• Bruce Springsteen

    We Take Care Of Our Own

    Yeah, that’s right, Bruce. We sure do. Fuckin’-A right we do. That’s why you just helped us elect the right guy for president a week ago. You are amazing. You are wonderful.

    You are a fucking monster.

    And it was great to see you again after 25 years.

    The last time I saw you was at the now giant parking lot next to the Mall of America but then the Met Center on the Tunnel of Love Tour. You played for four and a half hours and I loved every minute of it. Two days ago you played for just over three hours but I didn’t care because your set list was redonkulous.

    You opened with “We Take Care Of Our Own” which was a nice exclamation point on the election. You had the house singing along early to “Out in the Street.” You delivered a powerful one-two punch with “Death To My Hometown” and “My City of Ruins,” the latter of which made me well up at not only the theme but how fucking beautiful your voice was…

    Each song seemed to give you more energy just like it was 25 years ago when you were a young lad of 37. Body surfing for fuck’s sake to “Hungry Heart”…the unbridled energy of “Open All Night,” which was my wife’s fave…and I still can’t believe you were able to pull “Savin’ Up” out of your ass and play it perfectly. “Shackled and Drawn” reminded the crowd of just how good your new record is.

    My personal fave was “Rosalita.” Same intensity. Same high energy. Same amount of sweat and multiple gallons of water.

    The memories of the 88 year old dancing with Stevie to “Dancing in the Dark” and the various kids you pulled up on stage will be with me forever, dude. You are more than a boss. More than an icon.

    You are….

    For the rest of my photos, click here.

  • BritPop,  Rock

    A Salve For All That Ails

    It had been far too long since I’d seen a show. That’s the way it is sometimes when you have kids, school and a myriad of other things that need your attention. I have to confess that sometimes music takes a back seat in my life. Awful, I know, but it’s true.

    In fact, I’d begun to notice that something was very wrong with my soul these last few months. My life just didn’t seem right. Even though I listen to music every day (especially when I run), I wasn’t letting it fully envelop me as I usually do…comfort me more in those times that are extra stressful…and remembering that this is exactly what music should be…a salve for all that ails in totality.

    Of course, I knew several months ago when I bought the tickets for the Noel Gallagher-Snow Patrol show last Wednesday night that my musical spirit would be uplifted enormously. I couldn’t believe it when I saw the double bill. A Brit Rock Double Feature…what a treat! Neither band disappointed.

    The evening began with Jake Bugg, a very young lad hailing from Nottingham, whose short acoustic set was reminiscient of Lee Mavers. I’d recommend picking up his disc and giving it a chance.

    Noel was up next and it was an absolute corker of a set. Mixing Oasis songs with his wonderful new material, Noel showed his god like genius through 14 musical chestnuts. His first solo record, which I reviewed a while back, is so good he could have honestly played the whole thing (as his brother did when he was in town with his new band, Beady Eye) and I wouldn’t have cared. A key ingredient for me in good music is what kind of stories does the artist tell and what is their perception of the world? Noel’s lines up just about perfectly with mine and it is very evident in tracks like “Dream On” and “If I Had A Gun,” both of which were performed flawlessly with that Mancuian magic.

    The real treat of the night, in terms of his new record, was “(I Wanna Live In A Dream In My) Record Machine.” As the lyrics washed over me, the irony became very apparent. I was living in a dream about living in dream…

    The Oasis tracks were great, of course. The one that really stood out was “Talk Tonight,” originally an acoustic only song, and now a full band number that sounded marvelous. Noel’s set ended with “Don’t Look Back in Anger” (of course), my soul was reset to where it should be and all was well and good with the world again.

    But that wasn’t the end!

    Throughout Noel’s set i kept thinking about how awesome this was that there was ANOTHER great band going on right after this. Snow Patrol did not disappoint in their 14 song set, mixing old and new songs as lead singer Gary Lightbody darted around the stage like a lanky firefly (man, is he hard to photograph!). They opened with “Hands Open” and it was obvious from the start that the band (as they always go) were going to pour their hearts into every single track.

    “Crack the Shutters” was ridiculously awesome. “Run” had everyone singing along with every single word in soft and haunting, almost church like, tone. “Dark Roman Wine” was subbed in for “Make This Go On Forever” which bummed me out at first but the former is a really cool tune. “Chasing Cars” brought me to that romantic place where I can’t tell the difference between loving music and loving love. They closed the night out with “Just Say Yes,” the stand alone single from their 2009 greatest hits package.

    As I filed out of the Roy Wilkins Auditorium (a perfect place to see a show, b to the w), I quietly made two promises to myself. First, to never again let music take a back seat to my daily life…allowing it always to continually heal me. Second, never let this long of time go by until my next show. This second promise was easily kept as I am going to see (ahem) BRUCE FUCKING SPRINGSTEEN (general admission tix) in eight days!

    Photos of the show.

    For tour info on Noel Gallagher-Snow Patrol, click here. 

     

  • BritPop,  Electronic,  Punk

    The Modfather’s Mid-Life Renaissance

    For me, music begins with John Lennon. The very first step after that is Paul Weller.

    And it’s always been that way.

    Ever since I heard Sound Affects by The Jam back in 1981, Paul Weller has taken me on where no other artist (save John, of course) has really taken me. A few come close…Todd Rundgren…Joe Jackson…U2…Oasis…but none really compare to Weller simply because his mark on the music world has been so exciting and diverse. The Jam were punk, soul, and absolutely fun pop with a few ballads thrown in for seasoning. The Style Council were smooth jazz, cafe chic, solid R&B, symphonic pastorals, and house music before there was such a thing.

    His solo career began with acid jazz and then segued into hippie soul, power trio bombast, and psychedelia. His last record, Wake Up The Nation, charted even newer (and older) territory that completely took the UK music scene by storm. Bruce Foxton, former bass player for The Jam, even played on the punked up track, “Fast Car-Slow Traffic.” Praises were showered over him and the word was that he was moving beyond his moniker, The Modfather, and into God Like Genius mode.

    With his latest release, Sonik Kicks, there is no doubt that he has arrived to lord over us from musical heaven. This 14 track album (16 if you spring for the Deluxe Edition) is simply magnificent. I’d use the phrase “tour de force” but that would be paltry in illustrating how truly amazing this fucking record is by the man who has been the soundtrack to my life of for the last 30 years.

    With a nod to Kraut Rock, the album opens with “Green,” an explosion of aural delight that sends one’s heart racing directly into the matrix. “The Attic” is next with its wistful nostalgia. “Kling I Klang” could easily be on All Mod Cons or Setting Sons. “Sleep of the Serene,” a trippy instrumental, dovetails nicely with the acoustic beauty of “By The Waters.” On these last two tracks, Weller seems to be going back to the VERY under-appreciated Style Council record, Confessions of a Pop Group. “That Dangerous Age,” is the first single from the album, is next and laments the trials of being a parent to teenagers.

    At this point I was already in love with the record and wasn’t fully prepared when the next track took it up another notch. “Study in Blue” completely blew me away. It could easily be on any Style Council album with its smooth cafe sound. And me, being the hopeless romantic, was completely sucked in to the abundance of amore that spills out on this track.  Having his wife Hannah sing on the track was simply brilliant as her voice adds to the perfect and never changing mood.

    “Dragonfly” and “Around the Lake” are more tracks that sounds Jam-ish (The Gift era, towards the end), each with a dash of macabre thrown in. “When You’re Garden’s Overgrown” brings us back to Kraut Rock but with that signature Weller melody and refrain. This is my second favorite track on the album as Weller takes a page lyrically from the biting commentary of Dylan’s Blood on the Tracks. The link track “Twilight” steams ahead nicely into “Drifters” sonic and aural panorama. Listening to the latter track, one is simply stunned at how fresh Weller sounds. “Paperchase” reminds me of Berlin era Bowie.

    The album proper closes with a loving message to his ever growing brood of kids, “Be Happy Children.” An upbeat message for all of us, really, Weller indeed sounds happier than he ever has and why not? His music is more relevant, wonderful, and, indeed, more innovative than ever!

    The Deluxe Edition contains the single from last year, “Starlite,” which is devastatingly gorgeous and “Devotion,” an acoustic rock jaunt that will put a smile on your face. I highly recommend plunking down the extra greenbacks and getting it.

    Here’s my favorite track from the album, “Study in Blue.”

    http://youtu.be/gK3kc63xKXQ

  • Rock

    A New North Woods Legend

    There are many myths, legends and stories that come from the North Woods of America. The wood spirit of Wendigo which could only be seen when facing it head on…the little people who lived among the trees and distracted many a traveler…and, of course, that giant bearded man whose pet was on Ox named Babe.With no need for any hammers from gods, The Stereo Pirates are wielding the full power of Paul Bunyan’s Ax, poised to make their mark in the musical zeitgeist of Minneapolis and beyond.

    When I first heard them play a few weeks ago at the Nomad World Pub on the West Bank, the first thing that struck me was how catchy and accessible their music sounded. The song “Fall Back Man” is a great example of this.

    The pen of lead singer and chief lyricist Bryan Pertinen is matched only by his voice that cuts through the coldest of North Woods winters, soothing the scenesters as if they were in front of an open flame. Fire continually flies from the fingers and fret board of lead guitarist Jon Wefel as he takes his flower covered flock on many Kesey-esque journeys.

    Yet the key to this voyage into pure pop heaven lies in Bryan Rubbelke‘s black and white ivories that happily dance for the various denizens of pubs and clubs, scooping them all up for the ride. The rhythm section of Mark Thoreen (bass) and Jeremy Krueth (drums) provide the kind of foundation from which aural skylines are constructed in Rock City, USA.

    The Stereo Pirates have just released their self titled debut and it is a corker. It’s been in constant rotation on my iPhone, my home stereo, my computer and even my minivan as I haul kids around town. In fact, I can imagine soccer moms around the country re-embracing, and perhaps re-imagining, Twin Cities Pop with tracks like “Blue Eyes”, “Crooked Smile,” and “Painted Ladies.” The latter track nods wonderfully to Motown with a totally fab horn section that actually drove me to skipping as I was working out at the gym the other day. And I can’t help but chuckle at the obvious Zep influenced “She Cut Me.” This one gets my son’s nod for best track of the album as he always yells at me to crank the van stereo when it comes on. “Rock and Roll should be LOUD, Dad,” he reminds me and that’s exactly how this tune should be played.

    But the album’s true gem and the one that will ultimately write their fire in the sky is “Take Me Home.” Ranking right up there with “Fix You” by Coldplay and “Bedshaped” by Keane, “Take Me Home” is the classic rock anthem in every sense of the word. I can already see former cigarette lighters and now cel phones lighting up arenas as this is one of those show closing songs that will simultaneously existing at every point in music history-adding another mythic and brilliant note to the infinite lexicon that comforts me every single moment of my life.

    The Stereo Pirates will be playing live at the Fine Line Music Cafe on Thursday, March 8th. If you live in the Twin Cities area, I highly recommend seeing this band live. Click here to friend them on Facebook for all their latest news!

  • Best of Lists

    Mark’s Best of 2011

    2011 was truly a blessed year for music. Many of my favorite groups released new records and, as always thanks to NME, I found some fab new ones to geek out over. Without further adieu, here are my Top Ten Albums and Top Ten Tracks of 2011 (Click on the album or track to purchase).

    Albums

    10. Unknown Mortal OrchestraUnknown Mortal Orchestra

    This Portland, Oregon band have a a combo lo-fi, groovy throwback sound that makes me smile. “Thought Ballune” is a must download.

    9. American RevivalThe Worst Is Over Now

    My fave new local band by way of Pete getting me back into alt.country. Their debut is magnificent. Here is their first video which showcases one of the best local bars, Williams Pub.

    8. ElbowBuild A Rocket Boys!

    Yes, these Ramsbottom, Bury lads sound like Genesis avec Peter Gabriel but so what? Every new release sees treasure after treasure.

    7. The VaccinesWhat Did You Expect From The Vaccines?

    I can’t wait to see all the music this band is going to make over the years. Caught them live in a warm up for the Arctic Monkeys last spring. Bril!

    6. Noel GallagherNoel Gallagher’s High Flying Birds

    It’s about time that Noel did his own thing. I say it all the time – he’s the better singer. This album has been like a comfy blanket to me of late.

    5. Beady EyeDifferent Gear, Still Speeding

    I was pleasantly surprised to see Liam try on some different musical styles. The results speak for themselves.

    4. The Arctic MonkeysSuck It And See

    Another great fucking record from the Sheffield lads. I don’t think it’s possible for them to make a bad one.

    3. The KooksJunk Of The Heart

    Every three years The Kooks make an album that is seamless from the last one in its perfection. Just a joy to play over and over again…like this Simon and Garfunkel-esque gem..

    2. The Original 7venCondensate

    This barely missed being the album of the year. The only thing that honestly held it back was it came out later in the year (October) and I haven’t lived with like I did with my #1 pick. Morris, Jerome, Jimmy, Terry, Jesse, Monte, and Jellybean made the best Time album out of the five with this absolute corker of a record. Done without the help of that dude from Chanhassen, the greatest band in the history of funk delivered a stunner that has deepened my desire to be Morris Day.

    1. Friendly FiresPala

    The soundtrack to my summer and, indeed, the entire year. I think I have played this disc at least 200 times start to finish since it came out and I still find layers to it previously unheard. Pala sets a mood that is sorely lacking today, not just in music, but in our culture in general. I’m not entirely certain I can describe it in words but it’s reminiscent of what the most gorgeous flower would sound like as it blooms…in a club at 1:30am with piles of sweaty bodies writhing around to massive and thumping beats. And if it could tell Robert Browning-esque love stories. Like their self titled first release, Pala deserves to be forever enshrined in any Hall of Fame.

    Lay back in the sun and listen to the title track…

    Tracks

    10. “Whirring” – The Joy Formidable

    I imagine this song as being the soundtrack to an indie love story. A true gem from this North Wales group.

    9. “Endless Blue” – The Horrors

    It begins like a gentle kiss from a beautiful woman and switches mid way through into a full on frenetic, saliva-dripped shag…just like love making should be.

    8. “Boogabear” – American Revival

    “I’m so tired of fighting the battle for who could care less…” singer Thomas Pendarvis croons in my fave from the Mpls alt. country outfit’s debut. This song is now officially the anthem of every bar in every small town for every person having a cold one. (No video here so go listen to the track by clicking on the song).

    7. “Minnesota, WI” – Bon Iver

    The Eau Claire, WI natives perfectly captured that autumnal shimmer that I write about constantly. A nice shout out to my neighborhood of the country.

    6. “Wasted” – Glass Rock

    I love the mood this song sets and the album cover art is the best of the year. It’s a photo I would take. And it came out on my birthday! (No video here so go listen to the track by clicking on the song).

    5. “Shuffle” – Bombay Bicycle Club

    This Crouch End, London group may become my new Brit Rock darlings. This track struck me as sounding very different from what I normally hear from across the pond. It’s free on Amazon!

    4. “Days” – The Drums

    This is my son’s best track of 2011. He wanted me to make note of it and it’s funny because it’s appropriate considering the video below. This Brooklyn based guitar pop outfit continues to make great music with their third release, Portamento.

    3. “Post Break-Up Sex” – The Vaccines

    If Dylan’s Blood On The Tracks is the best break up album of all time, this track holds the best break up song mantle. We’ve all been there, and it’s wonderful.

    2. “Junk Of The Heart (Happy)” – The Kooks

    A perfect pop song in just about every way. Luke does it again!

    1. “Blue Cassette” – Friendly Fires

    Not simply the best track of 2011, but one of the best of all time. Friendly Fires really outdid themselves with this stunning song that waxes nostalgic about cassette tapes and lost love. My heart melts every single time I listen to it.

    Those are my albums and tracks. What are yours?

  • Rock

    It’s So Hard To Just Walk Away

    For the past several weeks, I have tried to get myself to the point where I could tell all of you that the new album by Coldplay, Mylo Xyloto, is a must for your Christmas stocking this year. Sadly, I have to report that I am not at that point and likely never will be. The London Lads’ 5th release is mediocre at best.

    Certainly, Mylo Xyloto has some Parachutes-like moments but they don’t arrive until the middle of the album. “Us Against The World” is the first such example, a nice track to be sure, that has Chris Martin’s voice looming large in the mix with that familiar, dreamy echo. But then it’s right back to the keyboard driven pomp pop that one would expect from the likes of the latest American Idol contestant (“Every Teardrop is a Waterfall,” the first single). Indeed, this is what we sit through on the first four tracks of the disc. Perhaps it’s because I yearn for a return to the simpler time of Parachutes, their first full length release, and the mood that went along with it that was captured so beautifully over a decade ago. In many ways, that album ushered in the Era Of Dream Pop, unleashing such wonderful bands as Keane, Snow Patrol, Star Sailor, and the Delays into the world.

    Thankfully, the track after Teardrop is the one that saves the album from being a real stinker. “Major Minus” is vintage Coldplay and one of their best tracks of all time. Martin’s “Ooo-ooo” ing along with a catchy acoustic guitar, terribly sick drum beat, and Edge-like electric guitar from Jonny Buckland make this song simply amazing.

    “U.F.O.” also finds some Parachutes magic as does “Up In Flames” but this is largely due to Martin’s voice which most definitely does not disappoint. Of course, this has always been the case on all their records. He derides himself constantly, saying that he is a “4th rate Bono.” Nothing could be further from the truth. His singing brings a layer of emotion that speaks directly to points in the human condition (especially love) that Bono has never seemed to capture in his career.

    The album’s closer, “Up With The Birds,” has the line, “It’s so hard to just walk away” which I found to be terribly appropriate. Coldplay are one of my favorite groups and it’s like pulling teeth to write this post but my inner Cusack in High Fidelity simply has to be honest. Download “Major Minus” for sure…”Us Against The World”, “U.F.O.” and “Up In Flames” if you must fill it out a little to get more of a taste but really that’s it.

    Here’s the track, “Major Minus.”

  • Rock

    Impossible But…

    Before it had even arrived in the mail my mind was made up. There was no way in hell that the new Subways album, Money and Celebrity, was going to be as good as their last one. All or Nothing is one of the greatest rock and roll albums of all time. Seriously. I listed it here as the 2nd best album of the last decade because it defines the very essence of the mixed up love affair I have with women and music.

    So, the very notion of it being as good or better was impossible. Indeed, the first listen didn’t go very well as I had this bias firmly entrenched in my mind. The same thing happened with the second and third listens. But the fourth listen was the one where I decided that it didn’t have to be as good as or better than All or Nothing.

    Because it’s still way fucking better than 99 percent of the boring shit that’s been put out this year! And, honestly, Billy, Charlotte and Josh have turned in one heck of a third record. In many ways, it reminds me a great deal of their first album, Young For Eternity, in both theme and style

    With this, we also see an attempt by the band to achieve more of commercial sound. This is evident in the first single, “It’s A Party” as well as “I Wanna Dance With You.” The producing talents of Stephen Street (The Smiths, The Cranberries, Blur) are evident in both of these tracks that were tailor made for radio. This record is also kind of a concept disc with the title coming from two most excellent tracks on the album (“Money” and “Celebrity”) which both offer biting social commentary.

    My faves are “Popdeath” (timely, considering the recent passing of Amy Winehouse), “Like I Love You” (classic Billy in love track), and “Down Our Street” (ok, I’m always a sucker for stories of British towns).

    Although the record has not been released here in the US, Amazon Uk has it available. I’d recommend it as a stocking stuffer!

    Here is the song “Popdeath” performed acoustically on Carnaby Street at a recent guerrilla gig.

  • Rock

    He Stands The Test of Time…Like Beatles and Stones

    (Beady Eye, Live in the Main Room, First Avenue, 5 December 2011)

    Liam Gallagher is doing just fine without Oasis. Well, actually, he took most of Oasis with him and formed a new band called Beady Eye so he’s not really suffering. Last night, this new outfit descended on First Avenue and put on a corker of a show. Part of it had to do with the venue, of course, as I hadn’t seen Liam in such a small setting for quite some time (1994, at the now departed Uptown Bar on Oasis’ first ever US tour before the “Supersonic” single had even come out).

    Here was their set list.

    Four Letter Word
    Beatles and Stones
    Millionaire
    Two of a Kind
    For Anyone
    Three Ring Circus
    The Roller
    In the Bubble With a Bullet
    Bring the Light
    Standing on the Edge of the Noise
    Kill for a Dream
    The Beat Goes On
    Man of Misery
    The Morning Son
    Wigwam

    Encore:
    World Outside My Room
    Sons of the Stage

    As you can see, no Oasis songs were played but that was just fine with me. Beady Eye’s first album, Different Gear, Still Speeding, brings a fresh mix of styles as well as familiar, Beatles-esque yarns. Highlights for me last night were “The Roller” (another channeling of Liam’s inner Lennon), “Bring the Light” (the first single from the album which I didn’t really like right away but has since grown on me with its Jerry Lee Lewis piano…ballin’!) and “Kill For A Dream” (I think I got a contact high from this number and the pot was from 1967).

    The show also saw Liam being his usual self (posing god like, picking fights with the crowd, general misbehavior fueled by titanic hubris) which made me crack up several times. The rest of the band showed the crowd their musical talents as well. Gem Archer and Andy Bell were both fantastic on the guitar. Chris Sharrock drummed his fucking heart out. Matt Jones added several layers of texture with his keyboard work.

    I’ll be looking forward to the second record which Liam has promised will drop late next year. Mega!

    Check out the band’s remaining tour schedule for the US.

    Here is my photo album from the show.

  • Rock

    The Older Brother Speaks

    Earlier this year, Beady Eye (AKA the rest of Oasis fronted by Liam) released their first full length album, Different Gear, Still Speeding. As I noted here, it was and is quite good. In fact, I will be seeing them live in 2 short days (review coming soon, natch) in the Main Room at First Avenue. The pilgrim will walk to one of the prophets…

    Most of us Brit geeks have been waiting for the elder Gallagher to put his stamp on 2011 and boy has he ever with Noel Gallagher’s High Flying Birds released just a few weeks ago. The album is magnificent and how lucky all of us are that Oasis broke up as we now get double the output from the dueling Mancunians.

    Don’t expect many surprises with this one. It has all the signature Beatles-dripped magic sung by the brother who I have always felt is the better singer. Noel wouldn’t agree of course but this is one of his rare self-deprecations. Songs like “If I Had A Gun…” (a deeply passionate love song) demonstrate the sheer beauty and emotion of his voice. “AKA What A Life” (a sister song to Oasis’ “Falling Down”) kicks this sentiment up another notch as Noel “takes that tiger outside for a ride.” With “Soldier Boys and Jesus Freaks,” we hear a rare political rant that is most welcome. The infectiousness of “Dream On” easily draws anyone in.

    And, is usually the case with Brit bands, the best track from these sessions is not on the regular album (but is available on the deluxe edition and the single, “The Death of You And Me”). “The Good Rebel” made me grin from ear to ear the moment I first heard it. Using the metaphor of cleansing rain, Noel washes his past away and stakes out new territory for himself. The older brother has spoken and the future looks very bright indeed with this great idea for a stocking stuffer this holiday season.

    Check out “The Good Rebel” below and keep an eye out for Noel Gallagher’s High Flying Birds coming to our side of the pond early next spring!

  • Live

    How’d You Like That, How’d You Like That, How’d You Like That…I Liked It!!! [The Kooks at First Ave]

    “How many bands can you name that have only three albums out and, after a 21 song set, you still want more?

    Not many. But that’s the beauty of Brighton’s The Kooks. The recently released Junk of the Heart is yet another example of how Luke and the East Sussex lads are extremely gifted when it comes the composing pure pop songs. Like their first two releases (Inside In/Inside Out, Konk), every track on their third offering is fantastic.

    Last Sunday night, the Main Room at First Avenue saw the Kooks bring their uncanny knack for the 3 minute, insta-catchy tune to town. Their set list included tracks from all three of the records.

    THE SETLIST
    Is It Me?
    Always Where I Need To Be
    Sofa Song
    Matchbox
    Rosie
    She Moves In Her Own Way
    Sway
    Runaway
    Eskimo Kiss
    Killing Me
    Seaside (Acoustic)
    Tick of Time
    See The Sun
    How’d You Like That
    Mr Nice Guy
    Ooh La
    Shine On
    Do You Wanna
    Encore:
    The Saboteur
    Junk Of The Heart (Happy)
    Naïve

    Highlights for me were some of the new songs (“Rosie,” “Runaway,” “Junk of the Heart”) as well as the ever sturdy “Sofa Song,” “She Moves In Her Own Way” and “Sway.” “Eskimo Kiss,” a track from the new record, was really a treat and managed to capture a Simon and Garfunkel sentiment both thematically and stylistically. Luke ran around the stage doing his best to capture all our attention with his Jim Morrison-esque affectations.

    After asking the question posed above at the end of the 75 minute set, my favorite show companion and I started listing the songs we wished they had done as well.

    “Eddie’s Gun?”
    “Yep.”
    “Love It All?”
    “Oh, that would have been mega!”
    “Jackie Big Tits?”
    “No doubt!”

    We kept going until we had named all their songs on all their albums and singles.

    The Kooks are heading out west which includes a stop on December 9th at the Wild Horse Pass Hotel and Casino in Chandler, AZ for our esteemed host. Catch them if you can!

    Here’s the video I took of the last song of the night, “Naive.” I apologize for the bumpiness…I was dancing around and being pleasantly jostled.