the tempo down with some great tunes like “Midnight on the Interstate”, “Alone”, “Widower’s Heart” and “Beautiful.” Of course, they haven’t abandoned their bluegrass roots, their banjo and fiddle players remain. So if you want your speed fix, listen to “Don’t Look Down” or “Walt Whitman.”
Recap: Band of Horses at the Marquee Theater in Tempe

It was starting to feel like Band of Horses may never actually make it back to Phoenix. Last year, they were scheduled to open for Kings of Leon at Ashley Home Store Pavilion, but that got axed. Then this year, they were scheduled to play downtown Tempe as part of the second installment of the Railroad Revival Tour with Willie Nelson, Jamey Johnson, and actor/musician John C. Reilly, but that fell apart a few weeks prior to the October 26th date.
Luckily, Band of Horses wasted no time and promptly booked gigs in the cancelled tour towns, including an October 26th stop at the Marquee Theater in Tempe. For fans like me, it was a big win, now getting a full headlining gig versus an abbreviated festival-like set.
And so deliver they did, playing a roughly two hour set for (what had to be) a sold out crowd – the set list drawing from all four studio albums. In fact, at the end of the night, only four songs showed up from their latest release, Mirage Rock.

Some friends and I got to spend about fifteen minutes chatting with lead singer Ben Bridwell after the show, and he talked about the fun they’re having with these last minute headlining dates. They’re giving themselves the freedom to relax, have some fun, and play outside of the box a little.
It showed with the 23-song set list that included a couple of rarely seen covers: keyboardist/guitarist Ryan Monroe took to the organ for “Ain’t No Good To Cry,” a late 60’s tune by Hour Glass – the L.A. band that Gregg and Duane Allman were a part of before forming the Allman Brothers Band. How’s that for obscure? (Thanks to Ryan Monroe for the Twitter reply confirming the song name). The other cover was the encore finale, an old deep soul track called “Am I A Good Man?”, originally by a group called Them Two. They’ve pulled that one out quite a bit in the past.

We got a song premiere too, “A Little Biblical” from Mirage Rock, a tune they had never performed live.
But by and large, the band delivered lots of familiar Band of Horses favorites:
- The night opener, “The First Song,” with Ben sitting down with this pedal steel.
- “Marry Song,” with Ryan and Ben synched up perfectly with that gorgeous harmony.
- “No One’s Gonna Love You,” a night highlight, with only Tyler Ramsey on guitar and Ben on vocals – a very intimate few minutes and clearly a crowd favorite.
- Another slow burning highlight: “Detlef Schrempf,” where Ben came down to the crowd to share the mic during the chorus, letting crowd members sing “My eyes can’t look at you any other way…”- and by the way, I asked Ben after the show if former NBA star Detlef Schrempf knows there’s a song named after him. The answer is yes – Detlef and Ben keep still keep in touch, and try to hang out when Ben stops through Seattle.
- “The Funeral” was the regular set closer, and since Ben’s amp blew out during the prior tune, it didn’t feature the familiar guitar riff from his Les Paul Standard. Instead, Ryan worked the riff on the organ. They may have stumbled on something there… very cool to see an oft-played tune done in a different style.

Just an amazing night overall – for the super fans like me on down. And to be able to chat it up with Ben after the show was the icing on the cake – such a genuinely nice guy.
Back in October 2008, on the morning after their Austin City Limits Festival set, I saw Ben in the Austin airport, so I went up and said hi. When I mentioned that encounter last night, unbelievably to me, he remembered meeting me on that bleary-eyed morning. So naturally, I asked him to reenact the photo we took in the airport. Kudos to Ben for removing his ball cap to style his hair a la 2008…
2012

2008

Ben promised the crowd that it wouldn’t take so long for the band to make it back to the Phoenix area. From what I can find, the last time they were in Phoenix was a June 2006 stop at the Rhythm Room. That is a long time.
Here’s hopin’ and beggin’ and prayin’ they stop through again soon. Special band. Special night.
Set List
Marquee Theater
Tempe, AZ
Oct 26, 2012The First Song
Laredo
Great Salt Lake
Islands on the Coast
NW Apartment
Electric Music
Ain’t No Good To Cry (Hour Glass cover)
Blue Beard
Cigarettes Wedding Bands
On My Way Back Home
Marry Song
Everything’s Gonna Be Undone
Older
Knock Knock
A Little Biblical
No One’s Gonna Love You
Is There a Ghost
Weed Party
Ode to LRC
The Funeral~ Encore ~
The General Specific
Detlef Schrempf
Am I A Good Man? (Them Two cover)Christopher Owens announces ‘Lysandre’

Christopher Owens, the heart, mind, body and soul behind San Francisco’s Girls, decided to leave (and effectively disssolve) the group back in July with an announcement on Twitter (One, Two, and Three).
Thankfully, the creative juices are still flowing, and he’s been busy in L.A. recording his first solo album. The word is now out that Chris will be releasing Lysandre on January 15th, 2013 on the Fat Possum label.
There’s a really nice piece here on Fader where Chris talks about the backstory behind Lysandre. In a nutshell, Lysandre is a French girl he met on Girls’ first tour back in 2008 (supporting their debut, Album). A long distance romance evolved and eventually ended. The album tells the story of the journey.
I feel like this is the most focused effort I’ve ever made musically; telling a story from one song to the next in order of occurrence, making the album almost like one long song. A little bit like a musical. I’m very proud of it and happy it worked so well. I’m pleased to be able to share it with the world; its story, its music, its universal and classic themes. It’s a coming of age story, a road trip story, a love story. It’s a moment in time that has been captured and brought to life through art. For you, for me, for us. For what it’s worth. – Christopher Owens
I am so locked into this guy and the music he makes, so count me among those who are very excited about this new record. The first two tracks have been offered up on Soundcloud: “Lysandre’s Theme” (a short instrumental intro) and “Here We Go,” featuring soft acoustic guitar, flute, fuzzed out electric… Time for another listen.
Here’s the track listing for Lysandre. Pre-Order the album here.
1: Lysandre’s Theme
2: Here We Go
3: New York City
4: A Broken Heart
5: Here We Go Again
6: Riviera Rock
7: Love Is In The Ear Of The Listener
8: Lysandre
9: Everywhere You Knew
10: Closing Theme
11: Part Of Me (Lysandre’s Epilogue)Keep up with all things Christopher on his web site, his Facebook, and Twitter.
New Titus Andronicus: ‘Local Business’

High expectations – they’re dangerous.
I first heard Titus Andronicus on a jog around the neighborhood in March 2011, a few months after they released their 2nd full length, The Monitor. Halfway through the opener, “A More Perfect Union,” I was all systems go, hair standing on end. It was exhilarating (as was their live show a month later). The album was rich with imagery, rage, a continuity and flow from song to song, an abundance of fist-to-the-air-moments, and a full production sound.
So maybe I can be partly blamed for the high expectations I brought to the table today when I tapped ‘Play’ on T.A.’s new release, Local Business. I strapped on the earbuds and the running shoes and embarked on that familiar jog around the neighborhood, ready for that feeling, that Red Bull-will-give-you-Wings rush that music can provide…
Wasn’t happening.
Granted, the opening trio of songs – “Ecce Homo,” “Still Life With Hot Deuce on Silver Platter,” and “Upon Viewing Oregon’s Landscape With Flood of Detritus” – are solid rockers with that familiar angst and anger, a specialty of frontman Patrick Stickles. They’re good, and they very well may grow on me, but where The Monitor had that epic, fulfilling feel to it, Local Business has a garage-y, rushed quality to it. And, a lot like the (disappointing) album cover, the record’s production sound seems a lot more Do It Yourself and lower quality than the two previous releases.
I know it’s not really fair of me to rush to the web on the first day of its release to spit out my less than favorable judgment. But dammit, I was expecting more! They captured lightning in a bottle on The Monitor, and I know Stickles has it in him to go to that level again. On first listen, Local Business doesn’t come close.
→ Local Business on Amazon.
Here’s “Still Life with Hot Deuce on Silver Platter” at Shayz Lounge in Brooklyn. See all Local Business Sessions at locations around Brooklyn here on Pitchfork.
Fred Eaglesmith – “Betty”

One thing I’ve quickly found about Canadian singer/songwriter Fred Eaglesmith is that he has a hell of a lot of great songs. As I skip around his catalog on Spotify (sorry Rdio, you ain’t stocked on your Fred), I’m constantly floored by another knockout tune. The latest to catch my ear is “Betty,” from Fred’s latest album 6 Volts.
It’s not only the hard luck story of Fred’s lady, who has skipped town with Fred’s gun, leaving him to wonder what it is she’s running from: “Is it the money / Is it the drugs / Is it somebody that you used to love”; but it’s also the bad ass rhythm and cadence of his vocal delivery. It just sounds so…COOL (for lack of a better word).
Fred. He’s bad ass.
Buy 6 Volts on Amazon.
Grandaddy live at the Independent in San Francisco (8-12-2012)

One of may favorite bands from the 90’s and early 2000’s days of yore is Grandaddy. I consider The Sophtware Slump to be a masterpiece with its futuristic space-pop, bleepy, bloopy and utterly beautiful vibe.
After a 6 year hiatus, Jason Lytle and the band have reformed for a small tour around California and Europe. As is usually the case, there is no Phoenix date scheduled, so I must live vicariously through the magic of the interwebs.
This past Sunday, the band followed up their festival appearance at Outside Lands in Golden Gate Park by playing a late night gig at the Independent in San Francisco. A kind person, “cuthere,” recorded the performance (with the blessing of the band). I thank cuthere, and you will too…
Check out this Stereogum link for pictures from the night.
Grandaddy
The Independent
San Francisco, CA
August 12, 201201 Intro
02 El Caminos In The West
03 Now It’s On
04 Yeah Is What We Had
05 Summer Here Kids
06 Fare Thee Not Well Mutineer
07 The Crystal Lake
08 My Small Love>
09 Levitz>
10 Chartsengrafs
11 The Go In The Go-For-It
12 AM 180
13 Lost On Yer Merry Way
14 Jed’s Other Poem (Beautiful Ground)
15 Laughing Stock
16 Stray Dog And The Chocolate Shake
17 Hewlett’s Daughter
18 Here (Pavement Cover)
19 (break)
20 He’s Simple, He’s Dumb, He’s The PilotFred Eaglesmith – “Shoulder to the Plow”
Fred Eaglesmith continues to wind his way into my musical psyche. His 2008 album, Tinderbox, is getting repeated spins in my corner of the world. Here’s a standout track, “Shoulder to the Plow.”
Band of Horses ‘Mirage Rock’ due Sept 18th

Another killer album cover from Band of Horses. I was excited to read the band’s Facebook post tonight announcing the new album, Mirage Rock, which is due September 18th.
They’ve also unearthed the new single, “Knock Knock,” complete with a video by resident photographer Christopher Wilson.
You can pre-order Mirage Rock here.
My Cross To Bear – Gregg Allman’s Book
This one was so good, I almost started it right over again.After losing his dad as a very young kid (a senseless murder victim, no less), and then his brother, legendary slide guitarist Duane Allman in 1971 (when Gregg was just 23), Gregg persevered and carried on the musical torch – taking the Allman Brothers Band to greater heights as well as embarking on a successful solo career.
It hasn’t been easy, obviously. Gregg writes openly about his struggles with drugs and alcohol, his many failed marriages (that’s 6, folks), among them the one and only Cher.
But it’s all about the music, and thanks to the book, I’m diving deep into Gregg’s solo stuff and some of the deeper Allman Brothers Band cuts. Gregg’s 1973 debut, ‘Laid Back,’ is stellar, as is the The Gregg Allman Tour record, which was recorded on the Laid Back tour in 1974.
By the way, Mati Klarwein created that trippy Laid Back cover. He also painted the covers for Miles Davis’ Bitches Brew and Santana’s Abraxas records, among a bunch more.
Great rock n’ roll read. Pick it up…
Amazon: My Cross to Bear